Log in

Relevant bibliographies by topics / Ideology in cinema

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Ideology in cinema'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Ideology in cinema.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Ideology in cinema"

1

Khalilov, Vladimir. "Contemporary American Cinema and Neoliberal Ideology." США ܀ Канада: Экономика, политика, культура, no. 2 (2019): 112–27. http://dx.doi.org/10.31857/s032120680003769-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Chattopadhyay, Saayan. "Boyhood, Ideology, and Popular Hindi Cinema." Thymos: Journal of Boyhood Studies 5, no. 2 (2011): 138–51. http://dx.doi.org/10.3149/thy.0502.138.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Al-anbiya, Dzulfikar, Aquarini Priyatna, and R. M. Mulyadi. "REPRESENTASI MUSIK SEBAGAI SEBUAH IDEOLOGI DI PESANTREN DALAM FILM BAIK-BAIK SAYANG." Patanjala : Jurnal Penelitian Sejarah dan Budaya 10, no. 3 (2018): 403. http://dx.doi.org/10.30959/patanjala.v10i3.432.

Full text

Abstract:

Artikel ini membahas musik di pesantren yang direpresentasikan sebagai sebuah ideology dalam film Baik-Baik Sayang.Perdebatan ideologi yang membolehkan dan melarang musik masih diperdebatkan di kalangan ulama dapat diargumentasikan sebagai manifestasi ideologi sebuah instansi pendidikan berbasis agama Islam tertentu. Perdebatan ideologi tersebut direpresentasikan dalam film Baik-Baik Sayang dengan mengangkat cerita perjalanan sebuah band musik bernama Wali yang dibentuk di Pesantren La Tansa. Penelitian ini menggunakan pendekatan kualitatif dengan konsep media representasi Stuart Hal dan kajia

APA, Harvard, Vancouver, ISO, and other styles

4

ALPASLAN, Bahtiyar Ahu, and Kübra Özarslan. "READING THE IDEOLOGY OF CINEMA: CONSERVATIVE IDEOLOGY AND THE IRON LADY." Uluslararası Sosyal Bilimler ve Sanat Araştırmaları 2, no. 2 (2025): 1–16. https://doi.org/10.32955/neuissar2023221047.

Full text

Abstract:

We are witnessing revival of conservative ideology that underlines nationalism, adapting to the crises of modernism, free market, traditions and locality in our postmodern age that represents rupture from mo-dernity and with the spread of Neoliberal economic policies all over the World. This ideology being very close to the thinking of Social Darwinism and quite problematic with the understanding of the social state, is also reflected on the cinema and is intellectually reproduced. The Iron Lady movie (“The Iron Lady”, 2011) is one of the films in which this ideology is reproduced. As a means

APA, Harvard, Vancouver, ISO, and other styles

5

Santhosh, H.K. "The Tradition of Cinema and the Tradition in Cinema - A Cultural analysis based on the history of Malayalam Cinema." International Journal of All Research Education and Scientific Methods (IJARESM) 5, no. 9 (2017): 45–50. https://doi.org/10.5281/zenodo.5622544.

Full text

Abstract:

This essay seeks to analyze the evolution of Malayalam cinema by linking it with the evolution of Malayalee social identity. Here we examine how a narrative tradition that reaffirms traditional feudal values has evolved in cinema and is rooted in a caste-centric and patriarchal ideology.

APA, Harvard, Vancouver, ISO, and other styles

6

Krašovec, Primož. "Ideology placement in the context of cinema's emancipation from narrative via atmosphere." Srpska politička misao 91, no. 3 (2025): 171–91. https://doi.org/10.5937/spm91-57642.

Full text

Abstract:

As advertising transitioned from intrusive propaganda to seductive experience, it freed its visual dimension from the constraints of representation and allowed it to develop in a process of free experimentation, much like the avant-garde tendencies in contemporary art. When this new aesthetic found its way into cinema, it also allowed TV series and later films to break free from narrative and exploit the full potential of cinema as technology. With its emancipation from narrative, cinema became less representational and increasingly science-fictional at the level of (visual) form. This process

APA, Harvard, Vancouver, ISO, and other styles

7

Kuntoh, Sarah. "Is the African Cinema Definition ‘Real’ or ‘Idealistic’." International Journal of Current Research in the Humanities 26, no. 1 (2023): 25–38. http://dx.doi.org/10.4314/ijcrh.v26i1.2.

Full text

Abstract:

To a large extent, the world seems to have seen more films from the West than from anywhere else. In sub-Saharan Africa for example, it was not until the early 1960s that the Africans had the opportunity to stand behind the lens to tell their own story. Unlike the cinema of the West, ‘African cinema’ was borne more out of the resistance to its representation by the West. From Ousmane Sembene’s time till now, other filmmakers from Anglophone as well as Lusophone countries have made different films on different subjects about nation and culture. But in many scholarly writings, for several years,

APA, Harvard, Vancouver, ISO, and other styles

8

Berliner, Todd. "Hollywood Aesthetic: Pleasure in American Cinema." Projections 14, no. 2 (2020): 90–101. http://dx.doi.org/10.3167/proj.2020.140209.

Full text

Abstract:

In this reply to four commentaries on my book, Hollywood Aesthetic: Pleasure in American Cinema, I address several conceptual and methodological issues raised by the respondents. Those issues include the book’s focus on aesthetic pleasure; the functions of narrative, style, ideology, and genre in Hollywood cinema; the relationship between ideology and aesthetics; the use of scientific research in the humanities; normative aesthetic evaluations; real versus hypothetical spectators; and the practices of aesthetic film analysis.

APA, Harvard, Vancouver, ISO, and other styles

9

Brown, William. "Cinema against spectacle: technique and ideology revisited." New Review of Film and Television Studies 14, no. 2 (2015): 268–73. http://dx.doi.org/10.1080/17400309.2015.1097027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Cavendish, Philip, and David Gillespie. "Early Soviet Cinema: Innovation, Ideology and Propaganda." Modern Language Review 99, no. 1 (2004): 273. http://dx.doi.org/10.2307/3738974.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Ideology in cinema"

1

Kedem, Eldad Meshulam. "The kibbutz and Israeli cinema deterritorializing representation and ideology /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/53284.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ahmad, Mahyuddin. "Reading P. Ramlee : cinema, ideology and modernity in Malaysia." Thesis, Coventry University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251861.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Leung, Yee-man Yvonne, and 梁以文. "Ideology and the performance of gender in Chinese cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953633.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Paz, Mariano. "Ideology and dystopia : political discourse in contemporary fiction cinema." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529922.

Full text

Abstract:

The present thesis consists of a discussion of contemporary Western science fiction cinema from a cultural studies perspective. In particular, this work is focused on the analysis of political ideology and its discourses as they are conveyed in the visual, aural, and narrative dimensions of a selected corpus of films from three different countries: Argentina, Britain and the United States. The selection of this range of cinema industries is informed by the intention of widening the spectrum of science fiction criticism, which is mostly focused on American cinema, and also on the cross comparat

APA, Harvard, Vancouver, ISO, and other styles

5

Leung, Yee-man Yvonne. "Ideology and the performance of gender in Chinese cinema." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Khouri, Malek. "Ideology and critical politics in the discourse on Canadian cinema." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq26924.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Slavin, John. "Lost causes : the ideology of national identity in Australian cinema /." [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Khouri, Malek Carleton University Dissertation Canadian Studies. "Ideology and critical politics in the discourse on Canadian cinema." Ottawa, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

de, Vargas Díaz del Río Ferran. "El cine de la Nuberu Bagu como correlato artístico de la nueva izquierda japonesa. Una lectura política de las producciones culturales." Doctoral thesis, Universitat Autònoma de Barcelona. Programa de Doctorat en Traducció i Estudis Interculturals, 2020. http://hdl.handle.net/10803/670479.

Full text

Abstract:

Aquesta tesi doctoral analitza el corrent cinematogràfic de la Nuberu Bagu partint de la premissa que les seves característiques permeten considerar-lo un component integrant de la ideologia de la Nova Esquerra japonesa, pertanyent ambdós fenòmens a la denominada ""època de la política"" (seiji no kisetsu) (1966-1971). El nucli de la metodologia de ""l'anàlisi ideològica"" aquí aplicada és la lectura de les pel·lícules com a textos els elements interns dels quals serveixen als interessos externs de determinats grups sociopolítics en una relació de poder significativa amb altres grups so

APA, Harvard, Vancouver, ISO, and other styles

10

Sengul, Ali Fuat. "Cinema And Representation In International Relations: Hollywood Cinema And The Cold War." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606291/index.pdf.

Full text

Abstract:

The thesis seeks to trace the development of the process of &amp<br>#8216<br>reflection as reality&amp<br>#8217<br>through a politico-historical analysis of the intimacies between the United States governments and Hollywood cinema during the Cold War. The working assumption while projecting this study is as follows<br>the Hollywood cinema and the United States governments enjoyed a close relationship during the period in question. The latter actively involved in the inscription of the wills and desires of US Foreign policymakers into the American popular culture. The thesis will also extend th

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Ideology in cinema"

1

Mencutekin, Mustafa. Ideology in Turkish cinema. Blue Dome Press, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Wang, Xiaoping. Ideology and Utopia in China's New Wave Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91140-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

1949-, Holmes Diana, and Smith Alison 1963-, eds. 100 years of European cinema: Entertainment or ideology? Manchester University Press, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

ek, Slavoj Z. iz. Agitating the frame: Five essays on economy, ideology, sexuality, and cinema. Navayana Publishing, 2014.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Yuehua, Wu, Chan Jiale, and Liao Zhiqiang, eds. Tong chuang guang ying: Xianggang dian ying lun wen ji = Hong Kong Cinema : nostalgia and ideology. Guo ji yan yi ping lun jia xie hui (Xianggang fen hui), 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Yuehua, Wu, Chan Jiale, and Liao Zhiqiang, eds. Tong chuang guang ying: Xianggang dian ying lun wen ji = Hong Kong Cinema : nostalgia and ideology. Guo ji yan yi ping lun jia xie hui (Xianggang fen hui), 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Rodowick, David Norman. The crisis of political modernism: Criticism and ideology in contemporary film theory. University of Illinois Press, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Vinay, Lal, and Nandy Ashis, eds. Fingerprinting popular culture: The mythic and the iconic in Indian cinema. Oxford University Press, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Marrero, Roberto Garcés. Cine, ideología y revolución. Editorial de Ciencias Sociales, 2017.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Pesce, Alberto. Cinema italiano Ottanta: Tramonto delle ideologie, riflussi dell'effimero. Liberedizioni, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Ideology in cinema"

1

Forbes, Jill, and Sarah Street. "Ideology, Aesthetics and Style." In European Cinema. Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-08034-9_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Mubarki, Meraj Ahmed. "Indian Cinema and Ideology." In The Horror in Hindi Cinema. Routledge India, 2024. https://doi.org/10.4324/9781003588856-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Cavendish, Phil. "Ideology, Technology, Aesthetics." In A Companion to Russian Cinema. John Wiley & Sons, Inc, 2016. http://dx.doi.org/10.1002/9781118424773.ch12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Mason, Fran. "The Post-Code Gangster: Ideology and Social Conscience." In American Gangster Cinema. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230596399_2.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Peredo-Castro, Francisco. "Inquisition Shadows: Politics, Religion, Diplomacy, and Ideology in Mexican Film Censorship." In Silencing Cinema. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137061980_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Janson, Malena. "Introduction: On the History, Ideology, and Aesthetics of Swedish Children’s Cinema." In Swedish Children’s Cinema. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57001-8_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Hammond, Andrew. "Political ideology and the shaping of modern Arab cinema." In Routledge Handbook on Arab Cinema. Routledge, 2024. http://dx.doi.org/10.4324/9781003302025-26.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"Cinema/Ideology/Criticism (1)." In Contemporary Film Theory. Routledge, 2014. http://dx.doi.org/10.4324/9781315844701-11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Appendix I: Cinema/Ideology/Criticism." In Cinema Against Spectacle. Amsterdam University Press, 2015. http://dx.doi.org/10.1515/9789048519453-016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

O’Shaughnessy, Martin. "Cinema, sex tourism and globalisation in American and European cinema." In Contemporary Cinema and Neoliberal Ideology. Routledge, 2017. http://dx.doi.org/10.4324/9781315304076-14.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Ideology in cinema"

1

Ku, Man-Ting, and Hsin-Te Chan. "Notice of Retraction: Analysis of ideology of Taiwanese New Wave Cinema posters." In 2017 International Conference on Applied System Innovation (ICASI). IEEE, 2017. http://dx.doi.org/10.1109/icasi.2017.7988374.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Trifan, Aurelia. "Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.14.

Full text

Abstract:

During the years 1955–1991, the attempts and searches meant to impose qualities corresponding to the fundamental principles of socialism on the architecture led to the realization of buildings with distinctive features, qualified today as modernist-socialist. Over a period of more than three decades, Soviet architecture turned to a synthesis of Western paradigms and its own avant-garde, largely unbuilt heritage. Theater, cinema and music, considered to be fields of culture accessible to the masses at large, are the genres of art placed at the center of the cultural policy of the Soviet state.

APA, Harvard, Vancouver, ISO, and other styles

3

Moisa, Gabriel. "Ideology and propaganda in the last years of the Ceaușescu regime. The case of Romanian cinema." In Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.30.

Full text

Abstract:

In the last part of the communist regime in Romania, it experienced a permanent degradation of the citizens’ standard of living. Despite increasingly aggressive propaganda, everyday reality revealed the growing problems of the regime. This general context present in Romanian society also had effects on the cinematographic field, where the propaganda accents increasingly targeted the entire population of Romania, with a special focus on the young generation. The latter had to be prepared much more carefully to increase the level of bearability, so as not to generate reactions of any kind. The s

APA, Harvard, Vancouver, ISO, and other styles

4

Rojas Hernández, Óscar Arturo, and Daniel González Romero. "Grandeza simbólica de la Estatua de la Libertad en la película Ghostbusters II." In International Conference Virtual City and Territory. Universidad Autónoma de Baja California, 2010. http://dx.doi.org/10.5821/ctv.7626.

Full text

Abstract:

Toda imagen creada o capturada por el hombre conlleva, necesariamente, un cierto grado de subjetividad y ésta implica, a su vez, ideología que la acompaña. La Estatua de la Libertad que aparece en las distintas películas, en este caso Ghostbusters II, no es la excepción y su aparición aquí, contiene mensajes ideológicos que corresponden con los valores neoliberalista, predominantes en Norteamérica tanto en el momento de su creación, como en la actualidad. La grandeza simbólica de los Estados Unidos de América, primera potencia mundial, se corresponde con la grandeza simbólica de la Estatua de

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!