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1

Aron, Roberto. Trial communication skills. 2nd ed. Clark Boardman Callaghan, 1996.

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2

Ian, Worthington, ed. Persuasion: Greek rhetoric in action. Routledge, 1994.

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3

Sutherland, Christine Mason, and Rebecca J. Sutcliffe. The changing tradition: Women in the history of rhetoric. University of Calgary Press, 1999.

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4

Understanding Public Speaking: A Learner's Guide to Persuasive Oratory. Taylor & Francis Group, 2019.

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5

Mohan, Braj. Understanding Public Speaking: A Learner's Guide to Persuasive Oratory. Taylor & Francis Group, 2019.

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6

Mohan, Braj. Understanding Public Speaking: A Learner's Guide to Persuasive Oratory. Taylor & Francis Group, 2019.

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7

Mohan, Braj. Understanding Public Speaking: A Learner's Guide to Persuasive Oratory. Taylor & Francis Group, 2019.

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8

Chesebrough, David B. Frederick Douglass. Greenwood Publishing Group, Inc., 1998. http://dx.doi.org/10.5040/9798400653704.

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Frederick Douglass, once a slave, was one of the great 19th century American orators and the most important African American voice of his era. This book traces the development of his rhetorical skills, discusses the effect of his oratory on his contemporaries, and analyzes the specific oratorical techniques he employed. The first part is a biographical sketch of Douglass's life, dealing with his years of slavery (1818-1837), his prewar years of freedom (1837-1861), the Civil War (1861-1865), and postwar years (1865-1895). Chesebrough emphasizes the centrality of oratory to Douglass's life, eve
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9

Voyage, Naksh. Silence of Errors: Humans Still Can't Read Minds, Do Better Speak - a Definite Guide to Oratory and Communication Skills. Independently Published, 2019.

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10

Derrick, Thomas J., and Thomas Wilson. Arte of Rhethorique. Taylor & Francis Group, 2019.

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11

Derrick, Thomas J., and Thomas Wilson. Arte of Rhethorique. Taylor & Francis Group, 2020.

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12

Derrick, Thomas J., and Thomas Wilson. Arte of Rhethorique. Taylor & Francis Group, 2019.

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13

Arte of Rhethorique. Taylor & Francis Group, 2019.

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14

Usher, S. Greek Orators III: Isocrates. Liverpool University Press, 1990. http://dx.doi.org/10.3828/liverpool/9780856684142.001.0001.

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Two contrasting works, both in style and content, illustrate the versatility of Isocrates, the most accomplished writer of polished periodic Greek prose. The Panegyricus is a patriotic work of Athenian propaganda composed with great care and also intended to advertise his skills to potential pupils at his school for leading statesmen. In it he argues the case for Athenian leadership of a pan-Hellenic expedition against Persia, representing it as a cultural as well as a military crusade. In To Nicocles, he offers advice to one of his pupils, the newly crowned king of Cyprus, on how to rule acce
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15

Clarke, Stephen. Greek Orators VII. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781789622447.001.0001.

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Demosthenes’ oration On the Chersonese is a masterpiece of rhetorical brilliance and contains some of the best examples of his skill as a political orator, coming as one of his final surviving speeches in the corpus. It was delivered to the Athenians in 341 BC, at a time of turbulent events when Athens was coming under increasing pressure resulting from the actions of Philip of Macedon. The Chersonese was a region of great importance for Athens. At the time of the speech, Philip was in the middle of an extensive military and diplomatic campaign in Thrace that would threaten the security of the
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16

Worthington, Ian. Persuasion: Greek Rhetoric in Action. Taylor & Francis Group, 2002.

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17

Worthington, Ian. Persuasion: Greek Rhetoric in Action. Taylor & Francis Group, 2002.

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18

Hadfield, Andrew. Rhetoric, Commonplacing, and Poetics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198789468.003.0005.

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Chapter 4 examines a variety of treatises and debates about rhetoric and its value, and whether the art of persuasion could be a dangerous tool in the hands of the unscrupulous or even whether it was a skill that risked corrupting the user, dangers that were identified by Quintilian, whose Institutio Oratoria (The Orator’s Education) shaped so much rhetorical theory and practice in the Renaissance. The chapter explores the practice of commonplacing, noting down particular maxims which could then serve as the basis of explorations of issues, a practice that, like rhetoric, generated anxiety abo
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19

Millie, Julian. The Public Metaculture of Islamic Preaching. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0012.

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The chapter concerns the public culture of Islam in Indonesia. Drawing on field experience in West Java, it observes that Islamic oratory invariably includes repetitive and solemn elements, especially the citation and translation of Qur’an and Hadith. Yet preachers also rely on their abilities to move listeners with skillful multivocality, drawing on many genres and ways of speaking within listeners’ competency, not just religious ones. When speaking and writing normatively about oratory, however, Indonesians construct a monologic image that characterizes preaching as the circulation of religi
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20

Charles de Gaulle et André Malraux, le discours et l'action, ou, La morale de l'éloquence. F.-X. de Guibert, 2011.

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21

Gold, David, and Catherine L. Hobbs. Rhetoric History and Women's Oratorical Education. Taylor & Francis Group, 2018.

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22

Rhetoric, History, and Women's Oratorical Education: American Women Learn to Speak. Routledge, 2013.

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23

Gold, David, and Catherine L. Hobbs. Rhetoric, History, and Women's Oratorical Education: American Women Learn to Speak. Taylor & Francis Group, 2013.

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24

Gold, David, and Catherine L. Hobbs. Rhetoric, History, and Women's Oratorical Education: American Women Learn to Speak. Taylor & Francis Group, 2013.

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25

Rhetoric, History, and Women's Oratorical Education: American Women Learn to Speak. Routledge, 2013.

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26

Chesebrough, David B. Phillips Brooks. Greenwood Press, 2001. http://dx.doi.org/10.5040/9798216980773.

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Phillips Brooks, author of the carol O Little Town of Bethlehem, was the rector of the Trinity Episcopal Church in Boston for 22 years and the Bishop of Massachusetts for 15 months until his death in 1893. This volume in the Great American Orators series focuses on Brooks' oratorical style and the public's response to his rhetoric. Chesebrough provides a biographical sketch of Brooks' life emphasizing the development and use of his oratorical skills and placing him within the secular and ecclesiastical contexts of his times. Attention is given to Brooks' development as a public speaker and to
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27

Schlapbach, Karin. The Mimesis of Dance between Eloquence and Visual Art. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.003.0003.

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This chapter shows that pantomime undermines the ostensible dichotomy of art and text by engaging in visual narration. It examines the perception of dance as a superior form of rhetoric, arguing that Lucian’s On Dancing cleverly deploys traditional ideals of rhetorical versatility (Proteus and the octopus) to show that the dancer embodies them more perfectly than the orator, because his skill is physical. The dancer’s body language is situated in the context of ancient theories of gesture and physiognomy as well as in the discourse on works of art (ekphrasis), from which the motif of silent sp
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28

Oksanish, John. Vitruvian Man. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190696986.001.0001.

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This book offers a new assessment of the Roman architect Vitruvius and his treatise, On Architecture. Once reviled by scholars as a half-witted proletarian, Vitruvius emerges as well read and politically able when read alongside literary coevals through an intertextual lens. No building of Vitruvius’s name survives from antiquity, but his treatise remains a formidable literary construction that partakes of Rome’s vibrant textual culture. The book explores Vitruvius’s portrait of the ideal architect as an imposing “Vitruvian man” at the dawn of Augustus’s empire. In direct dialogue with his rep
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29

Bonds, Mark Evan. Music's Fourth Wall and the Rise of Reflective Listening. Oxford University PressNew York, NY, 2025. https://doi.org/10.1093/9780197806401.001.0001.

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Abstract We’ve all heard the line before: “I enjoy classical music but don’t know anything about it.” The “but” is telling. Why and when did music-lovers begin to apologize for a lack of knowledge about what gave them pleasure? This book examines fundamental changes in concert-hall listening since the Enlightenment. By calling attention to the artifice of their art, composers like Haydn and Beethoven violated music’s fourth wall, that imagined barrier which for so long had allowed listeners to “lose” themselves in what they were hearing, to resonate with the music and to forget, in effect, tha
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30

Sutcliffe, Rebecca, and Christine Mason Sutherland. Changing Tradition: Women in the History of Rhetoric. University of Calgary Press, 1999.

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31

Lincoln's greatest speech: The second inaugural. Thorndike Press, 2002.

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32

Lincoln's greatest speech: The second inaugural. Simon & Schuster, 2002.

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33

Lincoln's Greatest Speech: The Second Inaugural. Simon & Schuster, 2006.

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