Academic literature on the topic 'Orientation of byzantine churches'

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Journal articles on the topic "Orientation of byzantine churches"

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Etinhof, Olga E. "ON THE QUESTION OF CLASSICAL THEMES IN THE ART OF PRE-MONGOL RUSSIA." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2021): 152–83. http://dx.doi.org/10.28995/2686-7249-2021-1-152-183.

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A narrow range of Byzantine texts, primarily chronographic ones, containing classical themes and images, were translated in Russia starting from the 11th century.These texts became the literary basis of secular and ecclesiastic art. Several iconographic motifs from mythological stories and the “Ascension of Alexander the Great” entered the art of pre-Mongol Russian. Byzantium was the main source of the antique elements in Old Russian culture. Some motifs were also adopted in Old Russia from Romanesque art, through close contact with Western Europe. The tradition of using ancient subjects for t
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Чудинова, И. А. "Auditory Gesture in the Liturgical Space of the Temple." OPERA MUSICOLOGICA, no. 2023 (May 11, 2023): 196–219. http://dx.doi.org/10.26156/om.2023.15.2.009.

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На основании важнейших положений византийского богословия и данных византийских и славянских церковных Типиконов рассматривается принцип соотношения аудиальной жестовости и литургической топики храма. Приводятся свидетельства греческой и славянской литургической письменности, подтверждающие особую значимость для православной традиции связи произносимого литургического слова с аудиальным пространством храма. Принципиально важны расположение источника звука и место его слухового восприятия — место стояния и перемещения молящихся, возглашающих и поющих, так же как и тех идиофонов, которые употреб
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Stadnyk, Mykola. "Ethnomental dimensions of the education process in Eastern Christianity." Skhid 7, no. 1 (2025): 59–64. https://doi.org/10.21847/2411-3093.2025.718.

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The article explores the ethnomental dimensions of the educational process within Eastern Christianity. It examines the historical context of the issue by substantiating the factors influencing the formation of ethnomental characteristics among different nations and highlights the role of education in preserving and transmitting the cultural traditions and values of Eastern Christianity. The study analyzes the perspectives of prominent scholars of religion regarding the role of religious and theological education in contemporary educational practices and the broader cultural landscape of the U
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Datsiuk, Natalia. "TRADITION AND MODERNISM IN THE SACRED ART OF IGOR ZILINKO." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 140–48. http://dx.doi.org/10.25128/2411-3271.19.2.19.

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The article explores the directions of contemporary Ukrainian sacral art in the work of the painter I. Zilinkо, his contribution to the development of sacred art of the temples of Ternopil region. The main directions of stylistic orientation in the formation of modern sacral art, the evolution of paintings from realistic tendencies of Ukrainian sacral painting of the seventeenth century to experiments with stylization of iconic figures in search of greater spirituality of the face, the introduction of our own modern iconography, based on tradition. The article explores the directions of contem
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Shukurov, Rustam. "Byzantine Persians and “Persian” Churches in Byzantium." ISTORIYA 15, no. 8 (142) (2024): 0. https://doi.org/10.18254/s207987840031724-5.

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The article focuses on the underestimated presence of Persians in Byzantine culture after the Muslim conquests of the seventh century, challenging the prevailing scholarly narrative on Byzantine-Eastern relations. By analyzing Byzantine perceptions of ancient Persians and contemporary Persian-Muslim culture, the author identifies the role of Persian motifs in Byzantine religious thought and reconstructs the memory of Persian martyrs in church tradition. The author discusses the existence of churches in Byzantium dedicated to Persian martyrs, where their relics were preserved. Analysis of poeti
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Шлёнов, Дионисий. "The Mother Church in the Byzantine and Post-Byzantine Tradition." Theological Herald, no. 4(51) (December 15, 2023): 147–84. http://dx.doi.org/10.31802/gb.2023.51.4.008.

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В настоящее время в семье Поместных Православных Церквей всё более и более усугубляется болезненное разделение между двумя группами Церквей: теми Церквами, которые поддерживают Константинопольский Патриархат и «привилегии» его главы, как будто бы первенствующего на Востоке и во всемирном Православии иерарха, и теми, которые не принимают такое первенство Константинополя, а именно Русской Православной Церковью и рядом других Поместных Церквей, придерживающихся соборной экклесиологии. Однако, несмотря на иллюзию поиска Константинополем царского пути, правда — в экклесиологии, исключающей земное п
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Tatbul, Mustafa Nuri, and Deniz Burcu Erciyas. "The Potential of Quantified Surface Data in Understanding the Rural Landscapes of Middle Byzantine Komana." Journal of Eastern Mediterranean Archaeology and Heritage Studies 11, no. 1 (2023): 21–44. http://dx.doi.org/10.5325/jeasmedarcherstu.11.1.0021.

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ABSTRACT The Middle Byzantine period in Anatolia is considered a recovery period after two centuries of instability at the end of the Early Byzantine period. From the late ninth through the twelfth centuries, building small churches became a trend as rural settlements and monastic communities expanded across the countryside. During extensive surveys at Komana, near Tokat in Turkey, a number of churches were identified in rural contexts through scattered architectural fragments, especially brickwork typical of the Middle Byzantine period. These sites were later revisited for intensive collectio
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ΜΕΣΣΗΣ, Βασίλειος Δ. "Μεταβυζαντινοί σύνθετοι και ημισύνθετοι τετρακιόνιοι σταυροειδείς εγγεγραμμένοι ναοί της Πελοποννήσου". BYZANTINA SYMMEIKTA 24, № 1 (2015): 177. http://dx.doi.org/10.12681/byzsym.1136.

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<p><span style="line-height: 150%; font-family: Calibri; font-size: 11pt;"><span style="color: black;">Complex and semi-complex cross in-square four columned post Byzantine churches in Peloponnese, Greece</span></span></p><p>Post Byzantine churches in Peloponnese that belong to the two variations of the four columned cross in-square type, the complex and the semi-complex, differ from each other but at the same time share much in common. They can also be classified in groups. Ιn general terms, the application of the type in post Byzantine Peloponnese ex
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Bikai, Patricia Maynor. "The Churches of Byzantine Petra." Near Eastern Archaeology 65, no. 4 (2002): 271–76. http://dx.doi.org/10.2307/3210859.

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Линькова, Ксения Владимировна. "Византийский стиль в русской архитектуре второй половины XIX века: специфика военных храмов". Actual Problems of Theory and History of Art 14 (11 жовтня 2024): 454–65. https://doi.org/10.18688/aa2414-6-35.

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The architecture of the so-called “national” styles of the second half of the 19th century was one of the most powerful means of spreading the national myth: church construction in the 19th century remained largely in the hands of the state, and churches were built not only in the historically Orthodox central regions of the empire, but also on its outskirts, where they asserted imperial domination and promoted Orthodoxy in the non-Christian territories of the empire. A significant role in this process was played by military churches, as they were the most closely aligned with the official sta
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Dissertations / Theses on the topic "Orientation of byzantine churches"

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Ruggieri, Vincenzo. "Byzantine architecture (A.D. 582-867) : churches and monasteries." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328006.

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Nesbitt, Claire. "Space, light and experience in middle Byzantine Churches'." Thesis, University of Newcastle Upon Tyne, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437560.

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Teteriatnikov, Natalia. "The liturgical planning of Byzantine churches in Cappadocia." Roma : Pontificio Istituto Orientale, 1996. http://books.google.com/books?id=W1xhAAAAMAAJ.

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Papacostas, Tassos C. "Byzantine Cyprus : the testimony of its churches, 650-1200." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323895.

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Goldfus, Haim. "Tombs and burials in churches and monasteries of Byzantine Palestine (324-628 A.D.)." Full text available, 1997. http://images.lib.monash.edu.au/ts/theses/goldfus.pdf.

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Brashier, Rachel Nicole. "Voice of Women in Byzantine Music Within the Greek Orthodox Churches in America." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/834.

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Byzantine chant, the music of the Greek Orthodox Churches in America, embeds meanings and functions as a methodological tool which constructs and teaches about the role of women within church communities. This thesis explores how as cultural group identity, belongingness, and gender identity are semiotically iconized, purified, and recursively transmitted through the liturgical music of the church, specifically hymns about women saints and The Akathist Hymn to the Mother of God. This work is a culmination of twelve years of ethnomusicological fieldwork conducted by the author in Midwestern Gre
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Karachaliou, Ermioni. "The architectural and iconographic identity of Paliochora on Aegina : an introduction to its Late and Post Byzantine churches." Thesis, University of Manchester, 2012. https://www.research.manchester.ac.uk/portal/en/theses/the-architectural-and-iconographic-identity-of-paliochora-on-aegina-an-introduction-to-its-late-and-post-byzantine-churches(4d5fdfec-712e-4b7b-a875-b74404fba8cc).html.

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How can we approach the surviving evidence on Paliochora in order for it to become a site of cultural consciousness in a wider medieval context? Its architectural and iconographic identity is hidden in its thirty-four Late and Post Byzantine churches. This thesis constitutes the first complete interdisciplinary approach to this settlement accompanied by a detailed appendix in the second volume. The two parts of this study examine Paliochora through different perspectives which reveal different aspects of its character. Urban planning and individual architectural specificities are examined thro
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Ari, Meltem. "The Inscribed-cross Churches In Goreme." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605118/index.pdf.

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This thesis reviews the general characteristics of rock-cut churches with an inscribed-cross plan in G&ouml<br>reme. These churches, namely Chapel 17, St. Barbara, &Ccedil<br>arikli, Karanlik, Elmali, Chapel 25, Chapel 32, Kili&ccedil<br>lar, Bezirhane and Yusuf Ko&ccedil<br>, date from the ninth to the eleventh century of the Middle Byzantine period. Firstly, this study aims to identify the general features of these churches. It also attempts to examine their liturgical planning. While doing so, architectural developments in the insribed-cross churches in Byzantine Istanbul will also be used
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McVey, Mollie Elizabeth. "Beyond the Walls: The Easter Processional on the Exterior Frescos of Moldavian Monastery Churches." BYU ScholarsArchive, 2009. https://scholarsarchive.byu.edu/etd/1822.

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During the sixteenth century, the princes of Moldavia, a region of modern Romania, built many churches and monasteries. These churches followed the typical Byzantine style by placing detailed frescos on the interior walls, but some of the Moldavian churches took that tradition even further and expanded the frescos to the façade. This thesis argues that these exterior images were used to enhance the Easter processionals that occurred around the churches. While most scholars explain this phenomenon as propaganda or a cry for help against the Ottoman Empire, a new interpretation is offered here.
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Molla, Nevila. "The Despotate of Epirus: the Archaeology of a Late Byzantine State." Doctoral thesis, Università di Siena, 2019. http://hdl.handle.net/11365/1075416.

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This thesis is an attempt at a first comprehensive study of the archaeology of the entire region of medieval Epirus, i.e., including areas on either side of the Albanian-Greek border. The period under investigation is the thirteenth century Despotate rule, a time of fragmentation and decentralisation in the history of the Byzantine Empire, following the capture of Byzantium’s capital, Constantinople, by the Latin crusaders in 1204. Against this historical panorama, the study aims to contribute to our understanding of the socio-cultural developments that characterized the region under autonomou
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Books on the topic "Orientation of byzantine churches"

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Andrija, Jakovljević, and Kleidt Brigitte 1959-, eds. Cyprus: Byzantine churches and monasteries, mosaics, and frescoes. Melina, 1998.

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Stephen, Hill. The early Byzantine churches of Cilicia and Isauria. Variorum, 1996.

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Chatzēdakēs, Manolēs. Mystras: The medieval city and the castle : a complete guide to the churches, palaces, and the castle. Ekdotike Athenon, 1985.

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Cavarnos, Constantine. Byzantine churches of Thessaloniki: An illustrated account of the architecture and iconographic decoraton of seven Byzantine churches of Thessaloniki, together with important historical data. Institute for Byzantine and Modern Greek Studies, 1995.

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Predrag, Gavrilović, ed. Conservation and seismic strengthening of Byzantine churches in Macedonia. Getty Conservation Institute, 2004.

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Stylianou, Andreas. The painted churches of Cyprus: Treasures of Byzantine art. 2nd ed. A. G. Leventis Foundation, 1997.

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J, Stylianou, and A. G. Leventis Foundation, eds. The painted churches of Cyprus: Treasures of Byzantine art. Trigraph for the A.G. Leventis Foundation, 1985.

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Uysun, Mustafa. Göreme churches' iconography: Göreme Open Air Museum churches. Mustafa Uysun Publication, 2017.

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James, Porter. An approach to new member orientation in the National Baptist Church U.S.A. Brentwood Christian Press, 1988.

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Timkovič, Jozafát V. Dejiny gréckokatolíkov Podkarpatska: 9.-18. storočie. [s.n.], 2004.

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Book chapters on the topic "Orientation of byzantine churches"

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McCluskey, Stephen C. "Orientation of Christian Churches." In Handbook of Archaeoastronomy and Ethnoastronomy. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-6141-8_173.

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Hoare, Peter G. "Orientation of English Medieval Parish Churches." In Handbook of Archaeoastronomy and Ethnoastronomy. Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-6141-8_174.

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Samaha, John M. "THE MELKITE CATHOLIC AND ORTHODOX CHURCHES ARE BYZANTINE." In The Harp (Volume 24), edited by Baby Varghese, Rev Jacob Thekeparampil, and Abraham Kalakudi. Gorgias Press, 2011. http://dx.doi.org/10.31826/9781463233136-005.

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de los Ángeles Utrero Agudo, María. "13. Movable Churches, or How Byzantium Influenced Hispania. An Archaeological Reflection on a Current Debate." In Perspectives on Byzantine Archaeology. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.amw-eb.5.130681.

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U, Maréva. "Experiencing the Portico Spaces of Middle and Late Byzantine Monastic Churches." In New Approaches to Byzantine History and Culture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-68869-0_5.

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Buchwald, Hans. "The Geometry of Middle Byzantine Churches and Some Possible Implications." In Form, Style and Meaning in Byzantine Church Architecture. Routledge, 2024. https://doi.org/10.4324/9781003557272-11.

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Brusanowski, Paul. "The Judicial and Canonical Situation of the Romanian Byzantine Catholics in Hungary Around 1900." In Stolen Churches or Bridges to Orthodoxy? Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-55442-2_7.

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Diebner, Bernd J., Ingrid Hjelm, Niels Peter Lemche, Ingrid Hjelm, and Jim West. "The Orientation of Jerusalem's Temple and the ‘Sacred Orientation’ of Early Christian Churches 1." In Failed Methods and Ideology in Canonical Interpretation of Biblical Texts. Routledge, 2023. http://dx.doi.org/10.4324/9781003440321-11.

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Pallis, Giorgos. "Texts and Their Audiences: some Thoughts on the addressees of Inscriptions in Middle Byzantine Churches in Greece." In Studies in Byzantine Epigraphy 1. Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.sbe-eb.5.131804.

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Prioteasa, Elena-Dana. "Medieval Wall Paintings in Transylvanian Orthodox Churches." In The Routledge Handbook of Byzantine Visual Culture in the Danube Regions, 1300-1600. Routledge, 2024. http://dx.doi.org/10.4324/9781003121480-15.

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Conference papers on the topic "Orientation of byzantine churches"

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Potamianos, Iakovos, and Wassim Jabi. "Interactive Parametric Design and the Role of Light in Byzantine Churches." In eCAADe 2006: Communicating Space(s). eCAADe, 2006. http://dx.doi.org/10.52842/conf.ecaade.2006.798.

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Grujoska-Kuneska, Jasna. "ASSESSMENT OF THE PHYSICAL CONDITION OF BYZANTINE CHURCHES IN NORTH MACEDONIA." In 3rd Croatian Conference on Earthquake Engineering. University of Zagreb Faculty of Civil Engineering, 2025. https://doi.org/10.5592/co/3crocee.2025.71.

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The Byzantine civilization is one of the longest-lived cultures, well known by the large number of religious buildings, which today represent part of the world cultural heritage. Byzantine churches are great part of North Macedonia’s tangible heritage, as one of the most valuable and numerous medieval monuments, with exceptional architectural and artistic values. Several characteristic concepts are present: basilica, conch, cross in square and smaller single-nave buildings. During their existence these buildings are exposed to diverse impacts including earthquakes, so despite the visually good
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SOTIROPOULOU, A., G. CAMBOURAKIS, A. PANOS, I. KARAGIANNIS, G. VLACHOS, and T. SERVETAS. "SUBJECTIVE ACOUSTIC EVALUATION OF BYZANTINE CHANT IN ORTHODOX CHURCHES OF MODERN GREEK PERIOD." In Auditorium Acoustics 2015. Institute of Acoustics, 2023. http://dx.doi.org/10.25144/16120.

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Fousteris, Georgios. "CREATIVITY AND ORIGINALITY IN ICONOGRAPHIC PROGRAMS OF THE EARLY PALEOLOGAN PERIOD." In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.609f.

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The design of the iconographic program was not a typically repeated process for the decoration of a church, but it was a challenge for Byzantine painters, mason masters, and donors. Although the thematic content of the basic cycles was predetermined, alternative arrangements in the architectural space attempted to highlight specific theological con- cepts. Thus, the pictorial narrative, without losing its historical character, acquired an additional doctrinal dimension. In this article we select examples of original solutions in frescoed churches of the 14th century that reflect the spiritual
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LAMBRINOS, NIKOS, and Efthimios-Spyridon Georgiou. "YEDI KULE - MONUMENT ROAD RACE: THE CONSTRUCTION OF THE 3D MAPPING ANIMATION OF THE OLD CITY OF THESSALONIKI, GREECE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12046.

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This project refers to the construction of a 3D map of Thessaloniki’s historical route. The Yedi Kule Conquest – Monument Road Race took place in the old city of Thessaloniki, which was built during the Byzantine and Ottoman period. The purpose of this project is the digital recording of the castles, the monuments, the old churches, the traditional buildings, and the squares which are prime examples of the architectural beauty of the place. The methodology of the project is based on the online software Google Earth Studio and Adobe Premiere Pro. These are the tools of digitization, rendering,
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Zenuch, Peter. "ON THE LITURGICAL LANGUAGE AND CULTURAL IDENTITY OF THE BYZANTINE-SLAVIC CHURCH IN THE HANDWRITTEN EDUCATIONAL MANUALS, IN THE 18TH CENTURY, UNDER THE CARPATHIAN MOUNTAINS." In THE PATH OF CYRIL AND METHODIUS – SPATIAL AND CULTURAL HISTORICAL DIMENSIONS. Cyrillo-Methodian Research Centre – Bulgarian Academy of Sciences, 2023. http://dx.doi.org/10.59076/2815-3855.2023.33.18.

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The Educational manuals, which were fully applied in the 18th and 19th centuries, were a substantial part of the educational and cultural formation of a man. They provided simplified answers to various religious questions, questions concerning biblical and ecclesiastical history, or even Christian morality. They also taught about the origin of church holidays, ceremonies and the origin of liturgical languages used in individual local churches. These interpretations have been contained in various educational or interpretative manuals and manuscript collections. The structure of these handbooks
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Manos, G. C., L. Kotoulas, and V. Matsou. "Numerical investigation of the influence of earthquake forces and foundation settlement on the performance of Post-Byzantine churches." In STREMAH 2013. WIT Press, 2013. http://dx.doi.org/10.2495/str130271.

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Rodriguez Suarez, Alex. "THE RELIGIOUS SOUNDSCAPE OF THE EARLY PALAEOLOGAN AGE: WHAT WAS IT REALLY LIKE?" In Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.397rs.

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This article discusses a significant element of the religious sound- scape of the Orthodox communities in the Balkans, the call to mass. The period between the Byzantine reconquest of Constantinople (1261) and the death of the Serbian King Milutin (1282–1321) witnessed the expansion of bell ringing in churches and monasteries while the semantron, the tradition- al instrument of the Byzantine Church, continued to be employed. Hence, the first decades of the Palaeologan age were crucial for the formation of a new religious soundscape that included the sounds of both church bells and semantra, th
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Manos, G. C., and N. Karamitsios. "Earthquake numerical simulation of the dynamic and earthquake behaviour of Greek Post-Byzantine churches with and without base isolation." In STREMAH 2011. WIT Press, 2011. http://dx.doi.org/10.2495/str110591.

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CHIRCEV, Elena. "Reflection of the Other in the Byzantinologist Gheorghe C. Ionescu’s Lexicographic Pursuits." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0002.

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Teacher, conductor, Byzantine musicologist, Gheorghe C. Ionescu (1920- 1999) devoted the last years of his life to researching the history of Romanian Byzantine music and published in specialized journals several comprehensive papers that address various topics and bring back in focus personalities of the past. Due to his solid musical and theological training, guided by prestigious teachers from the interwar period, the distinguished musician had a rich artistic and cultural contribution to the second half of the previous century. The change of the political regime in Romania allowed him to r
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