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Dissertations / Theses on the topic 'Orientalistas'

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1

Tamaru, Marli Naomi. "Marguerite Duras e Jean Jacques Annaud : visões orientalistas do Oriente e do outro em "O amante"." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284901.

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Orientador: Marcius Cesar Soares Freire<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-03T21:56:38Z (GMT). No. of bitstreams: 1 Tamaru_MarliNaomi_M.pdf: 312166 bytes, checksum: c98fa18bb34cec3809bed43c47e3a8ae (MD5) Previous issue date: 2004<br>Mestrado
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Gradholt, Christian. "”Hvad vilja orientalisterne?” : Idéer och konflikter vid den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889." Thesis, Södertörns högskola, Idéhistoria, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-40547.

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Den här uppsatsen undersöker den åttonde internationella orientalistkongressen i Stockholm och Kristiania 1889, efter vilken den vetenskapliga disciplinen orientalistik och dess internationella relationer och möteskultur ställdes under omförhandling. Genom att lansera en i dessa sammanhang ny och välkomnande hållning gentemot icke-européer orsakade kongressens generalsekreterare Carlo Landberg en konflikt med de orientalister som strävade efter att behålla kongressens tydligt europeiska och vetenskapliga prägel. Ytterligare en orsak till konflikt var den karaktär av utställning och spektakel s
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Cristofi, Renato Brancaglione. "O orientalismo arquitetônico em São Paulo - 1895 - 1937." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-20122016-152110/.

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Esta dissertação tem como objetivo central a compreensão do Orientalismo Arquitetônico em São Paulo, entre 1890 à 1937. Almeja-se por assim, entender a historicidade deste fenômeno, desde a incorporação do vocabulário arquitetônico até a constituição de um diversificado, heterogêneo e particularizado campo social de produção pelas ruas da cidade. Leva-se em conta, como motivos definidores de sua vivência cultural: seus agentes-produtores, seus interlocutores sociais, seus sentidos e signos sociais nas especificidades da São Paulo da Primeira República. O que para além das características e var
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4

Kandeel, Ammar. "Edward Said face à Louis Massignon : une fascination orientaliste." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30031.

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Cette thèse interroge les aspects d’une fascination d’Edward Said pour la pensée de l’orientaliste français Louis Massignon. Il s’agit dans un premier temps de revenir sur la réception de l’essai majeur de Said Orientalism (1978), jugé excessivement polémique, afin de souligner les difficultés des lectures à expliquer l’ambivalence des positions idéologiques de l’auteur vis-à-vis de l’orientaliste, positions qui varient entre la critique et l’éloge. Cet examen nous mettra en situation de montrer la nécessité d’une nouvelle approche, supposant la présence d’affinités de pensée entre le critique
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Rivière, Gó́mez Aurora Hernández Sandoica Elena. "Orientalismo y nacionalismo español : estudios árabes y hebreos en la Universidad de Madrid (1843-1868) /." Getafe : Madrid : Madrid : Instituto Antonio de Nebrija de estudios sobre la universidad ; Dykinson, 2000. http://catalogue.bnf.fr/ark:/12148/cb38877086j.

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Chtchetkina-Rocher, Nadia. "La tentation de l'Orient dans la pensée russe : des préfigurations médiévales à la refiguration philosophique de la fin du XIXème et du début du XXème siècle." Bordeaux 3, 2009. http://www.theses.fr/2008BOR30096.

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Sadjedi, Saba Tahmouress. "Etienne-Marc Quatremère un maître français de la renaissance orientale /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37609668t.

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Khosravi, Mojgan. "Shirin Neshat: A Contemporary Orientalist." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/73.

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This thesis analyzes Shirin Neshat’s Women of Allah photographs by exploring key socio-political events that have shaped Iranian history since the reign of Cyrus the Great, ca. 600 B.C. Since Neshat’s photographs have been largely intended for a Western audience, it is important to explore the concept of colonialism that has created East/West polarities and so greatly influenced our modern era. This paper intends to demonstrate that Neshat’s images perpetuate Edward Said’s concept of Orientalism, which allocates the Oriental to an inferior position vis-à-vis his Occidental counterpart. For a W
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9

Montagnon, Sylvie Richard Hélène. "De l'importance et de la valorisation présentes et à venir d'un fonds cartographique dans une bibliothèque de recherche orientaliste trois mois de stage au service conservation-communication de la Bibliothèque des langues orientalistes /." [S.l.] : [s.n.], 2004. http://www.enssib.fr/bibliotheque/documents/dcb/montagnon2.pdf.

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10

Pupulin, Elena <1984&gt. "Il principe Uchtomskij nella "Russia asiatica": un viaggio orientalista?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6488.

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Questa tesi esamina una particolare figura del panorama culturale russo - quella del principe Esper Esperovič Uchtmoskij (1861-1921) - nell’ambito della più generale e dibattuta questione del rapporto tra la Russia e l’Oriente. Vengono osservate, all’interno del dibattito seguito alla pubblicazione di Orientalismo di Edward Said, le posizioni di alcuni accademici esperti in storia e cultura russe riguardo la possibile applicabilità delle categorie saidiane all’impero zarista. Si esamina in seguito una parte del voluminoso diario redatto dal principe Uchtmoskij in occasione del viaggio da egli
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Schnell, Andréa Elizabeth. "Gertrude Bell : an Orientalist in context." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112515.

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This thesis is about the life and work of Gertrude Bell, a British woman born in the late nineteenth century, whose extensive knowledge of Middle East cultures and people won her a job as the Oriental Secretary in Iraq after World War One. Modern historians, including Toby Dodge and Edward Said, consider Bell to be an irredeemable orientalist, one whose work is only ethnocentric and essentialist. Using the work of Billie Melman and Mohja Kahf, my aim is to contextualize Bell's work, and to see if, given the various circumstances in which she worked, a more sympathetic reading is not possible,
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Naimi, Mohammed Nour. "T.E. Lawrence and the Orientalist tradition." Thesis, University of Essex, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293424.

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Polaschegg, Andrea. "Der andere Orientalismus Regeln deutsch-morgenländischer Imagination im 19. Jahrhundert." Berlin New York de Gruyter, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2686034&prov=M&dok_var=1&dok_ext=htm.

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Grimm, Gunter E. "Orientalismus in der Literatur des fin de siècle." Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-09082002-153911/.

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Ellinger, Ekkehard. "Deutsche Orientalistik zur Zeit des Nationalsozialismus 1933-45 /." Edingen-Neckarhausen : deux mondes, 2006. http://catalogue.bnf.fr/ark:/12148/cb41006011q.

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Araujo, Luiz Antônio. "Paisagens obsessivas : o discurso orientalista nas revistas semanais de informação brasileiras." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/76367.

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O presente trabalho analisa os sentidos produzidos pela narrativa jornalística das quatro maiores revistas semanais de informação brasileiras –Veja, Época, IstoÉ e Carta Capital – sobre Oriente, Islã, árabes e muçulmanos. Investiga a forma como o jornalismo de revista é atravessado por dizeres preexistentes, externos ao texto, a respeito do assim chamado Oriente. Tomando a Análise de Discurso de extração francesa(AD) como dispositivo analítico, estuda se e de que forma as revistas semanais de informação produzem e põem em circulação uma mirada orientalista sobre eventos e personagens, conforme
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Arnold, Raphael. "William Jones : ein Orientalist zwischen Kolonialismus und Aufklärung /." Würzburg : Ergon, 2001. http://catalogue.bnf.fr/ark:/12148/cb39995705w.

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Johnson, Maya Ayana. "Harem Fantasies and Music Videos: Contemporary Orientalist Representation." W&M ScholarWorks, 2007. https://scholarworks.wm.edu/etd/1539626527.

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Günther, Erika. "Die Faszination des Fremden : der malerische Orientalismus in Deutschland /." Münster : Lit Verl, 1990. http://catalogue.bnf.fr/ark:/12148/cb355303022.

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Mangold, Sabine. "Eine "weltbürgerliche Wissenschaft" : die deutsche Orientalistik im 19. Jahrhundert /." Stuttgart : F. Steiner, 2004. http://catalogue.bnf.fr/ark:/12148/cb400715534.

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Texte remanié de: Dissertation--Philosophische Fakultät I--Saarbrücken--Universität des Saarlandes, 2003. Titre de soutenance : Die deutsche Orientalistik im 19. Jahrhundert. Ein Beitrag zur Wissenschaftsgeschichte.<br>Bibliogr. p. [302]-326.
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Choudhury, Suchitra. "Textile orientalisms : cashmere and paisley shawls in British literature." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/5201/.

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Britain imported a vast number of cashmere shawls from the Indian subcontinent in the eighteenth and nineteenth centuries. These were largely male garments in India at the time, which became popular dress accessories for British women. The demand for these shawls was opportune for textile manufacturers at home – particularly in Edinburgh, Norwich, and Paisley, who launched a thriving industry of shawls, ‘made in imitation of the Indian’. There has been considerable scholarship on cashmere shawls and their European copies in textile history. However, it has enjoyed no such prominence in literar
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Lubrich, Oliver. "„Egipcios por doquier“ : Alejandro de Humboldt y su visión ‘orientalista’ de América." Universität Potsdam, 2002. http://opus.kobv.de/ubp/volltexte/2009/3483/.

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La „visión orientalista“ de Alejandro de Humboldt es un simple término para designar un modo complejo de percepción y descripción empleado por el científico alemán en su relación de viaje. Humboldt „orientaliza“ a América por medio de numerosas metáforas estereotipadas, de comparaciones científicas y analogías económico-coloniales, y perpetúa a su vez un „Orientalismo“ filológico como el que ha analizado Edward Said. Sin embargo, de manera gradual, la crítica autorreflexiva y una serie de sutiles inversiones erosionan las oposiciones binarias y las construcciones coloniales. El texto de Humbol
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Quinn, Simon. "Orientalists in uniform? : British military encounters and experiences in Egypt, c1798-1801." Thesis, University of York, 2017. http://etheses.whiterose.ac.uk/19875/.

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This thesis examines the experiences of British soldiers and sailors during Britain’s military intervention in Egypt between 1798 and 1801. The operations which took place in these years have been examined in the literature from strategic and geopolitical perspectives, but they have not been appreciated in the context of travel writing or orientalism. This thesis considers whether the British armed forces were contributors to orientalism. Although military personnel were not ordinary travel writers or orientalists, they were undoubtedly influenced by popular travel and orientalist literature.
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Astorino, André Sanchez. "O gótico e o orientalista: uma leitura de Vathek, de William Beckford." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-22122015-100012/.

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Vathek, primeiro romance do escritor inglês William Beckford publicado em 1786, é considerado por muitos uma obra singular. Combinando certos elementos dos chamados romances góticos com uma ambientação oriental, a narrativa coloca diversos problemas a respeito de sua complexa natureza estilística. Muitos estudiosos já tentaram associar a obra a alguma dessas tradições de forma definitiva. Neste trabalho, realizaremos uma nova leitura do romance para, então, confrontarmos nossos achados com a fortuna crítica. O intuito desse procedimento é o de verificar se, diante das questões suscitadas pela
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Chaudhuri, Rosinka. "Orientalist themes and English verse in nineteenth-century India." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:737ba2e1-99f4-4abb-ac87-4e344be4d15c.

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This thesis demonstrates how a specific tradition of English poetry written by Indians in the nineteenth-century borrowed its subject matter from Orientalist research into Indian antiquity, and its style and forms from the English poetic tradition. After an examination of the political, historical and social motivations that resulted in the birth of colonial poetry in India, the poets dealt with comprise Henry Louis Vivian Derozio (1809-31), the first Indian poet writing in English ; Kasiprasad Ghosh (1809-73), the first Bengali Hindu to write English verse; and Michael Madhusudan Dutt (1824-7
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Freye, Andreas [Verfasser]. "Emil Kautzsch (1841–1910) : Alttestamentler und Orientalist / Andreas Freye." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1173658270/34.

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Röhring, Christian. "Orientalismus und Biografie : religiöse Aspekte in Indienbildern deutschsprachiger Einwohner Indiens /." Würzburg : Ergon-Verl, 2008. http://d-nb.info/989476782/04.

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Oliveira, Arilson Silva de. "Hinduísmo e Budismo em Max Weber: uma indologia sem orientalismos." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9748.

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Submitted by Viviane Lima da Cunha (viviane@biblioteca.ufpb.br) on 2018-01-31T12:57:23Z No. of bitstreams: 1 arquivototal.pdf: 2978857 bytes, checksum: b390019002d6aafd5354ca16dc9030be (MD5)<br>Made available in DSpace on 2018-01-31T12:57:23Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2978857 bytes, checksum: b390019002d6aafd5354ca16dc9030be (MD5) Previous issue date: 2016-12-05<br>Those intellectuals in Western modernity who exempted themselves from the Orientalist intellectual vanguard position did so, in part and in fact, once they were deeply involved with Eastern philosophy (especi
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Röhring, Christian. "Orientalismus und Biografie religiöse Aspekte in Indienbildern deutschsprachiger Einwohner Indiens." Würzburg Ergon-Verl, 2006. http://d-nb.info/989476782/04.

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Polaschegg, Andrea. "Der andere Orientalismus : Regeln deutsch-morgenländischer Imagination im 19. Jahrhundert /." Berlin : Walter de Gruyter, 2005. http://www.loc.gov/catdir/toc/fy0608/2005474626.html.

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Jauffret-Derville, Sibylle. "Jean-Michel Venture de Paradis : drogman et orientaliste 1739-1799." Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10195.

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Jean-Michel Venture de Paradis est né à Marseille en 1739. Admis, en 1752, à l'École des Enfants de Langue, créée par Colbert, il apprend le métier de drogman. Outre l'enseignement des discipline classiques qui est dispensé par les jésuites, il y commence l'apprentissage des langues orientales et reçoit une solide formation à l'érudition. Devenu drogman, il passe plus de trente ans de sa vie dans les Échelles du Levant et de Barbarie et sa carrière remarquable lui ouvre les portes de la Bibliothèque du Roy dans laquelle il sera nommé Secrétaire Interprète pour les Langues Orientales, l'acmé de
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Youssef, Ahmed. "L'image de l'Egypte dans l'imaginaire français (1750-1850)." Paris 4, 1993. http://www.theses.fr/1992PA040106.

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Après une introduction sur les études musico-littéraires,la deuxième partie traite l'image de l'Egypte dans la musique et la littérature française dans les oeuvres de Voltaire, de Rameau -Chateaubriand, Berlioz- et Nerval, Félicien David. L'image de l'Egypte dans la mémoire collective française oscille entre l'exotique oriental et la biblique pharaonique. Mais un nouveau élément vient de changer en France : l'engouement des Romantiques pour l'Orient en général et l'Egypte en particulier. Premier résultat,un flux d'écrivains et de musiciens français s'installent au bord du Nil ; Nerval, Flauber
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Berglund, Mirjam. "Orientalistisk islambild? : Bilden av islam i tre religionsläroböcker för grundskolans senare år." Thesis, Stockholm University, Department of Education in Humanities and Social Sciences, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-29598.

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<p>Med utgångspunkt i postkolonial teori är syftet med uppsatsen att undersöka huruvida bilden av islam i tre läroböcker för religionskunskap för grundskolans senare år ger uttryck för orientalism. Uppsatsen söker svar på frågorna: Hur uttrycks en föreställning om ’vi’ och ’dem’ i text och bild? Vilken islambild skapas utifrån detta? I vilken mån är läroböckernas islambild orientalistisk?</p><p>Med en kvalitativ innehållsanalytisk metod undersöks formuleringar och beskrivningar i texterna om islam i Religion och liv 9, SO Direkt Religion och Religion Punkt SO 3. Läroböckernas bilder undersöks
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Kelso-Marsh, Caleb. "It's Chinatown: Orientalist discourse and the city in the noir tradition." Thesis, Kelso-Marsh, Caleb (2015) It's Chinatown: Orientalist discourse and the city in the noir tradition. Honours thesis, Murdoch University, 2015. https://researchrepository.murdoch.edu.au/id/eprint/27071/.

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This thesis provides an analysis of the films Chinatown (1974) and Blade Runner (1982) on the basis of three characteristics. Both films stem from the tradition of film noir. While there is debate over the use of the term as a genre category, it is widely agreed to refer to a specific period of cinema between 1940 and the late 1950s from which these two films draw stylistic inspiration. One way in which this influence is evident is in Chinatown and Blade Runner’s use of cityscape. Both films are set in LA, a city in which the majority of traditional film noirs are also set. It is my argument t
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Dartigues, Laurent. "Les représentations françaises du monde social viêtnamien à travers les textes savants 1860-1940 : essai d'anthropologie historique de la connaissance coloniale du viêtnam." Paris, EHESS, 2001. http://www.theses.fr/2001EHES0039.

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Kirschnick, Sylke. "Tausend und ein Zeichen Else Lasker-Schülers Orient und die Berliner Alltags- und Populärkultur um 1900." Würzburg Königshausen & Neumann, 2004. http://deposit.d-nb.de/cgi-bin/dokserv?id=3028515&prov=M&dok_var=1&dok_ext=htm.

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Canizo, Marcela Silvia. "O extremo Oriente imaginado - Uma introdução ao estudo dos orientalismos no cinema ocidental." Pontifícia Universidade Católica de São Paulo, 2006. http://tede2.pucsp.br/handle/handle/4817.

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Made available in DSpace on 2016-04-26T18:15:46Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-03-30<br>With a curatorship of images, the dissertation studies the representations of the Far East in western cinema, focusing in the examples of the following furos: Tokyo-Ga, eram Wim Wenders (1985), The Pillow Book, eram Peter Greenaway (1994) and Kill Bill, Chapter 1 & 2 eram Quentin Tarantino (2003/2004). Western cinema created image-representations of the Far East following the imagery created bya strong tradition of colonialist texts IDade by westerners, as stereotypes of a discours
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Bryce, Derek. "Turkey and Western subjectivity : Orientalist ontology and the occlusion of Ottoman Europe." Thesis, Glasgow Caledonian University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.518237.

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This thesis takes up what is perceived by the author to be a lacuna in Edward W. Said's (1978) study, Orientalism. It is argued that so over-determined is Said's focus on the political, aesthetic and intellectual Western 'Orientalising' of the Arab-Islamic Middle East and North Africa that specific attention is insufficiently directed to the case of the principal imperial state in the region, the Ottoman Empire and its successor, the Turkish Republic. The study begins by exploring the work of Said's principle theoretical source, Michel Foucault specifically as it pertains to the history of the
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Haber, Peter. "Zwischen jüdischer Tradition und Wissenschaft : der ungarische Orientalist Ignác Goldziher (1850-1921) /." Köln : Böhlau, 2006. http://catalogue.bnf.fr/ark:/12148/cb41016656j.

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Larsson, Emelie. "Orientalisk institution eller institutionaliserad orientalism? : En arkivvetenskaplig studie av Carolina Redivivas orientaliska handskriftssamling." Thesis, Uppsala universitet, Institutionen för ABM, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-253477.

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This thesis aims to shed light on the collection of Oriental manuscripts at the Uppsala University Library Carolina Rediviva and how the collection is a part of the collective memory. The main question which is central for this thesis is: have orientalism and structures of power influenced the acquisition, arrangement and methods of accessability regarding the Oriental manuscripts? If yes, in what way and why? If no, how has this been avoided? The theoretical framework consists of four approaches: phenomenology, sociology of knowledge, orientalism and power which are applied to the archival co
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Hesslind, Hazzel. "Synen på de forna amerikanska högkulturerna i grundskolans läroböcker." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-49989.

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Klafstad, Ragnhild. "Den muslimske fødselsmaskinen, en orientalistisk myte? : en undersøkelse av befolkningspolitikken i to islamske land /." Oslo : Institutt for kulturstudier og orientalske språk, Universitetet i Oslo, 2007. http://www.duo.uio.no/publ/IKOS/2007/62689/Klafstadxreligionshistorie.pdf.

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Fischer, Andreas. "Vom Konflikt zur Begegnung? : Studien zu Islambildern im pädagogischen Jahrhundert Deutschlands." Marburg Tectum-Verl, 2009. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=018686403&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.

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Fischer, Andreas. "Vom Konflikt zur Begegnung? Studien zu Islambildern im pädagogischen Jahrhundert Deutschlands." Marburg Tectum-Verl, 2008. http://d-nb.info/994677308/04.

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Tammita-Delgoda, Asoka SinhaRaja. "'Nabob, historian and orientalist' : the life and writings of Robert Orme (1728-1801)." Thesis, King's College London (University of London), 1991. https://kclpure.kcl.ac.uk/portal/en/theses/nabob-historian-and-orientalist--the-life-and-writings-of-robert-orme-17281801(1b07b46e-f262-4424-b139-d268b416f66a).html.

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46

Tobias, Vinicius. "Os yoguins do séc. XXI: o aprendiz orientalista pós-tradicional na música de BNegão e Walter Franco." Universidade Federal de Juiz de Fora (UFJF), 2018. https://repositorio.ufjf.br/jspui/handle/ufjf/7208.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-08-15T11:26:54Z No. of bitstreams: 1 viniciustobias.pdf: 1920539 bytes, checksum: bb7eb3e6df173c3a603967fa2fb739c4 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-09-03T16:33:02Z (GMT) No. of bitstreams: 1 viniciustobias.pdf: 1920539 bytes, checksum: bb7eb3e6df173c3a603967fa2fb739c4 (MD5)<br>Made available in DSpace on 2018-09-03T16:33:02Z (GMT). No. of bitstreams: 1 viniciustobias.pdf: 1920539 bytes, checksum: bb7eb3e6df173c3a603967fa2fb739c4 (MD5) Previous issue date: 2018-02-23<br
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Lazarus, Jens. "Nicht-lateinische Schriften." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-66185.

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Die Universitätsbibliothek Leipzig hat sich entschlossen, die bislang mit verschiedenen Systemen realisierten und nur lokal zugänglichen Spezialkataloge für Japanologie, Arabistik, Indologie und Sinologie abzubrechen und Neuerwerbungen sowie retrospektive Aufnahmen im Verbundkatalog des Südwestdeutschen Bibliotheksverbundes (SWB) und im OPAC nachzuweisen. Außerdem wurde im SWB damit begonnen, zusätzlich die Originalschriften im Katalogisat aufzunehmen.
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Tali, Faiza [Verfasser]. "Réécriture de la peinture orientaliste dans la trilogie "Sherazade" de Leila Sebbar / Faiza Tali." München : GRIN Verlag, 2019. http://d-nb.info/1199192708/34.

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Farhoud-Jraissati, Lily. "L'espace et l'autre : la peinture orientaliste française et anglaise du XIXème siècle : analyse critique." Paris 1, 1987. http://www.theses.fr/1987PA010508.

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L'orientalisme, en tant que mouvement historique dans la littérature et les textes scientifiques a atteint sa formulation la plus cohérente au 19eme. Siècle en Europe. Issue de ce précédent narratif la peinture orientaliste fait de l'orient le seul objet de sa représentation. Débutant avec la campagne de Napoléon en Egypte en 1798, elle se constitue en mouvement indépendant à l'intérieur des courants artistiques. L'analyse est centrée sur la peinture à l'huile. Le choix de 199 tableaux comprend l'œuvre de 71 peintres français et anglais. L'épanouissement de cette peinture est parallèle au déve
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Maury, Gilles. "Le château Vaissier, 1892-1929 : archéologies de la demeure orientaliste d'un savonnier de Roubaix." Versailles-St Quentin en Yvelines, 2009. http://www.theses.fr/2009VERS002S.

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Le château du savonnier Victor Vaissier (1851-1923) fut édifié en 1892 au coeur d'une métropole lilloise en pleine expansion économique. Surnommé "palais du Congo" la demeure évoquait pourtant le Taj-Mahal et multipliait les références indiennes avec un luxe inégalé dans la région. L'architecte roubaisien Edouard Dupire-Rozan (1842-1901) sut concrétiser les désirs singuliers d'un client dont les idées commerciales avancées avaient assuré la célébrité. Démoli en 1929, le château reste associé aux souvenirs laissés par Victor Vaissier et exerce toujours une fascination tangible, mais l'absence t
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