Relevant bibliographies by topics / Orientalistas

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Orientalistas'

Author: Grafiati
Published: 5 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Orientalistas"

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Silva, Leonardo Luiz Silveira da, and Jamerson Sérgio Passos Rezende. "A interpretação dos dogmas orientalistas por intermédio das imagens." Proa: Revista de Antropologia e Arte 10, no. 2 (2022): 38–59. http://dx.doi.org/10.20396/proa.v10i2.16604.

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O Orientalismo foi construído por meio da experiência colonial e do estranhamento entre as cosmologias entre o Ocidente e o Oriente. Destaca-se como referência dos estudos orientalistas o autor Edward Saïd. Para ele, as práticas orientalistas são passíveis de serem identificadas por meio de quatro dogmas, a saber: as diferenças de desenvolvimento entre o Ocidente e o Oriente, a preferência pela descrição do Oriente clássico em detrimento do moderno, a visão utópica do Oriente visto como eterno o temor nutrido pelo Ocidente frente ao Oriente. A Arte Orientalista, exemplificada neste artigo por
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Yunis, Leandra. "Sobre a Tradução no Orientalismo britânico." EXILIUM Revista de Estudos da Contemporaneidade 4, no. 7 (2023): 27–54. http://dx.doi.org/10.34024/exilium.v4i7.16034.

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O artigo aborda a organização dos trabalhos de tradução empreendidos pela Royal Asiatic Society of Britain and Ireland em fins do XIX, as rotas islâmicas de tradução e transmissão científica pesquisadas pelos orientalistas e questões relativas a historiografias nativas e História da ciência. O objetivo é trazer aportes para a discussão da historicidade assimétrica no Orientalismo acadêmico, pensando a colaboração nativa em traduções historiográficas e o peso da investigação orientalista no debate dos marcoshistóricos fundacionais da noção de Modernidade.
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Alderete, Matías. "El consumo del Oriente. Representaciones orientalistas en los avisos publicitarios de la prensa porteña hacia inicios del siglo XX (1900-1925)." Anuario de la Escuela de Historia Virtual 14, no. 23 (2023): 130–60. http://dx.doi.org/10.31049/1853.7049.v14.n23.41605.

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Durante los últimos años, se han producido prolíficos estudios sobre el orientalismo argentino, señalando que este no es un fenómeno foráneo o marginal dentro de la cultura. El periodo de entresiglo ha sido señalado como relevante para observar su importancia, haciendo hincapié en la inmediata posguerra y abocándose en el análisis de las concepciones orientalistas de intelectuales y eruditos. La circulación de las representaciones orientalistas en la cultura masiva no ha recibido la misma atención. La presente investigación se propone explorar las construcciones y representaciones del Oriente
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Gómez, Daniel. "Orientalismos latinoamericanos." Saga. Revista de Letras 2, no. 4 (2020): 59–74. http://dx.doi.org/10.35305/sa.v2i4.122.

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El objetivo de este trabajo es plantear que la obra de Jorge Luis Borges es una excepción en el derrotero de los discursos orientalistas que han estado en auge desde el siglo XIX en Latinoamérica. Destacaremos el criterio de selección de representaciones y textos arábigo-persas para Historia de la eternidad (1936), cuyo resultado es una nueva representación del Otro como un sujeto activo, histórico, productor de conocimiento y poseedor de una fuerte tradición intelectual. De esta manera, Borges se aparta de la concepción orientalista argentina que se nutrió del orientalismo europeo.
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José, Antonio González Alcantud. "Orientalismo y música cinematográfica. La construcción antropo-musical del sujeto y del ambiente oriental magrebí Orientalism and Film Scores. The Anthropo-musical Construction of the Subject and of the Oriental Milieu of the Maghreb." Música Oral del Sur, no. 11 (December 1, 2014): 11–26. https://doi.org/10.5281/zenodo.4636298.

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Resumen: El orientalismo musical ha sido objeto de gran atención por parte de los especialistas. Menos lo ha sido la música para películas orientalistas. Tratamos de entender cómo tanto en el cine mudo como en el sonoro, en un período comprendido entre 1921 y 1962, fechas de producción de L´Atlantide y Lawrence of Arabia, la música se ha convertido en un aspecto clave para la comprensión del sujeto orientalista en términos sociales y estéticos. Este artículo viene a restituir la importancia del vínculo en
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González Palacios, Héctor. "Miradas orientalistas al Próximo Oriente." Imago crítica. Revista de Antropología, Comunicación y Estudios Culturales, no. 10 (December 31, 2024): 293–96. https://doi.org/10.30827/ic.34033.

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Reseña de Krestin Droß-Krüppe, Agnès García Ventura, Kai Ruffing y Lorenzo Verderame (eds.) (2023). Orientalist Gazes. Reception and Construction of Images of the Ancient Near East since the 17th Century. Zaphon. ISBN: 978-3-96327-250-9.
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Pérez Gil, María del Mar. "Representaciones orientalistas de España en la literatura popular británica de la segunda mitad del siglo XX." Castilla. Estudios de Literatura, no. 14 (July 11, 2023): 634–53. http://dx.doi.org/10.24197/cel.14.2023.634-653.

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Este artículo analiza la pervivencia del imaginario orientalista en la literatura popular británica de la segunda mitad del siglo XX ambientada en España. Me centraré en dos novelas donde los elementos orientalistas proyectan la imagen de España como un país exótico, a la vez que menos evolucionado y anclado en el pasado. Además de ello, las autoras emplean la retórica del orientalismo para criticar el carácter prepotente y autoritario de los hombres españoles, herencia, según leemos, de la sangre mora que aún corre por sus venas. Estudiaré cómo este orientalismo feminista se impregna también
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González Alcantud, José Antonio. "La Alhambra interpretada: entre la poscolonialidad y la descolonización del imaginario." IRIS, no. 35 (June 30, 2014): 89–103. http://dx.doi.org/10.35562/iris.1764.

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La Alhambra, antiguo monumento islámico levantado entre los siglos xiii y xv en la ciudad andaluza de Granada para albergar a la corte real nazarí, ha sido privilegiado objeto de reflexión desde finales del siglo xviii para los orientalistas. Este artículo propone una lectura poscolonial y posmoderna consecuente de la Alhambra con el fin de superar precisamente el horizonte orientalista fijado de manera estereotípica sobre todo por los viajeros románticos. Para ello introduce al lector en qué significa el discurso poscolonial, y cómo la obra del arabista británico Robert Irwin, responde a esa
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Santos, F. Delfim. "Cronologia das traduções e das obras filológicas orientalistas (séc. XVIII e XIX)." Nuntius Antiquus 5 (June 30, 2010): 149. http://dx.doi.org/10.17851/1983-3636.5.0.149-159.

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Oscar Cabrera, Ezequiel. "Entre espadas y sandalias: Un análisis histórico e iconográfico de los posters orientalistas en el péplum italiano hacia mediados del siglo XX." Fronteiras: Revista Catarinense de História, no. 43 (January 25, 2024): 190–220. http://dx.doi.org/10.36661/2238-9717.2024n43.13938.

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El objetivo del presente artículo es identificar diferentes imágenes “orientalistas” en los posters de la industria cinematográfica italiana de los años cincuenta y sesenta dentro de lo que se conoce como el género del péplum y demostrar que estas imágenes forman parte de un régimen discursivo orientalista. A su vez, demostrar cómo la construcción de la alteridad en estos afiches se sustenta fuertemente en las representaciones iconográficas decimonónicas pero con un elemento distintivo, el “héroe”, que aglutina en su figura todos los rasgos positivos de la civilización occidental. Para ello se
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Dissertations / Theses on the topic "Orientalistas"

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Tamaru, Marli Naomi. "Marguerite Duras e Jean Jacques Annaud : visões orientalistas do Oriente e do outro em "O amante"." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284901.

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Orientador: Marcius Cesar Soares Freire<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T21:56:38Z (GMT). No. of bitstreams: 1 Tamaru_MarliNaomi_M.pdf: 312166 bytes, checksum: c98fa18bb34cec3809bed43c47e3a8ae (MD5) Previous issue date: 2004<br>Mestrado
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Gradholt, Christian. "”Hvad vilja orientalisterne?” : Idéer och konflikter vid den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889." Thesis, Södertörns högskola, Idéhistoria, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40547.

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Den här uppsatsen undersöker den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889, efter vilken den vetenskapliga disciplinen orientalistik och dess internationella relationer och möteskultur ställdes under omförhandling. Genom att lansera en i dessa sammanhang ny och välkomnande hållning gentemot icke-européer orsakade kongressens generalsekreterare Carlo Landberg en konflikt med de orientalister som strävade efter att behålla kongressens tydligt europeiska och vetenskapliga prägel. Ytterligare en orsak till konflikt var den karaktär av utställning och spektakel s
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Cristofi, Renato Brancaglione. "O orientalismo arquitetônico em São Paulo - 1895 - 1937." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20122016-152110/.

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Esta dissertação tem como objetivo central a compreensão do Orientalismo Arquitetônico em São Paulo, entre 1890 à 1937. Almeja-se por assim, entender a historicidade deste fenômeno, desde a incorporação do vocabulário arquitetônico até a constituição de um diversificado, heterogêneo e particularizado campo social de produção pelas ruas da cidade. Leva-se em conta, como motivos definidores de sua vivência cultural: seus agentes-produtores, seus interlocutores sociais, seus sentidos e signos sociais nas especificidades da São Paulo da Primeira República. O que para além das características e var
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Kandeel, Ammar. "Edward Said face à Louis Massignon : une fascination orientaliste." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30031.

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Cette thèse interroge les aspects d’une fascination d’Edward Said pour la pensée de l’orientaliste français Louis Massignon. Il s’agit dans un premier temps de revenir sur la réception de l’essai majeur de Said Orientalism (1978), jugé excessivement polémique, afin de souligner les difficultés des lectures à expliquer l’ambivalence des positions idéologiques de l’auteur vis-à-vis de l’orientaliste, positions qui varient entre la critique et l’éloge. Cet examen nous mettra en situation de montrer la nécessité d’une nouvelle approche, supposant la présence d’affinités de pensée entre le critique
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Rivière, Gó́mez Aurora Hernández Sandoica Elena. "Orientalismo y nacionalismo español : estudios árabes y hebreos en la Universidad de Madrid (1843-1868) /." Getafe : Madrid : Madrid : Instituto Antonio de Nebrija de estudios sobre la universidad ; Dykinson, 2000. http://catalogue.bnf.fr/ark:/12148/cb38877086j.

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Chtchetkina-Rocher, Nadia. "La tentation de l'Orient dans la pensée russe : des préfigurations médiévales à la refiguration philosophique de la fin du XIXème et du début du XXème siècle." Bordeaux 3, 2009. http://www.theses.fr/2008BOR30096.

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Sadjedi, Saba Tahmouress. "Etienne-Marc Quatremère un maître français de la renaissance orientale /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609668t.

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Khosravi, Mojgan. "Shirin Neshat: A Contemporary Orientalist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/73.

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This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a W
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Montagnon, Sylvie Richard Hélène. "De l'importance et de la valorisation présentes et à venir d'un fonds cartographique dans une bibliothèque de recherche orientaliste trois mois de stage au service conservation-communication de la Bibliothèque des langues orientalistes /." [S.l.] : [s.n.], 2004. http://www.enssib.fr/bibliotheque/documents/dcb/montagnon2.pdf.

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Pupulin, Elena <1984&gt. "Il principe Uchtomskij nella "Russia asiatica": un viaggio orientalista?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6488.

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Questa tesi esamina una particolare figura del panorama culturale russo - quella del principe Esper Esperovič Uchtmoskij (1861-1921) - nell’ambito della più generale e dibattuta questione del rapporto tra la Russia e l’Oriente. Vengono osservate, all’interno del dibattito seguito alla pubblicazione di Orientalismo di Edward Said, le posizioni di alcuni accademici esperti in storia e cultura russe riguardo la possibile applicabilità delle categorie saidiane all’impero zarista. Si esamina in seguito una parte del voluminoso diario redatto dal principe Uchtmoskij in occasione del viaggio da egli
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Books on the topic "Orientalistas"

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Dehérain, Henri. Orientalistes et antiquaires: La vie de Pierre Ruffin, orientaliste et diplomate, 1742-1824. P. Geuthner, 1991.

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Allan, David. Orfèvrerie française orientaliste du 19ème siècle -: French Orientalist silver of the 19th century. August Eight Limited, 2003.

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Peltre, Christine. Les orientalistes. Hazan, 1997.

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Ackerman, Gerald M. American orientalists. ACR, 1994.

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Bamberg, Otto-Friedrich-Universität, ed. Orientalistik. Institut für Orientalistik, Universität Bamberg, 1990.

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Zaatov, I. A. Zapiski bi︠u︡rokrata--orientalista. OOO "Izdatelʹstvo "Doli︠a︡", 2015.

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Barath, Tibor E. Őstörténetünk orientalista szemléletben. T. Baráth, 1988.

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Tunstall, Dwayne A., and Coeli Fitzpatrick. Orientalist writers. Gale Cengage Learning, 2012.

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Hôtel Drouot. Art d'Orient, tableaux orientalistes. Tajan, 2003.

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Hôtel Drouot. Art d'Orient, tableaux orientalistes. Tajan, 2002.

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Book chapters on the topic "Orientalistas"

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Dunker, Axel. "Orientalismus." In Handbuch Postkolonialismus und Literatur. J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05386-2_40.

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Selz, Gebhard J. "Orientalistik." In Lexikon der Geisteswissenschaften. Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1020.

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Schiffl, Benjamin. "Orientalismus." In Nation zwischen Orient und Okzident. Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-41343-9_2.

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Schäbler, Birgit. "Orientalismus." In Europäische Erinnerungsorte 3, edited by Pim den Boer, Heinz Duchhardt, Georg Kreis, and Wolfgang Schmale. OLDENBOURG WISSENSCHAFTSVERLAG, 2012. http://dx.doi.org/10.1524/9783486714012.39.

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Gingrich, Andre. "Orientalismus." In Habsburg neu denken. Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205204398-020.

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Jalali, Younes. "German Orientalists." In Taghi Erani, a Polymath in Interwar Berlin. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97837-6_6.

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Kramer, Martin. "Dangerous Orientalists." In The War on Error. Routledge, 2017. http://dx.doi.org/10.4324/9781351295321-1.

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Ramsey, Charles. "Orientalist." In Literary and non-literary responses towards 9/11. Routledge India, 2019. http://dx.doi.org/10.4324/9780429399848-3.

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Kuske, Silvia, and Astrid Czerny. "Orientalismus/Exotismus." In Metzler Lexikon Religion. J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03703-9_197.

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Kuske, Silvia, and Astrid Czerny. "Orientalismus/Exotismus." In Metzler Lexikon Religion. J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_387.

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Conference papers on the topic "Orientalistas"

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Dazzi, Camila, and Isabela Loureiro. "Do imaginário das pinturas orientalistas às propagandas turísticas do magrebe contemporâneo." In Colóquio do Comitê Brasileiro de História da Arte. Comitê Brasileiro de História da Arte, 2021. http://dx.doi.org/10.54575/cbha.40.14.

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Partindo do pressuposto de que todas as “viagens começam no momento que passam a ser imaginadas” (Rachid Amirou), e de que a percepção pelo sentido da visão tem um papel importante nas tomadas de decisão sobre destinos de viagem (Woodside e Lysonski), o presente artigo procura analisar as relações entre a arte orientalista do século XIX e o imaginário atual sobre o Oriente como destino turístico. Por meio da análise comparativa das imagens Oitocentistas e das propagandas turísticas atuais, apresentaremos uma reflexão sobre o modo como o imaginário orientalista do século XIX foi perpetuando, co
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Abdilla, Rachel. "The Orientalist Aesthetic in Amadeo Preziosi’s Oeuvre." In The Asian Conference on Cultural Studies 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2187-4751.2024.28.

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Ben Arfa, Yosser. "Orientalism In Hungarian Secular Architecture From The Mid-19th to the Mid-20th Centuries." In 8th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2025. https://doi.org/10.62422/978-81-981590-2-1-032.

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This research explores the manifestation of Orientalist influences in Hungarian secular architecture, particularly from the mid-19th to the mid-20th centuries, as a cultural and artistic phenomenon, which influenced architectural design and decorative elements on buildings in Hungary. By examining architectural projects and the general context, this study aims to uncover the ways in which Hungarian architects engaged with Orientalist motifs, styles, and ideologies. It investigates the presence of Orientalist motifs, materials, spatial arrangements, and symbolism in selected architectural examp
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Kazimirchuk, Aleksandra Dmitrievna. "Anthropomorphic motives in Nikolai Karazin's orientalist novel «The Two-Legged Wolf»." In IX All-Russian Scientific Conference of students, postgraduates and young scientists. Publishing house Sreda, 2022. http://dx.doi.org/10.31483/r-104715.

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The article is devoted to the specifics of the expression of anthropomorphism in the orientalist novel «The Two-Legged Wolf» by the writer, artist, journalist, officer, ethnographer and illustrator of the XIX century Nikolai Nikolaevich Karazin. The expression of anthropomorphism in the orientalist works of the Turkestan theme of the XIX century is characterized by certain features inherent in the peculiarities of the cultural and socio-political discourse of that time.
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PASCHOAL, Nina Ingrid Caputo. "VENTRE COLONIZADO: INTERSECÇÕES ENTRE A PINTURA ORIENTALISTA E AS DANÇAS ÁRABES." In I SEMINÁRIO DISCURSO E CULTURA. Editora Blucher, 2018. http://dx.doi.org/10.5151/discult2018-01.

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Allaw, Imad H. "Islamic Historiography Methodology between Muslim Historians and Orientalists a Comparative Study." In Uluslararası Prof. Dr. Halil İnalcık Tarih ve Tarihçilik Sempozyumu. Türk Tarih Kurumu Yayınları, 2022. http://dx.doi.org/10.37879/9789751749987.2022.4.

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Dolidze, Nino. "Imposters by al-Hariri and its Translations." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9009.

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In 2020 the Imposters by prominent Arab author al-Hariri (1054-1122) was issued by the NYU press. The masterpiece of Arabic Literature has alrea­dy been translated into several languages, but Michael Cooperson presented absolutely different version. In the paper I try to analyze the attitude of the translators to the origi­nal text in a diachrony. How Maqamat of al-Hariri were perceived in diffe­rent cultures? What was / is the priority while translating them? What has been changed from the Middle Ages to the globalization era? Persian, Hebrew, German and Russian translations of the Maqamat ar
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Xiao-zhen, Hou, and Ma Yu. "Deconstructing Orientalist Discourse through Narrative Strategies in The Hundred Secret Senses." In 2015 International Conference on Social Science and Technology Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.123.

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Aggarwal, Nitish, Justin Tonra, and Paul Buitelaar. "Using Distributional Semantics to Trace Influence and Imitation in Romantic Orientalist Poetry." In Proceedings of the First AHA!-Workshop on Information Discovery in Text. Association for Computational Linguistics and Dublin City University, 2014. http://dx.doi.org/10.3115/v1/w14-4508.

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Khidoyatova, Dilafruz. "VIEWS OF EASTERN THINKERS ON INTERACTIVE EDUCATION AND ITS PRINCIPLES." In TEACHING UZBEK LANGUAGE ABROAD: THEORY AND PRACTICE OF EDUCATION. Alisher Navo'i Tashkent state university of Uzbek language and literature, 2024. http://dx.doi.org/10.52773/tsuull.conf.2024.16.4/uwad9268.

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The article analyzes the theoretical foundations of pedagogical technology and interactive learning in the organization of the educational process. The article presents the methodology and didactic views of orientalists on the problems of mental, moral and physical development of a person in their works. Issues such as relevance, opportunities, principles of using interactive learning were studied. The analysis of important factors in the organization of the interactive educational process is presented. Conclusions are also made based on the results of research on the use of an interactive lea
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Reports on the topic "Orientalistas"

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Gökpinar, Yasemin, and Vivian Strotmann. Digitale Ressourcen zur Arabischen Handschriftenkunde: Universitätsbibliothek & Seminar für Orientalistik und Islamwissenschaft der RUB. Universitätsbibliothek der Ruhr-Universität Bochum, 2020. http://dx.doi.org/10.46586/rub.166.142.

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Abstract:
Der vorliegende Beitrag kombiniert die Perspektiven und spezifischen Expertisen von Forschung und Universitätsbibliothek der Ruhr-Universität Bochum bezüglich der Arbeit für und mit arabischen Handschriften. Zentrale digitale Ressourcen für die Bewahrung, Zugänglichmachung, Vermittlung, Recherche, Bearbeitung und Erforschung arabischer Handschriften werden benannt. Dadurch wird Student*innen, Forscher*innen und Bibliothekar*innen eine gebündelte Informationsressource an die Hand gegeben.
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2

HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against
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