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Dissertations / Theses on the topic 'Oral literature and culture'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Silva, Josivaldo Custódio da. "Pérolas da cantoria de repente em São José do Egito no Vale do Pajeú: memória e produção cultural." Universidade Federal da Paraíba, 2011. http://tede.biblioteca.ufpb.br:8080/handle/tede/6172.

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Made available in DSpace on 2015-05-14T12:39:30Z (GMT). No. of bitstreams: 1 ArquivoTotal.pdf: 7122104 bytes, checksum: 4ed303fae9f362bd294ee74baffd8ace (MD5) Previous issue date: 2011-04-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This study aims to record and study the memory of Repente Singing in São José do Egito-PE The Immortal Cradle of Poetry, a town in the microregion Valley of Pajeú. The singing was discussed in the context of oral literature, removing it from the involucre of folk literature, conventionally taken as the basis for categorizing th

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2

Wanjema, Richard Wachira. "INTERACTIVE MEDIA and CULTURAL HERITAGE: Interpreting Oral Culture in a Digital Environment." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343405232.

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3

Ellis, Kate. "Oral and literate culture on the English stage, 1624-1634." Thesis, Bath Spa University, 2011. http://researchspace.bathspa.ac.uk/1435/.

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4

Cesar, Maria Cecilia de Salles Freire. "As representações do imaginário popular nos romances de Carlos de Oliveira." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-20022008-110807/.

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O objetivo desta tese é investigar o vínculo da prosa ficcional de Carlos de Oliveira com as tradições populares. Para tanto, foram escolhidos os quatro primeiros romances do escritor: Casa na Duna (1943), Alcateia (1944), Pequenos Burgueses (1948) e Uma Abelha na Chuva (1953). Além disso, como subsídio, foi analisada uma coletânea de contos populares que Carlos de Oliveira e José Gomes Ferreira publicaram em 1957, os Contos Tradicionais Portugueses. O conto popular, fonte rica de informação interdisciplinar, anônimo e ubíquo, é um documento vivo dos costumes, idéias e mentalidades de um povo,

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5

Duffin, Charles J. "Accents of tradition and the language of romance : a study in the relationship of popular oral tradition and literary culture in Scotland, 1700-1825." Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/5576/.

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As this study is concerned with the noetic process of a pre-literate, oral tradition in eighteenth century Scotland, we are obliged to address that mental economy through residual artifacts which survive in translation as products of a print driven, literary culture. As such, those artifacts have already been engaged to a literary process and, if they are to be subjected here to a further breach of cultural integrity, it is a minimum requirement that we attempt to respect the intellectual and psychological priorities which energise the traditional word. The central aims of the study are: to es

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6

Basu, Jharna. "Jalpaiguri jelay basabaskari toto sampradayer moukhik sahity o samoskriti (Oral Literature and Culture ) জলপাইগুড়ি জেলায় বসবাসকারী টোটো সম্প্রদায়ের মৌখিক সাহিত্য ও সংস্কৃতি". Thesis, University of North Bengal, 2000. http://hdl.handle.net/123456789/1786.

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Terao, Yoshiko. "Le Fixe et le fugitif : thiphaigne, Diderot, Mical, Castel et leurs machines audiovisuelles." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2154.

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Après l’invention de l’impression typographique à la Renaissance s’est progressivement imposé un régime de connaissance dans lequel les signes n’ont plus de rapport essentiel avec un monde reconstitué spatialement au moyen des mots sur la page. L’âge classique en général et le XVIIIe siècle en particulier ont souvent été caractérisés par le primat de la vue comme moyen de connaissance, aux dépens des autres sens. C’est du moins une des thèses de Michel Foucault dans Les Mots et les choses.Notre thèse tente de nuancer cette perspective en montrant comment, au sein de la culture écrite dominante

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8

Ruterana, Pierre Canisius. "The Making of a Reading Society : Developing a Culture of Reading in Rwanda." Doctoral thesis, Linköpings universitet, Pedagogik och vuxnas lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-81016.

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Following a growing concern among education stakeholders about the lack of a reading culture and low literacy levels among Rwandans in general and university students in particular, the aim of this thesis is to increase the awareness of Rwandans about the development of a reading culture and early literacy. To achieve this aim, four studies with participants representing different experiences related to reading culture were performed. These qualitative studies draw on different perspectives on the development of a reading culture and emergent literacy by using open-ended questionnaires and int

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9

Merolla, Daniela. "Gender and community in the Kabyle literary space : cultural strategies in the oral and in the written /." Leiden : Research School CNWS, School of Asian, African, and Amerindian studies, 1996. http://catalogue.bnf.fr/ark:/12148/cb37557909h.

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10

Fraisse, Paul. "Langue, identité et oralité dans la poésie du québec (1970-2010). Des nuits de la poésie au slam : parcours d’un engagement pour une culture québécoise." Thesis, Cergy-Pontoise, 2013. http://www.theses.fr/2013CERG0651/document.

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La place de l'oralité dans le patrimoine québécois et la particularité du lien qui unit expression poétique et revendication politique dans le Québec contemporain constituent les questions essentielles qui sous-tendent ce travail. Les Nuits de la poésie offrent un remarquable observatoire de la place, des spécificités et des évolutions de la poésie vivante au Québec au cours des quarante dernières années. La première édition en 1970 s'est affirmée comme l'acte de naissance d'une authentique tradition établissant un lien étroit entre oralité, expression poétique et affirmation politique et nati

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11

Mostert, Andre. "Developing a systematic model for the capturing and use of African oral poetry: the Bongani Sitole experience." Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002154.

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Oral traditions and oral literature have long contributed to human communication. The advent of arguably the most important technology, the written word, altered human ability to create and develop. However, this development for all its potential and scope created one of the most insidious dichotomies. As the written word developed so too the oral word became devalued and pushed to the fringes of societal development. One of the unfortunate outcomes has been a focus on the nomenclatures associated with orality and oral tradition, which although of importance, has skewed where the focus could a

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12

Neufeldt, Bradley. "Cultural confusions, oral/literary narrative negotiations in Tracks and Ravensong." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq22548.pdf.

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13

Estrada, Gabriel S. "In nahui ollin, a cycle of four indigenous movements: Mexican Indian rights, oral traditions, sexualities, and new media." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280008.

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Pre-existing more hegemonic theories of Cultural Studies, Hispanic Studies, Media Arts, and Queer Studies, Nahuatl cosmologies offers an evolving political grounding for Native scholars. A Nahuatl cosmology of four directions represents a circle of masculinity, elders, femininity, and youth and forms the epistemology by which one can view Nahuatl and Xicana/o culture. In the east, Indigenous Rights directly relate to the hegemonic oppressions such as war, prison, and heterosexism that many Indigenous men face. Indigenous peoples fight those hegemonies with international legal concepts and thro

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14

Dotti, Gabriela Michelon. "Representações do feminino na literatura de tradição oral da RCI: o que se diz sobre a mulher." reponame:Repositório Institucional da UCS, 2007. https://repositorio.ucs.br/handle/11338/264.

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O presente estudo reconhece o canto tradicional e as canções populares como elementos constituintes da cultura da imigração italiana no Nordeste do Rio Grande do Sul e se propõe a revelá-los sob o recorte da distinção cultural entre os sexos. Que representações da mulher se pode ler na materialização deste multifacetado elemento cultural, especificamente nas letras destas canções e na relação que mantêm com seus contextos de ocorrência, é a pergunta que une as categorias cultura e gênero, a partir das quais se estabelece a análise. Inserida no contexto dos estudos propostos pelo Programa de Me

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15

Jabb, Lama. "Modern Tibetan literature and the inescapable nation." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:dd216865-df8b-4973-b562-4e6dc3d525eb.

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Existing scholarship on modern Tibetan writing takes the 1980s as its point of “birth” and presents this period as marking a “rupture” with traditional forms of literature. This study seeks to go beyond such an interpretation by foregrounding the persistence of Tibet’s artistic past and oral traditions in the literary creativity of the present. An appreciation of genres, styles, concepts and techniques derived from Tibet’s rich and diverse oral art forms and textual traditions exposes the inadequacy of a simple “rupture” perspective. Whilst acknowledging the novel features of modern Tibetan li

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16

Jahn, Lívia Petry. "A literatura tradicional oral luso-brasileira : as cantigas e performaces dos ternos de reis herdadas dos açores e praticadas em Florianópolis, Santa Catarina, Brasil." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/117568.

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Esta tese tem por objetivo primordial trazer ao âmbito da Academia um saber popular, anônimo e folclórico, representado pelas cantigas de Ternos de Reis, pesquisadas em Florianópolis, Santa Catarina, Brasil, cuja origem remonta aos Açores, Portugal. Buscamos realizar neste trabalho uma exegese de tais cantigas a partir das noções de folclore (Cascudo), cultura popular (Burke), performance (Schechner, Zumthor), mitos (Kerényi, Campbell), arquétipos (Jung), festas religiosas (Bakhtin, Perez), poesia (Spina, Trevisan) e, por fim, a relação de tais instâncias com a voz dos subalternos e as epistem

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17

Machado, Silvia de Ambrosis Pinheiro. "Canção de ninar brasileira: aproximações." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-28082012-124302/.

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A definição mais imediata para canção de ninar, uma das várias denominações brasileiras para este gênero poético-musical, é estabelecida por sua finalidade: canção feita para adormecer criança pequena; uma definição funcional,portanto. A análise do conteúdo poético e da forma destas canções permite identificar os elementos imprescindíveis à sua composição e eficácia estética, ampliando tal conceito. Desta maneira, a canção de ninar pode ser considerada um dos primeiros objetos culturais a que o ser humano é exposto. O medo da morte (perdas, despedidas, separações), presente nos cuidados matern

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18

Homolka, Sônia Pereira. "Literatura de Cordel: Vozes da Identidade e um Breve Estudo Memorialístico." BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/5505.

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String Literature is a popular form of poetry produced mainly in the northeastern section of Brazil. Heir to the orality of the Portuguese ballads, cordel took root particularly in the northeastern country side of Brazil and for historical and social factors spread throughout the country. This study intends to revisit the main studies done on string literature to analyze its development in Brazil, to highlight cordel's enormous contribution as popular art, memory and identity, in the construction process of the Brazilian Northeastern people.

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19

Kozain, Rustum. "Contemporary english oral poetry by black poets in Great Britain and South Africa : a comparison between Linton Kwesi Johnson and Mzwakhe Mbuli." Master's thesis, University of Cape Town, 1994. http://hdl.handle.net/11427/20139.

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Bibliography: pages 242-266.<br>The general aims of this dissertation are: to study a form of literature traditionally disregarded by a text-bound academy; to argue that form is an important element in ideological analyses of the poetry under discussion; and, on the basis of this second aim, to argue for a comparative, rigorously critical approach to the poetry of Mzwakhe Mbuli. Previous evaluations of Mbuli's poetry are characterised by acclaim which, the author contends, is only possible because of under-researched criticism, representing a general trend in South African literary culture. Co

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20

Djoumbé, Thoueïbat. "Un autre aspect de la francophonie, la littérature comorienne : société, histoire, culture et création." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030039.

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Cette thèse interroge les origines, les interférences et la production de la littérature comorienne d’expression française. Au confluent entre critique littéraire, historiographie anthropologique des sources et analyse des thématiques dans la création, elle questionne aussi la notion de réception dans un contexte éditorial minimaliste et où langue d’écriture et langue vernaculaire s’interfèrent. En près de 30 ans, les quelques 160 ouvrages publiés de 1985 à nos jours, laissent percer des débuts lents et difficiles. Une réalité qui sera contredite à la fin des années 90 où des maisons d’édition

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21

Kandou, Koumba Marie Josée. "Anthropologie et sauvegarde du patrimoine culturel vivant au Gabon : le rôle des musées." Thesis, Pau, 2019. http://www.theses.fr/2019PAUU1058/document.

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Depuis quelques décennies les musées se sont multipliés ; chaque secteur de la culture, chaque communauté, chaque ville veut le sien, pour le prestige ou pour développer l’activité économique. Aussi la conception du musée a-t-elle évolué dans sa forme, ses objectifs, son organisation, sa gestion. C’est ainsi que sont apparus des enjeux financiers, desquels ont résulté des concepts comme l’entreprise culturelle et ses relations avec le marché, la sauvegarde des collections et leur valorisation par des expositions ouvertes aux différents publics. Alors que le musée devient un élément moteur des

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22

Fee, Margery. "From Discomfort to Enlightenment: An Interview with Lee Maracle." Essays on Canadian Writing, 2004. http://hdl.handle.net/2429/11672.

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23

Stoor, Krister. "Juoiganmuitalusat - jojkberättelser : en studie av jojkens narrativa egenskaper." Doctoral thesis, Umeå University, Archaeology and Sami Studies, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-1323.

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<p>The focus of the dissertation is on the performance of the yoiks, what the yoikers tell the audience and what the yoikers mean with their narratives. The results demonstrate that the verbal art of yoik includes both song and spoken messages. The analysis of the yoik tradition is couched within performance theory. The discussions of the performance give keys to understanding storytelling, oral history, verbal art and a means to recognize when a yoiksong, vuolle, begins or when it stops and why the performer yoiks its vuolle the way he or she does. I argue that an inside perspective in conjun

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Silveira, Bianca Farias da. "Literatura oral na escola pública: quebrando paradigmas, semeando saberes." Universidade Federal da Paraíba, 2017. http://tede.biblioteca.ufpb.br:8080/handle/tede/9669.

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Submitted by Fernando Souza (fernando@biblioteca.ufpb.br) on 2017-10-02T14:20:21Z No. of bitstreams: 1 arquivototal.pdf: 3703402 bytes, checksum: d26f9774759d622352efa419a8f79a3c (MD5)<br>Made available in DSpace on 2017-10-02T14:20:21Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3703402 bytes, checksum: d26f9774759d622352efa419a8f79a3c (MD5) Previous issue date: 2017-06-20<br>The present study aims to demonstrate, from the presentation of a didactic-pedagogical proposal resulting from an experience report, the feasibility and the need to include oral literature as content of teaching and

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Baird, Pauline Felicia. "Towards A Cultural Rhetorics Approach to Caribbean Rhetoric: African Guyanese Women from the Village of Buxton Transforming Oral History." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1458317632.

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Nuñez, Gabriela. "Lenguaje, oralidad y escritura en la cultura afro-peruana." Conexión, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/114683.

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Generalmente, se ha asociado la cultura afroperuana con una tradición predominantemente oral, pero no se la ha pensado en su relación con la escritura. Recurriendo a fuentes interdisciplinarias,el presente trabajo explora la relación que ha habido entre la oralidad y la escritura en la cultura afro-peruana desde tiempos de la colonia, concluyéndose que no es posible una separación absoluta entre discurso oral y escrito y que cuando ambos entran en contacto, las influencias recíprocas son inevitables. El caso de la cultura afro-peruana es paradigmático en ese sentido.

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Jassim, Hassan. "Personnages et stéréotypes dans les romans d’Alain Robbe-Grillet." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040080.

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Cette thèse a pour objectif d’étudier la présence, dans l’œuvre de Robbe-Grillet, de personnages stéréotypés récupérés de la paralittérature. Les stéréotypes dont il sera question dans ce travail sont : le solitaire romantique, l’errant citadin, le justicier criminel, le détective, le tueur, le trio des romans de la jalousie, la prostituée, le voyeur pervers, la stripteaseuse et le conteur. Au terme de cette "exploration", nous arriverons à la conclusion suivante : dans son ensemble, l’œuvre de Robbe-Grillet est ancrée dans la stéréotypie. Cependant, nous découvrirons qu’il ne s’agit pas là d’

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Ellison, Robert H. (Robert Howard). "Orality-Literacy Theory and the Victorian Sermon." Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc279297/.

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In this study, I expand the scope of the scholarship that Walter Ong and others have done in orality-literacy relations to examine the often uneasy juxtaposition of the oral and written traditions in the literature of the Victorian pulpit. I begin by examining the intersections of the oral and written traditions found in both the theory and the practice of Victorian preaching. I discuss the prominent place of the sermon within both the print and oral cultures of Victorian Britain; argue that the sermon's status as both oration and essay places it in the genre of "oral literature"; and analyze

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McCrotty, Micah. "North of Ourselves: Identity and Place in Jim Wayne Miller’s Poetry." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3581.

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Jim Wayne Miller’s poetry examines how human history and topography join to create place. His work often incorporates images of land and ecology; it deliberately questions the delineation between place and self. This thesis explores how Miller presents images of water to describe the relationship between inhabitants and their location, both with the positive image of the spring and the negative image of the flood. Additionally, this thesis examines how the Brier, Miller’s most prominent persona character, grieves his separation from home and ultimately finds healing and reunification of the se

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Riffel, Amy Marie. "Osteoblasts aggregates cultivated in a 3-dimensional culture environment rigorously respond to Porphyromonas gingivalis culture supernatants." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1067.

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An exciting alternative to the current methods for bone regeneration is osseous tissue engineering. One such method focuses on enhancement of osteoblast differentiation through rotary cell culture techniques. The response of osteoblast aggregates to periodontal microorganisms and their by-products will ultimately be important in their success as a method of bone regeneration. In this study, I hypothesize that human embryonic palatal mesenchymal (HEPM, ATCC 1486) pre-osteoblast cells produce different cytokine responses depending upon whether they are grown in a 2-dimensional tissue culture fla

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Creus, Boixaderas Jacint. "Cicle de les rondalles de Ndjambu en el context de la literatura oral dels ndowe, El." Doctoral thesis, Universitat de Barcelona, 1993. http://hdl.handle.net/10803/724.

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Dintre del corpus de la narrativa oral dels ndowe (zona costanera del sud del Camerun, de la Guinea Equatorial continental i del nord del Gabon) existeix un grup de rondalles que presenten un tret distintiu original: el fet de compartir un cert nombre de personatges, que hi són perfectament tipificats: i que figuren una família, el cap de la qual s'anomena "Ndjambu" (nom de l'avantpassat mític).<br/><br/>L'estudi d'aquestes rondalles pretén copsar-ne el funcionament i el significat. El punt de partida per a això són els estudis de Vladimir Propp i d'altres investigadors: i, a més a més d'aplic

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Nuanes, Luvy. "Mujer y tradicion oral nicaraguense." Diss., The University of Arizona, 2004. http://hdl.handle.net/10150/290127.

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The purpose of this dissertation is to study the depictions of women through certain genres of oral tradition, specifically as found in myth, legend and song (corrido), and covering the pre-Columbian period through colonial Nicaragua. I propose to characterize and explain the elements that shed light on the development of womanhood during that specific era. Additionally, this work will explore the way in which the conqueror, the chronicler, and the friar manipulated the oral genre until it conformed to their own vision of the world. In Nicaragua, there is a body or oral tradition ripe for stud

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GISH, SHIRLEY. "AN ORAL HISTORY OF SELECTED TWENTIETH-CENTURY TEACHERS OF ORAL INTERPRETATION OF LITERATURE." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184060.

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The oral transmission of history dates back to the Greeks as does the history of the subject of oral interpretation of literature. In the twentieth century the deliberate collection of oral histories has become popular as an adjunct to written documents. With the assumption that oral history can add to written documents in any field, this dissertation tests the tool of oral history as a means of contributing to the history of the field of oral interpretation of literature. The research consists of four formally collected oral histories with prominent, retired, and long-time teachers of oral in

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Lambert, Jade Maia. "Ama Ata Aidoo's Anowa performative practice and the postcolonial subject /." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1133810135.

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Thesis (M.A.)--Miami University, Dept. of Theatre, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [1], iv, 57 p. Includes bibliographical references (p. 56-57).

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Lee, Peace Bakwon. "Contested Stories: Constructing Chaoxianzu Identity." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1316229935.

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Sinarinzi, Jeanson. "La production du texte oral pastoral kiruúndi." Villeneuve d'Ascq : Presses universitaires du Septentrion, 1999. http://books.google.com/books?id=llOBAAAAMAAJ.

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Kazmi, B. "Oral and dermal fibroblasts in 3D organotypic co-culture." Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/17485/.

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It is widely observed that dermal wound healing results in the re-establishment of skin continuity through the formation of a scar. In comparison oral wounds heal more rapidly, with less visible scarring. The diverse nature of sub-epithelial fibroblasts has targeted them as mediators for such a distinction in phenotype. Fibroblasts and their differentiated form, the myofibroblast (characterised by the expression of α-SMA), are chief synthesisers of the ECM during wound healing. Myofibroblasts in particular play an important role in wound contracture, ECM synthesis and remodelling during normal

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Wang, Xiao. "The analysis of formal Chinese oral narratives." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1409837811.

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Fernandes, Frederico Augusto Garcia [UNESP]. "A voz em performance: uma abordagem sincrônica de narrativas e versos da cultura oral pantaneira." Universidade Estadual Paulista (UNESP), 2003. http://hdl.handle.net/11449/103697.

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Made available in DSpace on 2014-06-11T19:32:49Z (GMT). No. of bitstreams: 0 Previous issue date: 2003-05-05Bitstream added on 2014-06-13T21:04:56Z : No. of bitstreams: 1 fernandes_fag_dr_assis.pdf: 1284451 bytes, checksum: cf6d97ecf9ce82a56850a7d557f3df33 (MD5)<br>Esta tese compreende um estudo da poesia oral pantaneira no momento de sua atualização, ou seja, durante a performance. Para tanto, ela se divide em três partes principais. Na primeira, com base em relatos de viagem, foram identificados embates discursivos entre o narrador e o viajante. A partir desses embates, foi demonstrado com

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Chameng, Flores Jennylee. "Relatos de Salamanca, tierra embrujada : obra ilustrada que registra el patrimonio oral de Salamanca." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/114832.

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Diseñador Gráfico<br>Para realizar este proyecto en primer lugar se hizo una investigación general respecto al medio editorial en Chile, se analizó el mercado editorial, sus diferentes canales de comercialización, se investigó sobre las principales editoriales y los organismos más influyentes en este medio. En segundo lugar se analizó cómo adentrarse en el medio descrito de forma independiente a través de la Autoedición, se conoció el trabajo y el esfuerzo que realiza la Asociación de Editores de Chile por sacar adelante la labor del escritor independiente, que se aleja a veces de la

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Nogueira, Candice Firmino de Azevedo. "Seu Generino: Um contador de histórias orais na contemporaneidade." Universidade Estadual da Paraíba, 2009. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/2157.

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Made available in DSpace on 2015-09-25T12:23:37Z (GMT). No. of bitstreams: 1 Candice - Dissertacao final.pdf: 6257809 bytes, checksum: 2ce80e25abbe6962717ba87885b6cac4 (MD5) Previous issue date: 2009-03-20<br>Ce travail analyse le comportement du counteur d'histoires priez, basé dans un counteur d'histoires, le Monsieur Generino Baptiste, avec l'objectif de former un profil du counteur d'histoires contemporain, en caractérisant et en formant sa performance concernant la communauté de laquelle il fait partie. Basés sur les théories sur littérature populaire, spécifiquement les propositions pa

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Athar, Saira. "Immortalization of human oral keratinocytes with defined genetic elements in the development of organotypic oral culture." Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8690.

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Primary cell culture is limited by the increase in cellular levels of p16INK4a in response to an in vitro culture environment and, in conjunction with telomere shortening following cell division, presents a barrier to cellular proliferation. The use of transformed cell lines is limited for studies wherein the aim is to generate data akin to an in vivo environment as commonly such cell lines achieve their immortal benefits by down regulating important tumour suppressive mechanisms and inhibiting cell cycle checkpoints. Normal Human Oral Keratinocyte (NHOK) cells expressing shp16+hTERT were gene

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Fernandes, Frederico Augusto Garcia. "A voz em performance : uma abordagem sincrônica de narrativas e versos da cultura oral pantaneira /." Assis : [s.n.], 2003. http://hdl.handle.net/11449/103697.

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Orientador: Irene Jeanete Lemos Gilberto<br>Banca: Luiz Roberto Velloso Cairo<br>Banca: Mário César Silva Leite<br>Banca: Maria Lídia Lichtscheidl Maretti<br>Banca: Ivete Lara Camargos Walty<br>Resumo: Esta tese compreende um estudo da poesia oral pantaneira no momento de sua atualização, ou seja, durante a performance. Para tanto, ela se divide em três partes principais. Na primeira, com base em relatos de viagem, foram identificados embates discursivos entre o narrador e o viajante. A partir desses embates, foi demonstrado como, durante a performance, a presença do auditório exige do narrado

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Want, Stephen. "Paranoia in American literature and culture." Thesis, King's College London (University of London), 1995. https://kclpure.kcl.ac.uk/portal/en/theses/paranoia-in-american-literature-and-culture(f11f6186-8a7e-4a4c-bd7e-56cead892ad1).html.

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McIntosh, G. V. "Unionist culture and literature, 1920-60." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394597.

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Mancuveni, Melania. "Urbanisation, Shona culture and Zimbabwean literature." Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/10782.

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This thesis examines the impact of urbanisation on Zimbabwean culture, particularly the Shona culture as it is represented in Zimbabwean literature. My main argument in this thesis is that Zimbabwean literature suggests that urbanisation is harmful and destructive to the Shona culture and the way of life of the Shona people.

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Sorrentino, Rita. "Three dimensional oral mucosa models: development and applications." Doctoral thesis, Università del Piemonte Orientale, 2020. http://hdl.handle.net/11579/114910.

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Animal experimentation has been extensively and for a long time applied in several research fields, but since 2011 it has been substantially limited by the Commission of the European Parliament to ensure people/animals safety and reduce research costs. To respond to these directives, many attempts have been focused on the development and validation of new in vitro 3D systems, bypassing the traditional 2D cell cultures. In this regard, diverse approaches to tissue-engineered bone and oral mucosa have been developed. Despite the promising premises and the cutting-edge results, the used 3D in vit

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Sterling, Shirley. "The grandmother stories : oral tradition and the transmission of culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25168.pdf.

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Bradshaw, D. J. "Continuous culture modelling of environmental factors affecting the oral microflora." Thesis, Open University, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315369.

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Koppe, Rosemarie. "Aboriginal student reading progress under targeted intervention." Thesis, Queensland University of Technology, 2000. https://eprints.qut.edu.au/36652/1/36652_Digitised%20Thesis.pdf.

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Urban Aboriginal students often come to school with a different set of cultural and language learnings than those of their non- indigenous peers. These differences can pose major barriers for the primary- aged Aboriginal student trying to access the curriculum which is based on Standard Australian English (SAE). Aboriginal students often come to school speaking a recognised dialect of English, Aboriginal English (AE) which has its own grammatical, phonological, pragmatic and socio- cultural standards which at times are quite different from those of classroom language interactions. The m

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