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1

Mencutekin, Mustafa. Ideology in Turkish cinema. Blue Dome Press, 2014.

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2

Wang, Xiaoping. Ideology and Utopia in China's New Wave Cinema. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91140-3.

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3

1949-, Holmes Diana, and Smith Alison 1963-, eds. 100 years of European cinema: Entertainment or ideology? Manchester University Press, 2000.

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4

ek, Slavoj Z. iz. Agitating the frame: Five essays on economy, ideology, sexuality, and cinema. Navayana Publishing, 2014.

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5

Yuehua, Wu, Chan Jiale, and Liao Zhiqiang, eds. Tong chuang guang ying: Xianggang dian ying lun wen ji = Hong Kong Cinema : nostalgia and ideology. Guo ji yan yi ping lun jia xie hui (Xianggang fen hui), 2007.

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6

Yuehua, Wu, Chan Jiale, and Liao Zhiqiang, eds. Tong chuang guang ying: Xianggang dian ying lun wen ji = Hong Kong Cinema : nostalgia and ideology. Guo ji yan yi ping lun jia xie hui (Xianggang fen hui), 2007.

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7

Rodowick, David Norman. The crisis of political modernism: Criticism and ideology in contemporary film theory. University of Illinois Press, 1988.

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8

Vinay, Lal, and Nandy Ashis, eds. Fingerprinting popular culture: The mythic and the iconic in Indian cinema. Oxford University Press, 2006.

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9

Marrero, Roberto Garcés. Cine, ideología y revolución. Editorial de Ciencias Sociales, 2017.

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10

Pesce, Alberto. Cinema italiano Ottanta: Tramonto delle ideologie, riflussi dell'effimero. Liberedizioni, 2010.

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11

1942-, Wilson David, and Reynaud Bérénice, eds. Cahiers du cinéma: Volume four, 1973-1978 : history, ideology, cultural struggle : an anthology from Cahiers du cinéma, nos 248-292, September 1973-September 1978. Routledge, 2000.

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12

1946-, Oliker Michael A., and Krolikowski Walter P, eds. Images of youth: Popular culture as educational ideology. P. Lang, 2001.

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13

Petroni, Sandra. Lingua, cultura e ideologia nella traduzione di prodotti multimediali (cinema, televisione, web): Atti del convegno internazionale, 4-5 maggio 2006. Aracne, 2007.

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14

Rodgers, Eamonn. Cinema and Ideology. University of Strathclyde Department of Modern Languages, 1996.

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15

Radovic, Milja. Transnational Cinema and Ideology. Routledge, 2014. http://dx.doi.org/10.4324/9780203752555.

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16

Radovic, Milja. Transnational Cinema and Ideology. Taylor & Francis Group, 2018.

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17

Mazierska, Ewa, and Lars Kristensen. Contemporary Cinema and Neoliberal Ideology. Edited by Ewa Mazierska and Lars Kristensen. Routledge, 2017. http://dx.doi.org/10.4324/9781315304076.

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18

Winkler, Martin M. Roman Salute: Cinema, History, Ideology. Ohio State University Press, 2009.

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19

Mazierska, Ewa, and Lars Kristensen. Contemporary Cinema and Neoliberal Ideology. Taylor & Francis Group, 2017.

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20

Winkler, Martin M. Roman Salute: Cinema, History, Ideology. Ohio State University Press, 2021.

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21

Mazierska, Ewa, and Lars Kristensen. Contemporary Cinema and Neoliberal Ideology. Taylor & Francis Group, 2017.

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22

Contemporary Cinema and Neoliberal Ideology. Taylor & Francis Group, 2017.

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23

The Roman salute: Cinema, history, ideology. Ohio State University Press, 2009.

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24

Comolli, Jean-Louis, and Daniel Fairfax, eds. Cinema Against Spectacle: Technique and Ideology Revisited. Amsterdam University Press, 2015. http://dx.doi.org/10.5117/9789089645548.

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25

Early Soviet cinema: Innovation, ideology and propaganda. Wallflower, 2000.

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26

translator, Fairfax Daniel, ed. Cinema against spectacle: Technique and ideology revisited. 2015.

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27

Gillespie, David. Early Soviet Cinema: Innovation, Ideology and Propaganda. Columbia University Press, 2012.

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28

Comolli, Jean-Louis, and Daniel Fairfax. Cinema Against Spectacle: Technique and Ideology Revisited. Amsterdam University Press, 2015.

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29

Johnson, Rachel. Film Festivals, Ideology and Italian Art Cinema. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463720366.

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Film Festivals, Ideology and Italian Art Cinema is the first systematic study of the role ideology plays in film festivals’ construction of dominant ideas about art cinema. Film festivals are considered the driving force of the film industry outside Hollywood, disseminating ideals of cinematic art and humanist politics. However, the question of what drives them remains highly contentious. In a rare consideration of the European competitive film festival circuit as a whole, this book analyses the shared economic, geopolitical and cultural histories that characterise ‘European A festivals’. It o
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30

Canadian national cinema: Ideology, difference and representation. Routledge, 2002.

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31

Critical theory and film: Rethinking ideology in cinema. Continuum, 2012.

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32

(Editor), Diana Holmes, and Alison Smith (Editor), eds. 100 Years of European Cinema: Entertainment or Ideology? Manchester Univ Pr, 2001.

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33

(Editor), Diana Holmes, and Alison Smith (Editor), eds. 100 Years of European Cinema: Entertainment or Ideology? Manchester University Press, 2001.

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34

Régis, DUBOIS. Hollywood - Cinema Et Ideologie. SULLIVER, 2008.

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35

Madras studios: Narrative, genre, and ideology in Tamil cinema. 2015.

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36

Gillespie, David. Early Soviet Cinema- Innovation, Ideology and Propaganda (Short Cuts). Wallflower Press, 2000.

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37

Pillai, Swarnavel Eswaran. Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema. SAGE Publications India Pvt, Ltd., 2021.

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38

Pillai, Swarnavel Eswaran. Madras Studios: Narrative, Genre, and Ideology in Tamil Cinema. SAGE Publications India Pvt, Ltd., 2015.

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39

Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Routledge, 2014.

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40

Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Taylor & Francis Group, 2014.

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41

Radovic, Milja. Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Taylor & Francis Group, 2014.

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42

Radovic, Milja. Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Taylor & Francis Group, 2014.

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43

Sim, Gerald. Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema. Bloomsbury Academic & Professional, 2014.

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44

Radovic, Milja. Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Taylor & Francis Group, 2014.

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45

Radovic, Milja. Transnational Cinema and Ideology: Representing Religion, Identity and Cultural Myths. Taylor & Francis Group, 2014.

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46

Keeton, Patricia, and Peter Scheckner. American War Cinema and Media since Vietnam: Politics, Ideology, and Class. Palgrave Macmillan, 2013.

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47

The Subject Of Film And Race Retheorizing Politics Ideology And Cinema. Continuum Publishing Corporation, 2014.

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48

American War Cinema And Media Since Vietnam Politics Ideology And Class. Palgrave Macmillan, 2013.

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49

The Subject Of Film And Race Retheorizing Politics Ideology And Cinema. Continuum Publishing Corporation, 2014.

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50

Rizov, Vladimir. Urban Crime Control, Cinema and the Ideology of Repression: Fallen Guardians. Springer International Publishing AG, 2022.

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