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Books on the topic 'New artistry'

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1

Richard, Polese, ed. Passions in print: Private press artistry in New Mexico. Museum of New Mexico Press, 2006.

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2

William, Gilson, ed. Carved in stone: The artistry of early New England gravestones. Wesleyan University Press, 2012.

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3

service), SpringerLink (Online, ed. Beauty in Chemistry: Artistry in the Creation of New Molecules. Springer Berlin Heidelberg, 2012.

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4

Smith, Pamela S. Passions in print: Private press artistry in New Mexico 1834-present. Museum of New Mexico Press, 2005.

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5

1928-, Kennedy George Alexander, and Watson Duane Frederick, eds. Persuasive artistry: Studies in New Testament rhetoric in honor of George A. Kennedy. Sheffield Academic Press, 1991.

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6

Wheeler, Beth Schwartz. Next steps in altered photo artistry: New ways to transform images for fabric & quilt art. C&T Pub., 2009.

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7

Damm, Ursula, and Mindaugas Gapsevicius, eds. Shared Habitats. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456477.

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The interactions between artistic, technical, scientific, living, and nonliving things have inspired new artistic approaches. The contributors to this volume either relate to theoretical discourses raised by artworks, show how young artists today approach cultural issues, or develop situations of living together with other species. All the contributions to this publication by writers, artists, technologies, and other organisms invite the reader into new experiences and new imaginaries. The reader is also invited to rethink the role of art and the role of the artist within umwelts, milieus, and
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8

1927-, Horner Tom, ed. New Orleans: An artist's sketchbook. Tryon Pub. Co., 1997.

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9

John, Snyder. The new commercial artist's handbook. Watson-Guptill, 1986.

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10

Spaans, Peter. New York from the yards. [publisher not identified], 1986.

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11

Gilbert. Gilbert & George: New testamental pictures. Charta, 1998.

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12

Auerbach, Ellen. Ellen Auerbach: Berlin, Tel Aviv, London, New York. Prestel, 1998.

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13

Hauck, Charlie. Artistic differences. W. Morrow, 1993.

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14

Cotler, Gordon. The artist's proof. Worldwide, 1999.

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15

Gilbert. Gilbert & George: New democratic pictures. Aarhus Kunstmuseum, 1992.

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16

1940-, Hickey Dave, and Bernard Jacobson Gallery, eds. Tom Wesselmann: New work. Bernard Jacobson, 2004.

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17

Harris-Ching, Raymond. New Zealand birds: An artist's field studies. Reed Methulen, 1986.

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18

Wood, Yolanda. Artistas del Caribe hispano en New York. Editorial Letras Cubanas, 1997.

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19

Marie, Michel. The French New Wave: An Artistic School. John Wiley & Sons, 2007.

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20

Venetia, Porter, Deuchar Stephen, Best Kate, and Victoria and Albert Museum, eds. Light from the Middle East: New photography. Steidl in association with V&A Publishing, London, 2012.

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21

1908-1970, Angus Rita, ed. Rita Angus: An artist's life. Te Papa Press, 2008.

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22

Shute, Gareth. Insights: New Zealand artists talk about creativity. Random House New Zealand, 2006.

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23

Barbara, Anderson. Portrait of the artist's wife. Victoria University Press, Victoria University of Wellington, 1992.

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24

Barbara, Anderson. Portrait of the artist's wife. Secker & Warburg, 1992.

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25

Barbara, Anderson. Portrait of the artist's wife. W.W. Norton, 1993.

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26

Norman, John O., ed. New Perspectives on Russian and Soviet Artistic Culture. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23190-4.

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27

Tuttle and Bailey Manufacturing Company. New Artistry in Radiator Concealment. Creative Media Partners, LLC, 2021.

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28

Haynes, Barry, and Wendy Crumpler. Photoshop 5 & 5.5 Artistry (OTHER NEW RIDERS). New Riders Press, 2000.

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29

Vernallis, Carol, Holly Rogers, and Lisa Perrott. Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. Bloomsbury Publishing Plc, 2020.

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30

Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. Bloomsbury Publishing Plc, 2020.

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31

Fabbrizzi, Luigi. Beauty in Chemistry: Artistry in the Creation of New Molecules. Springer Berlin / Heidelberg, 2016.

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32

Beauty In Chemistry Artistry In The Creation Of New Molecules. Springer, 2012.

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33

Fabbrizzi, Luigi. Beauty in Chemistry: Artistry in the Creation of New Molecules. Springer, 2012.

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34

Gilson, Thomas E., and William Gilson. Carved in Stone: The Artistry of Early New England Gravestones. Wesleyan University Press, 2024.

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35

Teiwes, Helga. Hopi Basket Weaving: Artistry in Natural Fibers. University of Arizona Press, 2016.

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36

Persuasive Artistry: Studies in New Testament Rhetoric in Honor of George A. Kennedy. Bloomsbury Publishing Plc, 1991.

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37

Persuasive Artistry: Studies in New Testament Rhetoric in Honor of George A. Kennedy. Bloomsbury Publishing Plc, 1991.

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38

Persuasive Artistry: Studies in New Testament Rhetoric in Honor of George A. Kennedy. Bloomsbury Publishing Plc, 1991.

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39

Artistry in glass: Cameo glass by Kelsey Murphy : [exhibition] New Orleans Museum of Art. The Museum, 1995.

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40

Kaoud, Rumzi. Lifelong Love Affair: From Ramallah to New Haven and the Artistry of Persian Rugs. Kingsbury, Elizabeth, 2021.

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41

Next Steps In Altered Photo Artistry New Ways To Transform Images For Fabric Quilt Art. C&T; Publishing, 2009.

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42

The rustic artistry of Clarence O. Nichols: Furniture in the collection of the New York State Museum. Adirondack Museum, 1987.

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43

Hines, James R. New Disciplines. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039065.003.0015.

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Since the 1960s, televised World and Olympic competition brought figure skating into the homes of millions who discovered and enjoyed the perfect balance between artistry and athleticism that the sport offered. This developed an increasingly enthusiastic audience for the sport and led inevitably to a participatory role as converts filled ice rinks. Those new to skating discovered a recreational activity that persons of all ages could enjoy and that entire families could do together. Many, young and old, took lessons, and some became highly proficient. Not surprisingly, new competitive opportun
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44

(Editor), Duane F. Watson, and George Alexander Kennedy (Editor), eds. Persuasive Artistry Studies in New Testament Rhetoric in Honor of George A. Kennedy (Jsnt Supplement Series, No 50). Sheffield, 1992.

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45

McTighe, Sheila. Representing from Life in Seventeenth-century Italy. Amsterdam University Press, 2020. https://doi.org/10.5040/9789048566464.

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In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a
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46

Cutler, Vanessa. New Technologies in Glass. Bloomsbury Publishing Plc, 2012. http://dx.doi.org/10.5040/9781789942712.

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The world of the glass artist is changing. Emerging technology for the cutting, engraving, and printing of glass is opening doors for those who want to work more quickly, more accurately, at larger scales and in multiples, and is stretching the boundaries of innovation. Profiling the latest technology, Vanessa Cutler gives an artist's perspective on new techniques, machinery and software in glass. Using straightforward language, she introduces the digital tools that are becoming an essential part of an artist's toolkit, and describes the application of new technologies, from cutting and engrav
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47

Smith, Ray Campbell. New Artist's Handbook. DK ADULT, 2003.

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48

Jennings, S. New Artist's Manual. Tandem Library, 2005.

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49

Jaworski, Adam. Language Ideologies in the Text-Based Art of Xu Bing. Edited by James W. Tollefson and Miguel Pérez-Milans. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190458898.013.34.

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Contemporary art has been a site of intense linguistic production for several decades. Visual artists experiment with new ways of displaying or enframing language that contest or subvert dominant language ideologies. Thus artists produce new regimes of language that regulate or unsettle moral or political visions, shaping attitudes and behaviour. The works of the contemporary artist Xu Bing, as well as interpretations of his work by the artist and commentators, demonstrate how artistic production and criticism contribute to language ideological debates about Chinese—in particular, about Chines
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50

Schultz, William Todd. The Mind of the Artist. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197611098.001.0001.

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Because artists make something out of nothing, the process can seem like magic, divinely inspired and inexplicable. It’s not. A single, potent factor lies at the heart of most everything creative: the mysterious, multifaceted trait of “openness.” This book describes the role of the openness dimension in the typical artist mind: how it loosens thinking, how it widens feelings, how it motivates behavior, and how it foments a useful inner chaos encouraging artistic invention. For creatives, openness is a unifying glue. It binds together states and processes at the core of the art-making impulse.
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