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Journal articles on the topic 'New artistry'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Krivtsun, O. A. "About Artistry in Art." Art & Culture Studies, no. 3 (October 2021): 10–43. http://dx.doi.org/10.51678/2226-0072-2021-3-10-43.

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The phenomenon of artistry is investigated as a special expressive quality that manifests itself in different types and genres of art. The author comprehends the variations of the artistic principle as the most important ontological component of art, generating “meaning over meaning”, bringing a new dimension to the artistic content. The subject of the analysis is a variety of aesthetic profiles of artistry: from the dominance of virtuosity, playfulness, maestria, improvisation to the ability to paradoxically remove the antinomic tension of the elements of the art form. The value of the moment

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2

Singh, Khushboo. "Digital Artistry: Exploring Techniques and Trends in Indian Art and Culture." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 9 (2024): 88–94. http://dx.doi.org/10.31305/rrijm.2024.v09.n09.010.

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From prehistoric cave paintings to contemporary digital creations, art has been integral to human expression throughout history. Digital art in modern art gradually includes various forms, such as Painting, sculpture and animation, using technology as its medium. Digital art includes any artistic work using digital technology, including Painting, 3D modelling, and interactive installations. It combines human creativity with computer technology, expanding the possibilities of creative expression. Studying digital artistry in India provides insights into cultural preservation, technological inno

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Rutherford, Desmond. "Professional education: A new approach and a new artistry." Higher Education 16, no. 6 (1987): 739–45. http://dx.doi.org/10.1007/bf00139697.

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4

Wang, Zhan. "New media art design based on fast visual segmentation and 3D image processing." PeerJ Computer Science 9 (October 25, 2023): e1640. http://dx.doi.org/10.7717/peerj-cs.1640.

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Acquiring innovative styles and compositions from intricate and heterogeneous artistic imagery has emerged as a pivotal research quandry within contemporary new media art image conception. In a concerted effort to adeptly distill the quintessence of artistic styles and elements embedded within these visuals, an innovative methodology is posited herein, underpinned by an enhanced U-net segmentation framework and harmoniously fused with the surface extraction image reconstruction algorithm. This meticulous amalgamation endeavors to attain accurate segmentation and tridimensional reconstruction o

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Kuang, Yuxuan. "The Interpretation of Contemporary “New Mainstream” Cinema." SHS Web of Conferences 148 (2022): 02013. http://dx.doi.org/10.1051/shsconf/202214802013.

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The new mainstream film is an upgraded version of the main theme film, which is more commercial, entertaining and popular. The themes are more extensive, and the casting is bolder and more grounded. Nowadays, the rise of new mainstream films also means that Chinese films have embarked on a new journey. A new type of film that combines artistry and commercialism skillfully has its unique advantages from both artistic and commercial perspectives.

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Gauzer, Irina V., and Evgeny A. Ermolin. "MYTHOPOETICAL IMAGE OF GENIUS ARTIST IN K. BALMONT’S ARTISTIC EXPERIENCE: RECEPTION OF SPANISH ARTISTRY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 12–21. http://dx.doi.org/10.17223/22220836/39/2.

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The Russian culture of the turn of the XX century is characterized by actualization of the prob-lems of intercultural dialogue. Thus, the analysis of the Silver age is impossible without considering the fact of such a dialogue as a cultural phenomenon. The problem of hispanism reception is considered in the aspect of creative genius in K. Bal-mont’s works. In the context of Balmont's symbolism, it is important to take into account his specific conceptualization of the artist's status and interpretation of creativity as dreaming. The task of the re-search is to study the implementation of this

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Millea, James. "Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics." Journal of Musicological Research 39, no. 4 (2020): 361–63. http://dx.doi.org/10.1080/01411896.2020.1792240.

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Kim, Seong-in, and Cheon-kyu Kang. "A new genre of Chinese calligraphyintegrating the seal, cursive and semicursive components of characters." Korean Society of Calligraphy 43 (September 28, 2023): 197–218. http://dx.doi.org/10.19077/tsoc.2023.43.8.

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The four main styles of Chinese calligraphy characters are in the general order of their appearance: seal script, clerical script, regular script, and cursivesemicursive script. Generally, all the characters in a calligraphic art work have a consistent type of script. In this paper, we develop a new genre of calligraphy art, in which the components constituting one character are expressed into the seal script and cursivesemicursive script, which is a fusion of the two scripts. The fusion of these scripts brings forth various aesthetic characteristics by greatly expanding the formativ

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9

Barker, Edwin. "Book Review: New Horizons: The Artistry of Jeff Bradetich." American String Teacher 36, no. 3 (1986): 65. http://dx.doi.org/10.1177/000313138603600327.

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Yuhe, Peng. "The meaning of space in new media art based on examples of new media artworks." OOO "Zhurnal "Voprosy Istorii" 2023, no. 1-2 (2023): 132–37. http://dx.doi.org/10.31166/voprosyistorii202301statyi61.

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New media art, bringing together technology and artistry, possesses certain characteristics uncommon for traditional forms of art. This paper takes a number of new Media artworks as examples to explore three dimensions of the use and the meaning of space in new media art.

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Liu, Yonggang. "Research on Digital Design of Rural Residential Architecture and Folk Art." Highlights in Art and Design 10, no. 2 (2025): 72–74. https://doi.org/10.54097/p0vasw09.

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The future artistic transformation of new rural residential architecture cannot be separated from the exploration of local culture and folk art. Modern digital technology can be used to extract cultural and artistic elements in a targeted manner, and through two-dimensional and three-dimensional designs, create plastic arts that integrate practicality and artistry, thus providing inspiration for the overall artistic improvement of the rural environment. From experience, this process of digital design and architectural environment transformation must be based on traditional architectural art, r

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12

CUMO, CHRISTOPHER. "Carved in Stone: The Artistry of Early New England Gravestones." Connecticut History Review 52, no. 1 (2013): 115–17. http://dx.doi.org/10.2307/44370176.

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13

Lee, Liza, Nayan Kanwal, and Randall Everett Allsup. "Introduction to a New Journal: International Journal of Social Sciences and Artistic Innovations (IJSSAI)." International Journal of Social Sciences and Artistic Innovations 1, no. 1 (2021): 1–2. http://dx.doi.org/10.35745/ijssai2021v01.01.0001.

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With the advent of technology and its advancement in society, this is the time for revisiting issues related to individual integrity and collective integration among various disciplines. Also worthy of critical review is reconciling teaching, learning, and research methods which address various complex issues in society with scientific advancement, inquiry, veer inter-disciplinary and multi-disciplinary methods in the effort to find solutions. Nevertheless, many challenges still need to be addressed by more inclusive research approaches. Accordingly, the latest research trends are readily look

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Горячева, Татьяна Викторовна. "РАССКАЗ «ПРОКЛЯТИЕ» КАК ОБРАЗЕЦ НОВОЙ ХУДОЖЕСТВЕННОСТИ Л. СЕМЕНОВА". Русская филология. Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 2, № 55 (2015): 46–49. https://doi.org/10.5281/zenodo.33569.

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<em>The main objective of the paper is to analyse one of the prose works by L. Semenov «The Curse» in order to throw light on the changes which took place in his style due to the shift in priorities in his creative work. L. Semenov turns to social issues and eventually breaks with aesthetic ideals of Symbolism. The writer focuses on such social problems as unfair court and imprisonment, capital punishment, cruelty of the authority, and social inequality.</em>

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Konopleva, Nina A. "The Gender Foundations of Artistry and the Artistic Personality in the Russian Culture of Transitional Eras." IKONI / ICONI, no. 4 (2021): 59–76. http://dx.doi.org/10.33779/2658-4824.2021.4.059-076.

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The article presents materials from the author’s research for her doctoral dissertation devoted to analysis of the visual arts and the artistic personality in Russian culture of transitional periods: the turns of the 19th and 20th centuries and of the 20th and 21st centuries. These temporal periods have been defined as unstable, transitory and stipulating the intensification of the conflict between the tendency towards preserving the stability in art, on the one hand, and the emergence of new artistic styles, on the other hand. Particularly these time periods have been characterized by a chang

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Dementieva, T. "Artistry as a necessary component of a teacher's pedagogical professionalism." New Collegium 3, no. 108 (2022): 66–69. http://dx.doi.org/10.30837/nc.2022.3.66.

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The article considers the essence of the concept of "pedagogical artistry" as an important component of a teacher's pedagogical skill. That is why the training of pedagogical personnel is so important, as a result of which they must master a high level of professional competence, methodological thinking, general and professional culture, professionally significant personality qualities, and a creative approach to teaching and education. Integrating, these qualities form the teacher's pedagogical skill, which ensures a high level of his professional and pedagogical activity on a reflectiv

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Paterson, Margo, Joy Higgs, and Susan Wilcox. "The Artistry of Judgement: A Model for Occupational Therapy Practice." British Journal of Occupational Therapy 68, no. 9 (2005): 409–17. http://dx.doi.org/10.1177/030802260506800905.

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This paper reports on a model developed through qualitative research to examine the intriguing topic of the artistry of judgement in occupational therapy. The construct of professional practice judgement artistry or PPJA was developed (Paterson and Higgs 2001) to explore the cognitive, metacognitive and humanistic aspects of judgement in professional practice. Fifty-three occupational therapy educators and practitioners from four Commonwealth countries (Australia, Canada, New Zealand and the United Kingdom) participated in focus groups and individual interviews over a one-year period in 2001–2

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18

Reade, Julian. "New lives for old stones." Iraq 72 (2010): 163–74. http://dx.doi.org/10.1017/s0021088900000620.

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Assyrian sculptures have been treated in various ways. Neglected original records about pieces found at Nineveh can still be informative. Pieces that did not go at once to major public museums were sometimes liable to rejuvenation, detached from their original contexts but endowed with new significance as commercial assets, as independent works of art, or as integral parts of contemporary architecture. Two Nimrud sculptures, built into the walls of Newbattle Abbey near Edinburgh, represent a unique fusion of Assyrian and Scots artistry, now vulnerable to financial pressures.

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Jan, Gresil S. Kahambing. "GIVING STYLE TO ONE'S CHARACTER: NIETZSCHE & FOUCAULT ON SELF-ARTISTRY." International Journal of Research - Granthaalayah 6, no. 1 (2018): 56–68. https://doi.org/10.5281/zenodo.1162174.

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Friedrich Nietzsche’s experimentations of thought in the Gay Science postulate the only needful thing to do – to give ‘style’ to one’s character. His ethical thinking, bound by its relations to aesthetics and the nihilism that counteracts as the backdrop of his thoughts, affirms the continuity that goes beyond morality, or in his words, beyond good and evil. Nietzsche owes from the Greeks the aesthetics that shapes his thought in contrast to modernity’s sublime. Michel Foucault takes over from this thinking, critiques modernity, and conceives of freedom for

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20

Sadullayeva, Mahira. "FORMAL AND STYLE UPDATES IN MODERN UZBEK PROSE." European International Journal of Multidisciplinary Research and Management Studies 02, no. 08 (2022): 31–33. http://dx.doi.org/10.55640/eijmrms-02-08-08.

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The article analyzes the most common narrative genre of prose and its theme and content, idea, scope of universal coverage, artistry - structure, images and style in today's Uzbek prose. In it, the level of vitality and harmony of the artistic fabric, the spirit of the image and the integrity of the independence of expression are observed. Today's social relations, serious problems in the way of life of our people, the image of a new type of person emerging in the process of globalization, new plots, details, updated language and stylistic elements that are not characteristic of previous eras

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21

Liu, Xiao Dong, Xin Qun Feng, and Jian Chao Zhang. "Application of Ecological Building Materials to Building Skins Design and Thoughts Thereon." Advanced Materials Research 512-515 (May 2012): 2730–35. http://dx.doi.org/10.4028/www.scientific.net/amr.512-515.2730.

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As people’s aesthetic requirements on building change, building skins is drawing more and more attention, and the study on its material carrier will greatly promote expression of skin design. By taking the application of ecological building materials to building skins as studying mainline, the article points out the innovative application and expression of new ecological materials to skin design, and summarizes the diversity and development trend of ecological skin material based on technical support. At the same time, the paper also reflects in artistry and technicality and the revelation gai

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22

Kukkonen, Heidi Marjaana. "Abstraction through the Kaleidoscope : Playful Concept Creation with Irma Salo Jæger." European Journal of Philosophy in Arts Education 8, no. 1 (2024): 85–116. https://doi.org/10.5281/zenodo.13912983.

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The purpose of this article is to explore the philosophical concept of abstraction and its educational potential based on a day spent with the Finnish-Norwegian artist Irma Salo Jæger at her studio. The creation of the concept is informed by Deleuze and Guattari’s (1994/2009) philosophy of the concept and new materialist theory-practice (Coole and Frost 2010; Hickey-Moody and Page 2015; Kontturi 2018; Page 2018). Throughout the day, the concept of abstraction grows through stories related to Salo Jæger’s art and artistry and references to art and art history, and the ab

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23

Laskava, Yuliia, Volodymyr Bondarenko, Olena Shulga, Mykola Stasyk, and Olga Stadnichenko. "Artistic Modelling of History in the Literature and Non-Fiction of a Post-Totalitarian Society." Postmodern Openings 12, no. 1Sup1 (2021): 228–37. http://dx.doi.org/10.18662/po/12.1sup1/281.

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An artistic interpretation of historical facts is quite relevant in the literature and non-fiction of a post-totalitarian society. Prose works on historical themes are valuable and interesting in that they create an illusion for readers to be present in a certain period of historical time, and it is the artistic modeling of events that makes priceless facts of history completely disappear. The historical past is an inexhaustible material that word artists have been referring to for centuries, creating the best examples of fiction. Prose texts of historical subjects are perceived by each next g

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YUNUK, DMYTRO, and TETIANA YUNUK. "INTERDEPENDENCE AS A DETERMINANT IN SHAPING THE INDIVIDUAL PERFORMANCE STYLE OF CONCERT-STAGE ARTISTS." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(66) (March 13, 2025): 7–23. https://doi.org/10.31318/2414-052x.1(66).2025.333473.

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The essence of the concept of the "individual performance style of an artist in concert-stage activity" is analyzed from both genetic and developmental perspectives. It is established that this phenomenon reflects a mature and original manner of the artist’s creative activity, manifested in the expression of distinctive features such as sound-expressive and technical means of musical interpretation, as well as performance reliability, cultural refinement, and artistic expression. The formation of an artist’s individual performance style in concert-stage activity is influenced by various stylis

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Verley, Dan. "Transmedia Directors: Artistry, Industry, and New Audiovisual Aesthetics, Carol Vernallis, Holly Rogers, and Lisa Perrott, eds. (2019)." Film Matters 14, no. 1 (2023): 75–77. http://dx.doi.org/10.1386/fm_00270_5.

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Review of: Transmedia Directors: Artistry, Industry, and New Audiovisual Aesthetics, Carol Vernallis, Holly Rogers, and Lisa Perrott, eds. (2019) New York: Bloomsbury Academic, 528 pp., ISBN: 9781501341007 (pbk), $42.95, ISBN: 9781501339271 (hbk), $160.00, ISBN: 9781501339264 (epub/mobi), $38.65, ISBN: 9781501339288 (pdf), $38.65

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26

Kahambing, Jan Gresil S. "GIVING STYLE TO ONE’S CHARACTER: NIETZSCHE & FOUCAULT ON SELF-ARTISTRY." International Journal of Research -GRANTHAALAYAH 6, no. 1 (2018): 56–68. http://dx.doi.org/10.29121/granthaalayah.v6.i1.2018.1594.

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Friedrich Nietzsche’s experimentations of thought in the Gay Science postulate the only needful thing to do – to give ‘style’ to one’s character. His ethical thinking, bound by its relations to aesthetics and the nihilism that counteracts as the backdrop of his thoughts, affirms the continuity that goes beyond morality, or in his words, beyond good and evil. Nietzsche owes from the Greeks the aesthetics that shapes his thought in contrast to modernity’s sublime. Michel Foucault takes over from this thinking, critiques modernity, and conceives of freedom for a new ethics. Incidentally, self-art

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27

Robinson, Danielle. "The Ugly Duckling: The Refinement of Ragtime Dancing and the Mass Production and Marketing of Modern Social Dance." Dance Research 28, no. 2 (2010): 179–99. http://dx.doi.org/10.3366/drs.2010.0103.

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The focus of this article is the transformation of ragtime dancing into modern social dance by hundreds of teachers, writers and performers working in an emerging dance industry, rooted in New York City. Based on dance manuals and magazines of the period, I argue that dance professionals worked collectively to create new products (i.e. dances) that could more easily be mass-produced and marketed. Importantly, they called their efforts a ‘refinement’ of ragtime and justified their work through discourses of artistry and morality. Upon closer examination, however, the changes they made to the da

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Wang, Zhijun. "Remote Judgment Method of Painting Image Style Plagiarism Based on Wireless Network Multitask Learning." Wireless Communications and Mobile Computing 2021 (September 9, 2021): 1–8. http://dx.doi.org/10.1155/2021/1345974.

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Since the artistry of the work cannot be accurately described, the identification of reproducible plagiarism is more difficult. The identification of reproducible plagiarism of digital image works requires in-depth research on the artistry of artistic works. In this paper, a remote judgment method for plagiarism of painting image style based on wireless network multitask learning is proposed. According to this new method, the uncertainty of painting image samples is removed based on multitask learning algorithm edge sampling. The deep-level details of the painting image are extracted through t

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Ge, Wenbo. "Research on Color Management and Color Grading Applications in New Media Movies." Journal of Education, Humanities and Social Sciences 41 (October 30, 2024): 1–6. http://dx.doi.org/10.54097/yrgecs28.

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This article studies the color management and color grading of new media movies, mainly studying the impact of color balance, stylized color grading and high dynamic range image adjustment on the visual effects and emotional expression of the film. However, there are currently not many specifications and requirements for the color requirements of new media movies. New media movies still have deficiencies in color aesthetics and artistry. They often pursue visual stimulation and alternative themes while ignoring artistic expression. Due to limitations in cost and production experience, online m

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Gramatchikova, Natalya. "The Peoples of Northern Russia Through the Eyes of Russian Writer and Ethnographer S. V. Maksimov." Anthropological Journal of European Cultures 25, no. 1 (2016): 26–46. http://dx.doi.org/10.3167/ajec.2016.250103.

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Mid-nineteenth-century Russian ethnography used fiction, artistry and education to enlighten the masses. Maksimov’s One Year in the North became one of the first examples of this new style of ethnography. Maksimov constructs ‘cultural masks’ regarding northern people (Samoyeds, Lapps, Karels, Zyrians). His impressions are developed out of long traditions and personal characterisations, such as: ‘little brothers’, blacksmiths, tricksters, ‘friends of deer and dogs’. The most interesting positions on his ‘evolutionary ladder’ are the first and the last, which belong to the Samoyeds and the Zyria

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31

Boksh, Shanjida Khatun. "The Confessional Poetry of Robert Lowell:." Crossings: A Journal of English Studies 4 (August 1, 2014): 27–36. http://dx.doi.org/10.59817/cjes.v4i.242.

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The “grace of accuracy” (“Epilogue” Day by Day 127) serves as a credo for Robert Lowell’s art and for confessional poetry in general; it is the art of describing experiences in words, it is the artist’s reward of love, both to the art and to the fact. The cardinal force behind this artistic intention in writing even the most confessional of poems of Life Studies is Lowell’s formal mastery of New criticism stimulated by T.S. Eliot. Tellingly, Lowell broke away from the culpability of making confessional poetry a by-word for limp infatuation, and hence restored his position as an avant-garde poe

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Silveira, Francisco. "Daqui para lá e de volta aqui: realizadores transmédia ou continuidade de estilo?" Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 9, no. 1 (2021): 281–89. http://dx.doi.org/10.14195/2182-8830_9-1_18.

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Recensão crítica da obra Carol Vernallis, Holly Rogers e Lisa Perrott (eds.). Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics. Nova Iorque: Bloomsbury Academic, 2020. 510 pp. ISBN 978-1-5013-3928-8.

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van Dartel, Daan. "Cosmopolitanism and Women’s Fashion in Ghana: History, Artistry and Nationalist Inspirations, Christopher L. Richards (2022)." Critical Studies in Fashion & Beauty 16, no. 1 (2025): 113–16. https://doi.org/10.1386/csfb_00090_5.

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Review of: Cosmopolitanism and Women’s Fashion in Ghana: History, Artistry and Nationalist Inspirations, Christopher L. Richards (2022) New York and London: Routledge, 250 pp., ISBN 978-0-36769-420-3, h/bk, £39.99

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Li, Zejia. "Digital Media Intervenes in an Immersive Exhibition in Interactive ScenesMode of Perception and Interaction in the New Era." Applied and Computational Engineering 99, no. 1 (2024): 1–6. http://dx.doi.org/10.54254/2755-2721/99/20251756.

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Abstract: This paper will discuss how the combination of digital media and immersive art exhibition can bring new interaction and participation experience to the audience under the reform of art media, as well as the significance of this combination in artistic expression, exhibition design and audience perception.Using a case study of teamLab in Japan. This paper evaluates the immersive exhibition of digital media intervention from four aspects: transformation, integration, cases, and reflection. It is found that while the emergence of digital media technology provides a new way of display an

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Abdulridha, Sabrina Abdulkadhom, and Amany Abdulkadhom Abdulridha. "Symbolic Artistry in Dan Brown’s Angels and Demons." JOURNAL OF LANGUAGE STUDIES 4, no. 2 (2023): 8–17. http://dx.doi.org/10.25130/jls.4.2.2.

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In a quest of exploring his potentials and developing his personal interests, the young Dan Brown decided to direct his sails toward the world of fiction. After penning several literary pieces, such as Digital Fortress (1998), Angels and Demons (2000) and Deception Point (2001), he succeeded in publishing his groundbreaking thriller The Da Vinci Code in 2003, which quickly captured the eye of many readers around the world. Whether admirers or critics of this famous literary piece, over two hundred million copies were sold out globally for its “twisty adrenaline-fueled yet cerebral” plot (Alter

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Väkevä, Lauri. "Garage band or GarageBand®? Remixing musical futures." British Journal of Music Education 27, no. 1 (2010): 59–70. http://dx.doi.org/10.1017/s0265051709990209.

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In this paper, I suggest that it is perhaps time to consider the pedagogy of popular music in more extensive terms than conventional rock band practices have to offer. One direction in which this might lead is the expansion of the informal pedagogy based on a ‘garage band’ model to encompass various modes of digital artistry wherever this artistry takes place. This might include: in face-to-face pedagogical situations, in other contexts of informal learning, and in such open networked learning environments as remix sites and musical online communities. The rock-based practice of learning songs

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Fevereiro, António Francisco Arruda de Melo Cota. "THE ART NOUVEAU TILES AS FRAMES TO ARCHITECTURE IN LISBON." ARTis ON, no. 2 (February 12, 2016): 62–74. http://dx.doi.org/10.37935/aion.v0i2.44.

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The combination of tile with architecture has been used in Portugal for centuries. It achieved a unique level of artistry by the end of the 19th century and beginning of the 20th century. The use of new colours and modern stylizations were explored during the Art Nouveau period. The tile was used as a frame for architectural features in order to enhance the building. By then all the elements were intended to be harmoniously combined as a whole.A span of case studies, chronologically ordered, illustrates the role and evolution of tiles used during this period, when tiles were designed by academ

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Глущенко, А. Г., та O. Hudoshnyk. "Традиції наративної журналістики в українському літературному репортажі". Mass communication in global and national dimensions, № 13 (27 травня 2020): 27–31. https://doi.org/10.5281/zenodo.3860018.

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<strong>Hlushchenko A., Hudoshnyk O. Traditions of narrative journalism in Ukrainian literary reporting </strong> The article analyzes the narrative techniques that are actively used in literary reporting. The typical features of literary reporting (artistry and imagery) are investigated, attention is paid to the specifics of the material construction, the argumentative and factual components on which the reporter relies during his work are traced. Research methodology: the main research methods in the work are observations and descriptions. The method of generalization was used to analyze the

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KENNERLEY, DAVID. "DEBATING FEMALE MUSICAL PROFESSIONALISM AND ARTISTRY IN THE BRITISH PRESS, c. 1820–1850." Historical Journal 58, no. 4 (2015): 987–1008. http://dx.doi.org/10.1017/s0018246x14000740.

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AbstractThe entrance of women into the male-dominated spheres of the professions and the arts has been a major theme of women's and gender history in nineteenth-century Britain. In general, historians have located this development primarily in the second half of the century and depicted it as an important corollary to the political aims of the wider women's movement. In contrast, this article contends that an overlooked earlier context for the formation and emergence of ideas of female professionalism and artistry were the debates surrounding female singers in the press between c. 1820 and 185

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Kinneavy, James l. "Persuasive Artistry: Studies in New Testament Rhetoric in Honor of George A. Kennedy." Rhetorica 12, no. 1 (1994): 123–25. http://dx.doi.org/10.1525/rh.1994.12.1.121.

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Sari, Tika Puspita. "GAYA TILAWAH JAWI MUHAMMAD YASER ARAFAT." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 12, no. 2 (2019): 79–92. http://dx.doi.org/10.33153/dewaruci.v12i2.2530.

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ABSTRAKBakat artistik, semangat, dan dukungan sosial dari sekitarnya adalah faktor utama yang membentuk konsistensi Yaser dalam menjalani hidupnya sebagai seorang seniman - pelafalan jawi. Yaser memberikan kontribusi dengan menciptakan karya baru, yaitu membaca Al-Qur’an dengan memasukkan musik Jawa dalam bacaannya tanpa melanggar aturan tajwid. Yaser adalah seniman kreatif sebagai bentuk bentuk baru dan gaya baru dalam seni pembacaan dengan mengubah sistem maqamat arabiyah dengan laras pelog nem.Kata Kunci: Seni; Gaya musik; KreatifABSTRACTArtistic talent, passion, and social support from the

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Trukhan, E. D. "LITERARY REMINISCENCES IN F. M. DOSTOEVSKY’S LETTERS OF 1855-1857." Culture and Text, no. 47 (2021): 29–44. http://dx.doi.org/10.37386/2305-4077-2021-4-29-44.

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Literary reminiscences of F. M. Dostoevsky in letters of 1855-1857 are considered as a phenomenon of explicit aesthetic reflection of the author. They mark the main situation of the writer’s creative consciousness - an individual solution to the question of new artistry when re-entering literature.

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Papežová, Miroslava. "The Boundless Expansiveness of Transmediality (Carol Vernallis - Holly Rogers - Lisa Perrott, eds., Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics)." Iluminace 33, no. 3 (2021): 83–88. http://dx.doi.org/10.58193/ilu.1714.

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Wu, Yu, and Chengzhe Wang. "Exploring the Impact of Neo-Confucianism on Material Art Through the Artistic Characteristics of Kesi in Song Dynasty." Lecture Notes in Education Psychology and Public Media 51, no. 1 (2024): 249–55. http://dx.doi.org/10.54254/2753-7048/51/20240968.

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The Song Dynasty was a period of great development in ancient Chinese art, including material art. Kesi, a type of material art is taken as an instance to explore how Neo-Confucianism influenced the development of art during the Song dynasty, a period marked by new developments in thought and culture. Neo-Confucianism impacted not only the political realm but also the art of painting, and further had a significant influence on the composition, coloring, and techniques of silk textile. The ornamental kesi taperstry paintings of the Song dynasty as a material artistry, similar with the style of

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Yee, Michelle. "On Tehching Hsieh’s Disappearance: Interrupting the Prevailing Narratives of the Artworld." Asian Diasporic Visual Cultures and the Americas 8, no. 1-2 (2023): 43–60. http://dx.doi.org/10.1163/23523085-08010003.

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Abstract In the Clinton Hill neighbourhood of Brooklyn, New York, sits a nondescript eatery called The Market. The restaurant, like many small New York City restaurants, is unremarkable. Little evidence exists to capitalize on the reputation of its owner, famed performance artist Tehching Hsieh. This article examines Tehching Hsieh’s The Market as a continuation of the artist’s renowned oeuvre to consider how the restaurant might represent Hsieh’s lifelong negotiation of the boundary between art and life. By examining the restaurant as a continuation of Hsieh’s work, I consider how understandi

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Taiwo, Adekemi Agnes. "New Media, Old Artistry: The Adaptation of Yorùbá Folktale Narrative Strategies in Video Films." Afrika Focus 32, no. 1 (2019): 35–50. http://dx.doi.org/10.1163/2031356x-03201004.

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The argument of this study is that Yorùbá people continue to keep alive and sustain their society’s oral folkloric tradition and verbal art despite the changes undergone by Yorùbá folktales that have passed into written form and other (new) media. Verbal arts educate, reflect and promote culture, as well as, their well-known capacity to instil moral decency in a young audience. This paper explores the adaptation of Yorùbá folkloric form in film. The audience memory is reawakened through the conservation and propagation of folktale into drama form in the film, Ijàpá and Àjàntálá. Ì

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Lewis, Theodore. "Towards Artistry: A Critique of the HRD Performance Paradigm and a Suggested New Model." Performance Improvement Quarterly 18, no. 2 (2008): 56–75. http://dx.doi.org/10.1111/j.1937-8327.2005.tb00333.x.

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Henderson, James G., and Patrick Slattery. "Editors' Introduction: Democracy, Artistry, Improvisation, and Transformation: Curriculum and Pedagogy in a New Key." Journal of Curriculum and Pedagogy 3, no. 1 (2006): 1–9. http://dx.doi.org/10.1080/15505170.2006.10411567.

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Potanina, Natalia Leonidovna. "REVIEW OF THE MONOGRAPH BY S.G. ISAEV, N.G. VLADIMIROVA “CURRENT POETICS: THE CHANGE OF ARTISTIC PARADIGM” (Veliky Novgorod, Yaroslav-the-Wise Novgorod State University Publ., 2017, 482 p.)." Neophilology, no. 16 (2018): 81–84. http://dx.doi.org/10.20310/2587-6953-2018-4-16-81-84.

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An analytical review of the scientific monograph devoted to the comprehension of profound changes in the fiction of the second half of the 20th century and the early 21st century is presented. The novelty, relevance and theoretical significance of the monograph, determined by the creation of a holistic typology of nonclassical artistry based on a multidisciplinary approach to the problem of its origin and functioning, as well as a specific combination of aesthetic and literary analysis of texts, which allowed typological generalizations, are substantiated. The significance and scientific prosp

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Hidajad, Arif, Autar Abdillah, Indar Sabri, and Welly Suryandoko. "SANDUR ANTARA TONTONAN DAN TUNTUNAN." GETER : Jurnal Seni Drama, Tari dan Musik 5, no. 2 (2022): 61–76. http://dx.doi.org/10.26740/geter.v5n2.p61-76.

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This research tries to express analytically a phenomenon of transformation era with it’s influence and result. The influence relates to value. This new value of selenium can change life of social in structure, and also arranges implementation of public. Artistry of public as stripper public culture product, more or less experiencing friction of either in function and also its existence. This research using sociological theatre tries to analyzes the product existence with modern culture product. Modern idea that producing practical patterned thinking, individualist as a result of system v

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