Relevant bibliographies by topics / Glyptics

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Glyptics'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Glyptics"

1

Renard, Stéphane. "La glyptique : du berceau des civilisations à nos jours, un art millénaire en constante évolution." Gemmes 3 (March 20, 2024): 9–21. http://dx.doi.org/10.63000/dv5c4fh4r2.

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The art of stone or gem engraving was invented at the dawn of civilizations. It has played an essential role in the history of art and culture from its start to nowadays, evolving over the centuries to become a means of artistic expression. The earliest forms of glyptic art were observed among ancient Mesopotamia and Egypt, around 4,000 BC. Engraved cylindrical seals and scarabs served both as objects of art and means of personal identification. Glyptic art reached its first peak in Greece and Rome. Talented artisans produced intaglios featuring mythological motifs, portraits, and historical s
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DURING CASPERS, E. C. L. "Non-Indus glyptics in a Harappan context." Iranica Antiqua 29 (March 1, 1994): 83–106. http://dx.doi.org/10.2143/ia.29.0.630125.

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SARIANIDI, V. "Neo-Assyrian Parallels in Late Bactrian Glyptics." Iranica Antiqua 35 (January 1, 2000): 21–31. http://dx.doi.org/10.2143/ia.35.0.519094.

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SARIANDI, V. "Neo-Assyrian Parallels in Late Bactrian Glyptics." Iranica Antiqua 35, no. 1 (2005): 21–31. http://dx.doi.org/10.2143/ia.35.1.519094.

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Heydari, Muhammad, F. Desset, and Massimo Vidale. "Bronze Age glyptics of Eastern Jazmurian, Iran." Paléorient 44, no. 1 (2018): 133–53. http://dx.doi.org/10.3406/paleo.2018.5790.

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Sarianidi, V. I. "The Syro-Hittite Origin of Bactrian-Margiana Glyptics." Ancient Civilizations from Scythia to Siberia 6, no. 3-4 (2000): 207–34. http://dx.doi.org/10.1163/157005700x00168.

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Klochkov, LS. "Glyptics of Margiana (the Principles of Description and Classification)." Ancient Civilizations from Scythia to Siberia 6, no. 1-2 (2000): 41–59. http://dx.doi.org/10.1163/157005700x00050.

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Milevski, Ianir. "The Manahat and Gezer Cylinder Seals and Further Levantine Glyptics." Tel Aviv 27, no. 1 (2000): 91–102. http://dx.doi.org/10.1179/tav.2000.2000.1.91.

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Braun, Eliot. "More Evidence for Early Bronze Age Glyptics from the Southern Levant." Levant 36, no. 1 (2004): 13–30. http://dx.doi.org/10.1179/lev.2004.36.1.13.

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Neverov, O. Y. "GEMS AND FINGER-RINGS FROM NYMPHAEUM (Towards α Monograph of Classical Glyptics)". Ancient Civilizations from Scythia to Siberia 6, № 3-4 (2000): 179–91. http://dx.doi.org/10.1163/157005700x00140.

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Dissertations / Theses on the topic "Glyptics"

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Aruz, Joan. "Marks of distinction : seals and cultural exchange between the Aegean and the Orient : (ca. 2600-1360 B.C.) /." Mainz am Rhein : Zabern, 2008. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016485626&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.

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Menes, Julia C. "The Tazza Farnese : a reinterpretation /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1420940.

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Al-Thani, Haya. "Making Dilmun seals speak : stylistic elements of Dilmun glyptics and their implications for social and economic life in early Dilmun, c. 2000-1800 BCE." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1444489/.

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This study has attempted to explain the emergence and development of the socio-economic complexity detected in Dilmun material culture, particularly its seals, which emerged in the Gulf region c. 2100-1800 BCE. My research aims to present a regional perspective through emphasising the internal dynamic, or endogenous processes establishing Dilmun society. A new perspective is presented as the result of a reassessment of current theories of the relationships between suppliers and consumers in long distance trading networks which suggests important modifications to the models presented by Renfrew
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Loughlin, Eleanor. "Representations of the cow and calf in Minoan art." Thesis, University of Edinburgh, 2000. http://hdl.handle.net/1842/9790.

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Research into the depiction of cattle in Minoan Art ha'i concentrated on representations of interaction between men and cattle, in particular, the images of bull sports. This emphasis has detracted from other types of cattle imagery. In this thesis the representation of the cow and calf in Minoan glyptic is assessed. Discussion of representation and meaning are of equal value, as a full understanding of the potential meaning of an image is dependent upon a detailed knowledge of what is represented. Specific anatomical and behavioural details described in the images are therefore compared with
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Aubry, Sébastien. "Les inscriptions grecques et latines des pierres gravées antiques : abréviations, configurations, interprétations et lectures." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2090.

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Depuis plus d’un siècle, tout a été dit sur l’art de la glyptique, cela tant au niveau de la stylistique que de l’iconographie, à l’exception de sa dimension épigraphique. Cette étude doctorale vise donc à analyser les inscriptions grecques et latines sous leurs formes les plus variées, figurant sur les intailles et les camées, et à en donner une grille de lecture ainsi que des clés d’interprétation. Afin de dresser un aperçu cohérent de ces abréviations, initiales, termes et autres formules apparaissant sur les pierres gravées, le spectre de recherche s’étend de la Grèce des périodes archaïqu
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Alexandri, Alexandra. "Gender symbolism in Late Bronze Age Aegean glyptic art." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/251901.

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Hill, Jane A. "Cylinder seal glyptic in predynastic Egypt and neighboring regions /." Oxford : Archaeopress, 2004. http://catalogue.bnf.fr/ark:/12148/cb39186667t.

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Salje, Beate. "Der common style der Mitanni-Glyptik und die Glyptik der Levante und Zyperns in der späten Bronzezeit /." Mainz am Rhein : P. von Zabern, 1990. http://catalogue.bnf.fr/ark:/12148/cb366686660.

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Palmer, Jennifer Linda. "An analysis of Late Bronze Age Aegean glyptic motifs of a religious nature." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5467/.

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This thesis presents an analysis of glyptic motifs of a religious nature attested on the Greek mainland in the Late Helladic period and on Crete post Late Minoan IB. Its purpose is to ascertain to what extent such an analysis can, firstly, expand our knowledge of religious practices in the Late Bronze Age Aegean, and, secondly, elucidate the nature of the relationship between Minoan Crete and Mycenaean Greece. This was achieved through the classification and analysis of five glyptic themes generally regarded as possessing religious significance in scholarship. These are anthropomorphic figures
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Matthews, D. M. "Principles of composition in Near Eastern Glyptic of the later Second Millennium B.C." Thesis, University of Cambridge, 1988. https://www.repository.cam.ac.uk/handle/1810/272362.

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Books on the topic "Glyptics"

1

Samsonia, Nino. Šuamdinaruli gliptika: Mesopotamian glyptic. Tʻbilisis universitetis gamomcʻemloba, 2008.

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Albert, Molayem, ed. Archeogem mologia: Pietre antiche, glittica, magia e litoterapia. La Meridiana, 1990.

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Werner, Peter. Die Glyptik. Saarbrücker Druckerei und Verlag, 2004.

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Martinčeková-Šimerová, Ester. Kamey. Vydavatel̕stvo Matice slovenskej, 1998.

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Pʻiliposyan, A. S. Haykakan leṛnashkharhi knikʻnerě hin arevelkʻi knkʻagortsutʻyan hamakargum. Arame, 1998.

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Parni︠u︡k, T. V. Anatoliĭ Zhukov. Izd-vo AMB, 2006.

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1988), Colloque international de glyptographie de Samoëns (6th. Actes du VIe Colloque international de glyptographie de Samoëns: 5-10 juillet 1988. Editions de la Taille d'Aulme, 1989.

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Müller, Bernd. Johann Michael Scharff: Steinschneider und Medailleur. Bernd Müller, 2001.

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9

Franke-Vogt, Ute. Die Glyptik aus Mohenjo-Daro: Uniformität und Variabilität in der Induskultur : Untersuchungen zur Typologie, Ikonographie und räumlichen Verteilung. Zabern, 1991.

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Wickede, Alwo von. Prähistorische Stempelglyptik in Vorderasien. Profil Verlag, 1990.

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Book chapters on the topic "Glyptics"

1

Otto, Adelheid. "Glyptic." In A Companion to Ancient Near Eastern Art. John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch17.

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Miller, Anna M. "The History and Romance of the Glyptic Arts." In Cameos Old & New. Springer US, 1991. http://dx.doi.org/10.1007/978-1-4684-7307-0_1.

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Schachter, Bathyia. "DANCE IN IRON AGE ISRAEL/PALESTINE 1200 - 600 B.C. ARCHAEOLOGICAL SOURCES AND GLYPTIC ART." In Iconea 2009-2010, edited by Richard Dumbrill and Irving Finkel. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463233853-013.

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Brandl, Baruch. "Glyptics." In Tel Mor. Israel Antiquities Authority, 2007. http://dx.doi.org/10.2307/j.ctt1fzhddh.11.

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"Glyptics." In Encyclopedic Dictionary of Archaeology. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_70209.

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"glyptics." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_71341.

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Winkelmann, Sylvia. "BMAC glyptics." In The World of the Oxus Civilization. Routledge, 2020. http://dx.doi.org/10.4324/9781315193359-11.

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"Scribal Instruments and Glyptics." In Scribal Tools in Ancient Israel. Penn State University Press, 2020. http://dx.doi.org/10.5325/j.ctv1bxh1j1.10.

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"Chapter 5. Scribal Instruments and Glyptics." In Scribal Tools in Ancient Israel. Penn State University Press, 2020. http://dx.doi.org/10.1515/9781646021055-008.

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Brandl, Baruch, Zvi Greenhut, and Daniel Vainstub. "Glyptics, Impressed and Incised Sherds, and Engraved Inscriptions." In Salvage Excavations at Tel Moza. Israel Antiquities Authority, 2009. http://dx.doi.org/10.2307/j.ctt1fzhd2b.10.

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Conference papers on the topic "Glyptics"

1

М Ю, Трейстер М. Ю. "Late archaic gold finger ring from phanagoria." In Hypanis. Труды отдела классической археологии ИА РАН. Crossref, 2023. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-324-4.233-240.

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Статья посвящена атрибуции золотого перстня с изображением на щитке безбородого обнаженного юноши c диадемой на голове и венком – в обеих опущенных вниз руках. Перстень был найден в 2018 г. в заглубленном в грунт помещении из сырцового кирпича (святилище № 835). И форма перстня, и стиль изображения на его щитке не оставляют никаких сомнений в датировке перстня позднеархаическим временем, скорее всего, около рубежа 6–5 вв. до н. э. Сюжет, представленный на щитке перстня, чрезвычайно редок и практически не имеет параллелей в глиптике, на произведениях которой рассматриваемого времени чаще всего
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