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Dissertations / Theses on the topic 'Ideology in cinema'

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Published: 4 June 2025

Last updated: 1 August 2025

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1

Kedem, Eldad Meshulam. "The kibbutz and Israeli cinema deterritorializing representation and ideology /." [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2007. http://dare.uva.nl/document/53284.

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2

Ahmad, Mahyuddin. "Reading P. Ramlee : cinema, ideology and modernity in Malaysia." Thesis, Coventry University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.251861.

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3

Leung, Yee-man Yvonne, and 梁以文. "Ideology and the performance of gender in Chinese cinema." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31953633.

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Paz, Mariano. "Ideology and dystopia : political discourse in contemporary fiction cinema." Thesis, University of Manchester, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529922.

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The present thesis consists of a discussion of contemporary Western science fiction cinema from a cultural studies perspective. In particular, this work is focused on the analysis of political ideology and its discourses as they are conveyed in the visual, aural, and narrative dimensions of a selected corpus of films from three different countries: Argentina, Britain and the United States. The selection of this range of cinema industries is informed by the intention of widening the spectrum of science fiction criticism, which is mostly focused on American cinema, and also on the cross comparat

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Leung, Yee-man Yvonne. "Ideology and the performance of gender in Chinese cinema." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262038.

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6

Khouri, Malek. "Ideology and critical politics in the discourse on Canadian cinema." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq26924.pdf.

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7

Slavin, John. "Lost causes : the ideology of national identity in Australian cinema /." [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.

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Khouri, Malek Carleton University Dissertation Canadian Studies. "Ideology and critical politics in the discourse on Canadian cinema." Ottawa, 1997.

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9

de, Vargas Díaz del Río Ferran. "El cine de la Nuberu Bagu como correlato artístico de la nueva izquierda japonesa. Una lectura política de las producciones culturales." Doctoral thesis, Universitat Autònoma de Barcelona. Programa de Doctorat en Traducció i Estudis Interculturals, 2020. http://hdl.handle.net/10803/670479.

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Aquesta tesi doctoral analitza el corrent cinematogràfic de la Nuberu Bagu partint de la premissa que les seves característiques permeten considerar-lo un component integrant de la ideologia de la Nova Esquerra japonesa, pertanyent ambdós fenòmens a la denominada ""època de la política"" (seiji no kisetsu) (1966-1971). El nucli de la metodologia de ""l'anàlisi ideològica"" aquí aplicada és la lectura de les pel·lícules com a textos els elements interns dels quals serveixen als interessos externs de determinats grups sociopolítics en una relació de poder significativa amb altres grups so

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Sengul, Ali Fuat. "Cinema And Representation In International Relations: Hollywood Cinema And The Cold War." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606291/index.pdf.

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The thesis seeks to trace the development of the process of &amp<br>#8216<br>reflection as reality&amp<br>#8217<br>through a politico-historical analysis of the intimacies between the United States governments and Hollywood cinema during the Cold War. The working assumption while projecting this study is as follows<br>the Hollywood cinema and the United States governments enjoyed a close relationship during the period in question. The latter actively involved in the inscription of the wills and desires of US Foreign policymakers into the American popular culture. The thesis will also extend th

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Pang, Lai Kwan. "China's left-wing cinema movement, 1932-1937 history, aesthetics, and ideology /." online access from Digital Dissertation Consortium access full-text, 1997. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9807778.

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12

Kamogawa, Bruno Nunes. "O USO HISTÓRICO DO CINEMA PARA A DIFUSÃO DE IDEOLOGIAS." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/4016.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2018-08-23T14:10:23Z No. of bitstreams: 1 Bruno Nunes Kamogawa.pdf: 1222570 bytes, checksum: d16fcae6bdc91c3ae11648e9727138c7 (MD5)<br>Made available in DSpace on 2018-08-23T14:10:23Z (GMT). No. of bitstreams: 1 Bruno Nunes Kamogawa.pdf: 1222570 bytes, checksum: d16fcae6bdc91c3ae11648e9727138c7 (MD5) Previous issue date: 2018-05-14<br>This thesis aims to analyze the role of cinema as a tool for the diffusion of ideologies, especially linked to the hegemony of American culture. This premise is reinforced by the post-9/11 terrorist attacks, w

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13

Harbord, Janet. "Margins of (t)error : film, postmodernism and the ideology of signification." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295764.

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This thesis is an examination of the intersection of mainstream American film, and postmodern theories of changes in economic and cultural formations, read through the prism of feminist discourse. The work examines the genre of postmodern film developed by mainstream American studios over the past ten years, asking questions of what a postmodern film text may mean, and how it relates to postmodern theory. The thesis presents the analysis in two parts in each section, the first a discussion of particular aspects of postmodern theory, the second a close textual reading of two films. The claims o

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Johnson, Jeb E. Mr. "Exploring Hollywood Cinema: A Look at Cinematic Techniques and the Classical Hollywood Ideology." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/honors/350.

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The focus of this thesis is to explore the ideas behind Hollywood Cinema and techniques used to craft camera shots of today’s cinema. The movie industry is one of the United States’ biggest export profits; because of this, American movies standout above the rest. I will be exploring and demonstrating the researched techniques of American cinema.

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Strachicini, Raquel Alves Campos. "Miss Congeniality e It s a Wonderful Life: a marca discursivo-cultural norte-americana em Portugal e no Brasil." Universidade Presbiteriana Mackenzie, 2008. http://tede.mackenzie.br/jspui/handle/tede/2236.

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Made available in DSpace on 2016-03-15T19:46:37Z (GMT). No. of bitstreams: 1 Raquel Alves Campos Strachicini.pdf: 917667 bytes, checksum: 20b0856e1060a7a6bf97cb037fcb6bc8 (MD5) Previous issue date: 2008-02-27<br>This dissertation intended to utter cultural and discursive impressions in two North American film advertisements disclosed for the Portuguese and Brazilian audience in movie theaters and video rental shops. The theoretical background was based on the theory of Discourse Analysis (French-oriented) and Culture, as well as respective identity formations, as a manner of expression of id

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Penha, Diego Amaral. "Psicanálise e cinema: efeitos e riscos em intervenções psicanalíticas com dispositivos cinematográficos." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/17138.

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Made available in DSpace on 2016-04-29T13:31:21Z (GMT). No. of bitstreams: 1 Diego Amaral Penha.pdf: 1596640 bytes, checksum: 2930448074907cff8d012e44a92c5e22 (MD5) Previous issue date: 2016-02-25<br>This study, we present considerations about the effects and the risks of a psychoanalytic intervention with cinema apparatus. With a clinial-politic researching methodology, we conducted the tension between psychoanalytic theory and cinema theory. The concept of cinema apparatus, present in Jean-Louis Baudry s Works, guided ours reflections on the issue of cinema ideology. The cinema experience

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Pu, Hong. "l’idéologie, la propagande et le cinéma chinois d’animation entre les années 20-70." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30007.

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Les travaux de thèse développe la longue histoire du cinéma chinois d'animation sur la période allant de 1920 à 1977, du début du 20e siècle jusqu'à la fin de la grande révolution culturelle prolétarienne. Le sujet de la thèse est : l’idéologie, la propagande et le cinéma chinois d’animation entre les années 20-70. La problématique s'oriente vers le cinéma chinois d'animation qui s'intègre dans la propagande, l'idéologie ainsi que la politique du pouvoir dans différentes époques, selon une évolution esthétique et artistique. Depuis les premières générations de cinéastes qui imprègnent la plus

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Lima, Lilian Victorino Félix de [UNESP]. "Dilemas do pós-modernismo na cultura de massa." Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/88759.

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Made available in DSpace on 2014-06-11T19:23:36Z (GMT). No. of bitstreams: 0 Previous issue date: 2009-09-18Bitstream added on 2014-06-13T19:09:32Z : No. of bitstreams: 1 lima_lvf_me_mar.pdf: 1208584 bytes, checksum: e3b160cd995841cdc725134f21177cce (MD5)<br>Investigamos três obras cinematográficas da ficção científica produzidas nos Estados Unidos da América: Homem Bicentenário (EUA, 1999), Inteligência Artificial (EUA, 2001) e Eu, Robô (EUA, 2004), todas obras da indústria cultural cujas narrativas num contexto denominado pós-modernista tematizam a relação entre humano e pós-humano. O cine

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OLIVEIRA, Rodrigo Cássio. "A crítica da ideologia no cinema brasileiro: desengano, pragmatismo, cinismo." Universidade Federal de Goiás, 2010. http://repositorio.bc.ufg.br/tede/handle/tde/1418.

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Made available in DSpace on 2014-07-29T15:22:34Z (GMT). No. of bitstreams: 1 dissertacao rodrigo c oliveira.pdf: 1009404 bytes, checksum: b892ad2fb509768a95b13f776d3775b1 (MD5) Previous issue date: 2010-03-29<br>In the 1960 s, the New Brazilian Cinema questioned the import of the production model of the classic narrative movies. The rejection of the classical conventions accompanied the statement of an ideological fight against the status quo. In relationship with the nationalist left, the films thought about the critical intervention in the society. When begin the military government (1964

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Lima, Lilian Victorino Félix de. "Dilemas do pós-modernismo na cultura de massa /." Marília : [s.n.], 2009. http://hdl.handle.net/11449/88759.

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Orientador: Célia Aparecida Ferreira Tolentino<br>Banca: Arlenice almeida da Silva<br>Banca: Paulo Roberto Arruda de Menezes<br>Resumo: Investigamos três obras cinematográficas da ficção científica produzidas nos Estados Unidos da América: Homem Bicentenário (EUA, 1999), Inteligência Artificial (EUA, 2001) e Eu, Robô (EUA, 2004), todas obras da indústria cultural cujas narrativas num contexto denominado pós-modernista tematizam a relação entre humano e pós-humano. O cinema é o núcleo central do nosso objeto; observaremos os aspectos ideológicos impressos nas diegeses e nos elementos que as com

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Ito, Yukari. "Identity, Ideology, and Cinema: Making Sense of Japan's Foreign and Security Policies in the 1950s and 2000s." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1835.

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Japan is an important ally of the United States–the world’s third biggest economy, and one of the regional great powers in Asia. Making sense of Japan’s foreign and security policies is crucial for the future of peace and stability in Northeast Asia, where the possible sources of conflict such as territorial disputes or the disputes over Japan’s war legacy issues are observed. This dissertation explored Japan’s foreign and security policies based on Japan’s identities and unconscious ideologies. It employed an analysis of selected Japanese films from the late 1940s to the late 1950s, as well a

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Qian, Ying. "Visionary Realities: Documentary Cinema in Socialist China." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11035.

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This dissertation examines documentary cinema in Socialist China as an emerging technology of mass politics, a new medium for creating political imaginaries and writing history, and a global vernacular connecting China to other revolutionary and modernizing cultures. At the center of my investigation is documentary cinema's capacities to work across boundaries between reality and fiction, between physical and metaphysical worlds, and between a historical world bound by its materiality and a revolutionary world mobilized to take leaps into a brighter future. I argue that these capacities made

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Ren, Chao. "The Ideological Struggle in China Mainland Mainstream Film from the End of the Second World War to the Beginning of the Great Proletarian Cultural Revolution (1945 - 1966)." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/382737.

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This research was inspired by Slavoj Žižek’s approach to ideology which views it as an unconscious fantasy that shapes reality, and has its philosophical roots in dialectic materialism. The structure of the ideological analyses of ideological construction and struggle in the films throughout the entire mainland China during the period from the end of the Second World War to the beginning of the Great Proletarian Cultural Revolution is the key question of our doctoral research. In order to answer the question of what is the nature of the ideological struggle exhibited in film production between

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Kim, Se Young. "Crisis in neoliberal Asia: violence in contemporary Korean and Japanese cinema." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/3116.

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This dissertation performs close readings of a body of well-known East Asian films. The Japanese films discussed include Kitano Takeshi's Hana-bi (1997) and Fukasaku Kinji's Battle Royale (2000). From Korea, the dissertation focuses on Peppermint Candy (1999, Lee Chang-dong), The Coast Guard (2002, Kim Ki-duk), The Chaser (2008, Na Hong-jin), and four films by Park Chan-wook: Joint Security Area (1999), Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Lady Vengeance (2005). Through an analysis of these films, this dissertation argues that the narrative cinema of South Korea and Japan, pro

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Donnelly, Ashley Minix. "Blank Power: The Social and Political Criticism of Blank Fiction and Cinema." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002643.

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Budha, Kishore N. "Market reforms, media deregulation and the Hindi film : a study of the ideology of Hindi cinema and the media." Thesis, University of Leeds, 2008. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496120.

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Souza, Evelise Guioto de. "Dogville, filme e crítica." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102007-151818/.

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Dogville é um filme que suscitou reações opostas e viscerais. Essa dissertação aborda dois aspectos desse fenômeno. Em primeiro lugar, uma leitura do filme especialmente no que diz respeito a seu princípio contraditório. Não se trata apenas de abrigar aspectos realistas da chamada linguagem clássica do cinema conjuntamente com aspectos antiilusionistas de inspiração assumidamente brechtiana. Trata-se de compreender como essa contradição é o coração do filme e produz seu sentido. Em seguida, uma leitura da crítica publicada nos veículos de comunicação de grande circulação procura identificar co

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Kofman, Olha V. "Freed by Ideology, Imprisoned by Reality: the Representation of Women in the Cinemas of The Thaw and Perestroika." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1366070656.

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Thornton, Katharine. "Cinema lectures : aspects of Vichy ideology and French life under the German occupation as seen in French films, 1942-1987 /." Title page, contents and introduction only, 1993. http://web4.library.adelaide.edu.au/theses/09AR/09art513.pdf.

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Machado, Filho Pery. "The representation of the people in the Portuguese cinema of the 1960s." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/18770.

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Mestrado em Línguas, Literaturas e Culturas<br>Na luta ideológica entre a ditadura e as forças revolucionárias, o cinema português tornou-se em um dos seus principais campos de batalha. Após décadas de rigorosa censura, o cinema português estava estagnado e condenado a repetir o mesmo estilo de filme. No início dos anos 60, jovens e ambiciosos cineastas procuraram transformar o cinema português e apresentar um olhar franco à sua sociedade, imbuíndo as suas narrativas com mensagens politicamente carregadas contra o estado em que o país se encontrava. A resposta do regime foi de continuar produz

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Fressato, Soleni Biscouto. "Caipira sim, trouxa não: representações da cultura popular no cinema de Mazzaropi e a leitura crítica do conceito pelas Ciências Sociais." Programa de Pós- Graduação em Ciências Sociais da UFBA, 2009. http://www.repositorio.ufba.br/ri/handle/ri/10240.

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Gerontaki, Evangelia. "HOMO PULCHRITUDUS : Beauty as a Product of Dominant Ideology and its Representations in Film." Thesis, Uppsala universitet, Filosofiska institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-455305.

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This dissertation approaches the concept of beauty. Looking through the consistent efforts ofphilosophers and artists over the centuries to define and capture beauty, we come to the conclusionthat such a thing is impossible in its entirety. The rules and the standards that measure out thebeautiful. By being something that can be defined and measured, I come to the conclusion thatbeauty and the way we talk about it and recognize it, forms a set of rules that establish a system.This system helps the dominant beholding part of power to maintain its status. Nietzsche, throughhis genealogical metho

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Ginach, Erich Lie. "Discurso, silenciamento e alteração material no filme Deus e Brasileiro." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268930.

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Orientador: Suzy Lagazzi-Rodrigues<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-04T17:45:59Z (GMT). No. of bitstreams: 1 Ginach_ErichLie_M.pdf: 697552 bytes, checksum: e595415052bb956aa6aa6807119da219 (MD5) Previous issue date: 2005<br>Résumé: Cette recherche, prenant comme référentiel théorique l¿Analyse du discours de la ligne matérialiste, avec le film Dieu est Brésilien s¿est proposée à apporter à la pratique analytique la matérialité du cinéma, en prenant comme approche les scènes dans lesquelles

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Riter, Ettore. "Indústria cultural e filme de animação: perspectivas da formação cultural no mundo contemporâneo." Universidade Federal de Goiás, 2018. http://repositorio.bc.ufg.br/tede/handle/tede/8379.

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Martins, de Souza Luiz Carlos 1968. "Cartas para quem? = o funcionamento discursivo da "falta" no filme Central do Brasil." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/268941.

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Orientador: Suzy Maria Lagazzi<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-20T05:11:48Z (GMT). No. of bitstreams: 1 MartinsdeSouza_LuizCarlos_D.pdf: 3983729 bytes, checksum: 646abf82afc9908b41ae8e482668e965 (MD5) Previous issue date: 2012<br>Resumo: Prezado viajante, Este bilhete lhe dá direito a uma viagem pela estrada metodológica da Análise de Discurso Materialista para que você contemple o filme em DVD ?Central do Brasil?, de Walter Salles Jr. Você passará por três estações a partir da ausência do pai c

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Yazbek, Élie. "Montage et idéologie dans le cinéma américain contemporain." Paris 3, 2008. https://tel.archives-ouvertes.fr/tel-00379847.

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Dans cette étude des rapports entre le montage et l’idéologie dans le cinéma américain contemporain, (années 1990 - milieu des années 2000) l’objectif est de valoriser les liens entre ces deux entités et d’étudier les mécanismes qui les régissent. Le cinéma américain, compris comme un organisme vivant, a connu une grande mutation dans les années 1990, grâce aux nouvelles technologies. Presque tout devenant réalisable, le montage dans le cinéma américain se développe et s’impose, encore plus qu’avant, comme la forme qui permet au récit d’évoluer et au sens de se constituer. L’idéologie, quant à

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Carvalho, Noel dos Santos 1962. "Cinema novo : imagens do populismo." [s.n.], 1999. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284206.

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Orientador: Adilson Jose Ruiz<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-07-26T15:57:19Z (GMT). No. of bitstreams: 1 Carvalho_NoeldosSantos_M.pdf: 6124623 bytes, checksum: 143290dd86c27212e8902d069fa8bd94 (MD5) Previous issue date: 1999<br>Resumo: Essa dissertação é a análise de três filmes do Cinema Novo realizados após o golpe militar de 1964. São eles: O desafio (Saraceni, P. c., 1965), Terra em transe (Rocha, G., 1967) e O bravo guerreiro (Dahl, G., 1968). Seu objetivo é destacar as representações de ordem polític

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Melo, Marcos Jose de. "Como se fossem insetos : África e ideologia no cinema contemporâneo." Universidade Federal da Paraíba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6005.

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Made available in DSpace on 2015-05-14T12:23:14Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1923869 bytes, checksum: 4ab2a3c6ac5bbb0c3486c57d0e95fb17 (MD5) Previous issue date: 2012-04-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The image of Africa in contemporary hegemonic film does not make up a mere object to be aesthetic appreciation or depreciation, and moreover, that image is a tangible indicator of a contemporary political practice whose roots are embedded in the Eurocentric colonial discourse of the nineteenth century. In this dissertation, the i

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Landau, Gallaye-Joachim. "Les impacts de la démocratisation sur un secteur culturel : le cinéma sud-africain post-apartheid." Thesis, Bordeaux 4, 2012. http://www.theses.fr/2012BOR40020/document.

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Cette thèse met en avant, d’une part, les bouleversements qui parcourent le secteur cinématographique en Afrique du Sud depuis 1994 : volontés d’autonomie esthétique et économique, recherches de voix authentiques, formation d’une nouvelle famille de cinéastes.D’autre part, cette recherche révèle le rôle de l’État Sud-Africain dans la définition de la fonction du cinéma au sein de la démocratie contemporaine : Organes spécialisés de l’État, politiques publiques, idéologies, relations avec les professionnels du secteur<br>This thesis highlights on one hand, changes that run through the film indu

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Skinner, Katharine Virginia. "The Castle/Nikki Heat Phenomenon: A Detailed Examination of Female Representation in Entertainment Media." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc955124/.

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As entertainment reflects a culture's ideology, it is important for researchers to study its messages and subsequently its potential meanings. Entertainment has the power to inform and persuade, creating models for behavior with which the public interacts. The entertainment texts for the purpose of this study are the Castle television series and the Nikki Heat novels. Together, they create a unique multi-layer fictional world. By using postmodern, feminist, communication, and entertainment theories, the results of this study provide a tightly focused lens which views a narrow aspect of enterta

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Lowry, Stephen. "Pathos und Politik : Ideologie in Spielfilmen des Nationalsozialismus /." Tübingen : M. Niemeyer, 1991. http://catalogue.bnf.fr/ark:/12148/cb36682963r.

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Vang, Jens. "Bland gröna gubbar och röda faror : En historisk studie om vanligt förekommande teman i amerikansk science-fictionskräckfilm under McCarthyeran." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-74648.

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The following study has its origin and context in the politically polarised McCarthy era of the American history. With the WWII in retrospect, politicians in Western nations quickly acknowledged the potential impact and sphere of influence of popular culture and its ability to form public opinion. During this period attempts were made to censor culture from underlying socialist messages in order to spread and awake support for the government, especially in mainstream Hollywood productions. However, how successful were these attempts and did it actually create a resistance against the censorshi

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Ribeiro, Bruno Chapadeiro [UNESP]. "Trabalho e gestão através do cinema." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/88815.

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Made available in DSpace on 2014-06-11T19:23:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-02-05Bitstream added on 2014-06-13T19:29:55Z : No. of bitstreams: 1 ribeiro_bc_me_mar.pdf: 1017030 bytes, checksum: 4266b2361e4f3f52fe32943fedf2cd31 (MD5)<br>Assistimos na primeira década do século XXI à verdadeira crise do nosso tempo histórico. Não a crise das economias capitalistas, mas sim a crise do homem como sujeito histórico de classe, isto é, ser humano-genérico capaz de dar respostas radicais à crise estrutural do sociometabolismo do capital em suas múltiplas dimensões. É importan

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Ribeiro, Bruno Chapadeiro. "Trabalho e gestão através do cinema /." Marília, 2013. http://hdl.handle.net/11449/88815.

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Orientador: Giovanni Antônio Pinto Alves<br>Banca: José Roberto Montes Heloani<br>Banca: Vera Lúcia Navarro<br>Resumo: Assistimos na primeira década do século XXI à verdadeira crise do nosso tempo histórico. Não a crise das economias capitalistas, mas sim a crise do homem como sujeito histórico de classe, isto é, ser humano-genérico capaz de dar respostas radicais à crise estrutural do sociometabolismo do capital em suas múltiplas dimensões. É importante salientar que crise não significa morte do sujeito histórico de classe, muito menos sua supressão irremediável, mas tão somente a explicitaçã

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Carpentras, Fabien. "Le cinéma comme moyen de contestation de l'"idéologie dominante" : vers une relecture du sens accordé à l’utilisation de la technique du plan-séquence dans le cinéma japonais à travers la mise en perspective d’une partie de la trajectoire cinématographique de Sômai Shinji 相米慎二 et de son passé d’activiste politique". Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30056.

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Le présent travail, en analysant la trajectoire biographique du réalisateur japonais Sômai Shinji de son passage dans les mouvements de contestation de la Nouvelle gauche à ses premiers films tournés dans les années quatre-vingt, se veut une étude critique sur le sens généralement accordé à l’utilisation de la technique dite du « plan-séquence » dans le contexte du cinéma japonais. Le plan-séquence est une méthode de mise en scène que différents auteurs occidentaux, de Noël Burch à Donald Richie, ont régulièrement qualifié d’ « essentiellement » japonaise tant elle semble selon eux présenter u

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Gonçalves, Neto Nivaldo. "Cinema e propaganda política: os casos do varguismo e do peronismo." Universidade do Vale do Rio do Sinos, 2002. http://www.repositorio.jesuita.org.br/handle/UNISINOS/1848.

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Made available in DSpace on 2015-03-03T19:27:58Z (GMT). No. of bitstreams: 0 Previous issue date: 9<br>Universidade do Vale do Rio dos Sinos<br>O cinema ao longo do século XX foi utilizado por diferentes regimes políticos como instrumento de propaganda. Na América Latina o varguismo (1937-1945) e o peronismo (1946-1955) procuraram hegemonizar as suas respectivas cinematográficas nacionais com a intenção de difundir e legitimar os seus projetos políticos. Para tanto, os dois regimes intervieram nos seus mercados cinematográficos internos, possibilitando que os Estados brasileiro e argenti

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Rocha, Michel Gomes da. "Cinema, ideologia e representação: (neo) conservadorismo, resistências, e belicismo nos Estados Unidos (1980-1990)." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-27102016-083020/.

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Esta dissertação analisa o contexto político dos Estados Unidos e a representação da cidadania entre as décadas de 1980 e 1990. Através de quatro narrativas fílmicas produzidas em Hollywood, são elas: Mississippi em chamas (1988) do diretor Alan Parker; Nascido em 4 de julho (1989) do diretor Oliver Stone; Um dia de fúria (1993) do diretor Joel Schumacher e Clube da luta (1999) do diretor David Fincher, pretendese conduzir o estudo do contexto político do país através dos seus produtos culturais. A primeira narrativa representa problemáticas acerca da segregação racial e a conquista dos direit

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Araujo, Bruno Novaes. "Cinema : indústria do entretenimento e/ou um avatar do consumismo: reflexões sobre a relação entre cinema de entretenimento e a sociedade de consumidores." reponame:Repositório Institucional da UFABC, 2013.

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Gomez-Gomez, Carmen Elisa. "Familia y cine mexicano en el marco del neoliberalismo. Estudio critico de Por la libre, Perfume de violetas, Amar te duele y Temporada de patos." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253550808.

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Zanello, Daniele <1983&gt. "FAT CITY: IL RISVEGLIO DELLE AMERICHE Ideologia e identità nel cinema metropolitano americano degli anni Settanta." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3308.

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