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Dissertations / Theses on the topic 'New artistry'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Grainger, Sheila, and n/a. "Accessing the Professional Artistry of Teaching." Griffith University. School of Cognition, Language and Special Education, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031114.084528.

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This study accesses the professional artistry of teaching which I argue is being eroded by the representation of teaching in a discourse of technical rationality (Fish, 1991, 1995). Accessing professional artistry is the first step towards identifying how it figures in teaching practice and how it can be (mis)represented in theory, policy and teachers' own talk about their practice. The research method involved: analysing the official New Zealand documents pertaining to teacher performance management to demonstrate how the dominant or hegemonic discourse of technical rationality marginalises

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2

Grainger, Sheila. "Accessing the Professional Artistry of Teaching." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/366178.

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This study accesses the professional artistry of teaching which I argue is being eroded by the representation of teaching in a discourse of technical rationality (Fish, 1991, 1995). Accessing professional artistry is the first step towards identifying how it figures in teaching practice and how it can be (mis)represented in theory, policy and teachers' own talk about their practice. The research method involved: analysing the official New Zealand documents pertaining to teacher performance management to demonstrate how the dominant or hegemonic discourse of technical rationality marginalises

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3

Thompson, Shirley J. "Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/13862.

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This submission for the degree of Doctor of Philosophy focuses on works for large instrumental ensemble in conjunction with the voice. Instrumental ensemble and vocal mediums such as the orchestral art song, the song cycle and the opera in one act, provide platforms to explore the expressiveness of the lyrical dramatic voice and the dialectic tension between composing for the solo voice with a range of instrumental ensemble forces. The portfolio of compositions includes the orchestral song, The Woman Who Refused to Dance; the orchestral song trilogy, Spirit Songs; and the opera in one act, Que

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4

Franck, Christoph Daniel. "The 1660 entry of Louis XIV into Paris as an artistic event : new documents concerning the decorations and their artists /." London : Courtauld institute of art, 1987. http://catalogue.bnf.fr/ark:/12148/cb35855070v.

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5

Lamb, Justin. "Escape Artist." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2621.

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This poetry manuscript explores themes of family and addiction, education and New Orleans, and fear and escape in the span of three parts. Its preface examines the poet’s background and influences, his relationship with performance and humor, and the levity he hopes to create in his work.

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6

Semerjian, Victor. "Artists in exile : the great flight of culture." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29482.

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The subject of this thesis is the circumstances surrounding the emigration of European modern artists to America in the late 1930's and early 1940's, and their initial reception in the city of New York. The primary vehicle of this investigation will be the Artists in Exile show, their first collective exhibition which took place at the Pierre Matisse Gallery in March of 1942. The reason why it is felt that such an investigation is warranted is that while there is a great deal of literature concerned with the Nazis vehement denunciation of modern art and their persecution of its practitioners,

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7

Barbour, Kim Jaime. "Constructing Artistic Integrity: An Exploratory Study." The University of Waikato, 2006. http://hdl.handle.net/10289/2474.

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This thesis explores the concept of artistic integrity. A historical foundation for artistic integrity is laid to provide a context within which eight artists' constructions of the concept can be placed. To date, little research has been conducted to discover how artists feel about artistic integrity, despite the fact that the concept is used frequently both in the popular media, and in arts and creative industries policy and research. Secondary research into European Romanticism and the growth of the creative industries traces the complex development of artistic integrity through to contempor

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8

Yeing, Mei Lan. "A new traditionalist: C.C. Wang the artist." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384357698.

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9

Beckham, Kathryn Ann. "'The Gate City' artistry and identity in an American historical pageant (Nebraska) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 14.18 Mb., 74 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435838.

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10

Lee, Grace E. "Pedagogy and Artistry in Select Twentieth-Century Piano Etudes." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595845987466583.

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11

Michalski, Milena Lily. "Iurri Olesha, Abram Room and Strogii iunosha : artistic form and political context." Thesis, University College London (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312039.

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12

Schupbach, Jason. "Artists downtown : capitalizing on arts districts in New England." Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/31109.

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Thesis (M.C.P.)--Massachusetts Institute of Technology, Dept. of Urban Studies and Planning, 2003.<br>Includes bibliographical references (p. 165-168).<br>From the construction of the Bilbao Guggenheim to the support of grassroots artist housing campaigns, urban planners increasingly look to artists and cultural activity as forces of urban regeneration. In New England, the most visible of these redevelopment efforts are so-called "arts districts." Arts districts seek to promote the revitalization of downtowns or blighted neighborhoods by capitalizing on the development of arts activity and the

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13

Oliver, Paul Graeme. "Adopting new technologies, self-sufficiency and the DIY artist." Thesis, University of Bolton, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675858.

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14

Aszodi, Jessica. "Voicing subjectivity: Artistic Research in the realization of new Vocal Music." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/371293.

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The voice and vocalizing subjects have long been a discussed in philosophical, cultural and critical studies circles as places in which meaning lives and is conveyed. In recent years, through developments in musicology, artistic research and autoethnography the bodies of performers have taken on renewed significance for knowledge production. The subjectivities involved in the realization of musical works are now being unpacked and traditional notions of objectivity and concrete meaning as conveyed by musical texts, have eroded. Voicing Subjectivity argues for vocal subjectivity as a site for e

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15

Brito, Isa Marcia Bandeira de. "Movimento de Arte Contemporânea de Moçambique MUVART: 2004 a 2010." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-29052012-162146/.

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O objetivo do presente trabalho é apresentar o Movimento de Arte Contemporânea de Moçambique, MUVART, no período compreendido entre 2004 e 2010, especificamente em sua cidade capital Maputo. Este título foi dado a um grupo formado em sua maioria por jovens artistas moçambicanos e seus fundadores foram Anésia Manjate, Carmem Muianga, Gemuce, Jorge Dias, Ivan Serra, Marcos Muthewuye, Mudaulane, Lourenço Cossa, Vânia Lemos, Quentin Lambert e Xavier MBeve. Inicialmente, situamos a arte africana e a arte africana contemporânea, tendo em vista a construção de um cenário de apreciação da arte em Moça

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16

Salmela, Markus, and Sakari Ylönen. "The New Music Industry : - Understanding the Dynamics of the New Consumer of Music." Thesis, Jönköping University, JIBS, EMM (Entrepreneurship, Marketing, Management), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-11902.

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<p>The music industry today is undergoing a revolution with digital distribution of music taking over the traditional sales of physical CDs (Mewton, 2008). The peer-to-peer networking and illegal music piracy is a problem that lately has been widely discussed in forums of ethics, legal issues and economical aspects, followed by a music industry trying to solve the situation with new business models enhancing digital sales, e.g. the tip jar model (Hiatt & Serpick, 2007). The tip jar model embodies the problem the industry is facing since it allows the consumer to choose whether to pay or not. T

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17

Varjabedian, Craig. "The kingdom, the power, and the glory /." Online version of thesis, 1988. http://hdl.handle.net/1850/10423.

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18

Travis, Sarah Teresa. "Portraits of Young Artists: Artworlds, In/Equity, and Dis/Identification in Post-Katrina New Orleans." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157583/.

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Using portraiture methodology and social practice theory, this study examined the identity work of young people engaged in a teen arts internship program at a contemporary arts center in post-Katrina New Orleans. This research asked four interrelated questions. Through the lens of a teen arts internship at a contemporary arts center in post-Katrina New Orleans, 1) How do contextual figured worlds influence artist identity work? 2) How does artist identity work manifest through personal narratives? 3) How does artist identity work manifest in activities? 4) What are the consequences of artist

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19

Adams, Kathleen Marie. "Carving a new identity : ethnic and artistic change in Tana Toraja, Indonesia /." Thesis, Connect to this title online; UW restricted, 1988. http://hdl.handle.net/1773/6448.

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20

Bonacini, Irene <1984&gt. "Development of new analytical procedures aimet at the characterization of artistic samples." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7083/1/PhD_thesis_Bonacini.pdf.

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In this thesis, new advances in the development of spectroscopic based methods for the characterization of heritage materials have been achieved. As concern FTIR spectroscopy new approaches aimed at exploiting near and far IR region for the characterization of inorganic or organic materials have been tested. Paint cross-section have been analysed by FTIR spectroscopy in the NIR range and an “ad hoc” chemometric approach has been developed for the elaboration of hyperspectral maps. Moreover, a new method for the characterization of calcite based on the use of grinding curves has been set up b

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Bonacini, Irene <1984&gt. "Development of new analytical procedures aimet at the characterization of artistic samples." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amsdottorato.unibo.it/7083/.

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In this thesis, new advances in the development of spectroscopic based methods for the characterization of heritage materials have been achieved. As concern FTIR spectroscopy new approaches aimed at exploiting near and far IR region for the characterization of inorganic or organic materials have been tested. Paint cross-section have been analysed by FTIR spectroscopy in the NIR range and an “ad hoc” chemometric approach has been developed for the elaboration of hyperspectral maps. Moreover, a new method for the characterization of calcite based on the use of grinding curves has been set up b

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22

Homad, Johnson Jewell. "Robert Motherwell: the artist the spiritual the modern." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/13329.

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Throughout history the role of the artist has often been an expression of worship and the depiction of the sacred realms interaction with our own. “As above so below” was typical. In certain periods of art history, in the various eastern and western traditions, the ‘divine’ was often regarded as the source of the artist’s inspiration, work and abilities. The artist had a role to communicate the sacred reflection in what they surveyed, and was an integral part of creative endeavours. The artist did not make art for art’s sake, nor seek fame in the process. It is this dynamic process of the insp

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23

Stokes, Agnes. "Wire water wood /." Online version of thesis, 1987. http://hdl.handle.net/1850/11466.

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24

Pagan, Candida. "Pathways to new understanding." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1717.

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The conceptual foundation for my creative thesis work is based in research into the development of science, particularly the field of cosmology, and its related visual vocabulary. Three interrelated projects encompass my interests in unique artists' books and variable editions, research based projects, codified presentation of data, and universal interconnectedness, or oneness in all things, that was at the heart of medieval cosmology and is embraced by some 21st century subcultures. The thematic timeline of the artwork spans developments in the Early Middle Ages related to astronomy and cosmo

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25

CARVALHO, Rosane Andrade de. "Paulo Fogaça: o artista e seu tempo." Universidade Federal de Goiás, 2008. http://repositorio.bc.ufg.br/tede/handle/tde/2777.

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Made available in DSpace on 2014-07-29T16:27:50Z (GMT). No. of bitstreams: 1 dissertacaorosane.pdf: 3436063 bytes, checksum: e2a9a158695549f869608f54bde159f4 (MD5) Previous issue date: 2008-09-12<br>Paulo Fogaça: the artist and its time is the result of the study of Paulo Fogaça s artistic work, carried through between years 1969 and 1980, in which we search to understand the bonds of this production with the project of the new national vanguard of years 1960, as for its experimental and engaged character in the social and politic matters of that period. For this, we carry through the pre

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26

Eng-Wilmot, Graham. "The decay of memory and matter material transformation in the new artistic archive /." CONNECT TO ELECTRONIC THESIS, 2008. http://dspace.wrlc.org/handle/1961/5524.

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27

Howard, Samantha. "A new theatre of prospects : eighteenth-century British portrait painters and artistic mobility." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/2792/.

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The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and maritime power. At home, the 1707 Act of Union between England and Scotland, and the advances in communications stimulated new opportunities for artists working inside and outside of London. Overseas, the aftermath of the Seven Years War (1756-1763) in particular, saw the spectacular growth of Britain's world-wide interests through imperial expansion. Britain's triumph over France resulted in impressive territorial gains which opened up a wealth of commercial possibilities and generated new markets fo

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28

Ottazzi, Alice. "La ricezione della scuola inglese a Parigi nel XVIII secolo." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H105.

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Cette thèse entend retracer les relations artistiques entre France et Grande-Bretagne en détaillant la réception de l’école anglaise à Paris au XVIIIe siècle. La reconstruction de la visibilité des œuvres d’art anglaises à Paris et la redécouverte de l’activité des artistes sur le sol français permettent de construire un panorama qui met en scène collectionneurs, hommes de lettres, artistes et œuvres d’art. Non seulement les nombreux débats esthétiques ou techniques seront retracés, mais leur impact sur la réflexion artistique et leur rôle dans l'histoire de la collection, de la réception et d

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29

Pauli, Dorothée E. "Mina Arndt (1885-1926) : the making of a New Zealand artist." Thesis, University of Canterbury. Dept. of Art History, 2000. http://hdl.handle.net/10092/10811.

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Mina Arndt (1885-1926) belongs to the generation of New Zealand born artists, who established early patterns of professional art practice in this country. The events of her life show how Arndt followed career strategies similar to other New Zealand artists of her time, but the cultural, social and political contexts, which shaped her work and professional conduct also set her apart from her contemporaries. Min a Arndt was born into the sophisticated Jewish community of colonial Dunedin. Her family background and upbringing in the liberal climate of late 19th-century Dunedin ensured

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Cuenca, Juan. "What are the affordances fostered by social media for amateurs artists?" Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-10401.

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The research engages the use of social media sites for musicians with a focus on Facebook. It determines which are the advantages the platform makes available for musicians, allowing them to employ Do It Yourself strategies of production, audience relationship management and self-management. The importance of audience response and demographics allow any musician integrate keen insight into the content delivery and thus, optimize their management accordingly. This thesis will establish the affordances that engage what aspects and uses of Facebook are changing the way amateurs operate. The resea

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31

McCaw, Caroline. "Identifying the Value of the Local Through Site-Specific Contemporary Art Projects in New Zealand." Thesis, Griffith University, 2016. http://hdl.handle.net/10072/367514.

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This research identifies a number of tensions arising from historic and contemporary experiences of living in New Zealand. It engages with creative methodologies that fall within contemporary site-specific and socially engaged fields of artistic practice to investigate these tensions. Through writing and participating in three art projects set in Dunedin, New Zealand as case studies, this thesis reflects on ways in which these projects contribute to understandings of a particular experience of the local. Each case has involved specific sites, narratives and mediated experiences. Through under

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32

Caines, Rebecca English Media &amp Performing Arts Faculty of Arts &amp Social Sciences UNSW. "Troubling spaces: The politics of ???New??? community-based guerrilla performance in Australia." Awarded by:University of New South Wales, 2008. http://handle.unsw.edu.au/1959.4/36750.

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This thesis examines the politics of twenty-first century ???guerrilla??? performance. It historicises site-specific, political performance by examining ???guerrilla??? art forms from the 1960s to the present. It argues that recent community-based, site-specific performance events can be seen as a ???new??? type of guerrilla work, as they utilise techniques which challenge public space, authorship and control without resorting to traditional guerrilla forms of didactic street protest. The author establishes two main political tactics of the community-based guerrilla artist. The first is the u

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33

Kruger, Runette. "Distopia : the utopia of dissidence and cultural pluralism in three generations of Dutch artists." Thesis, University of Pretoria, 2017. http://hdl.handle.net/2263/60373.

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This study develops a utopia, named distopia, positioned as a utopia of dissidence and cultural pluralism, also described as difference. The term distopia is a neologism formulated to invoke productive elements of utopia (such as a vision for an improved sociocultural sphere), with aspects of dystopia (namely, scepticism regarding the prevalent), whilst evading the potential naiveté of utopia as well as the hopeless resignation that dystopia can encourage. The term also denotes the political expedience of dissent. Utopia is analysed in terms of its form, content, or function, and according to

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34

Dempsey, Adrienne M. "To Market: Representations of the Marketplace by New Zealand Expatriate Artists 1900-1939." Thesis, University of Canterbury. Centre for Fine Arts, Music and Theatre, 2012. http://hdl.handle.net/10092/7277.

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New Zealand expatriate artists working in England, Europe and North Africa in the early twentieth century painted a wide variety of market scenes. The subject features in the oeuvre of Frances Hodgkins, Maud Sherwood, Sydney Lough Thompson, Maude Burge, Owen Merton, Robert Procter and John Weeks and made a significant contribution to their artistic development. Like their contemporaries in the artists’ colonies and sketching grounds of England and Europe, New Zealand artists were often drawn to traditional rural and fishing villages and sought to capture the nostalgia of the ‘old world.’ Earl

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35

Bancroft, Bronwyn Maree. "Passion, Power, Politics: Does Inequality exist for New South Wales Aboriginal Women Artists?" Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20356.

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The motivation for creating this thesis was primarily to research and understand if inequality existed for Aboriginal women artists from the state of New South Wales. I produced a documentary where I interviewed six Aboriginal language group women who created art in the state based boundaries of New South Wales.I also conducted a research component around the acquisition of art by the Art Gallery of New South Wales. I collected a lot of data around this and was not surprised to find that there was minimal collection of any women artists from New South Wales. My line of inquiry has established

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36

Lesage, Frederik. "Networks for art work : an analysis of artistic creative engagements with new media standards." Thesis, London School of Economics and Political Science (University of London), 2009. http://etheses.lse.ac.uk/75/.

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The principle objective of this study is to examine the culture of networks that are implicated in the production of culture, specifically as it pertains to artists' design and use of digitally networked information and communication technologies (ICTs) for the production of artworks. The analysis in this study seeks to reveal a better understanding of the working practices that underpin artists' creative engagements with new media while recognising the significance of discursive continuities that inform such engagements. Theoretically, a case is presented for combining several theoretical per

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Babcock, Jennifer. "Anthropomorphized Animal Imagery on New Kingdom Ostraca and Papyri| Their Artistic and Social Significance." Thesis, New York University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3635084.

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<p> Because of the lack of provenance or accompanying text, the depictions of anthropomorphized animals on ancient Egyptian New Kingdom ostraca and papyri have long puzzled Egyptologists. Attempts to understand the ostraca usually focus on the role reversals where predatory animals serve their natural prey, which is evident in some of the motifs. Some scholars have suggested that these images are satirical and served as an outlet for mocking elite society. However, their social and cultural context, which has not been thoroughly explored until this dissertation, shows that it is unlikely that

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38

Ochoa, María. "Cooperative Re/Weavings: Artistic Expression and Economic Development in a Northern New Mexican Village." Mexican American Studies & Research Center, The University of Arizona (Tucson, AZ), 1995. http://hdl.handle.net/10150/624821.

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Tattersall, Rosalind L. "The Devil, death, a new disease and an artistic response in the German Reformation." Thesis, University of St Andrews, 1999. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.751077.

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Carlos, Angella Betina Asuncion. "Filtered and forward - rewind: finding a new artistic voice through collaborative dance-making processes." Thesis, University of Iowa, 2018. https://ir.uiowa.edu/etd/6385.

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Fuller, Martin Graham. "Cities, canvases and careers : becoming an artist in New York and Berlin." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708605.

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Cook, Robyn. "The new institutions : artist-run participative platforms and initiatives in South Africa." Thesis, University of Pretoria, 2016. http://hdl.handle.net/2263/58466.

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In a contemporary South African context of artistic production and exhibition, there are few spaces or arenas dedicated to the development and presentation of experimental and/or non-commercial practices – a void that has become increasingly evident amidst the growing interest in participatory art and social aesthetics. However, and as the central thesis of this study suggests, in response to the lack of infrastructure for open-ended, idea-rich and socially focused praxis, artists have adopted a do-it-yourself approach to ‘filling the void’. That is, artists have taken it upon themselves to ad

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Parsons, Rachael Nerrada. "Virion : new media and the development of the discursive museum." Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/44089/1/Rachael_Parsons_Thesis.pdf.

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The historical rhetoric established with the very first public art museums declared that the purpose of such institutions was to provide a space where art could be accessible to all citizens. However contrary to this aim, studies show that art museums are one of the least accessed cultural institutions in the western world. The prevailing consensus for this can be attributed to the perception that museums are elitist, irrelevant and restricted to a small and privileged group. The focus of this research project is to address the issues that lead to these perceptions, and to identify possible cu

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NIESSEN, BERTRAM MARIA. "Going Commercial. L'integrazione degli artisti dall'underground al mainstream." Doctoral thesis, Università degli Studi Milano-Bicocca, 2009. http://hdl.handle.net/10281/12322.

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The research analyses the processes of artist's integration from underground scenes and social movements to mainstream markets in Milan and Berlin, focusing on the transformations of urban contexts in the age of post-fordism. In the first chapter, the author takes into account the various theoretical frameworks of the studies on integration, considering the social movements studies approach (Castells and Pruijt), the subcultural studies approach (Cohen and Hebdige), the approach of the artistic critique developed by Boltanski and Chiappello and the studies on symbolic and subcultural capital

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Terroni, Cristelle. "Marginalité, avant-gardisme et institutionnalisation des espaces alternatifs : New York – Buffalo, 1970-1980." Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20101.

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Les années 1970 sont une période de changement pour le monde de l’art américain qui se tourne vers une vision pluraliste de l’art où triomphent l’installation, la performance, l’art vidéo, les écrits d’artistes et la photographie. Dans plusieurs grandes villes, des lieux d’exposition d’un nouveau genre apparaissent simultanément sous le nom d’espaces alternatifs. À New York et Buffalo, le 112 Greene Street, Artists Space (à NY) et Hallwalls (à Buffalo) sont trois espaces où règne un esprit d’expérimentation et de contestation, opposé aux normes esthétiques et aux logiques institutionnelles et

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Zapperi, Giovanna. "Stratégies artistiques et masculinité : Marcel Duchamp et son entourage entre avant-garde et culture de masse, 1909-1924." Paris, EHESS, 2005. https://buadistant.univ-angers.fr/login?url=https://www.cairn.info/l-artiste-est-une-femme--9782130606543.htm.

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Cette thèse traite des relations entre la masculinité de l'artiste et la culture de masse dans le contexte de l'avant-garde des années 1910. Les artistes européens, exilés à New York en raison de la guerre, font l'expérience d'une modernité industrielle, sociale et sexuelle qui les conduit à remettre en cause leur propre identité artistique. Marcel Duchamp a donné à cette crise son expression la plus radicale, dans un contexte dominé par le bouleversement des anciens paradigmes sexuels et la montée en puissance du capitalisme industriel. La mécanisation du travail, le développement de la conso

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Schlaepfer-Miller, Juanita. "Defining new knowledge produced by collaborative art-science research." Thesis, University of Plymouth, 2016. http://hdl.handle.net/10026.1/6500.

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This thesis takes a theoretical framework constructed for transdisciplinary research within different natural science disciplines and investigates what kind of new knowledge is produced when this framework is applied to projects at the interface of art and natural science. The main case study is “Sauti ya Wakulima – The Voice of the Farmers”, which involves collaboration with another intervention artist, and with natural scientists and farmers. This is a collaborative knowledge project with small-scale urban as well as rural farmers in Tanzania who have created an online community archive of t

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Bidnall, Amanda M. ""The Birth pangs of a new nation": West Indian artists in London, 1945-1965." Thesis, Boston College, 2010. http://hdl.handle.net/2345/bc-ir:104400.

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Thesis advisor: Peter Weiler<br>This dissertation examines the careers and cultural productions of West Indian artists and entertainers working in London between 1945 and 1965, a period of large-scale West Indian migration to Britain. It argues that these artists espoused a collective cultural politics that was both ethnically aware and actively integrationist. Their work emphasized the historic cultural ties between the "mother country" and the Caribbean colonies, but did so in an effort to challenge prevailing media depictions of New Commonwealth migration as an unwanted foreign deluge. As a

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Harper, Rachel K. "A Study of For Freedoms: New Ways for Artists to Participate via Traditional Mediums." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1555942050060463.

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McLerran, Jennifer. "Inventing "Indian art" : New Deal Indian policy and the native artists as "natural" resource /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/6226.

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