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Journal articles on the topic 'Italian translation'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 February 2023

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1

Bescós, Pere. "Tècniques i mètodes de traducció de Francesc Alegre a La primera guerra púnica (1472)." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 10 (December 6, 2017): 68. http://dx.doi.org/10.7203/scripta.10.11075.

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Resum: L’any 1472 Francesc Alegre va traduir al català la versió italiana dels Commentarii tres de primo bello punico de Leonardo Bruni. En l’article s’ha comparat exhaustivament el català amb sis manuscrits italians i l’original llatí. Les divergències entre original i traducció s’han ordenat en tres categories: addicions, eliminacions i modificacions. La metodologia d’Alegre oscil·la des d’una traducció literal a una traducció del sentit de l’original. Els resultats seran comparats posteriorment amb els mètodes d’Alegre a les Transformacions d’Ovidi amb l’objectiu de definir Francesc Alegre

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Porkhomovsky, Victor Ya, and Olga I. Romanova. "Names of God in Vulgate and the Italian translations of the Old Testament." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (2021): 40–55. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-4.

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The present publication expands the analysis of the Old Testament translations into different languages. This line of studies was initiated by the works of the late French scholar Philippe Cassuto and one of the authors of this publication. The purpose of the article is to look at the strategies applied in translating the Old Testament names of the Supreme Being into Latin (the Vulgate version) and modern Italian. This purpose is two-fold: by doing so, we also expand the data base of the Old Testament terms‘ renditions in different languages. The article provides the full nomenclature of the n

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Porkhomovsky, Victor Ya, and Olga I. Romanova. "Names of God in Vulgate and the Italian translations of the Old Testament." RESEARCH RESULT Theoretical and Applied Linguistics 7, no. 3 (2021): 40–55. http://dx.doi.org/10.18413/2313-8912-2021-7-3-0-4.

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The present publication expands the analysis of the Old Testament translations into different languages. This line of studies was initiated by the works of the late French scholar Philippe Cassuto and one of the authors of this publication. The purpose of the article is to look at the strategies applied in translating the Old Testament names of the Supreme Being into Latin (the Vulgate version) and modern Italian. This purpose is two-fold: by doing so, we also expand the data base of the Old Testament terms‘ renditions in different languages. The article provides the full nomenclature of the n

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Ulozienė, Paulina, and Aurelija Leonavičienė. "Comparative Analysis of the Use of Lexical Analytical Constructions and their Translation into Lithuanian in Italian and French Literary Texts." Sustainable Multilingualism 16, no. 1 (2020): 175–204. http://dx.doi.org/10.2478/sm-2020-0009.

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SummaryThe intensification of research on Lithuanian translations of Italian literature and Italian translations of Lithuanian literature over the past twenty years is paralleled by the growth of interest in Italian literature in Lithuania. However, the existing research on diverse linguistic and cultural characteristics of texts translated from Italian into Lithuanian and vice versa has been sporadic, thus leaving much to be done to uncover links between the two languages and identify translation-related issues. The present article looks into one of the issues, namely, the lexical analytical

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Gordon, W. Terrence. "A Comparative Study of the French & Italian Translations of Anne Michaels’ Fugitive Pieces." TTR : traduction, terminologie, rédaction 15, no. 1 (2003): 103–15. http://dx.doi.org/10.7202/006802ar.

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Abstract W. Terrence Gordon examines the notion of translation problems by comparing the French and Italian versions of Michaels’ work. He begins by examining the translation of geological terms which, although they cause no translation problems on a strictly scientific level, are a cause of divergence in the French and Italian versions because they express metaphorically a main theme of the novel: memory and the modifying effect that the past has on the present. Gordon also examines the strategy of each translator with regards to word play, and in particular homonyms, anagrams and palindromes

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Dokuchaev, I. I. "Canzoniere Francesco Petrarch in a new translation by Vladimir Maransman." Voprosy kul'turologii (Issues of Cultural Studies), no. 8 (August 1, 2020): 28–34. http://dx.doi.org/10.33920/nik-01-2008-03.

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The review presents a new book by Corresponding Member of the Russian Academy of Education Vladimir Georgievich Maransman — a translation from Italian of the Book of Songs (Canzoniere) by Francesco Petrarch. This translation is a real event in the history of modern Russian culture, since it turned out to be one of the first full translations into Russian of the main book of the great Italian poet of the Renaissance, the first lyric poet in the history of European poetry — Petrarch, made by one translator. The translation was carried out taking into account the long tradition of Russian transla

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Mastropierro, Lorenzo, and Kathy Conklin. "Racism and dehumanisation in Heart of Darkness and its Italian translations: A reader response analysis." Language and Literature: International Journal of Stylistics 28, no. 4 (2019): 309–25. http://dx.doi.org/10.1177/0963947019884450.

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This article presents the results of a reader response study of Joseph Conrad’s Heart of Darkness and two of its Italian translations. Specifically, data from an online questionnaire are used to test whether English and Italian readers respond differently to the potential racist implications of the fictional representation of the African natives. Whereas one translator removes completely all occurrences of nigger( s) and negro, the other adds additional uses of the slurs which are not present in the original. We explore with empirical methods whether these translational alterations have an eff

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Starowicz, Aleksandra. ""Z ziemi włoskiej do Polski". Staropolskie przekłady dramaturgii włoskiej." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 235–40. http://dx.doi.org/10.24917/20811853.17.20.

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From Italy to Poland. Old Polish translations of Italian dramaAbstractThe text discusses the most important problems raised in Jadwiga Miszalska’s book The Songof the Tragic Playthings Teaches us Virtue: Translations from Italian as a Source for PolishSerious Drama till the end of the 18th Century (Kraków, 2013). The author drew attention tothe place that the translation from Italian takes in the Polish culture and literature and notedthe fact, that choice of texts for translation, the way of reading, the changes to which thetranslators of the Italian dramaturgy decided have become a source of

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9

Lopes, Claudia Valéria Arantes. "Exercício de tradução do português para o italiano da crônica Mineirinho, de Clarice Lispector." Revista Italiano UERJ 13, no. 1 (2022): 14. http://dx.doi.org/10.12957/italianouerj.2022.70744.

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RESUMO: Embora não seja uma prática usual, o presente ensaio traz soluções e compensações que um tradutor de língua materna português brasileiro encontra ao verter para o italiano a crônica “Mineirinho”, de autoria de Clarice Lispector, inspirado na morte do inimigo público número um da polícia nos anos 60, chamado José Rosa de Miranda, o Mineirinho. Considerando a natureza do texto, tentou-se transpor para a língua italiana estranhamentos típicos da sintaxe de Clarice Lispector, com resultado que julgamos satisfatório. Além disso, para ilustrar algumas das soluções encontradas, serão destacad

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De Florio, Giulia. "MARSHAK EDITOR OF GIANNI RODARI’S CIPOLLINO’S ADVENTURES. SOME PRELIMINARY ARCHIVE-BASED OBSERVATIONS." Children's Readings: Studies in Children's Literature 21, no. 1 (2022): 250–64. http://dx.doi.org/10.31860/2304-5817-2022-1-21-250-264.

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Samuil Marshak’s brief account “Why Did I Translate Gianni Rodari’s poems” [Marshak 1971] provides an interesting “inside look” at his translation practice in relation to the poems of the Italian children’s poet. Nevertheless, the information it contains is far from exhaustive on the subject of “Marshak translator of Gianni Rodari”. Moreover, Marshak was also the editor of other translations of the Italian writer’s works, namely The Adventures of Cipollino by Zlata Potapova. When analysing Potapova’s translation and Marshak’s suggested changes—included in a typewritten copy kept in Marshak’s a

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RADZIIEVSKA, T. V., and V. M. Trub. "ITALIAN-UKRAINIAN CONTRASTIVE STUDIES: LINGUISTICS, LITERATURE, TRANSLATION." Movoznavstvo 315, no. 6 (2020): 57–62. http://dx.doi.org/10.33190/0027-2833-315-2020-6-005.

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Fabio, Elvira G. Di, and Luigi Bonaffini. "Italian-English Translation." Italica 73, no. 4 (1996): 584. http://dx.doi.org/10.2307/479513.

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Gatt-Rutter, John. "Translating Lives: Italian-Australian Biography and Translation." Life Writing 4, no. 1 (2007): 41–58. http://dx.doi.org/10.1080/14484520701211008.

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Sharlay, Nataliya. "Wanted - An Italian Husband." TranscUlturAl: A Journal of Translation and Cultural Studies 7, no. 1 (2015): 187. http://dx.doi.org/10.21992/t9r64p.

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Nuessel, Frank, Sandor Hervey, Ian Higgins, Stella Cragie, and Patrizia Gambarotta. "Thinking Italian Translation. A Course in Translation Method: Italian to English." Italica 78, no. 4 (2001): 562. http://dx.doi.org/10.2307/3656082.

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Rădulescu, Valentina. "Contrainte et réécriture-création dans la traduction des Exercices de style de Raymond Queneau." Translationes 9, no. 1 (2017): 40–54. http://dx.doi.org/10.1515/tran-2017-0002.

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Abstract Our study presents a comparative analysis of selected texts from several translations of Queneau’s Exercices de style: the Romanian version (a collective work coordinated by Romulus Bucur), the English version (Barbara Wright) and the Italian one (Umberto Eco) that illustrate the variable degrees of difficulties in translating. The analysis is meant to confirm our research hypothesis: though disruptive and often hardly surmountable, translation constraint does not stifle translator’s creativity or his fidelity toward the original style; on the contrary, it stimulates the translational

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Tik, Natalia A. "The First Translations of Aleksandr Pushkin’s Eugene Onegin Into Italian." Imagologiya i komparativistika, no. 17 (2022): 60–78. http://dx.doi.org/10.17223/24099554/17/3.

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The article analyses two early translations of Aleksandr Pushkin’s Eugene Onegin into Italian. The first Italian critics of Eugene Onegin in the 19th century (Cesare Boccella, Enrico Montazio, Carlo Tenca) were convinced that the novel was weak and did not deserve to be translated. However, two translations appeared in the 19th century. The first translation of 1856 belongs to Louis Delatre, a Frenchman who assimilated in Italy. Delatre visited Russia, where he met Pyotr Vyazemsky, whose stories about Pushkin inspired Delatre to translate five of Pushkin’s works, including Eugene Onegin. The s

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Giraudo, Fabio. "Translating to Share: An Enigmatical Compromise between Tradition and Treason." Accueillir l’Autre dans sa langue. La traduction comme dispositif de médiation, no. 103 (September 17, 2021): 159–68. http://dx.doi.org/10.31861/pytlit2021.103.159.

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Translating means transposing a text from a source language to a target language. This practice considers that languages are defined as discrete in a reality dominated by continuity: they apply arbitrary cuts that do not correspond among idioms. Quine defined the principles of translation’s indeterminacy: the perfect translation does not exist; each one starts from hypotheses to draw conclusions. A language is more than a vocabulary or a grammar as well as a translation is more than an interlinguistic exchange: they represent the combination between vocabulary and encyclopaedia. The term trans

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19

Segnini, Elisa. "Global Masterpieces and Italian Dialects." Journal of World Literature 2, no. 2 (2017): 236–54. http://dx.doi.org/10.1163/24056480-00202007.

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This essay suggests that the ultraminor can function as a paradigm to examine literature that emphasizes the minority status of the language in which it is composed. Engaging with Deleuze and Guattari’s definition of minor literature and with Pascale Casanova and Lawrence Venuti’s reflections on the role of translation in the shaping of world literature, it develops a comparison between two rewritings of Shakespeare into Italian dialects: Eduardo De Filippo’s translation of The Tempest into Neapolitan and Luigi Meneghello’s translation of Hamlet into vicentino. The essay underlines how these e

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Ariza, Mercedes. "Donkey Xote cabalga distinto en España y en Italia: reflexiones sobre la intertextualidad audiovisual." Journal of Literary Education, no. 1 (December 8, 2018): 58. http://dx.doi.org/10.7203/jle.1.12252.

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Resumen El objetivo del presente trabajo es analizar el fenómeno de la intertextualidad en el ámbito de la traducción de la literatura infantil y juvenil en general y en el campo de la traducción audiovisual en particular. Nuestro punto de partida es el análisis de los referentes intertextuales presentes en la película Donkey Xote (José Pozo, 2007) y en su versión para doblaje en italiano. Tras identificar las dificultades y las estrategias de traducción de la “intertextualidad audiovisual” (Martínez Sierra, 2010; Chaume, 2012), presentaremos algunos referentes intertextuales añadidos en

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21

Nemes, Krisztina. "The Intermediate Zone of Translation Part I." Acta Hispanica, no. III (October 29, 2021): 89–100. http://dx.doi.org/10.14232/actahisp.2021.0.89-100.

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Translation is a par excellence cultural communication and translators are agents of cultural transfer by means of language. Literary texts provide the translator with a higher grade of freedom than any other type of texts because of the self-referentiality of art encoded in language. Decoding the original and creating a new body in a different referential system are individual hermeneutic acts of the translator. Deciphering an author’s world is a step closer to the heart of the source culture and an ever-open language-game. The challenges I met translating Irene Solà’s novel gave me a special

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Toral, Antonio, and Andy Way. "Machine-assisted translation of literary text." Culture & Society issue 4, no. 2 (2015): 240–67. http://dx.doi.org/10.1075/ts.4.2.04tor.

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Contrary to perceived wisdom, we explore the role of machine translation (MT) in assisting with the translation of literary texts, considering both its limitations and its potential. Our motivations to explore this subject are twofold, arising from: (1) recent research advances in MT, and (2) the recent emergence of the ebook, which together allow us for the first time to build literature-specific MT systems by training statistical MT models on novels and their professional translations. A key challenge in literary translation is that one needs to preserve not only the meaning (as in other dom

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Lobascio, Marco. "Interference in Translation and Simultaneous Interpreting from Italian into English. An Intermodal Analysis of English Genitives in the European Parliament Interpreting Corpus." Across Languages and Cultures 21, no. 2 (2020): 265–81. http://dx.doi.org/10.1556/084.2020.00015.

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This article illustrates an intermodal study on simultaneous interpreting and translation from Italian into English based primarily on the European Parliament Interpreting Corpus (EPIC) and ofﬁcial translations from the European Parliament. In line with Gideon Toury’s posited law of interference, the hypothesis that drives the present study is that interpreters and translators working into English from Italian may underrepresent the ’s-genitive as a result of the syntactic asymmetry between English (which alternates between ’s and of) and Italian (which only has one type of prepositional phras

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Acerenza, Gerardo. "Vision(s) de la littérature québécoise en Italie. Révisions nécessaires?" Romanica Silesiana 18, no. 2 (2020): 15–29. http://dx.doi.org/10.31261/rs.2020.18.02.

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Literary texts written in French-speaking areas out of France very often represent real challenges for translators, because they have to deal with a diatopically marked language and with a large number of realia which require the implementation of specific strategies for translate in the target language. In this article, we will try to understand the strategies used by Italian translators when translating the linguistic specificities of Quebec literary works in Italian. The practice of translation can orient the vision (or reception) of a Quebec literature in Italy which appears at first sight

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Lakhtionova, K. "TRANSLATION ERRORS IN TRANSLATIONS OF FICTION TEXT OR TRANSMITTING TRACKERS." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 33 (2018): 210–17. http://dx.doi.org/10.17721/2663-6530.2018.33.15.

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Everything has been changing all the time in our world. It concerns language and literature as well. New traditions are being formed, and old ones die. Literary activity (creativity) could not avoid such changes: flexible natural form (shape) came instead of classical writing, instead of classical writing, great and sentimental, inherent to French literature. Bokacho`s Style and perfectionism in language mean following the rules of language standard, starting from XIII century and finishing XVIII. Padre Grande was criticized too for glorification of Toskana literary language and humiliation of

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Ryzhik, Michael. "Preliminaries to the Critical Edition of the Judeo-Italian Translation of the Siddur." Journal of Jewish Languages 1, no. 2 (2013): 229–60. http://dx.doi.org/10.1163/22134638-12340015.

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Abstract This article analyzes five translations of the siddur (‘prayer book’) into Judeo-Italian. Three of the versions are manuscripts from the 15th century, one is the printed 1506 Fano edition, and the last is a manuscript from the 17th century. A common tradition underlies all of these translations and has much in common with Judeo-Provençal translations; this likely represents an ancient Judeo-Romance tradition of translation, which expresses itself differently in each manuscript. The 17th-century translation displays northern linguistic features; it is more Toscanized and normalized tha

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Nardi, Antonella. "Zur Übertragung funktional-pragmatischer Begrifflichkeit vom Deutschen ins Italienische. Übersetzungsvorschläge am Beispiel von Determinativkomposita zu Handlung." Fachsprache 38, no. 3-4 (2016): 163–82. http://dx.doi.org/10.24989/fs.v38i3-4.1269.

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This paper sets out to investigate specific issues when translating from German to Italian with reference to linguistic terms. Firstly, general problems concerning the translation oflinguistic terms are discussed, then specific aspects of translation from German into Italian are analyzed. Finally, proposals for the translation of German terms which are determinative compounds receive attention and comment. The analyzed terms belong to the conceptual system of Functional Pragmatics. The latter is a theoretical approach to linguistics rooted in the German linguistic tradition.

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Gärtig-Bressan, Anne-Kathrin. "Übersetzen in philologischen Studiengängen. Bestandsaufnahme und neue Ansätze für die Übersetzung Italienisch-Deutsch." Lebende Sprachen 64, no. 2 (2019): 474–503. http://dx.doi.org/10.1515/les-2019-0024.

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Abstract Using the example of Italian-German translation at departments of Romance languages, this article offers a snapshot of the current role of translation and its didactics in language studies in the German-speaking countries. The lecturers of the individual institutes were invited to take part in an online survey on the organisation and position of the translation courses in the curricula, on the content and methodological orientation of their own courses and on their own background. The results are incorporated into the old discussion on the subject of translating and acquiring translat

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Chesher, Terry. "Who Says? A review by Professional Translators of the Work of Students Translating Health Text from English into Italian." Meta 36, no. 2-3 (2002): 352–66. http://dx.doi.org/10.7202/002228ar.

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Abstract A translation project is described involving translation students (non-professionals) and experienced practitioners (professionals) working on a text relating to diabetes, aimed at Italian-speakers in Australia. Professionals were interviewed as they checked the student version of the text, and a number of problems were identified which were considered to need correction or amendment. Practitioners describe their normal procedure when checking translations, and offer general impressions of the students' work. Examples are given of problem areas encountered both in the English SL text

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Ripa, Valentina. "Omaggio a Joan Vinyoli." SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 5, no. 5 (2015): 305. http://dx.doi.org/10.7203/scripta.5.6377.

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Riassunto: In continuità con l’omaggio a Joan Vinyoli organizzato a Roma nel 2014, si propongono le traduzioni in italiano di alcuni suoi componimenti, con testo a fronte. Parole chiave: Joan Vinyoli, traduzione dal catalano all’italiano, poesia catalana del Novecento. Abstract: In continuity with the Joan Vinyoli Tribute organized in Rome in December 2014, I propose the translation from Catalan to Italian of some of his poems. Keywords: Joan Vinyoli, translation from Catalan to Italian, twentieth-century Catalan poetry.

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Abdo, Samah Mohammed Ibrahim. "PROBLEMATICHE DI TRADUZIONE LETTERARIA DALL’ITALIANO IN ARABO IN UN MODELLO DIDATTICO APPLICATO." Italiano LinguaDue 13, no. 2 (2022): 54–73. http://dx.doi.org/10.54103/2037-3597/17129.

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Il presente articolo ha come oggetto di studio l’analisi delle problematiche di natura semantica-lessicale nella traduzione letteraria compiuta da 7 gruppi di studenti egiziani e arabofoni al quarto anno del corso di Lingua e letteratura italiana, a. a. 2019/2020, presso l’ateneo di Ain Shams, al Cairo. Si sono analizzate le traduzioni, intere o in parte, di: Favole al telefono e Le avventure di Cipollino di G. Rodari, Racconti sardi di G. Deledda, Fiabe Italiane di I. Calvino, I racconti di I. Svevo, Novelle per un anno di L. Pirandello, Il grande Belzoni, Romanzo a fumetti di W. Venturi. L’a

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Jr., Theodore J. Cachey, and Loredana Polezzi. "Translating Travel: Contemporary Italian Travel Writing in English Translation." Modern Language Review 99, no. 1 (2004): 224. http://dx.doi.org/10.2307/3738935.

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Ergün, Anna Lia Proietti. "Crosslinguistic Interference in Simultaneous Acquisition of Turkish and Italian." Open Linguistics 6, no. 1 (2020): 512–31. http://dx.doi.org/10.1515/opli-2020-0031.

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AbstractThis study compared the acceptability judgment task (AJT) and translation task (TT) in 10 simultaneous Turkish–Italian bilinguals with age-matched Turkish and Italian monolinguals as a control group. The position of subjects occurring with unaccusative verbs was investigated as the linguistic property. The results of the AJT in Turkish revealed no significant difference between the groups. However, in the Italian AJT, high variability was found in the younger bilinguals. Only bilinguals could participate in the TT. The participants, while translating into Turkish, always produced pragm

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Kerla, Nerma. "Analisi dei turchismi utilizzati nel paragone nel romanzo di Meša Selimović Derviš i smrt e la loro traduzione italiana / On Cultural Differences in The Italian Translation of The Novel Death And The Dervish By Meša Selimović." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 25 (December 23, 2022): 171–96. http://dx.doi.org/10.46352/23036990.2022.171.

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This paper deals with the comparison based on Turcisms in the Italian translation of the novel Derviš i smrt by Meša Selimović. The novel was published in 1966 and Lionello Costantini did the translation from the then Serbo-Croatian to Italian (Il derviscio e la morte) in 1983. This paper focuses on the issue of translation equivalents, as some of the most important elements in the translation process, and on the process of translation itself, as well. A comparative analysis of the culturally specific elements in the original text and their translation in the target language was made, primaril

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Zholudeva, L. I. "The Concept of Italiano Neostandard." Bulletin of Kemerovo State University 22, no. 2 (2020): 499–506. http://dx.doi.org/10.21603/2078-8975-2020-22-2-499-506.

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In modern sociolinguistics the term "italiano neostandard" ("Neo-standard Italian") has been in use for a few decades already. However, in Russian linguistic terminology it still lacks a well-established translation equivalent. The research objective was to prove that it has deeply-rooted theoretical premises. Until the second part of the XX century, literary Italian (italiano standard) was mainly used in writing by intellectual élite, and for centuries (since XVI c.) its codified norm altered little – if at all – and was only apt for high-flown language (that is what the term "Standard Italia

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Bertalot, Valdo. "Il Nuovo Testamento Greco-Latino-Italiano – Conferenza Episcopale Italiana, Roma, 2020." Między Oryginałem a Przekładem 27, no. 3(53) (2021): 55–66. http://dx.doi.org/10.12797/moap.27.2021.53.03.

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On the same day of the United Nations International Translation Day, the 30th of September 2020, Il Nuovo Testamento Greco-Latino-Italiano was published by the Italian Catholic Bishops’ Conference (CEI), a date chosen by the United Nations in honor of St. Jerome. The publication of the NTGLI presents two specific innovations: 1. at a ‘textual’ level for the most recent editions of the New Testament used (The Greek New Testament-5th Revised edition; Nova Vulgata, Bibliorum Sacrorum Editio, Editio typica altera; La Sacra Bibbia - Versione ufficiale della Conferenza Episcopale Italiana) and 2. at

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Vishnevskaya, Elena A. "Sequence Victimae Paschalis: an experience of comparing translations (English, Italian, Russian)." Vestnik of Kostroma State University 28, no. 2 (2022): 168–74. http://dx.doi.org/10.34216/1998-0817-2022-28-2-168-174.

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The article is devoted to the analysis of translations of the medieval Latin sequence Victimae Paschalis into English, Italian and Russian. The texts selected on theological and popularization sites served as the material for the study. They were written during the 20th century and belong to different cultural traditions. The relevance of the study is due to the fact that in our time religious literature is considered as part of the global literary process. In particular, Christian medieval Latin hymnography is considered as part of the corpus of medieval poetic texts. The presence of modern t

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Alborghetti, Claudia. "Italian nonsense verse: rewriting poetry in Alice’s Adventures in Wonderland by Lewis Carroll translated into Italian." Rivista di Storia dell’Educazione 7, no. 2 (2020): 75–86. http://dx.doi.org/10.36253/rse-9634.

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Alice’s Adventures in Wonderland (1865) was translated in Italy for the first time in 1872 by Teodorico Pietrocòla Rossetti. Since then, it has found fruitful ground in the so-called “creative transposition” (Jakobson, 2002), which makes use of the creative channel to communicate with a lay public that relies on rewritings to approach classic texts (Lefevere, 1992). Rewriters include translators and people who manipulate source texts for economic, political or social reasons. Their work is evidence of the evolution of literature as it brings classic texts down to the level of the common reader

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Amenta, Alessandro. "O tłumaczeniu literatury fantasy na podstawie włoskiego przekładu cyklu wiedźmińskiego Andrzeja Sapkowskiego." Przekładaniec, no. 40 (2020): 7–21. http://dx.doi.org/10.4467/16891864pc.20.001.13164.

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On the Translation of Fantasy Literature through the Lens of the Italian Version of Andrzej Sapkowski’s The Witcher Series Studies on the specific features of fantasy literature that can influence translation strategies are becoming more and more widespread among scholars, as a consequence of increasing interest in the rendition of cultural items and the legitimation of fantasy literature as a field of research. Focusing on the Italian version of The Witcher series by Andrzej Sapkowski, published in 2010–2016, the article investigates the problems posed by the creation of imaginary worlds and

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Bianchini, Carlo, and Mauro Guerrini. "The Italian Translation of RDA." Cataloging & Classification Quarterly 54, no. 7 (2016): 442–51. http://dx.doi.org/10.1080/01639374.2016.1199451.

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McIlfatrick-Ksenofontov, Miriam. "Fetching Poems from Elsewhere: Ciaran Carson’s Translations of French Poetry." Interlitteraria 21, no. 1 (2016): 51. http://dx.doi.org/10.12697/il.2016.21.1.5.

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Ciaran Carson is a renowned Northern Irish poet with a distinguished record of translating poetry from Irish, Italian and French. This article focuses on his translation practice as evidenced in his three volumes of French poetry in translation: sonnets by Baudelaire, Mallarmé and Rimbaud; prose poems by Rimbaud; and poems by Jean Follain. Guided by the music, the matter, and the linguistic and ontological going-beyond of the originals, Carson variously ‘adapts’ prose poems to a rhyming alexandrine format, makes explicit use of derivation, shifts spatio-temporal perspective, and ‘doubles’ his

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Di Fabio, Elvira G., Sara Laviosa, and Valerie Cleverton. "Learning by Translating. A Course in Translation: English to Italian & Italian to English." Italica 81, no. 4 (2004): 566. http://dx.doi.org/10.2307/27668955.

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Tajani, Ornella. "Against Deforming Tendencies: To Open the Italian Language to Rimbaud’s Poems." Accueillir l’Autre dans sa langue. La traduction comme dispositif de médiation, no. 103 (September 17, 2021): 110–23. http://dx.doi.org/10.31861/pytlit2021.103.110.

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In his book La Traduction et la Lettre ou l’auberge du lointain, Antoine Berman states that literary translation must respect the “Strangeness” of the source-text to produce an “ethical translation”. Using the expression of the troubadour poet Jaufré Rudel, the author proposes to consider the translational space as a place of welcome for the strangeness of the source-text; translating the “letter” of the text thus means respecting this strangeness. In order to achieve this goal, Berman outlines thirteen “deforming tendencies”, i.e. tendencies to be avoided because they would destroy the “lette

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WIESMANN, Eva. "MACHINE TRANSLATION IN THE FIELD OF LAW: A STUDY OF THE TRANSLATION OF ITALIAN LEGAL TEXTS INTO GERMAN." Comparative Legilinguistics 37 (October 23, 2019): 117–53. http://dx.doi.org/10.14746/cl.2019.37.4.

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With the advent of the neural paradigm, machine translation has made another leap in quality. As a result, its use by trainee translators has increased considerably, which cannot be disregarded in translation pedagogy. However, since legal texts have features that pose major challenges to machine translation, the question arises as to what extent machine translation is now capable of translating legal texts or at least certain types of legal text into another legal language well enough so that the post-editing effort is limited, and, consequently, whether a targeted use in translation pedagogy

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Scherber, Robyn, Tiziano Barbui, Alessandro M. Vannucchi, et al. "Prospective Validation of the Italian Myeloproliferative Neoplasm Symptom Assessment Form (MPN-SAF: Italian) In 186 MPN Patients." Blood 116, no. 21 (2010): 5060. http://dx.doi.org/10.1182/blood.v116.21.5060.5060.

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Abstract Abstract 5060 Background: The Myeloproliferative Neoplasm Symptom Assessment Form (MPN-SAF) is a concise instrument of patient reported outcomes (PRO) designed to assess the unique spectrum of symptoms present in the majority of patients (Mesa et. al. Cancer 2007). We sought to validate the Italian Translation of the MPN-SAF which addresses 19 separate symptoms reported by MPN patients. Methods: Translation: We utilized the standard practice of PRO translation in which 3 independent translations are created by 3 independent translators fluent in both languages. A fourth translator the

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Cosma, Iulia. "Le sfide della traduzione di Cuore in romeno (1893-1936)." Translationes 9, no. 1 (2017): 98–113. http://dx.doi.org/10.1515/tran-2017-0006.

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Abstract This paper is concerned with the problems and the difficulties faced when translating in Romanian Cuore (Heart): An Italian Schoolboy’s Journal by De Amicis, an extremely important book that left a mark on the cultural history of Romania for being until recently part of the Primary School Curriculum. The aim is to create awareness for the necessity of identifying evaluation criteria for the translation of literature for children. In this regard, the translational activity and its product will be discussed from an analytic and diachronic perspective, requested by the interdisciplinary

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Wanner, Adrian. "A Forgotten Translingual Pioneer: Elizaveta Kul’man and her Self-Translated Poetry." Polylinguality and Transcultural Practices 16, no. 4 (2019): 562–79. http://dx.doi.org/10.22363/2618-897x-2019-16-4-562-579.

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Elizaveta Borisovna Kul’man (1808-1825) is a unique figure in the history of Russian literature, or more precisely, the history of Russian, German, and Italian literature. A child prodigy with formidable linguistic gifts, Kul’man stands out both with her polyglot prowess and outsized literary productivity. At the time of her premature death at age seventeen, Kul’man left behind a vast unpublished oeuvre in multiple languages. The edition of her works published by the Imperial Russian Academy in 1833 contains a trilingual compendium of hundreds of parallel poems written in Russian, German, and

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Černiuvienė, Liucija, and Ieva Montrimaitė. "Stylistics and Translation of Raymond Queneau’s Work: Translation Analysis of „Exercices de style“." Vertimo studijos, no. 13 (December 28, 2020): 6–27. http://dx.doi.org/10.15388/vertstud.2020.1.

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The article covers the stylistics of the work “Exercices de style” by the French writer Raymond Queneau and the translation of this work into Lithuanian. Through the analysis of translations into Italian and English as well, the article investigates the distinctive feature of Queneau’s texts – how they play with various language tools. The article distinguishes and discusses the play of literary devices (these are figures of style and rhetoric), the play of linguistic devices (grammatical tenses, barbarisms, neologisms), the play of language registers (colloquial language, jargon), the play of

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827//5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora traditi

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Onelli, Corinna. "Tra fonti erudite e lettori ordinari: una traduzione seicentesca del Satyricon." Ancient Narrative 15 (May 29, 2018): 35. http://dx.doi.org/10.21827/5c643a8525e4b.

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The paper presents a 17th-century translation of the Satyricon into Italian transmitted in manuscript. The translation is anonymous and presumably was intended for the illegal market of clandestine manuscripts. Material evidence shows that the translation actually circulated across time and among popular readers. The comparison between the Italian translation and 16th – and 17th editions of Petronius has revealed that the translator started his work on the obsolete text of the excerpta brevia (that is, the Satyricon as published before1575) and then shifted to the the excerpta longiora traditi

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