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1

Roth, Marita. Stereotype in gesprochener Sprache: Narrative Interviews mit Ost- und Westberliner Sprechern 1993-1996. Stauffenburg, 2005.

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2

Giuffrè, Martina. Uguali, diversi, normali: Stereotipi, rappresentazioni e contro narrative del mondo rom in Italia, Spagna e Romania. Castelvecchi, 2014.

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3

Sharpley-Whiting, T. Denean. Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Duke University Press, 1999.

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4

1971-, Berry Ian, Frances Young Tang Teaching Museum and Art Gallery., and Williams College Museum of Art., eds. Kara Walker: Narratives of a negress. Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2003.

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5

1971-, Berry Ian, English Darby 1974-, Frances Young Tang Teaching Museum and Art Gallery., and Williams College. Museum of Art., eds. Kara Walker: Narratives of a negress. Rizzoli International Pub., 2007.

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6

Simonis, Angie. Yo no soy ésa que tú te imaginas: El lesbianismo en la narrativa española del siglo XX a través de sus estereotipos. Centro de Estudios sobre la Mujer, Universidad de Alicante, 2009.

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7

Fulmer, Jacqueline. Folk women and indirection in Morrison, Ní Dhuibhne, Hurston, and Lavin. Ashgate, 2007.

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8

Mickūnaitė, Giedrė. Maniera Greca in Europe’s Catholic East. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462982666.

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How and why does vernacular art become foreign? What does ‘Greek manner’ mean in regions far beyond the Mediterranean? What stories do images need? How do narratives shape pictures? The study addresses these questions in Byzantine paintings from the former Grand Duchy of Lithuania, contextualized with evidence from Poland, Serbia, Russia, and Italy. The research follows developments in artistic practices and the reception of these images, as well as distinguishing between the Greek manner – based on visual qualities – and the style favoured by the devout, sustained by cults and altered through
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9

Heywood, Susie, and Barbara Adzajlic. Challenging Gender Stereotypes in the Early Years: Changing the Narrative. Routledge, 2022.

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10

Heywood, Susie, and Barbara Adzajlic. Challenging Gender Stereotypes in the Early Years: Changing the Narrative. Routledge, 2022.

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11

Heywood, Susie, and Barbara Adzajlic. Challenging Gender Stereotypes in the Early Years: Changing the Narrative. Taylor & Francis Group, 2022.

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12

Heywood, Susie, and Barbara Adzajlic. Challenging Gender Stereotypes in the Early Years: Changing the Narrative. Taylor & Francis Group, 2022.

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13

Heywood, Susie, and Barbara Adzajlic. Challenging Gender Stereotypes in the Early Years: Changing the Narrative. Taylor & Francis Group, 2022.

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14

Mildorf, Jarmila. Storying Domestic Violence: Constructions and Stereotypes of Abuse in the Discourse of General Practitioners. University of Nebraska Press, 2009.

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15

Mildorf, Jarmila. Storying Domestic Violence: Constructions and Stereotypes of Abuse in the Discourse of General Practitioners (Frontiers of Narrative). University of Nebraska Press, 2007.

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16

Pleszczynski, Andrzej, and Grischa Vercamer. Germans and Poles in the Middle Ages: The Perception of the 'Other' and the Presence of Mutual Ethnic Stereotypes in Medieval Narrative Sources. BRILL, 2021.

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17

Harris, Tamara Winfrey. Sisters Are Alright: Changing the Broken Narrative of Black Women in America. Berrett-Koehler Publishers, Incorporated, 2015.

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18

Harris, Tamara Winfrey. Sisters Are Alright: Changing the Broken Narrative of Black Women in America. Berrett-Koehler Publishers, Incorporated, 2015.

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19

Harris, Tamara Winfrey, and Tamberla Perry. The Sisters are Alright: Changing the Broken Narrative of Black Women in America. Dreamscape Media, 2015.

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20

O, Davydova. Ethnosexual Processes. Realities, Stereotypes and Narratives. Kikimora Publications, 2011.

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21

Missouri, Montré Aza. Black Magic Woman and Narrative Film: Race, Sex and Afro-Religiosity. Palgrave Macmillan Limited, 2015.

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22

Harris, Tamara Winfrey. Sisters Are Alright, Second Edition: Changing the Broken Narrative of Black Women in America. Berrett-Koehler Publishers, Incorporated, 2021.

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23

Sisters Are Alright, Second Edition: Changing the Broken Narrative of Black Women in America. Berrett-Koehler Publishers, Incorporated, 2021.

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24

Harris, Tamara Winfrey. Sisters Are Alright: Changing the Broken Narrative of Black Women in America [16 Pt Large Print Edition]. ReadHowYouWant.com, Limited, 2015.

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25

Horigan, Kate Parker. Consuming Katrina. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817884.001.0001.

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When survivors are seen as agents in their own stories, they will be seen as agents in their own recovery. A better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover. This book shows how the public understands and remembers large-scale disasters like Hurricane Katrina, discussing unique contexts in which personal narratives about the storm are shared: interviews with survivors, Dave Eggers’ Zeitoun, Josh Neufeld’s A.D.: New Orleans After the Deluge, Tia Lessin and Car
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26

Udod, Oleksandr. Modern Ukrainian Historical Narrative as a Means of Deconstructing Russian Historical Propaganda. Methodological Materials for a Series of Webinars for History Teachers. Institute of History of Ukraine, National Academy of Sciences of Ukraine, 2024. https://doi.org/10.15407/book1-0018334.

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The methodological materials were prepared for a series of webinars for history teachers to prepare them to organize the educational process in the context of the Russian-Ukrainian war and the post-war reconstruction of Ukraine. The author emphasizes the genocidal nature of Russian historical propaganda and the corresponding school historical education in the occupied territory of Ukraine, which is aimed at destroying the national identity of Ukrainian schoolchildren. It is argued that a reliable antidote to Russian historical propaganda is the modern Ukrainian historical narrative. The contri
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27

Caronan, Faye. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039256.003.0001.

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This book explores how Filipino American and U.S. Puerto Rican cultural critiques are delegitimized and obscured by U.S. imperialism and global power. Drawing on Raymond Williams's dual definitions of culture as both the experience of everyday life within a society and the cultural productions that circulate within society, the book analyzes the ways that Filipinos and Puerto Ricans have been represented to affirm narratives of U.S. exceptionalism in the early twentieth century and today. It considers how recent Filipino American and U.S. Puerto Rican cultural productions across multiple genre
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28

Die Wettkampfsituation als intergenerisches narratives Stereotyp. GRIN Verlag GmbH, 2007.

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29

Siebler, Kay. Black Women Shattering Stereotypes. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781666985368.

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Black Women Shattering Stereotypes: A Streaming Revolution focuses on the work, voices, and perspectives of Black women in popular film and television. Kay Siebler argues that within the past five years, in response to the digital age and the number of racist stereotypes being purported in dominant culture, Black women creators are making entertainment media that fights back against these racist and sexist narratives and celebrates the realities of being Black and being a woman in today’s world. When Black women are behind the camera, writing, directing, and producing, Siebler finds, the repre
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30

Enchanted, stereotyped, civilized: Garden narratives in literature, art and film. Königshausen & Neumann, 2018.

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31

Ching Carter, Karen L. Photo-Essays about Asian American Women in Life Magazine 1936 to 1965. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978722408.

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The editors of Life Magazine, a mass-produced picture magazine, composed picture narratives that entertained, informed, and influenced mid-twentieth-century American society. Photo-Essays about Asian American Women in Life Magazine 1936 to 1965: Hidden Narratives and Breaking Stereotypes is a rhetorical analysis of how Life Magazine’s photo-essays represented and shaped white American middle-class attitudes toward Asian American women. In the time period studied, 1936 to1965, most white Americans were exposed to Asian woman primarily through film or in illustrated drawings. Hollywood in partic
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32

Davé, Shilpa S. “Running from the Joint”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037405.003.0007.

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This chapter examines how the sequel film Harold and Kumar Escape from Guantanamo Bay (2008) establishes Harold and Kumar as patriotic, racialized American citizens who are able to question American federal policy towards outsiders and regional stereotypes in the south in a post-9/11 heightened-security era. Harold and Kumar become the characters that the audience roots for. As in the first film, an Indian accent is not a performative characteristic or object. What is notable is that Harold and Kumar are “accent-less,” so their racial position does not define them. They do not act as cultural
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33

Dollar, Cindy Brooks. I Never Wanted to Be a Stereotype: A Sociologist's Narrative of Healing. Lang AG International Academic Publishers, Peter, 2021.

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34

Dollar, Cindy Brooks. I Never Wanted to Be a Stereotype: A Sociologist's Narrative of Healing. Lang AG International Academic Publishers, Peter, 2021.

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35

Dollar, Cindy Brooks. I Never Wanted to Be a Stereotype: A Sociologist's Narrative of Healing. Lang AG International Academic Publishers, Peter, 2021.

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36

Dollar, Cindy Brooks. I Never Wanted to Be a Stereotype: A Sociologist's Narrative of Healing. Lang AG International Academic Publishers, Peter, 2021.

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37

Tan, Alexis, and Anastasia Vishnevskaya. Stereotypes of Muslim Women in the United States. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978727533.

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This book brings into focus the perception of Muslim women in the United States, often overlooked in research literature and common media narratives, but at the same time facing increasing hate and aggression based on their religious and gendered identities. Guided by data from three original experiments and theories of priming and media effects, Alexis Tan and Anastasia Vishnevskaya discuss how stereotypes of Muslim women in the media influence public stereotypes, and how public stereotypes direct aggressions towards them. This book contributes to existing literature in the field by presentin
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38

Mysore, Anita Rao, ed. Narratives of South Asian and South Asian American Social Justice Educators. Rowman & Littlefield, 2022. https://doi.org/10.5040/9781978723719.

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Narratives of South Asian and South Asian American Social Justice Educators carries the voices of faculty in higher education. Caught between the stereotypes of the model minority and invisibleness, the authors narrate their triumphs, trials and tribulations as social justice educators in US teacher education and in allied fields. Their autoethnography-based narratives substantiate that a racial America is far from over. Stemming from their experiences in classrooms and in the community, the authors offer usable strategies to educators and administrators, with the objective of creating a socia
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39

Knoll and, Benjamin R., and Cammie Jo Bolin. Support and Skepticism Regarding Women’s Ordination. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190882365.003.0003.

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This chapter focuses on why some people support women’s ordination while others oppose it. It takes a deep dive into face-to-face personal narrative interviews to uncover the common themes and patterns of explanations that people give to justify their positions. It uncovers a few key themes that are common to individuals in a variety of religious traditions, including scriptural authority, personal experiences, and gender stereotypes about the gifts and talents that men and women possess. It is striking that despite interviewees’ reasons for supporting or opposing women’s ordination, many indi
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40

Hartung, Gerald, and Caterina Zanfi, eds. Die Philosophiegeschichtsschreibung im Ersten Weltkrieg. Verlag Karl Alber, 2022. http://dx.doi.org/10.5771/9783495999325.

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How can we describe the position of German philosophy on the outbreak of World War I, on the resurgence of nationalism that competed with the European ideal of unity, and on the emergence of a global landscape of philosophy after the catastrophe of 1914–18? In their »intellectual mobilization« during the war, philosophers often used, even instrumentalized, the classical authors of the history of philosophy to support nationalist intentions. This led to a deformation of the historical narratives of philosophy, which, as early as 1900, ranged from a restitution of the nationalistic perspective a
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41

Wui, Ma Glenda Lopez, and Cameron S. White. Civic Engagement of Asian American Student Leaders. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666987621.

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Civic Engagement of Asian American Student Leaders examines the civic lives of Asian American youth and analyzes their civic engagement through in-depth interviews with fifteen student leaders from a Tier One university in Southeast Texas. This book provides a counter-narrative to the portrayal of Asian Americans as apolitical and less interested in civic matters. Such depictions arise from the characterization of Asian Americans as model minority who mainly focus on economic success and are socially and economically integrated in American society. However, the stories of the student leaders,
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42

Trenka, Susie. Appreciation, Appropriation, Assimilation. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.009.

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The black-cast backstage musicalStormy Weather(1943) is the first Hollywood film to explicitly celebrate black achievement. Featuring key figures of African American dance and more black dance numbers than any other mainstream musical, it testifies to the versatility and—crucially—the hybridity of jazz dance culture. This article analyzes dance inStormy Weatherby addressing questions of appreciation, appropriation, and assimilation in the context of both film and dance history.Stormy Weather’s panoply of styles and stars negotiates several contradictory processes: white appropriation of “authe
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43

Jay, Gregory S. Speaking of Abjection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190687229.003.0007.

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The genre of the white liberal race novel was revived in 2009 by Stockett’s bestseller and its high-profile Hollywood film version. Much controversy broke out over the novel’s depiction of black maids in early 1960s Jackson, Mississippi, which was a center of Civil Rights activism and white backlash. Were these characters stereotypes or deconstructions of the “mammy” figure? The chapter demonstrates that the narrative sections told by the maids contain much subversion, and that even the white protagonist exhibits resistance to orthodox female gender norms. Understanding the novel also requires
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44

Pelletier-Gagnon, Jérémie. Japanese Role-Playing Games. Edited by Rachael Hutchinson. The Rowman & Littlefield Publishing Group, Inc., 2022. https://doi.org/10.5040/9781666994766.

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Japanese Role-playing Games: Genre, Representation, and Liminality in the JRPG examines the origins, boundaries, and transnational effects of the genre, addressing significant formal elements as well as narrative themes, character construction, and player involvement. Contributors from Japan, Europe, North America, and Australia employ a variety of theoretical approaches to analyze popular game series and individual titles, introducing an English-speaking audience to Japanese video game scholarship while also extending postcolonial and philosophical readings to the Japanese game text. In a thr
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45

Photo-Essays about Asian American Women in Life Magazine 1936 To 1965: Hidden Narratives and Breaking Stereotypes. Rowman & Littlefield Publishers, Incorporated, 2023.

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46

Carter, Karen L. Ching. Photo-Essays about Asian American Women in Life Magazine 1936 To 1965: Hidden Narratives and Breaking Stereotypes. Lexington Books/Fortress Academic, 2021.

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47

Sharpley-Whiting, T. Denean. Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French. Duke University Press, 1999.

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48

Sharpley-Whiting, T. Denean. Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French. Duke University Press, 1999.

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49

Brown, Katherine E. Gender, Religion, Extremism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190075699.001.0001.

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This volume offers a feminist critique of counter- and deradicalization programs, including those under the umbrella of “preventing and countering violent extremism.” Based on insights from five countries and examples from elsewhere, the book shows how, collectively, efforts rely on particular narratives of agency, security, and human rights. Putting gender at the center of the analysis reveals significant limitations in antiradicalization work—in construction, operation, and evaluation. First, these programs fail to explore or engage with how masculinity and femininity inform the radicalizati
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50

Dow, Bonnie J. Fixing the Meaning of the Movement. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038563.003.0005.

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This chapter focuses on the ABC documentary on the Ladies' Home Journal sit-in entitled “Women's Liberation,”, produced by reporter Marlene Sanders. The documentary is 1970's key example of a supportive reporter's self-conscious effort to represent the movement fairly. It also serves as the most developed example of network news' reliance on race–sex and feminism–civil rights analogies. In her memoir of her reporting career, Sanders makes clear that she saw the documentary as an intervention into poor media treatment of the movement, echoing the contention of many feminists that the movement's
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