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Journal articles on the topic 'Genre synthesis in A'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Zymohliad, Nataliia. "Trends in Genre Modification in Contemporary Ukrainian Piano Music: from Meta to Anti-Genre." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 60–65. https://doi.org/10.31866/2410-1176.44.2021.235312.

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The purpose of the study is to identify the determinants and specifics of trends in the modification of genre models in contemporary Ukrainian piano music and the associated transformations of the performer’s status and artistic communication. The research methodology of the article consists of cultural, art studies and comparative approaches that made it possible to understand the ways of genre transformation in the paradigmatic dimensions of modern culture, as well as the principles of musicological, in particular genre analysis, which provided awareness of the specifics of the transfo

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2

Щітова, С. А., and Т. О. Швець. "MULTIDIMENSIONALITY OF GENRE SYNTHESIS IN CONTEMPORARY MUSICAL ART." Музикознавча думка Дніпропетровщини, no. 15 (November 4, 2019): 118–26. http://dx.doi.org/10.33287/22199.

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The purpose of the article is to reveal the peculiarities of the phenomenon of polygranism (genre synthesis) and its varieties in contemporary musical art. The methods of the study are based on a combination of historical and theoretical approaches of scientific knowledge. The historical method allows us to trace the origin, flourishing, complication and improvement of the phenomenon of genre synthesis in musical art, first of all, during the postmodern day (the last third of the twentieth century – the beginning of the XXI century). Dialectic, comparative, empirical (observation and generaliz

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Zakharova, Victoria, and Irina Kudryavtseva. "ORIGINALITY OF THE GENRE POETICS IN V.A. NIKIFOROV-VOLGIN'S STORY "THE ROAD STAFF" IN THE CONTEXT OF THE PROSE OF THE RUSSIAN DIASPORA." História e Cultura 12, no. 2 (2023): 417–34. http://dx.doi.org/10.18223/hiscult.v12i2.3953.

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The purpose of the article is to study the originality of the genre poetics in V.A. Nikiforov-Volgin’s story "The Road Staff" in the context of the prose of first-wave Russian diaspora – the works by I.A. Bunin ("Iz zapisok neizvestnogo" ["From the Notes of the Unknown"]) and I.S. Shmelev (short story "Blazhennye" ["The Blessed"]). The analysis convincingly shows that these works are an example of genre synthesis, which is dominated by features of the ancient Russian genres of "khozhenie" ["journey"], hagiography, and sermon. The authors emphasize the originality of the concept of "The Road St

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Veselova, Aleksandra Yu. "A synthesis of genres in Andrey Bolotov’s memoirs." Slovo.ru: Baltic accent 11, no. 2 (2020): 105–13. http://dx.doi.org/10.5922/2225-5346-2020-2-9.

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Although the genre status of the memoirs of the Russian writer Andrei T. Bolotov has been repeatedly raised in the literature, it has never merited a separate study. This article analyses the structure of Bolotov’s memoirs in terms of their genre peculiarity. Text analysis shows that, when writing his memoirs, Bolotov used techniques borrowed from across various genres with which he was well acquainted. Those were the novel, the epistolary genre, the travelogue, the historical essay, etc. In the broad context of Bolotov’s works, the article shows that all those elements were not combined mecha

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Mehlenbacher, Ashley Rose, Sara Doody, Carolyn Eckert, and Brad Mehlenbacher. "Prolepsis and Rendering Futures in Intergovernmental Panel on Climate Change Reports." Written Communication 41, no. 2 (2024): 352–77. http://dx.doi.org/10.1177/07410883231222882.

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Rhetorical figures of speech provide important analytical frames to chart how arguments operate within genres and within genre ecologies. Varieties of the figure prolepsis allow for the rendering of future time or fact in the present, which can be a powerful rhetorical inducement toward social and political action. In this article, we examine how anticipatory arguments drawn from complex data shape a key genre for public and policy-facing work on the climate crisis—the Intergovernmental Panel on Climate Change’s Synthesis Report’s (SYR) Statement for Policy Makers (SPM). We examine how the rhe

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6

Gao, Chiling. "Genre context of Ihor Shamo’s choral creativity." Culture of Ukraine, no. 75 (March 21, 2022): 109–14. http://dx.doi.org/10.31516/2410-5325.075.14.

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The purpose of this paper. The purpose of the study involves a thorough study on the genre system of choral heritage I. Shamo, as understanding the genre essence of choral work is an essential component of performing interpretation. The methodology. Methodological principles are the principle of historicism, historical-contextual method, genre-style analysis and acmeological method in musicology, used to understand the top achievements of I. Shamo in the context of the evolution of artistic thinking of the artist. The results. The genre system of I. Shamo’s choral heritage consists

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Demeschenko, Violeta. "Features of genre formation in film art of the 21st century." Interdisciplinary Cultural and Humanities Review 2, no. 2 (2023): 11–19. http://dx.doi.org/10.59214/2786-7110-2023-2-2-11-19.

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The relevance of the study lies in rethinking the specifics of existing film genres, the processes of their transformation in the cinema of the 21st century. Objective of the study is to recreate the logic of the formation of a modern genre system that includes new hybrid forms. The following methods are used: structural-system, general scientific methods of theoretical research (analysis, synthesis, induction, deduction, generalisation, classification, etc.). The features of the formation of modern film genres were examined. It is established how new hybrid genres are formed, and the features

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Криворучко, Світлана Костянтинівна. "СПЕЦИФІКА ЖАНРУ ОПОВІДАННЯ «СИМПОЗИУМ» М. КУНДЕРИ". Наукові записки Харківського національного педагогічного університету імені Г.С. Сковороди "Літературознавство" 2, № 81 (2015): 139–48. https://doi.org/10.5281/zenodo.32956.

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In his story «Symposium» M. Kundera through love collisions, immersing in search for answers to eternal questions comes to a complicated genre transformation. The aim of the article is the analysis of the genre specificity of the story by M. Kundera «Symposium». The story is given in a form of drama, which contains not tragicomedy, but a transformation from tragedy to comedy. The text of the story tends to be presented like dialogues, monologues, remarks, and the characters also remind actors. M. Kundera creates tension through the psychology of the heroes, which in tur

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Tsimokh, Natalia. "Trends in the Development of Genres of Modern Television Programs." Bulletin of KNUKiM. Series in Arts, no. 40 (June 5, 2019): 11–17. https://doi.org/10.31866/2410-1176.40.2019.173958.

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The purpose of the research is to analyze the technology of creating television programs and to identify the causes and consequences of the use of new genres, methods and techniques; consider the process of merging or replacing one genres with others, the emergence of new genre formations, the creation of new television forms; explore the genre aspects of television products. The research methods. Together with the general scientific methods (analysis, synthesis, generalization), system analysis was used, which made it possible to characterize the integration of the latest technologies, genres

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Trowell, Ian. "Auto-synthesis." Organised Sound 6, no. 3 (2001): 215–23. http://dx.doi.org/10.1017/s1355771801003077.

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This article attempts to place the dynamic of popular electronic music, evident since the late 1970s and extending to the current situation, at the forefront of developing both a strategy of critique and a medium for critical reflection. The genres covered include electronic music in and around the time of punk rock, subsequent moves to the forcing ground of pop music with the era of synth-pop, the dynamic upheavals created through the surging form of techno, up to the prevalent genres of micro-sound and electronica. The essence of both the body of critique formulated by the music, and the cri

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Kyseliova, Tetiana. "Genre synthesis in D. Auber’s opera “La Muette de Portici”." Aspects of Historical Musicology 35, no. 35 (2024): 181–97. http://dx.doi.org/10.34064/khnum2-35.10.

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Statement of the problem. Objectives, methods, and novelty of the research. The genre of grand opera is associated with the work by D. Auber. The first work in this genre was the opera ‘La Muette de Portici’, which was produced by D. Auber in collaboration with the librettist in 1828. When creating the libretto, the artists relied on historical events of the Neapolitan rebellion against the Spaniards in 1647 led by the fisherman Mazaniello. For the first time, a mute heroine appeared on the opera stage as the main character, whose image was embodied by a ballet dancer. Thus, D. Auber and E. Sc

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Sulaimanov, Mukhamed-Ali Usmanovich. "Genre analysis of the text in the context of structure and composition of Shakir Selim’s literary work “About Shamil Alyadin, Charyks and the Pocket Knife”." Филология: научные исследования, no. 6 (June 2021): 23–33. http://dx.doi.org/10.7256/2454-0749.2021.6.35863.

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The relevance of this article is substantiated by scantiness of research dedicated to genre analysis of the text in the context of structure and composition in Crimean Tatar literature as a whole and on the example of Shakir Selim&rsquo;s work &ldquo;About Shamil Alyadin, Charyks and the Pocket Knife&rdquo; in particular. The subject of this study is the genre analysis of the text in the context of structure and composition on the example of the indicated literary work. The goal consists in the analysis of relations between various literary-publicistic genres in the context of stru

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Gavrilova, Liana A. "«BOBOK» BY F. M. DOSTOEVSKY: TO THE PROBLEM OF THE GENRE." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 16–24. http://dx.doi.org/10.20323/2499-9679-2020-4-23-16-24.

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Тhe article raises the problem of the genre of the work of F. M. Dostoevsky «Bobok», actualized by M. M. Bakhtin, but still of scientific interest. The purpose of the article is to clarify the understanding of the genre of the «Bobok» work existing in literary criticism. The objectives of the research are related to the identification in the «Bobok» story of the signs of the genres of vision and anecdote and the definition of their role in the formation of the genre specificity of the work and its semantic organization. The article uses an integrated approach to the analysis of the «Bobok» sto

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Zhang, Ling. "The genre of folk song arrangements: the synthesis of composing and performing interpretations." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 92–104. http://dx.doi.org/10.34064/khnum1-53.06.

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Logical reason for research. The current state of music science indicates that for the vocal and instrumental performing there are both, a number of general questions and problems, and many specific ones. The theme of performing in musicology has both, practical and theoretical projections, the interaction of which in a single research process gives the most valuable scientific result. A serious issue in terms of the musical interpretation for a musician-vocalist is the specificity of vocal genres. One of the most common and popular vocal genres is the folk song genre, which in all world music

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Mozgalova, Nataliia, and Anna Novosadova. "GENRE-STYLE INNOVATIONS IN THE OEUVRE OF MODERN UKRAINIAN COMPOSERS." Baltic Journal of Legal and Social Sciences, no. 4 (January 2, 2023): 56–63. http://dx.doi.org/10.30525/2592-8813-2022-4-7.

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The article is devoted to the genre and style features of contemporary oeuvre of Ukrainian composers. It was determined that genre and style, which are closely interrelated, is the representation of the author’s individuality. It is emphasized that it is impossible to characterize the work of artists without understanding the specified categories. Therefore, the reference to the categories of genre and style is not accidental. The analysis of the oeuvre by O. Kozarenko, L. Dychko, L. Kolobud, and Ye. Stankovych allows us to conclude about the inherent features of contemporary Ukrainian musical

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16

Flowers, Adam. "Reconsidering Qur'anic Genre." Journal of Qur'anic Studies 20, no. 2 (2018): 19–46. http://dx.doi.org/10.3366/jqs.2018.0336.

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The Qur'an's employment of diverse modes of discourse is, perhaps, the text's defining literary feature. These discourses, ranging from apocalyptic, to narrative, to legal, have long been observed by Western scholars. Genre studies of the Qur'an, however, have largely stagnated, and little progress has been made beyond cursory classifications. This stagnation is particularly stunting to the study of the textual history of the Qur'an, as vital questions concerning the development of individual genres and the relationship between Qur'anic genre and the unit of the sura remain unanswered. This ar

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17

Beley, M. "Genre Features of Pierre Boulle's Dystopian Science Fiction Novel "Planet of the Apes": A Communicative Aspect." Scientific Research and Development. Modern Communication Studies 12, no. 6 (2023): 20–27. http://dx.doi.org/10.12737/2587-9103-2023-12-6-20-27.

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The enduring popularity of 20th century science fiction authors among readers of all age categories has been noted in numerous works of literary scholars. An extremely important aspect is the fact that the author and the reader must have a common language in order for communication to be effective. The relevance of the study is due to the growing interest in the problem of interpreting the genre of science fiction works. The aim of this study is to try to trace the synthesis of genre forms from the point of view of communicativism and the theories of C. Darwin and T. de Chardin in the novel "P

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18

Kiseleva, Yulia I., and Marina A. Myasnikova. "Genre Solutions in Contemporary Popular Science Cinema. Experience of Practical Application." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, no. 4 (2023): 40–49. http://dx.doi.org/10.15826/izv1.2023.29.4.064.

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The article studies the current situation in Russian popular science cinema, as well as its essence as a separate type of cinema with its own genre system, different from documentary film, television and television journalism genres. The authors consider such famous researchers points of view on the genre problem as G. Pospelov, G. Abramovich, L. Timofeev, V. Kozhinov, G. Gachev, V. Poznin, G. Prozhiko, N. Zorkaya, and offer their opinion concerning the differentiation of the concepts “types” and “genres” in relation to popular science cinema. The problem of its future existence is characteriz

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Maevskaya, Ilona Vladimirovna. "GENRE MODULATION AND GENRE SYNTHESIS IN THE INTERPRETATION OF A VARIETY SONG." Manuscript, no. 3 (March 2019): 127–30. http://dx.doi.org/10.30853/manuscript.2019.3.26.

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20

Kuzmina, Marina D. "The most “personal” genre of Old Russian literature." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 59 (2021): 161–73. http://dx.doi.org/10.37816/2073-9567-2021-59-161-173.

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The paper attempts to identify the originality of epistolary genre against the background of other genres of Old Russian literature, which, as is known, was characterized by the interaction of genres, genre synthesis. The message stands out against the general background as the most “personal” genre. It articulates quite clearly the situation of communication of, as a rule, two specific personalities — addresser and addressee. It is thereby very targeted and situational, focused on the needs and goals of participants in the epistolary dialogue. It more or less actualizes the images of both com

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Mykolaienko, Alla. "Genre forms of modern Ukrainian media criticism." Synopsis: Text Context Media 27, no. 1 (2021): 32–38. http://dx.doi.org/10.28925/2311-259x.2021.1.5.

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The research of the media criticism segment of Ukraine is relevant in the framework of the modern information space and the need to regulate the media. Important for the research are its genre forms, that allow to systematize and diversify critical materials. The subject of the research are media-critical editions “Telecritica”, “Detector Media”, “Media Sapiens”, “Media Lab” and “Mediacritica”. The purpose of the article is to analyze informational, analytical and artistic-journalistic genres of media-critical publications of Ukraine. The system method, methods of comparison, analysis and synt

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Mudrak, Maryna. "Polemical Literature and Carnival Culture: Aspects of (not) an Intersection." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 8–18. http://dx.doi.org/10.18523/2618-0537.2022.3.8-18.

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Elements of culture of popular laughter (Mikhail Bakhtin) in the “Knyzhka” of the Ukrainian polemicist were the object of study in the works of Ivan Franko and Mykhailo Hrushevsky. Researchers have not yet distinguished between the concepts of humorous, ironic, and satirical. The third chapter of the “Knyzhka” is called by the Ukrainian historian the forerunner of Ukrainian comedy due to its humorous elements and simple language. However, Hrushevsky calls the descriptions of the image of a layman either ridicule or humor.Carnival elements are closely related to the nature of the genre. Polemic

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Medvedieva, Alla, and Serhii Chernenko. "Issues of the Interview Genre in Contemporary Media Space." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 11–17. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235059.

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The purpose of the research is to investigate the problems of the genre in modern media discourse. Research methodology. When writing a scientific article, research methods are used: analysis and synthesis (analyzed and systematized the work of the interview genre have been analyzed and systematized), a comparative method (parallels of interviews in the world and Ukraine have been made), generalization and systematization (summarizing has been made due to practical knowledge and work with diverse literature). Scientific novelty. This article is relevant today, despite the huge number of ready-

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Gbadegesin, Olubukola A. "Animating Genre in the Yorùbá Photoplay Series." Cambridge Journal of Postcolonial Literary Inquiry 4, no. 2 (2017): 176–90. http://dx.doi.org/10.1017/pli.2017.11.

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AbstractIn a continent remarkable for its receptivity to “creative potentiality,” a glimpse at its thriving universe of popular arts quickly reveals the limits of dogmatic, discipline-centered devotion to “genre” (Barber, 2000). And while the “open and incorporative” nature of West African popular production is certainly animated by the basic elements of genre, framing the concept as a finite product of ordered literary laws seems incongruous with practical and popular articulations on the continent. At the intersection of print and visual culture—another synthesis of genres—the Yorùbá Photopl

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Gareeva, Gulfira Nigamatovna, and Alsu Mishatovna Shaydullina. "The problem of artistic synthesis in Bashkir prose in the second half of the 20th century: M. Karim's novella "A Long, Long Childhood"." Philology. Issues of Theory and Practice 17, no. 3 (2024): 892–99. http://dx.doi.org/10.30853/phil20240129.

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The aim of the research is to identify the predominant features of genre synthesis in Bashkir prose in the second half of the 20th century based on a comparative-historical analysis of genre components present in the seminal work of M. Karim "A Long, Long Childhood". The scientific novelty of the study lies in identifying various genre-stylistic varieties that create a synthesis, a new internal epic form in M. Karim's novella, which was subsequently developed by other writers. This aspect is selected for this research as a key one and presents undeniable interest for understanding the writer's

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Lihus, Olha, and Valentyn Lihus. "The Problem of Genre in the Musicological Research of the 20th –21st Centuries." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 188–95. https://doi.org/10.31866/2410-1176.38.2018.141819.

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The purpose of the article. The article is dedicated to the historiography of the musical genre problem – one of the most significant categories of the musical reasoning, the examination of which has a controversial nature. Different interpretations of the notion of genre in the research of the 20th-21st centuries are analyzed. The foundation of the methodology is a theoretical method of systematization, which presupposes the consideration of the scientific conceptions of genre. Other methods are also used: abstraction (to define the essential features of genre), anal

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27

Horodenko, Lesya, and Yevhen Tsymbalenko. "Multimedianess as a Technology of Genre Diffusion Within Transformation of Media Industry." Scientific notes of the Institute of Journalism, no. 1 (82) (2023): 11–32. http://dx.doi.org/10.17721/2522-1272.2023.82.1.

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The article is devoted to consideration of transformations and changes of a number of journalistic genres that occur under the influence of multimedia interactive technologies. In particular, the genre diffusion in the media materials on the Internet and the trends of genre transformation under the influence of multimedia technologies are analyzed. The main features of multimedia genres in comparison with traditional ones are tracked and the reasons for combination of some genres are analyzed. The objective of the article is to systematize and to describe the genre transformations under the in

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Каноєва, М.Г., та М. В. Бутиріна. "Інтерв'ю: трансформації жанру на сучасному етапі". Mass communication in global and national dimensions, № 13 (27 травня 2020): 52–56. https://doi.org/10.5281/zenodo.3860038.

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<strong>Kanoieva M., Butyrina M. Interview: Current genre transformation </strong> One of the positive trends in the development of contemporary journalism is the promotion of dialogues both in print media and on television, radio and the Internet. Interview, as a genre, plays a key role in building today’s media model. The study was conducted using general scientific methods: descriptive, analysis and synthesis. With the help of these methods, the process of transformation of the interview genre at the present stage was analyzed and modern types of interviews were considered. The interv

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Matrazova, Ayjamal. "DYSTOPIAN GENRE IN UZBEK LITERATURE IN THE EXAMPLE OF AHMAD AZAM’S “DREAM OR JOURNEY TO G’ULISTON”, ITS STYLISTIC AND CONCEPTUAL HARMONY." INTERNATIONAL JOURNAL OF SCIENCE AND TECHNOLOGY 2, no. 4 (2025): 13–17. https://doi.org/10.70728/tech.v2.i04.003.

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This article includes information about one of the most famous novels in Uzbek literature, how it plays a role in the dystopian genre of Uzbek literature. Ahmad Azam, in the introduction to his novel "Dream or Journey to G’uliston" states, "...regardless of what kind of work it turns out to be, whether I call it a story, a novel, or observations, perhaps they are impressions from the journey; if you read it and are aware of the events within, that is enough." He leaves the classification of the genre of the work up to the reader’s interpretation. Although we observe a synthesis of the aforemen

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Chmil, Hanna, and Maryna Voitseshchuk. "To the Question of Horror as a Genre of Modern Screen Space." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 2 (2019): 165–72. https://doi.org/10.31866/2617-2674.2.2.2019.185693.

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The purpose of the study is to reveal the genre’s peculiarities and ascertain its significance for solving artistic tasks as a separate branch of audiovisual art. Research methodology. In our study, the following methods were applied: analytical is to isolate certain parts of the general problem and study for a full understanding of the subject of research; comprehensive approach is for holistic and versatile coverage of the theme, in particular during the examination of the theoretical section along with research problems; art is applied during the analysis of film works in th

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Bessmeltseva, Olesia Vasilievna. "Genre-synthesis in Hermann Broch’s novel “Bewitchment”." Vestnik of Saint Petersburg University. Language and Literature 16, no. 1 (2019): 105–14. http://dx.doi.org/10.21638/spbu09.2019.108.

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Tsukanova, Marina V. "Valery Kikta’s ballets: the evolution of the genre." Ученые записки Российской академии музыки имени Гнесиных 3, no. 50 (2024): 90–102. http://dx.doi.org/10.56620/2227-9997-2024-3-90-102.

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The article is dedicated to the 60th anniversary of the creative activity of the composer Valery Grigorievich Kikta, Honored Art Worker of Russia and Ukraine, professor at the Tchaikovsky Moscow State Conservatory and the Gnesin Russian Academy of Music. The main objective is to introduce the problematics of the composer's ballet work. The article considers the role of ballet in the author's style, establishes the probable reasons for the commitment to this genre and provides meaningful primary images that inspired the master. The research methodology combines musicological and general humanit

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Medvedieva, Alla, and Serhii Chernenko. "Issues of the Interview Genre in Contemporary Media Space." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, no. 1 (2021): 11–17. https://doi.org/10.31866/2617-2674.4.1.2021.235059.

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<em>The purpose of the research </em>is to investigate the problems of the genre in modern media discourse. <em>Research methodology. </em>When writing a scientific article, research methods are used: analysis and synthesis (analyzed and systematized the work of the interview genre have been analyzed and systematized), a comparative method (parallels of interviews in the world and Ukraine have been made), generalization and systematization (summarizing has been made due to practical knowledge and work with diverse literature). <em>Scientific novelty. </em>This article

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Zhanarka, Ibrayeva, Ibrayeva Adeliya, and Maimakova Almagul. "GENRE SPECIFICITY OF AGATHA CHRISTIE'S WORKS." Annali d'Italia 64 (February 27, 2025): 47–53. https://doi.org/10.5281/zenodo.14937485.

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The detective genre is one of the most popular and readable in the modern world. The main elements of the detective story are intricate plots, investigations and intrigues, which attracts readers of different ages. Relevance of the study: the detective as a genre has not been sufficiently explored in contemporary society and is in its formative stages. The purpose of the study is to analyse the popular works of the detective genre by Agatha Christie, to identify the main types of characters in her novels, to determine the characteristic features of the author’s style in the works, to con

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Khaninova, Rimma M. "Баллада в калмыцкой поэзии ХХ в. в аспекте синтеза жанров". Монголоведение (Монгол судлал) 13, № 1 (2021): 147–67. http://dx.doi.org/10.22162/2500-1523-2021-1-147-167.

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Introduction. The ballad genre in Kalmyk poetry, having no national folklore analogues, is based on the Russian literary ballad of the Soviet period. The article examines ballads in 20th-century Kalmyk poetry in the aspect of genre synthesis — the ballad and the poem proper. The relevance of the work is determined by that the Kalmyk literary ballad remains understudied both in the genre paradigm and in the dialogue of cultures. Goals. The article aims to examine the Kalmyk literary ballad in its synthesis with the genre of the poem. Materials and Methods. The investigated materials are works b

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Bondarenko, Olena. "Piano etude in the work by Serhiy Bortkevych: paths of genre transformation." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 74, no. 74 (2025): 29–55. https://doi.org/10.34064/khnum1-74.02.

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Statement of the problem. The topic of transformation of the genre of etude for piano in the work of Serhiy Bortkevych is due to several problematic levels that are poorly studied in the scientific space of Ukrainian art history, the level of growth of which has a direct impact on modern pedagogical and performing activities. The study of S. Bortkevych’s work remains an open topic for scholars and art critics: D. Hultsova, E. Levkulych, N. Stetsyuk, O. Cherednychenko only partially touched upon the study of the fotepiano heritage and the virtuoso genre of the etude in their research. Even unde

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Virchenko, Tetiana, and Roman Kozlov. "Ukrainian Intellectual Drama of the 2000s." Revista Amazonia Investiga 10, no. 38 (2021): 39–50. http://dx.doi.org/10.34069/ai/2021.38.02.4.

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In spite of the presence in contemporary scientific works, the terms ‘intellectual drama’ and ‘intellectual theater’ have blurred boundaries. The aim of the article is to identify productive genres and methods of intellectualization in Ukrainian drama of the 2000s. The category of genre was taken as the basis for material structuring. Genre analysis is combined with a poetics analysis of a literary work and an analysis of theatrical techniques that promote intellectualization. Regardless of the genre determined by a writer for a work, no matter what generation an author identifies himself with

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Pertsovа, Natalіia, and Victoriia Shevchenko. "Chamber Cantatas of Oleh Kyva: Style Evolution of Genre." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 2, no. 2 (2019): 196–203. https://doi.org/10.31866/2616-7581.2.2.2019.187455.

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The aim of the study is to identify the characteristic traits of Oleh Kyva’s composer’s thinking on the example of his chamber cantatas. This goal presupposes the solution of a number of tasks, in particular, an analysis of the place of his work in the context of musical culture of the second half of the twentieth century and the allocation of its links with the previous musical tradition. The research methodology is connected with the use of the method of analysis of the available musical material – the cantata of O. Kyva, the review of the scientific and theoretic

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Haludzina-Horobets, Victoriia. "TRANSFORMATION PROCESSES OF THE SERVE OF THE TELEVISION INTERVIEW IN THE MODERN MEDIA SPACE." Scientific journal “Library Science. Record Studies. Informology”, no. 2 (September 1, 2021): 95–102. http://dx.doi.org/10.32461/2409-9805.2.2021.238788.

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The purpose of the article. The study examines the transformational processes of the genre of television interview in the modern media space, in particular, the "migration" of television interviews on Youtube. The methodology consists of the application of such general scientific methods as: synthesis, analysis, generalization, comparison, which allowed to explore the features of the genre of television interview in the context of social communications, as well as the transformation processes of the genre. The scientific novelty of the work is that the article clarifies the place and role of t

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Repenkova, Maria M. "Plot-building motifs in turkish urban fantasy (as exemplified by Sadik Yemni's novel, Solvent)." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 3 (2022): 198. http://dx.doi.org/10.31857/s086919080020161-4.

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The paper looks at Solvent (2003), a novel by the prominent modern science fiction author Sadik Yemni, to study the predominant motifs of Turkish urban fantasy. We prove that the motifs of dual worlds, dreams and hallucinations, fall from grace, punishment, a quest-like journey, and mysteries and secret organizations are central not just to this particular novel&apos;s plot but also to the entire urban fantasy sub-genre. The latter assumption is highly relevant, because it facilitates the review of features typical of the aforementioned sub-genre in Turkish literature, which remains almost

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Kononova, Alyona Alekseevna. "Specificity of the ballad genre in Russian musical creativity of the XX century: Defining properties and historical context." Pan-Art 4, no. 2 (2024): 126–31. http://dx.doi.org/10.30853/pa20240019.

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The aim of the study is to characterize the ballad and the specifics of its realization in Russian musical creativity of the 20th century in the historical context with the identification of the reasons for the author's appeal to the genre. The article presents the constant features of the genre, the main trends in the development of the ballad in the historical period under consideration, analyzes the principles of interpenetration of the ballad and other genres, and identifies the reasons for its popularity in composers' work and mass culture. For the first time on the material of diverse co

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Varakuta, Maryna. "Genre Evolution of the Psalm and Ecclesiastical Miniature." Studia Universitatis Babeş-Bolyai Musica 67, Special Issue 1 (2022): 115–26. http://dx.doi.org/10.24193/subbmusica.2022.spiss1.08.

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"The article deals with the evolutionary processes of development of psalm and ecclesiastical miniature genres in choral music from the Renaissance to the present. It has been found that the wide possibilities of creating liturgical and non-church, concert and stage spiritual works gave the way to the enrichment of canonical канонічних principles of such traditional genre models as psalm and ecclesiastical miniature with individual stylistic features. Accordingly, gaining more and more popularity in church and secular music practice, psalms and ecclesiastical (prayer) miniatures have acquired

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Khaninova, Rimma M. "Жанр харал в калмыцкой поэзии ХХ в." Монголоведение (Монгол судлал) 14, № 2 (2022): 418–40. http://dx.doi.org/10.22162/2500-1523-2022-2-418-440.

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Introduction. In Kalmyk folklore, the genres of yöräl (well-wishing) and kharal (curse) cluster with magic poetry characterized by ritual and communicative functions. The latter genre remains understudied since informants had avoided uttering such narratives fearing their negative impacts, therefore the available records of kharals are much fewer than those containing yöräls. This affected essentials of kharals authored by 20th-century Kalmyk poets, including the former’s peripheral position in the genre system of Kalmyk lyrics and a small number of such poetic examples. The article discusses

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Величковська, Юлія. "Особливості української антиколоніальної драматургії ХVIII – першої половини ХІХ ст." Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 7, № 4 (2022): 15–22. http://dx.doi.org/10.15804/ppusn.2022.04.01.

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The article deal the general patterns and main trends in the formation and development of dramatic genres as a self-sufficient genre in Ukrainian literature of the XVIII – first half of the XIX century, aimed at highlighting anti-imperial ideas in close connection with the requirements of general literary genre and national traditions. It was found that the anti-colonial national literature found its expression in such genres as historical drama, drama-morality, vaudeville, social-household drama and comedy. «Vladimir» by Feofan Prokopovich, «God’s Mercy ...» by an unknown author, «Resurrectio

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Sadokova, Anastasiya Rurikovna. "The genre of honkaku mukasibanashi in the system of Japanese fairy-tale prose." Philology. Theory & Practice 18, no. 1 (2025): 200–205. https://doi.org/10.30853/phil20250031.

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The purpose of the study is to determine the national specifics of the Japanese genre of honkaku-mukashibanashi based on a wide range of folklore material and the laws of typological unity of fairy-tale prose. The scientific novelty lies in a comprehensive approach to the study of this genre, which is studied for the first time in Russian science. The very concept of the honkaku-mukashibanashi genre is introduced into scientific circulation, using specific examples to show what its national specificity is and what plot elements are characteristic of it. The classifications of national fairy ta

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Zhang, Ling. "The genre of folk song settings: the ways of interaction of traditional and professional musical art." Aspects of Historical Musicology 21, no. 21 (2020): 113–23. http://dx.doi.org/10.34064/khnum2-21.07.

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Logical reason for research. The contemporary music science is becoming an increasingly multifaceted research field. This is connected with the evolution of musical art in general (its language, genre system, stylistic diversity), and its interaction with other manifestations of human creativity, and with new aspects of studying the achievements of world and national culture. One of the topical perspectives of scientific attention over the past decades has been the attention of musicologists to musical practice, in particular, to musical performance in all its multi-vector manifestations – in

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TRIANOV, Maksym. "GENRE SYNTHESIS IN RICHARD CAMERON-WOLFE’S CANTATA “BREATHLESS”." Humanities science current issues 3, no. 73 (2024): 145–51. http://dx.doi.org/10.24919/2308-4863/73-3-22.

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Devyatova, Olga. "DIALOGUE BETWEEN ELITE AND MASS GENRES IN THE MUSICAL WORK OF ALEXEI RYBNIKOV." Herald of Culturology, no. 3 (2022): 209–29. http://dx.doi.org/10.31249/hoc/2022.03.12.

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The article is devoted to the actual problem of the dialogue between elite and mass musical cultures, which is studied on the example of Alexei Rybnikov's work. Culturologically the most significant works of the modern composer of classical (elitist) and mass genres (film music, rock music, etc.) are analyzed, in which the techniques and methods of their interaction and dialogue are revealed. The conclusion is made about the free intercultural genre synthesis, which led to high, bright and original artistic results.

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Chmil, Hanna, and Maksym Vitoshkin. "Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 2 (2024): 275–87. https://doi.org/10.31866/2617-2674.7.2.2024.319000.

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The purpose of the research is to analyse the peculiarities of the implementation of the director’s idea in fiction and documentary films using new hybrid genres that influence the specifics of contemporary audiovisual art, to determine the role of the mockumentary genre in modern cinema and to understand its impact on the creation of a film product. To explore the psychological impact of documentary films on the viewer’s perception and change of their worldview. To outline the standard and distinctive features of the director’s approach to making documentaries and fiction films. The research

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Biying, Zhu. "Genre synthesis: Lyrical prose and a poem in prose by N. M. Karamzin." International Journal “Speech Genres” 19, no. 3 (43) (2024): 256–65. http://dx.doi.org/10.18500/2311-0740-2024-19-3-43-256-265.

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The article considers the artistic originality of genre synthesis in the literary work of N. M. Karamzin. This feature is clearly expressed in the lyrical prose and the poem in the writer’s prose. According to Yu. M. Lotman, Karamzin created such works that include both narrative and lyrical features. In this article, we will consider the main works of Karamzin in the genre of lyrical prose and poems in prose, analyze the processes of their development and the main artistic features, as well as the aesthetic principles of Karamzin, which manifest themselves in different stages of creativity. K

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