Relevant bibliographies by topics / Persian Poets

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Persian Poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Persian Poets"

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Farhad Ahmad and Dr.Gohar Noshahi. "Ahmed Shamlo: Introductory Study." Dareecha-e-Tahqeeq 2, no. 1 (2022): 1–11. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i1.12.

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Persian literature is very rich literature of the world. Persian poets introduced a special identification in the world. Ahmed Shamlo one of the v renowned poet in persia. He bears a significant position in modern Persian poets. He is especially known due to his restive writing style in Persian poetry . This is an initial and interdictory essay pertaining to Ahmed Shamlo
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Arabi, Assist Prof Dr Moosa, and Mohadeseh Moflehi. "The reflection of objection and comparative deliberation of it in poems of Ebneroomi and Khayame neishaboori." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (2018): 283–98. http://dx.doi.org/10.36473/ujhss.v225i1.122.

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Projection is a theory in psychology in which humans defend themselves against their own unconscious impulses or qualities.(both positive and negative)by denying their existence in themselves while attributing them to others.I the area(arena)of persian litrature, the use of objection in poems have been completely obvious.Alot of grandee (sage) like Naser khosro,Sadi, Hafez, Khajoo kermani and Khayam neishaboori and many other great poets of persian litrature used the effects of projection in their poems and this is not a new issue in the area of persian literature and art.The use of projection
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Erkinov, Aftondil, and Abdumalik Qurbonov. "ALISHER NAVOI AND OTTOMAN TURKISH POETS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 82–91. http://dx.doi.org/10.26739/2181-1490-2021-1-9.

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In the dynasty of the Ottoman sultans (1299–1922), there was a great interest in the personality and heritage of the poet Alisher Navai (1441-1501). This interest, which arose during the poet’s lifetime, still exists today. The article highlights the imitation and follow-up of Ottoman poets to Navai’s poems. We are talking about the influence of Uzbek classical literature and especially the heritage of the Navai on the literature of the Ottoman dynasty. Ottoman poets imitated Nawai’s Hamsa poems and, as a result, created their own versions of the Nawai poems. They wrote poetry in Ottoman and P
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Gorshkov, Andrey. "Persian theme in Plutarch’s works based on the episode from the treatise “On Isis and Osiris”." Litera, no. 8 (August 2021): 63–69. http://dx.doi.org/10.25136/2409-8698.2021.8.36326.

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The object of this research is the cultural ties between Greeks and Persians, while the subject is the image of Persia and Persian in Plutarch's treatise “On Isis and Osiris”. The author carefully examines such aspects of the topic as the problem of barbarism, Zoroastrianism as the foundation of Persian worldview, Persians from the perspective of Plutarch, description of Persian religious rites and traditions. Special attention is turned to the problems of borrowing Persian words into the Ancient Greek language (Avestan lexemes are being modified in the Ancient Persian lang
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Rashid, Md Mumit Al, and Tanjina Binte Nur. "Persistent Women Poets of Iran: Their Growth Through Hardships." Social Science Review 38, no. 1 (2022): 93–108. http://dx.doi.org/10.3329/ssr.v38i1.56526.

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Poetry has always been the noteworthy face of Iran's cultural identity. Persian poets and their poems have reconstructed and revolutionized both the Eastern and Western literary world. Sadly, in a male-dominated Iranian society, female literary talents had been sidelined throughout centuries. Still, there were some iconic female poets who have blended their poetical talents with very powerful mental strength to cut off all the societal limitations, taboos and prohibitions and had left their marks on Persian literature's history forever. But to attain that, they had to come across a long way. A
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Kamaladdini, Seied Mohammad Bagher. "Abai and Firdowsi." International Letters of Social and Humanistic Sciences 51 (May 2015): 147–51. http://dx.doi.org/10.18052/www.scipress.com/ilshs.51.147.

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Abay Qunanbaev (Qunanbaiuli) was the founder and architect of Kazakh written literature. Since his childhood, he studied religious science and got acquainted with eastern literature, particularly Iranian classic literature and Persian poetry and poets such as Ferdowsi, Hafiz, Sa’adi, Molavi, Nezami and etc.Abay read epic poetry and odes from the great eastern poets on their original texts or Jugatay (old language of central Asia) translations and first raised prosody derived from Persian poetry in Kazakh poetry and this way many Persian vocabulary entered Kazakh language.Using a bibliographic
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Saleh, Muhammad. "دراسة مدى تأثر الشاعر اقبال لاهوري بأفكار الشعراء والصوفيين الايرانيين". Kufa Journal of Arts 1, № 60 (2024): 392–411. http://dx.doi.org/10.36317/kja/2024/v1.i60.16081.

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There is no doubt that Llama Muhammad Iqbal Lahori is one of the greatest bilingual poets in the Indian and Pakistani subcontinents, and Persian poetry and literature had a great influence on the development of his personality and creativity. As a result of his education in Persian poetry and literature, and his upbringing in the school of great poets such as Al-Firdosi, Wasnai, Wahafiz, and Malay, etc., Iqbal Man was able to compose beautiful songs in the form of masnavis, ghazals, and quatrains, which reflect the poet's thoughts and intellectual perceptions. Of course, Rumi had a great contr
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Shahnavazi, Behnaz, and Habib Jadidoleslami. "A COMPARATIVE AND ANAIYTIC COMPARISON OF THE VARIOUS IMAGES OF MOON AND THE SUN BASED ON ANCIENT ASTRONOMY IN NASER KHOSRO, ANVARI AND NEZAMI'S POEMS." Malaysian Journal of Languages and Linguistics (MJLL) 7, no. 1 (2018): 40–50. http://dx.doi.org/10.24200/mjll.vol7iss1pp40-50.

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Sky and celestial phenomena has long been caused men's surprise, and has couraged humans to unravel the mysteries and secrets of the beauties hidden in it. The vast expanse of sky, incredible beauty of the stars, the glow of the moon, sunrise and sunset, all these things gradually increased the sense of interest and curiosity in mankind so that its manifestation can be seen in many artistic works. Among numerous astronomical elements, the sun moon is one of the planets which have had a beautiful reflection in poetry. Among the poets who had a special look at the moon, we can name three great P
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Davis, Dick. "To the Persian Poets." Hudson Review 53, no. 4 (2001): 598. http://dx.doi.org/10.2307/3852621.

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Armani, David, and Louise Gormley. "Persian Love Poetry." American Journal of Islam and Society 25, no. 1 (2008): 136–38. http://dx.doi.org/10.35632/ajis.v25i1.1503.

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This little book is a beguiling collection of Persian love poems drawn fromboth classical and modern poetry, but united by the theme of love in its myriadinterpretations. Included are poems that explore the spiritual lovebetween humans and God, the magical love between lovers or spouses, theaffectionate love between family members and between friends, and eventhe patriotic love for one’s homeland. Each poem is accompanied with a preciousPersian chef d’oeuvre from the British Museum and, in particular, numerous illustrations of Persian miniatures. The editors come to this subjectwith vast exper
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Dissertations / Theses on the topic "Persian Poets"

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Abu, Talib Safa M. "An analysis of Qur'anic themes in five Persian poets of the 5th/11th-6th/12th centuries, with comparative reference to Arabic 'Abbasid poetry." Thesis, SOAS, University of London, 1988. http://eprints.soas.ac.uk/29310/.

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The present thesis analyses the extensive utilisation of Qur'anic materials by Unsuri, Farrukhi, Manuchehri, Abu 'l-Faraj-i Runi and Anvari, and seeks to determine the degree to which it may be seen as a particular thematic development within Persian poetry-rather than as part of a literary tradition developed from Arabic models. The introduction is followed by a comprehensive statistical survey of Qur'anic references in the. Persian poets, with, for comparison, a similar survey covering the work of five Arab poets: Abu Nuwas, Abu al-cAtahiya, Abu Tammam, al-Buhturi and al-Mutanabbi. Each of t
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Shakoori, Saeideh. "Les résonnances rimbaldiennes dans la poésie objective et élémentaire de Nîmâ Youchîdj." Thesis, Rennes 2, 2016. http://www.theses.fr/2016REN20051/document.

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Nîmâ Youchîdj, père de la poésie nouvelle en Iran, bénéficie d’apports culturels multiples dans le domaine de lalittérature persane et mondiale. Parmi les facteurs fondamentaux dans la réussite de ce poète novateur, la connaissancede la langue et de la littérature française apparaissent primordiales. C’est à l’école Saint-Louis que le poète s’initie à lalangue française, et que naît alors une véritable passion pour la littérature française, ses écrits en sont un témoignagefidèle. La maîtrise de cette langue lui ouvre de nouvelles perspectives littéraires. Il fréquente avec assiduité les ouvrag
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Martens, Britta. "A poet's self-observation : Robert Browning's poems in propria persona." Thesis, University College London (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268826.

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Van, Ruymbeke Christine. "Recherche sur les connaissances scientifiques dans la poésie persane classique: une étude des arbres et des fruits dans la Khamsa de Nezâmî Ganjavî." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212177.

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Shadchehr, Farah Fatima Golparvaran. "'Abd al-Rahman Jami: Naqshbandi Sufi, Persian Poet." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1217869380.

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Ladds, Bryan. "Persians, Ports, and Pepper: The Red Sea Trade in Late Antiquity." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32863.

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There has been an increased interest in Romeʼs connections with the Far East over the course of the last 20 years. This has resulted in the publication of many articles and monographs about the Roman involvement in the Red Sea which was the key maritime region linking the Far East with the West. This thesis synthesizes the recent scholarship on the Red Sea trade in Late Antiquity by merging all of the most up to date information into a concise narrative. In order to accomplish this, three major sources of information have been analyzed. Firstly, the historical time frame of all of the major re
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Del, Vecchio Rosa Maria. "“Into that material nihility”: Poe’s criminal persona as God-peer." Case Western Reserve University School of Graduate Studies / OhioLINK, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=case1056741444.

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PELLO', Stefano. "Poeti hindu e circoli intellettuali persiani tra Delhi e Lucknow (1680-1856): un caso di interazione letteraria." Doctoral thesis, Roma : Università La Sapienza, 2006. http://hdl.handle.net/10278/17467.

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Knee, Anne L. "Taking everything in : poetic persona and poetic voice in the poems of Derek Walcott /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487951595503662.

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Berg, Gabrielle Rachelle van den. "Minstrel poetry from the Pamir mountains : a study on the songs and poems of the Ismâí̂lîs of Tajik Badakhshan /." [S.l.] : [s.n.], 1997. http://catalogue.bnf.fr/ark:/12148/cb37091706f.

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Books on the topic "Persian Poets"

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Tājdīnī, Muḥammad Riz̤ā. Āyinah-ʾi Ḥāfiẓ va Ḥāfiẓ āyinah. Shirkat-i Intishārātī-i Pāzhang, 1989.

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Murtaz̤áʹpūr, Akbar. Sharḥ-i ḥāl-i shāʻirān-i Īrān. ʻAṭṭār, 1996.

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Tafhīmī, Sājid Allāh. Shuʻārā-yi Iṣfahānī-i shibh-i qārrah. Markaz-i Taḥqīqāt-i Fārsī-i Īrān va Pākistān, 1994.

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Mihr, ʻAbd al-Ghanī Barzīn. Mutūn-i naẓm-i taʻlīmī. Dānish Kitābkhānah, 1998.

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Fatḥī, Kāẓim. Gulchī nī az gulshan-i rizvān. Nashr-i Ātīyah, 2000.

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Khayrī, Maḥmūd. Farhang-i sukhanvarān va sarāyandagān-i Qazvīn: Taz̲kirah-i shuʻarā-yi Qazvīn. Intishārāt-i Ṭaḥáh, 1991.

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Ikhlāṣ, Kishan Chand. Hamīshah bahār: Taz̲kirah-i shuʻarā-yi Fārsī. Sājidah Zubayrī Pablīkīshan, 2003.

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Anīs, Mūhan Laʻl. Anīs al-aḥibbāʼ: Taz̲kirah-i shuʻarā-ʼi Fārsī. Khudā Bakhsh Urīyantal Pablik Lāʼibrarī, 1996.

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ʻIrfān, Ḥaydar. Tarānahʹsarāyān-i Būshahr, yā, Dashtastān-i buzurg. Ḥaydar ʻIrfān, 1992.

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ʻIrfān, Ḥaydar. Tarānahʹsarāyān-i Būshahr, yā, Dashtastān-i buzurg. Ḥaydar ʻIrfān, 1992.

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Book chapters on the topic "Persian Poets"

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Krasnowolska, Anna. "Introductions to Persian Epic Poems." In Silk Road Studies. Brepols Publishers, 2003. http://dx.doi.org/10.1484/m.srs-eb.4.00132.

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Hillmann, Michael Craig. "Use of Translations of Classic Persian Poems in the Study of Persian." In The Routledge Handbook of Persian Literary Translation. Routledge, 2022. http://dx.doi.org/10.4324/9781003052197-21.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_26.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India. Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_26.

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Seward, Anna. "A Persian King to His Son." In The Collected Poems of Anna Seward Volume 1. Routledge, 2015. http://dx.doi.org/10.4324/9781315642451-94.

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"Poets, Historians and Travellers." In Persian Gardens and Pavilions. I.B.Tauris, 2013. http://dx.doi.org/10.5040/9780755693580.0009.

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Devare, T. N. "Poetry and Poets." In A Short History of Persian Literature. Routledge, 2018. http://dx.doi.org/10.4324/9780429455698-5.

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Gould, Rebecca Ruth. "Borderland Conflicts, Cosmological Complaints." In The Persian Prison Poem. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474484015.003.0004.

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Persian poets competed with each other through their literary output as they vied for patronage when the prison poem came into fashion in Shirvan in the northeastern Caucasus, under the aegis of the Shirvanshah dynasty. Khaqani Shirvani was at the centre of the Caucasus’ borderland literary culture, but he was far from the only prison poet in his milieu. Others included Mujir al-Din Baylaqani Falaki Shirvani, and Abu’l ʿAla Ganjevi. The tensions that circulated around him, and related signs of animosity among poets that affected the intellectual atmosphere of literary Shirvan, were rooted in a range of factors: competition for resources and patronage from the Shirvanshahs; multi-confessional tensions among Muslims, Christians and Zoroastrians; transformations in the locus and meaning of sovereignty as an older concept of a sacred caliphate ceded ground to a secular concept of the sultanate; and the increasing authority of the poet that followed from these transformations.
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Lewisohn, Leonard. "English Romantics and Persian Sufi Poets." In Sufism and American Literary Masters. SUNY Press, 2014. http://dx.doi.org/10.1515/9781438453545-003.

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Gould, Rebecca Ruth. "Chronology of Poets, Rulers, Texts and Critics." In The Persian Prison Poem. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474484015.002.0010.

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Conference papers on the topic "Persian Poets"

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Bazoeva, Nina Igorevna. "Reference to Persian Poets in Russian Lyrics of the 19th-20th Centuries." In All-Russian Scientific Conference with International Participation, chair Oksana Sergeevna Kravchuk. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-97820.

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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figur
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Jumaxo'ja, Nusratullo. "THE ARTISTRY OF BABUR’S PERSIAN POETRY." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/bfis9820.

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It is known that Zahirad-Din Muhammad Babur was a great poet who wrote in two languages –Turkish and Persian. However, Babur’s Persian poetry hadnot been published in its entirety. In 2021, 6 volumes of his works called “Kullyot”were published. Babur's Persian poems werefullypublished for the first time in the 1st volumeof “Kullyot”in “Devan”. So, this article is about the art of Babur's Persian poetry.
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ABAZOĞLU, Muhammet. "The revolution against the traditional beginning of poems in ancient Arabic poetry (Abu Nawas as a model)." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-2.

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The Arabic poem remained on a unified approach for long periods, and its mold was set by a group of paternal poets who were classified in the first class among critics, and Imru’ al-Qais, Zuhair, and al-Nabigha al-Dhubiani came in the forefront. With these ancestors, the Arabic poem became a model to be followed by those who came after them, and they even began to adhere to the same approach as a custom that should be followed. So the poem had to start by standing on the ruins, and then move on to depicting the different factors that arouse the poet’s approval. Finally, he ends with the main t
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Liu, Yading. "LITERATURE TRANSPLANTATION OF TYPOLOGY: A COMPARATIVE STUDY OF YUAN MEI’S AND G. R. DERZHAVIN’S NATURE POEMS." In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.29.

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The application of typology to linguistic research has obtained abundance production in China, Britain and the United States, but there are no examples of its application in Chinese and English literature studies, except for some cases of comparative literature studies in the Soviet Union. This paper compares the nature poems of Chinese poet Yuan Mei and Russian poet Derzhavin in the 18th century from three levels: concept, imagery and texture. From the conceptual level, Yuan Mei (the subjectivity) keeps close contact with nature (the objectivity) without the help of God as an intermediary, wh
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Kulagin, A. "ECHOES OF “THE CAPTAIN'S DAUGHTER” IN THE POETRY OF A.S. KUSHNER." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3743.rus_lit_20-21/270-274.

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The author examines several poems by Alexander Kushner, containing reminiscences from Pushkin’s novel “The Captain’s Daughter”. All of them are connected with the snowstorm episode from the second chapter of the novel. In Kushner’s creative mind, this episode brings together some important lyrical themes of the poet: the historical fate of the “big country”; winter bad weather, with its rich semantic load suggested by Pushkin’s novel; military childhood; the ability of a person, a creator, to foresee the course of things, growing with age; the special role of Pushkin as a “counselor” in Russia
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MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be
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Андреев, Дмитрий Андреевич, and Андрей Евгеньевич Крашенинников. "THE CREATIVE PATH OF TILL LINDEMANN." In Сборник избранных статей по материалам научных конференций ГНИИ «Нацразвитие» (Санкт-Петербург, Май 2021). Crossref, 2021. http://dx.doi.org/10.37539/may316.2021.87.93.005.

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В статье рассматривается становление немецкого рокмена Тилля Линдеманна как творческой личности. Он входит в число известных немецких музыкантов, но не всем известно, что Т. Линдеманн еще и поэт. Его произведения написаны в традиционном для Германии стиле экспрессионизма. В своих стихотворениях Т. Линдеманн поднимает темы любви, творчества, жизни и смерти. Чувства у Т. Линдманна обычно преподносятся от лица лирического героя, носят характер исповеди и наполнены трагизмом. The article examines the formation of the German rockman Till Lindemann as a creative person. He is one of the famous Germa
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Akef, Soroosh, Mohammad Hadi Bokaei, and Hossein Sameti. "Training Doc2Vec on a Corpus of Persian Poems to Answer Thematic Similarity Multiple-Choice Questions." In 2020 10th International Symposium on Telecommunications (IST). IEEE, 2020. http://dx.doi.org/10.1109/ist50524.2020.9345918.

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Kornoukhova, Gadilya G. "Russia’s trade with Iran through Persian Gulf at the early 20th century." In Торговля, купечество и таможенное дело в России в XVI–XX веках. ИПЦ НГУ, 2023. http://dx.doi.org/10.31518/tktdr-35-2023-22.

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The author reveals effectiveness of Russian-Iranian trade through the ports of the Persian Gulf at the early 20th century. The dynamics of export supplies of individual goods is examined: sugar, fabrics, kerosene, tableware. A comparison of Russian indicators with ones of other exporting countries is carried out, Russia’s position in each market segment is determined. Based on the materials of consular reports, a conclusion is made about an existing of the sufficient capacity of the southern Iranian market and the possibility of Russia’s successful competition with such a strong rival as Great
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Reports on the topic "Persian Poets"

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Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.621671.

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The French composer Francis Poulenc had a profound admiration and empathy for the writings of the Spanish poet Federico García Lorca. That empathy was rooted in shared aspects of the artistic temperament of the two figures but was also undoubtedly reinforced by Poulenc’s fellow-feeling on a human level. As someone who wrestled with his own homosexuality and who kept his orientation and his relationships apart from his public persona, Poulenc would have felt an instinctive affinity for a figure who endured similar internal conflicts but who, especially in his later life and poetry, was more ope
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