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Journal articles on the topic 'Persian Poets'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

Farhad Ahmad and Dr.Gohar Noshahi. "Ahmed Shamlo: Introductory Study." Dareecha-e-Tahqeeq 2, no. 1 (2022): 1–11. http://dx.doi.org/10.58760/dareechaetahqeeq.v2i1.12.

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Persian literature is very rich literature of the world. Persian poets introduced a special identification in the world. Ahmed Shamlo one of the v renowned poet in persia. He bears a significant position in modern Persian poets. He is especially known due to his restive writing style in Persian poetry . This is an initial and interdictory essay pertaining to Ahmed Shamlo

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Arabi, Assist Prof Dr Moosa, and Mohadeseh Moflehi. "The reflection of objection and comparative deliberation of it in poems of Ebneroomi and Khayame neishaboori." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 225, no. 1 (2018): 283–98. http://dx.doi.org/10.36473/ujhss.v225i1.122.

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Projection is a theory in psychology in which humans defend themselves against their own unconscious impulses or qualities.(both positive and negative)by denying their existence in themselves while attributing them to others.I the area(arena)of persian litrature, the use of objection in poems have been completely obvious.Alot of grandee (sage) like Naser khosro,Sadi, Hafez, Khajoo kermani and Khayam neishaboori and many other great poets of persian litrature used the effects of projection in their poems and this is not a new issue in the area of persian literature and art.The use of projection

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3

Erkinov, Aftondil, and Abdumalik Qurbonov. "ALISHER NAVOI AND OTTOMAN TURKISH POETS." ALISHER NAVOIY INTERNATIONAL JOURNAL 1, no. 1 (2021): 82–91. http://dx.doi.org/10.26739/2181-1490-2021-1-9.

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In the dynasty of the Ottoman sultans (1299–1922), there was a great interest in the personality and heritage of the poet Alisher Navai (1441-1501). This interest, which arose during the poet’s lifetime, still exists today. The article highlights the imitation and follow-up of Ottoman poets to Navai’s poems. We are talking about the influence of Uzbek classical literature and especially the heritage of the Navai on the literature of the Ottoman dynasty. Ottoman poets imitated Nawai’s Hamsa poems and, as a result, created their own versions of the Nawai poems. They wrote poetry in Ottoman and P

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4

Gorshkov, Andrey. "Persian theme in Plutarch’s works based on the episode from the treatise “On Isis and Osiris”." Litera, no. 8 (August 2021): 63–69. http://dx.doi.org/10.25136/2409-8698.2021.8.36326.

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The object of this research is the cultural ties between Greeks and Persians, while the subject is the image of Persia and Persian in Plutarch's treatise &ldquo;On Isis and Osiris&rdquo;. The author carefully examines such aspects of the topic as the problem of barbarism, Zoroastrianism as the foundation of Persian worldview, Persians from the perspective of Plutarch, description of Persian religious rites and traditions. Special attention is turned to the problems of borrowing Persian words into the Ancient Greek language (Avestan lexemes are being modified in the Ancient Persian lang

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5

Rashid, Md Mumit Al, and Tanjina Binte Nur. "Persistent Women Poets of Iran: Their Growth Through Hardships." Social Science Review 38, no. 1 (2022): 93–108. http://dx.doi.org/10.3329/ssr.v38i1.56526.

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Poetry has always been the noteworthy face of Iran's cultural identity. Persian poets and their poems have reconstructed and revolutionized both the Eastern and Western literary world. Sadly, in a male-dominated Iranian society, female literary talents had been sidelined throughout centuries. Still, there were some iconic female poets who have blended their poetical talents with very powerful mental strength to cut off all the societal limitations, taboos and prohibitions and had left their marks on Persian literature's history forever. But to attain that, they had to come across a long way. A

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Kamaladdini, Seied Mohammad Bagher. "Abai and Firdowsi." International Letters of Social and Humanistic Sciences 51 (May 2015): 147–51. http://dx.doi.org/10.18052/www.scipress.com/ilshs.51.147.

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Abay Qunanbaev (Qunanbaiuli) was the founder and architect of Kazakh written literature. Since his childhood, he studied religious science and got acquainted with eastern literature, particularly Iranian classic literature and Persian poetry and poets such as Ferdowsi, Hafiz, Sa’adi, Molavi, Nezami and etc.Abay read epic poetry and odes from the great eastern poets on their original texts or Jugatay (old language of central Asia) translations and first raised prosody derived from Persian poetry in Kazakh poetry and this way many Persian vocabulary entered Kazakh language.Using a bibliographic

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Saleh, Muhammad. "دراسة مدى تأثر الشاعر اقبال لاهوري بأفكار الشعراء والصوفيين الايرانيين". Kufa Journal of Arts 1, № 60 (2024): 392–411. http://dx.doi.org/10.36317/kja/2024/v1.i60.16081.

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There is no doubt that Llama Muhammad Iqbal Lahori is one of the greatest bilingual poets in the Indian and Pakistani subcontinents, and Persian poetry and literature had a great influence on the development of his personality and creativity. As a result of his education in Persian poetry and literature, and his upbringing in the school of great poets such as Al-Firdosi, Wasnai, Wahafiz, and Malay, etc., Iqbal Man was able to compose beautiful songs in the form of masnavis, ghazals, and quatrains, which reflect the poet's thoughts and intellectual perceptions. Of course, Rumi had a great contr

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Shahnavazi, Behnaz, and Habib Jadidoleslami. "A COMPARATIVE AND ANAIYTIC COMPARISON OF THE VARIOUS IMAGES OF MOON AND THE SUN BASED ON ANCIENT ASTRONOMY IN NASER KHOSRO, ANVARI AND NEZAMI'S POEMS." Malaysian Journal of Languages and Linguistics (MJLL) 7, no. 1 (2018): 40–50. http://dx.doi.org/10.24200/mjll.vol7iss1pp40-50.

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Sky and celestial phenomena has long been caused men's surprise, and has couraged humans to unravel the mysteries and secrets of the beauties hidden in it. The vast expanse of sky, incredible beauty of the stars, the glow of the moon, sunrise and sunset, all these things gradually increased the sense of interest and curiosity in mankind so that its manifestation can be seen in many artistic works. Among numerous astronomical elements, the sun moon is one of the planets which have had a beautiful reflection in poetry. Among the poets who had a special look at the moon, we can name three great P

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9

Davis, Dick. "To the Persian Poets." Hudson Review 53, no. 4 (2001): 598. http://dx.doi.org/10.2307/3852621.

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10

Armani, David, and Louise Gormley. "Persian Love Poetry." American Journal of Islam and Society 25, no. 1 (2008): 136–38. http://dx.doi.org/10.35632/ajis.v25i1.1503.

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This little book is a beguiling collection of Persian love poems drawn fromboth classical and modern poetry, but united by the theme of love in its myriadinterpretations. Included are poems that explore the spiritual lovebetween humans and God, the magical love between lovers or spouses, theaffectionate love between family members and between friends, and eventhe patriotic love for one’s homeland. Each poem is accompanied with a preciousPersian chef d’oeuvre from the British Museum and, in particular, numerous illustrations of Persian miniatures. The editors come to this subjectwith vast exper

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11

Nafisi, Gholam Abas, Mohammad Ali Davood Abadi Farahani, and Ali Sar Yaghoubi. "Tajikistan Contemporary Poetry Themes." Journal of Language and Literature 19, no. 2 (2019): 55. http://dx.doi.org/10.24071/joll.v19i2.2130.

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<p>Tajik poetry deviated from its mainstream with the victory of the communist revolution. The imposition of Russian language and the new communist literature made Tajik poetry to take influence from the works of Russian romantic poets and to have new themes. Meanwhile, it benefited from the ancient Persian poets and one can see the rhetorical figures such as metaphor, simile, conflict, pun, Īhām, proverb, husn-i ta'lil (good reason), imagery and paradox in the works of Tajik poets. Additionally, Bīdel's poem has also had a clear influence on the poetry of some contemporary poets. Tajik

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12

Butolin, V. D. "The Zoroastrian Calendar in New Persian Poetry: “Names of Persian Days” by Masʿud Saʿd Salman". Orientalistica 6, № 3-4 (2023): 669–90. http://dx.doi.org/10.31696/2618-7043-2023-6-3-4-669-690.

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The calendar introductions were quite widespread in the Persian poetry of the Early Classical period (X–XIII centuries). The court poets on the occasion of a seasonal holiday (Nauruz, Mihran or Sade) or the beginning of a new season turned not only to the description of weather phenomena and changes in nature, but also to the Iranian names of months and days related to holidays and seasons. Such poetization of the Zoroastrian calendar became an integral part of Persian calendar poetry; references to Zoroastrian names of days and months can be found in many poets of the era: Rūdakī, Manūčihrī,

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13

Rezvani, Saeid. "Outdated Humanism and Literary Authority as Threats to the Popularity of Ahmad Shāmlu’s Poetry." Advances in Language and Literary Studies 10, no. 1 (2019): 117. http://dx.doi.org/10.7575/aiac.alls.v.10n.1p.117.

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Shāmlu belongs to the few poets of the modern Persian poetry, who can be called neoclassical, namely, those whose work has a distinctive character and who are influential in the history of modern Persian literature. These special characteristics of Shāmlu’s poetic features together with his socio-cultural and political vision as manifested in his poems had excessively allowed for his oeuvre to be popularized, forming a large crowd of admirers who even tried to mythologize his character and art. Shāmlu’s enthusiastic admirers, moreover, insist that his poetry is everlasting and even immortal. T

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14

Gačanin, Sabaheta. "The Persian Literary Tradition in Ottoman Bosnia and Its Environs." Journal of Persianate Studies 15, no. 1 (2022): 85–120. http://dx.doi.org/10.1163/18747167-bja10027.

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Abstract Numerous Bosnian intellectuals during the centuries of Ottoman rule were authors of works in the Persian language. Mostly, they produced poems and divāns (poetic anthologies) under the strong influence of the Persian literary canon. After a brief and introductory overview of the Persian literary canon, its origins, and its presence in the Ottoman realms, this article presents selections of verses (mostly translated into English for the first time) of selected poets, while contextualizing their work within Ottoman Bosnia. In addition, this study surveys Persian works in manuscript coll

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Rajani, Shayan. "Regionalization without Vernacularization: The Place of Persian in Eighteenth-Century Sindh." Journal of the Economic and Social History of the Orient 63, no. 5-6 (2020): 788–819. http://dx.doi.org/10.1163/15685209-12341527.

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Abstract This article examines a turn towards the region in two genres related to Persian poetry in eighteenth-century Sindh, the bayāẓ or poetic anthology and taẕkira or biographical dictionary. I argue that poets in Sindh’s premier city, Thatta, established Sindh as an organizing principle for poetry and the poetic community, initiating a process of regionalization in Persian after the end of Mughal rule. Notably, this was done without the patronage or encouragement of the regional successors to the Mughals in Sindh. These poets neither sought out vernaculars, nor predicated regionalization

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Rostampour, Saloome. "Word Order of Noun and Verb Phrases in Contemporary Persian and English Poems." JOURNAL OF ADVANCES IN LINGUISTICS 8, no. 1 (2017): 1229–35. http://dx.doi.org/10.24297/jal.v8i1.6216.

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Literature is a system of semantic markers which convey emotions as well. Sentences in literary texts, particularly poetic ones, are not merely a medium to convey a message. In literary language, there is not a one to one correspondence between words and their meaning. That is in literary texts, the words and consequently sentences do not have their common dictionary meaning. Rather, in many cases, they include the writers or poets intended meaning. For writers and poets, words are not simply means of conveying a message, but a scheme to create beauty and novel innovations. The poets to make m

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17

Sulaiman, Shiyar. "Review of the book "Teşeyên Nezmê"." Kurdiname, no. 10 (April 28, 2024): 247–52. http://dx.doi.org/10.55106/kurdiname.1437718.

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The article is a review of the book Teşeyên Nezmê by Professor Dr. Abdul Rahman Adak, published by Nûbihar Publishing House. The book consists of 638 pages. The book explains how Kurdish poets write their poems. He talks extensively about every type of poetry and shows many interesting poems by ancient poets of all Kurdish dialects. It can be said that the subject of the book is not limited only to the forms of poetry composition, but rather it is a selection and description of ancient Kurdish poets, because the book contains interesting information and examples about each of the poets. The bo

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18

Sharma, Sunil. "From 'Ā'esha to Nur Jahān: The Shaping of a Classical Persian Poetic Canon of Women." Journal of Persianate Studies 2, no. 2 (2009): 148–64. http://dx.doi.org/10.1163/187470909x12535030823698.

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AbstractThe eighteenth century witnessed an interest in Persian women poets and attempts were made by writers of tazkeras to create a female canon of poets. The cultural shift in the Iranian-Indian interface at this time had a direct effect on the writing of Persian literary history that, on the one hand, resulted in the desire to maintain a universal vision regarding the Persianate literary past, exemplified by such writers as Vāleh Dāghestāni in Riāz al-sho' arā', and on the other hand, witnessed the increasingly popular move towards a more local and parochial version of the achievements of

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19

Mahmoud, Pakhshan Muhammad. "A Study of the Themes of Love in Ghased Persian Lyric Poems." Journal of University of Raparin 9, no. 4 (2022): 188–99. http://dx.doi.org/10.26750/vol(9).no(4).paper9.

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Love is one of the main themes of poetry and its earthly and heavenly types are seen in the poems of poets and have created great themes and beautiful interpretations. Ghased is one of the poets who has a great skill in using words, depicting the image of love in various forms. The messenger has tried to express his pure love for his beloved in various images of his sonnets, although sometimes he has made love seem virtual or real. In his opinion, the place of love is undisputed, although in this painful way, you have endured the suffering of Versailles. The characteristics of love and its att

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20

Coşgun, Gökhan. "Husrev u Shirin-Farhad u Shirin Masnavis and Ferhad as the Primary Hero in Turkish Literature." Journal of The Near East University Faculty of Theology 7, no. 2 (2021): 419–54. http://dx.doi.org/10.32955/neu.ilaf.2021.7.2.07.

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The story of Husrev and Shirin, which was first put into poetry in Firdevsi's Shahname, was later written by many poets. It is undoubtedly NizamiGanjavi who brought the story of Husrev and Şirin to the real fame in Persian literature. Nizami's Husrev u Shirin Masnavi inspired many Persian and Turkish poets who came after him. Each poet has immortalized this story according to his own imagination. In Turkish literature, poets have produced original works by changing the story according to their own traditions and belief cultures instead of translating the story from Persian literature. In this

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21

Coşgun, Gökhan. "Husrev u Shirin-Farhad u Shirin Masnavis and Ferhad as the Primary Hero in Turkish Literature." Journal of The Near East University Faculty of Theology 7, no. 2 (2021): 419–54. http://dx.doi.org/10.32955/neu.ilaf.2021.7.2.05.

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The story of Husrev and Shirin, which was first put into poetry in Firdevsi's Shahname, was later written by many poets. It is undoubtedly NizamiGanjavi who brought the story of Husrev and Şirin to the real fame in Persian literature. Nizami's Husrev u Shirin Masnavi inspired many Persian and Turkish poets who came after him. Each poet has immortalized this story according to his own imagination. In Turkish literature, poets have produced original works by changing the story according to their own traditions and belief cultures instead of translating the story from Persian literature. In this

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22

Alashbayev, Yerlan. "Nazira Tradition and “Leyla and Majnun” Love Poem in the Kazakh Literature." Global Journal of Arts Education 6, no. 2 (2016): 39. http://dx.doi.org/10.18844/gjae.v6i2.556.

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Many works of the eastern poets were devoted to love theme. The most spread “Leyla and Majnun” is a love story originated in Arabic, later significantly expanded to Persian and got its fictional peak in Turkic literature. Poets frequently wrote on this theme. The actual reason is “nazira, nazirashylyk” tradition which is the source of love tradition. Poets wrote their poem lines in Arabic aruz style. That nazira tradition took its continuation in Kazakh steppes in the end of XIX century and in the beginning of the XX century but not exactly in its poem style . It is obvious from the Kazakh wri

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23

Davis, Dick. "Persian Medieval Epigrams by Women Poets." Hopkins Review 10, no. 3 (2017): 408–10. http://dx.doi.org/10.1353/thr.2017.0085.

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24

Zareifard, Raha, and Mehdi Rezaei. "Jale Ghaemmaghmi: An Outstanding Social- Political Poet in Contemporary Persian." JOURNAL OF ADVANCES IN LINGUISTICS 9 (April 30, 2018): 1344–57. http://dx.doi.org/10.24297/jal.v9i1.7203.

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Jale Ghaemmaghmi is the late Ghajar and first Pahlavi poet who has social-political thought and is the outstanding poet among female poets. However, she is anonymous as the consequence of her limitation in her life. By studying her poems, it is found that her social-political thought is in line with some famous thinkers such as Dehkhoda, Bahar and Kasravi. She has more social poems in comparison to Forugh Farokhzad. This paper aims at investigating her thought by categorizing her poems to introduce the hidden layers of her thought to contemporary researchers in literature and sociology.

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25

SHAHIDITABAR, Mostafa. "WHEN PERSIA MEETS THE CAUCUSES THROUGH POETRY”: ASHRAF OF GILAN’S ALLUSION TO MIRZA ALAKBAR SABIR DURING THE IRANIAN CONSTITUTIONAL ERA." International Journal Of Turkish Literature Culture Education 12, no. 2 (2023): 482–95. http://dx.doi.org/10.7884/teke.1312740.

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Mirza Alakbar Sabir was one of the pivotal literary figures during the Iranian Constitutional revolution in 1907 and the unsuccessful revolution of 1905 in Russian, which affected the Caucuses. He was a role model of many poets of his time including some great Persian poets. In this article, T.S. Eliot’s famous stance towards borrowing from other poets “Immature poets imitate; mature poets steal” has been adopted as the basis of our survey of some of the borrowings of one of the Persian political poets during the Iranian Constitutional revolution namely Ashraf to see if he has allusions to Mir

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26

Sadeghi Sahlabad, Zeinab, Oksana Kravchenko, and Alina Shuldishova. "IMAGES OF GILAN IN THE POETICS OF VELIMIR KHLEBNIKOV." Проблемы исторической поэтики 21 (June 2023): 196–216. http://dx.doi.org/10.15393/j9.art.2023.12402.

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The article discusses V. Khlebnikov’s Iranian images associated with the poet’s stay in Gilan from April to July 1921. The relevance of the article is determined by the need to explore the Persian component of Khlebnikov’s poetics, which cannot be reduced to speculative and generalized Asian images. The article demonstrates the diversity of poetic manifestations of Gilan, depicted through its inhabitants, landscapes, mythology, ancient and contemporary history. The poem “Night in Persia” is proposed to be read as a spiritual experience of mastering space. The specifics of female images in the

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Dr Ali Kavousi Nejad. "Prose Translations of Ghalib’s Persian Poetry." Tasdiqتصدیق۔ 3, no. 01 (2021): 1–19. http://dx.doi.org/10.56276/tasdiq.v3i01.56.

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Mirza Asadullah Khan Ghalib is amongst the most eminent poets & writers of India. His poetry & letters, both in Persian & Urdu, remain a significant part of India’s literary history. Ghalib not only proved his command in Urdu poetry but also showed his abilities and mastery in Persian verse. He was proud of his Persian poetry and is rightfully considered amongst the most prominent Persian poets of his time. Many translators and critics have attempted to translate & write commentaries on his Persian poetry, both in prose and versified. Amongst these critics & translators, se

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Hame Bichkol Mohammed, Ahang Shafique. "Mohammed Mustafa Kurdi's literary and cultural status in Kurdish literature." JOURNAL OF LANGUAGE STUDIES 8, no. 2 (2024): 75–112. http://dx.doi.org/10.25130/lang.8.2.5.

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Our research is to present the literary and cultural status of Mohammed Mustafa Kurdi as an educated, intellectual, educational and religious teacher. The author often used essays in Arabic literature because he had a religious and Arabic culture, and was influenced by Persian literature, so he translated essays from Persian He drew on folk literature, poetry by poets and even stories. In addition to essays, he has translated several poems from Arabic and Persian or has translated his ideas and subjects into poems and essays from a Kurdish perspective. The author has published them in the maga

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29

Zarei, Rouhollah. "The Persian Face of Edgar Allan Poe." Edgar Allan Poe Review 23, no. 1 (2022): 23–36. http://dx.doi.org/10.5325/edgallpoerev.23.1.0023.

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Abstract This article examines the reception of Edgar Allan Poe in modern Persian literature with regard to his fiction and theory of writing. There have been scattered pieces written on Poe’s influence on Iranian poets and writers in Persian or English, but this article aims to offer a fairly comprehensive picture of Poe in Iran in general with a focus on his influence or affinities with two leading Iranian authors, Sadeq Hedayat and Sadeq Chubak, as far as female characters are concerned. The article at first surveys how Poe was introduced into Persian literature and then it studies personal

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Jamahmatov, Karomiddin Aynillo oglu. "THE INFLUENCE OF ZULLISANAYN (BILINGUALISM IN WORKS) TRADITIONS IN THE WORK OF HAJI MUHAMMAD SHAHDI." INTERNATIONAL JOURNAL OF ALISHER NAVOI 1, no. 2 (2021): 155–65. http://dx.doi.org/10.26739/2181-1490-2021-2-18.

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One of the great bilingual poets, Haji Muhammad Shahdi, wrote in two languages in the literary environment of Kokand in the early 18th century. In addition to being the owner of the devon in the Persian-Tajik language, he wrote a number of ghazals rich in mystical meanings in the Uzbek language.The article describes the poet's attitude to the work of representatives of Uz-bek classical literature, his creative approach and the epistemological analysis of his poems. In addition, the specific style and meaning of the poet's poems were studied in comparison with the verses of the Qur'an. Samples

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31

Haidari, A. A. "A medieval Persian satirist." Bulletin of the School of Oriental and African Studies 49, no. 1 (1986): 117–27. http://dx.doi.org/10.1017/s0041977x00042531.

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The thirteenth and fourteenth centuries are outstanding chapters even in such an eventful history as that of Persia. The former witnessed the Mongol invasion and occupation; the latter ended amidst the campaigns to Timur. Although the Mongol onslaught caused much destruction, the unexpected literary outburst of the period remains a monument to the indestructible spirit of man. It is ironic that an age of terror and devastation should bring in its wake an unprecedented flowering of culture, as though the phoenix rises renewed from the ashes. For this very period produced the three greatest Pers

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پیرۆت, بەرزان علی, та هێمن جاسم محمد. "ڕەنگدانەوەی سەبکی عێراقی لە شیعرەكانی حەریقدا". Journal of University of Raparin 6, № 2 (2019): 352–71. http://dx.doi.org/10.26750/vol(6).no(2).paper20.

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The title of the research is (The reflection of Iraqi Style on Hariq‌s poems) In Persian language the word (Sabk) stands for the word (Style) in English and (Shewaz) in Kurdish. Persian Literature stylistically is divided into (Khorasani Style, Iraqi style and Hindi style). style is the lingual, ideological and literary characteristics that is common in a certain period, and poets follow it. As Persian literature has had strong influence on Old Kurdish Literature, so in this research it has been tried to explain the lingual, ideological and literary characteristics that (Sirus Shamisa) has inv

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Giv, Ahmad Lamei, and Majid Shahbazi. "A Comparative Study of Modernism in the Poems of Forough Farrokhzad and Adunis." Theory and Practice in Language Studies 6, no. 7 (2016): 1377. http://dx.doi.org/10.17507/tpls.0607.07.

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Clash of the West with East countries (Iran, Lebanon and Syria) was a factor in changing the structure of Eastern societies, resulting in the emergence of political and social developments like constitutional movements. There are undeniable similarities between Arabic and Persian poetry because of the long historical ties, similar political and social contexts, close cultural backgrounds and the influence of European culture on their literatures. After the literary revolution occurred under the influence of European culture and literature, attention to modernism is a common approach used by Pe

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Lewisohn, Jane. "Flowers of Persian Song and Music: Davud Pirniā and the Genesis of the Golhā Programs." Journal of Persianate Studies 1, no. 1 (2008): 79–101. http://dx.doi.org/10.1163/187471608784772742.

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AbstractThis article examines the 'Flowers of Persian Song and Music' (golhā) radio programs broadcast during the third quarter of the 20th century on the Iran National Radio. These programs—some 1,400 of which the author has collected and deposited in the British Library—constitute an unrivalled encyclopaedia of classical Persian music and poetry. The golhā programs introduced to the general public over 250 poets from the ancients to the moderns, and it preserved Persian classical music and fostered its future development. The seminal role played by Dāvud Pirniā in founding and producing thes

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Dale, Stephen F. "The Poetry and Autobiography of the Bâbur-nâma." Journal of Asian Studies 55, no. 3 (1996): 635–64. http://dx.doi.org/10.2307/2646449.

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Literary biography is a difficult art to practice when the subject is a premodern Muslim poet. Even in the work of such explicitly autobiographical western writers as the twentieth-century Russian poet Anna Akhmatova the relationship between art and life can be tantalizingly ambiguous. In the case of most well-known classical Muslim poets, though, the connection between life and literature is usually indeterminable. To personalize the lyrics of the great fourteenth-century Persian poet Hafiz is as problematic as trying to glean autobiographical details from Shakespeare's sonnets. The reasons a

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Rashid, Jihad Shukri. "مضامين و انديشههاى شعرى فقى قادر ههمهوند". Twejer 3, № 3 (2020): 779–820. http://dx.doi.org/10.31918/twejer.2033.21.

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Abdul Qadir Rasool was one of the poets of the nineteenth century. He is known as Faqe. He was a talented poet but his works are still being disregarded and unknown to others. Searching and understanding his poems will clarify his new innovations in poetry. By analyzing the collected works and poems of Persian poets and Quranic verses, he could utilize conceptual semantics in his poetical works. His poems are the symbol of desire, sympathy, using the persuasive of metaphors and dominating words to spread splendid compound literary works. He was able to combine the impacts of both his life expe

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YEKBAŞ, Hakan. "Persian Poets In View Of Divan Poet." Journal of Turkish Studies Volume 4 Issue 2, no. 4 (2009): 1126–55. http://dx.doi.org/10.7827/turkishstudies.665.

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Noie, Saber. "Comparison of Emerson and Hafiz Based on Claudio Guillen's Comparative Literary Theory of Influence." Budapest International Research and Critics in Linguistics and Education (BirLE) Journal 2, no. 1 (2019): 12–23. http://dx.doi.org/10.33258/birle.v2i1.182.

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The poetry of Khajeh Mohammad Hafiz Shirazi has vastly influenced the poetry of Ralph Waldo Emerson, as many critics have noted but have not demonstrated. Emerson is an American poet whose work reflects the influences of Persian poets, among which that of Hafiz is remarkable. The influence of Hafiz on Emerson includes memorable images, themes and motifs. While one can argue that this influence was indirect, it is obvious from the closeness of certain similarities, from Emerson’s intimate knowledge of Hafiz’s poetry, and from his love for Persian poetry, that the influence was more direct than

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Zulyeno, Bastian. "Sastra Sufistik Persia; Citra Kehidupan dalam Masnawi Maknawi Karya Jalaluddin Rumi." EDUCULTURAL: International Journal of Education, Culture and Humanities 1, no. 1 (2018): 40–45. http://dx.doi.org/10.33121/educultur.v1i1.28.

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Persian literature has been developing since hundreds of years BC, this can be seen from the Zoroastrian or "Avesta" holy books. This book contains mostly about the praise and greatness of the Lord "Ahuramazda" written in the form of poetry. The name Avesta itself comes from the name of the writing and the language used in this book, therefore the researchers named this holy book with the name Avesta. Avesta is the root of ancient Persian before Parthi, Soghdi and Pahlavi. One of the scientific traditions inherited by the Persians is the science of Tasawwuf and Sufistic literature is the biolo

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Drozdov, V., and A. Šela. "Problem of the Authorship of the ‘Ishq-name (“The Book of Love”) Poem Attributed to Sana’i from the Regard of Academic Oriental Studies and Modern Computer Technologies." Manuscripta Orientalia. International Journal for Oriental Manuscript Research 27, no. 2 (2021): 53–62. http://dx.doi.org/10.31250/1238-5018-2021-27-2-53-62.

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One of the greatest Persian Sufi poets of the 12th century Sana’i (d. 535/1140 or 545/1150) is founder of the Sufi didactical mathnawi poem in Iran. His works exerted enormous influence upon many posterior authors in the Persian Sufi and secular poetry. But the problem of the authorship of Sana’i in regard to the short poems has been debated among the scientists during 20th century and right up to the nowadays. The paper covers the history of studying of the short poems attributed to Sana’i , special attention is devoted to ‘Ishq name (“The Book of Love”), one of the main Sufi writing in the P

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Ochilova, M. I. "Elements of Persian literature in Arabic poetry by Mehyar Deylam." ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ 103, no. 2 (2023): 202–4. http://dx.doi.org/10.18411/trnio-11-2023-114.

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The article dwells on issues beset with the study of elements of Persian literature in Arabic poetry by Mehyar Deylami. As it is known, Persian culture is one of the richest cultures in the world, which has always attracted the attention of many poets.

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Kalati, Maryam. "Persian Literature in the World literature." Kufa Journal of Arts 1, no. 34 (2018): 81–92. http://dx.doi.org/10.36317/kaj/2017/v1.i34.5939.

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The subject of the present research is in the field of comparativeliterature. It aims at studying and analyzing the effect of Persianliterature, especially Maulana’s works, on the authors, thinkers, andtranslators. In the present study, it is attempted to know the great Englishand American literary figures who have provided outstanding worksthrough translation or adaptation and they have played a great role inknowing the Persian literature and making it known in the Englishspeakingcountries.Maulana is the well-known Iranian poet and mystic of the seventhcentury hegira. He is mostly known for h

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Abbas, Assistant Professor Dr Falah Hassan. "Modernity in the Poetry of Nima Yoshij and Baland Al-Haidari A comparative study." Thi Qar Arts Journal 1, no. 40 (2022): 1–16. http://dx.doi.org/10.32792/tqartj.v1i40.359.

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This research discusses the issue of modernity in contemporary Persian and Arabic poetry. The researcher chose the Iranian poet Nima Yoshij, who is considered one of the pioneers of modernity in contemporary Iranian poetry, and the Iraqi poet Baland Al-Haidari, who is also one of the pioneers of modernity in contemporary Iraqi poetry. Through their poetry, the two poets expressed the themes of modernity that entered the world of poetry and literature, and that are based on modernist concepts with a new and contemporary vision in harmony with their time; The two poets explained their aspi

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Rostami, Fatemeh. "The Poets Condition of the Timurid Period in Majales-al Nafis." Asian Social Science 12, no. 11 (2016): 29. http://dx.doi.org/10.5539/ass.v12n11p29.

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Timurid era is the era of Persian culture and literature efflorescence. Amirs Timuri’s attention to culture has provided base literature for breeding scholar. In Timurid period, a large number of poetry and literature people were commuting in the court of Timur. Eyewitness of two important literary biographies is as a biography of the poet Samarkandi and more importantly Amir Alishir Navai’s Tazkara Majale-Al Nafis. The importance of the second work is that the author had both Divan and Persian literature expertise. Checking presented poets from Navai in Majales Al Nafis is the most important

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سیفی, طیبه, and کبری مرادی. "The Promised and Awaited Imam Mahdi (may God Almighty hasten his reappearance) from the point of view of modern Persian poets." Kufa Journal of Arts 1, no. 34 (2018): 231–50. http://dx.doi.org/10.36317/kaj/2017/v1.i34.5950.

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Waiting for the promised deliverer is one of the doctrinal beliefs of the Imami Shiites, and this belief sows hope and happiness in the hearts of Muslims as it revives hope in their souls to reach happiness in the near future, and since literature, especially poetry, is one of the arenas that can pave the way for humanity to know the promised one, and waiting for the deliverer who fills the earth with justice as it was filled with injustice and oppression, was the praise of the Prophet (7). ) and his family (F) are among the common content in the collections of Persian poets most of the time,

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Naseri, Mahin Pourmorad, and Parvin Ghasemi. "Mythopoeia in Akhavan’s & Eliot’s Poetry." Journal of KATHA 18, no. 1 (2022): 21–38. http://dx.doi.org/10.22452/katha.vol18no1.2.

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T. S. Eliot, the well-known English poet, and Mehdi Akhavan Sales, one of the pioneers of the Modern Persian Poetry, have applied mythologies in their poetry. The present study is an attempt to make a comparison between Eliot’s early poems, i.e. “The Waste Land” and “The Love Song of J. Alfred Prufrock”, and Akhavan’s two poems, “Qese-e Shahriar-e Shahr-e Sangestan” [The Story of the King of the Stoned City] and “Khan-e Hashtom va Adamak” [The Eighth Task and the Puppet] from a Tolkienian perspective of mythopoeia. Laying their arguments in Jost’s fourth category of comparative studies (themes

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Raoufzadeh, Narges, Sharzad Mohammadhosein, and Shiva Zaheri Birgani. "Analysis of Love, Death, Rebirth and Patriarchy in Two Contemporary Poetess Forough Farrokhzad and Sylvia Plath’s Selected Poems." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 2, no. 4 (2019): 56–64. http://dx.doi.org/10.33258/birci.v2i4.607.

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ForoughFarrokhzad and Sylvia Plath’s poems are closely linked to their personal life and their marriage. Their poems are confessional in style. Farrokhzad criticizes Iranian male dominant society in which women are marginalized and haven’t any voice in the society, so seeking their voice and identity in modern literature, especially in modern Persian poetry. Sylvia Plath attempts to resist patriarchy in her society through her poems too. Two poets highlighting and expressing the lack of interest in life and the sole desire to die in most of their poems. Not only poetic imagery and themes like

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Dudney, Arthur. "Sabk-e Hendi and the Crisis of Authority in Eighteenth-Century Indo-Persian Poetics." Journal of Persianate Studies 9, no. 1 (2016): 60–82. http://dx.doi.org/10.1163/18747167-12341294.

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Modern debates over the merits of the so-called Indian Style (Sabk-e Hendi) in Persian literature, which was dominant from the late sixteenth to early nineteenth centuries, have been based on problematic assumptions about how literary style is tied to place. Scholars have often therefore interpreted the Persian literary criticism of the first half of the eighteenth century as a contest between Indians who praised Persian texts written in India and Iranians who asserted their privilege as native speakers to denigrate them. A more nuanced reading suggests that the debates mainly addressed stylis

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Zahrah Hadi, Ghaidaa Abdul. "Criticism of Translation Problems in Ahmad Matar's Poetry." INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 13, no. 02 (2023): 162–75. http://dx.doi.org/10.37648/ijrssh.v13i02.013.

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It is no secret to everyone that translation is very important in the exchange of cultures and sciences between different nations and civilizations. Today, it has become a bridge to pass the various sciences of poetry, history and culture from one language to another. Among the poets whose poetry was important in his translation was Ahmed Matar, whose poems were translated from Arabic into many languages, including Persian. Therefore, criticism of the translation of Ahmed Matar's poems was one of the important topics that must be taken into account in research and studies to show the importanc

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Avulova Nargiza Toxirovna. "Colors and their artistic image creation features." International Journal on Integrated Education 3, no. 10 (2020): 251–54. http://dx.doi.org/10.31149/ijie.v3i10.747.

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Colors have long been used by artists as a means of depicting unique and beautiful landscapes, to ensure the attractiveness of speech, to create an artistic image in poetry. The colors are used in works of art, mainly in lyrical genres, reveals the appearance of inner experiences, emotions, beauty and creative influence. In poetry, such forms of art as allegory, allegory and irony are expressed through colors.Classical and modern Persian-Tajik poets skillfully used the means of color in their work, creating beautiful and unique images through their artistic potential. Nowadays, in Tajik litera

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