Relevant bibliographies by topics / Poetic grammar

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Poetic grammar'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Poetic grammar"

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Скоробогатова, Олена Олександрівна. "ПОЕТИКА ВІРШОВОГО ТЕКСТУ В ГРАМАТИЧНОМУ ВИМІРІ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 78–84. https://doi.org/10.5281/zenodo.48996.

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The article deals with the current state of grammatical poetics of poetic speech. The reasons for the disbalance in the study of lexical and grammatical levels of the language of poetry were analysed. The grammaticalization of poetic language in the XX – XXI centuries was pointed out. The vectors of research directions in the field of interaction of grammar and poetics are offered: poetic morphology as a subarea of the functional grammar and morphological poetics as a general philological discipline that studies grammemes and grammatical categories in the poetic use, providing the eviden
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Buivytė, Giedrė. "The Manifestations of Fate in Medieval Germanic Poetry and Lithuanian Folk Songs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/2 (March 11, 2021): 8–21. http://dx.doi.org/10.37384/aplkp.2021.26-2.008.

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Reflections of mythical worldview are embedded in traditional oral poetry, viz. Old Icelandic collection of poems Poetic Edda, Old English poem Beowulf, and Lithuanian folk songs. Archaic motifs and archetypal imagery are conveyed by means of poetic grammar (alliteration, kennings, epithets, etc.). Through interpretation, the hidden (symbolic) meaning of the poetic grammar is unveiled, and the connection between the two worlds, the sacred (the divine) and the profane (the human) (Eliade 1959), is exposed. To advance the analysis of poetic narrative, the methodology employed in the paper combin
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Yates, Christopher. "Grammar of the Uncanny." Religion and the Arts 14, no. 5 (2010): 616–24. http://dx.doi.org/10.1163/156852910x529377.

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AbstractInspired by the contemporary intersection between hermeneutics, phenomenology, and psychoanalysis on the one hand, and poetics on the other, this article is a study in the peculiar manifestation of strangeness that obtains within the self. It is a descriptive and autobiographical account of a disclosure that, though common, is irreducible to traditional categories of mimesis and ontology: the experience of displacement in self-consciousness and embodiment. Drawing upon insights by Sigmund Freud and Martin Heidegger, and in dialogue with the poetics of Jules Renard, the essay seeks to a
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Domínguez Rey, Antonio. "Language and Thought Convergence (Poetic Grammar)." International Journal of Language and Linguistics 3, no. 6 (2015): 109. http://dx.doi.org/10.11648/j.ijll.s.2015030601.24.

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Odysseos, Louiza. "Stolen Life’s Poetic Revolt." Millennium: Journal of International Studies 47, no. 3 (2019): 341–72. http://dx.doi.org/10.1177/0305829819860199.

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Joining the discussion of revolution and resistance in world politics, this article puts forward the idea of poetic revolt as a necessary companion to these terms, one which centres attention on the ongoing reverberations of transatlantic slavery – what have been called its ‘afterlives’ (Saidiya Hartman, Édouard Glissant). Engaging with contributions to poetics, black studies and black feminist thought, it first develops a theoretical orientation of the ongoingness of slavery as a ‘grammar of captivity’ (Hortense Spillers) that ‘wake work’, a term proposed by Christina Sharpe, aims to disrupt.
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Raheem SHamsadin, Omed, and Mohammed Majid Abdullah. "Aesthetics of Poetic Language in the Dewan of "Nawhi"." Journal of University of Raparin 10, no. 4 (2023): 567–92. http://dx.doi.org/10.26750/vol(10).no(4).paper26.

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This research, entitled "Aesthetics of Poetic Language in the Dewan of Nawhi", is an attempt to highlight the aesthetics of poetic language in general and the aesthetics of poetic language in particular in the poems of a little-known poet of Kurdish literature It is grammatically defined in the structure of Noah's poetic language, which includes both lexical and syntactic levels. Through examples of his poetic texts, the aesthetic aspects and levels of the poet's poetic language, ability and poetic experience have been identified and presented. To conduct this research, the method (analytical
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Dr. Baikunth Nath Shukla. "“Sanskrit poetic tradition and vocabulary”." Knowledgeable Research A Multidisciplinary Journal 4, no. 04 (2025): 77–82. https://doi.org/10.57067/23bbpr79.

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Sanskrit poetic tradition and lexicography" This research paper presents an analysis of the interrelationship between the poetic tradition of Sanskrit literature and lexicography (linguistics). Meaning of words, figures of speech, rasa, chhand and grammatical structure have played an important role in Sanskrit poetics. In this study, theoretical and practical aspects of poetry and lexicography have been explained on the basis of the principles of acharyas like Bhamaha, Dandi, Anandvardhan, Kuntaka etc. Along with this, the influence of Panini grammar, Nirukta and Yaska's thoughts has also been
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Royle, Nicholas. "Going to Bits." Oxford Literary Review 35, no. 1 (2013): 65–77. http://dx.doi.org/10.3366/olr.2013.0057.

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Royle's essay explores ‘world’ and ‘fiction’ in the final session (26 March 2003) of Jacques Derrida's The Beast and the Sovereign with particular reference to notions of the poetic or poematic, war and non-world, wound and debridement, the mouth, non-human animals, the gothic, being born, grammar and aposiopesis.
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Goren-Arzony, Sivan. "Feels Like Our Language: Vernacular Poetics in Premodern Kerala." Journal of South Asian Intellectual History 4, no. 2 (2022): 117–45. http://dx.doi.org/10.1163/25425552-12340032.

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Abstract This paper deals with the Līlātilakam, a premodern work from Kerala that analyzes the grammar and poetics of “Rubies and Coral” (Maṇipravāḷam), Kerala’s main premodern literary form, which combines Sanskrit and the local language. By examining the poetic sections of the Līlātilakam, I show some of the ways in which they are used to demonstrate that Rubies and Coral is not only a fitting tool for writing poetry in the Sanskrit style but also an autonomous literature with an internal structure of its own. In my analysis I illustrate this through the use of three case studies focusing on
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Tverdokhleb, Olga G. "GRAMMAR OF PARTICIPIAL CONSTRUCTIONS, ATTRIBUTIVELY CHARACTERIZING AQUATIC VOCABULARY, IN POETIC TEXT OF JOSEPH BRODSKY." Yugra State University Bulletin 13, no. 1-2 (2017): 34–40. http://dx.doi.org/10.17816/byusu2017131-234-40.

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The article substantiates the idea that in the poetic language of Brodsky there is widespread use of names of objects of water elements, characterized by a temporary basis for action in the form of an agreed definition, expressed by different involved shapes. On a large illustrative material it is shown that in the poetic compositions of Brodsky realities of the watery world, often described as a pre-existing active and independent figures, are the elements most appropriate for the poet events that have already occurred. In the last part the author comes to the conclusion that associated with
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Dissertations / Theses on the topic "Poetic grammar"

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Manalo, Paolo Marko. "Part 1, The balance of where we are : a theory of poetic composition in relation to cognitive poetics ; Part 2, The secret uncles : poems." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2121.

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Part 1 of the thesis, ‘The Balance of Where We Are: A Theory of Composition in Relation to Cognitive Poetics’, considers a compositional theory of poetry, with particular attention to the creative process, the poetic line, and trope. Drawing on from the disciplines of creative writing and cognitive poetics, this thesis asserts basic and important considerations for writing poetry. Chapter One seeks a model for the creative process that will aid in sustaining poetic composition but without dictating a specific method of writing. In presenting several theories of creativity it discusses ways of
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Wooding, Jonathan. "Natural strange beatitudes : Geoffrey Hill's The Orchards of Syon, poetic oxymoron and post-secular poetics, and, An Atheist's Prayer-Book." Thesis, University of Plymouth, 2015. http://hdl.handle.net/10026.1/3223.

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Geoffrey Hill’s The Orchards of Syon (2002) occupies a contradictory position in twenty-first century poetry in being a major religious work in a post-religious age. Contemporary secular and atheistic insistence on the fundamentally crafted and flawed nature of religious faith has led Hill not to the abandoning of religious vision, but to a theologically disciplined approach to syntax, grammar and etymology. This dissertation examines Hill’s claim to a poetics of agnostic faith that mediate his alienation from a cynical and debased Anglophone contemporaneity. The oxymoronic nature of a faith c
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Argyropoulou, Christina. "The Language of the poetry of Hector Kaknavatos: the grammar, the functions of the poetic language and text-linguistic analysis of some poems." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212193.

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Almeida, Aline Novais de. "Edição genética d\'A gramatiquinha da fala brasileira de Mário de Andrade." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-24102013-102309/.

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Esta dissertação de mestrado tem como objeto a edição genética de A gramatiquinha da fala brasileira obra inacabada e inédita pertencente à série Manuscritos Mário de Andrade, no arquivo do escritor, no patrimônio do Instituto de Estudos Brasileiros da Universidade de São Paulo. Apresentando a obra em fac-símile, esta Edição genética dA gramatiquinha da fala brasileira de Mário de Andrade, inscrita no Programa de Pós-Graduação em Literatura Brasileira da FFLCH-USP, é resultado do projeto temático FAPESP/ IEB e FFLCH-USP, Estudo do processo de criação de Mário de Andrade nos manuscritos de seu
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Rashwan, Nagy Mohamed Fahim Eweis. "Lyn Hejinian's and Charles Bernstein's language poetics : a postmodern conceptual grammar." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13271.

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Gatti, Icaro Francesconi. "A Crestomatia de Proclo: tradução integral, notas e estudos da composição do códice 239 da Bibliotheca de Fócio." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-05062013-112806/.

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A presente dissertação visa à tradução anotada dos textos que nos dão a conhecer a obra convencionalmente denominada Crestomatia e atribuída a Proclo, junto de um estudo que caracterize, o quanto possível, essa obra que permanece tão obscura quanto relevante para os Estudos Clássicos. Traduziram-se tanto os fragmentos referentes ao Ciclo Épico, prováveis excertos diretos da obra, como o resumo que dela restou na Biblioteca de Fócio, códice 239. A anotação se atém ao códice 239, a fim de tornar conhecido o que fosse o variado conteúdo geral da obra. O códice também é o foco do estudo, que prete
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Valpey, Kenneth Russell. "The grammar and poetics of Mūrti-Sevā : Caitanya Vaiṣṇava image worship as discourse, ritual, and narrative." Thesis, University of Oxford, 2004. http://ora.ox.ac.uk/objects/uuid:598573d2-21c4-41a3-a4d5-dd6c0d59639f.

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This thesis offers a multi-faceted exploration of image worship theology and practice within a Vaishnava Hindu theistic devotional tradition founded in the sixteenth century, flourishing today largely in north and northeast India and, since recently, spreading worldwide. The thesis serves two aims. First, it augments existing scholarship on Hindu temple image worship and Caitanya (Gaudīya) Vaishņavism by focusing on two contemporary temple communities one in the north Indian pilgrimage centre Vrindavan, the second near Watford, outside London. These represent, respectively, an "embodied commun
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Doná, Tarsila de Oliveira Delfine. "Métrica e ritmo das \"Odes\" de Horácio." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-08012015-174011/.

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O objetivo deste trabalho é estudar os metros das Odes de Horácio segundo gramáticos, comentadores e metricistas antigos, para compreender como esses autores interpretam aqueles metros; quais são, segundo eles, suas classificações e escansões; e, por fim, partindo do pressuposto de que aos metros, quando recitados, era atribuído certo ritmo, quais seriam as possíveis ritmizações, de acordo com os preceitos da métrica e da rítmica<br>The objective of this dissertation is the study of the metres used by Horace in his Odes, according to ancient grammarians, comentators and metricians, in order to
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Akkari, Karim. "Langue légitime ou légitimation du discours : étude comparative sur le rapport des grammairiens avec les différents corpus d'énoncés de l'arabe normatif." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC031.

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Cette thèse s’intéresse au corpus d’énoncés reconnu légitime pour asseoir un parler dit « normatif ». L’engouement pour la langue des Arabes et son apprentissage s’est fait - depuis la propagation de l’Islam - de plus en plus fort. L’arabe devient alors objet d’étude. Très tôt, à une époque encore discutée, s’organise une grande collecte des éléments constitutifs de ce qui allait servir de base à l’établissement des codes linguistiques de la langue arabe. En parallèle, s’effectue également une autre collecte : celle des récits sur les dits et faits du Prophète Muḥammad, composant le corpus du
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Pagel, Amber Noelle. ""How Can We Know the Dancer from the Dance?": Cognitive Poetics and the Poetry of William Butler Yeats's." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984126/.

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Cognitive poetics, the recently developed field of literary theory which utilizes principles from cognitive science and cognitive linguistics to examine literature, is applied in this study to an exploration of the poetry of William Butler Yeats. The theoretical foundation for this approach is embodiment theory, the concept from cognitive linguistics that language is an embodied phenomenon and that meaning and meaning construction are bodily processes grounded in our sensorimotor experiences. A systematic analysis including conceptual metaphors, image schemas, cognitive mappings, mental spaces
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Books on the topic "Poetic grammar"

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Robert, Graves. The white goddess: A historical grammar of poetic myth. Faber, 1997.

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Robert, Graves. The white goddess: A historical grammar of poetic myth. Carcanet, 1997.

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Rājiḥī, Fāṭimah Rāshid. al-Ḍarūrah al-shiʻrīyah ʻinda Ibn al-Sirāj: Poetic necessity of Ibn Al Siraj. Majlis al-Nashr al-ʻIlmī, Jāmiʻat al-Kuwayt, 2008.

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Kaproń-Charzyńska, Iwona. Pragmatyczne aspekty słowotwórstwa: Funkcja ekspresywna i poetycka = Pragmatic aspects of word formation : the expressive and the poetic function. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2014.

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Limerov, Pavel. Ivan Kuratov: the life and work of the founder of Komi literature. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2158217.

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The monograph offers a new concept of the biography and creative heritage of the Komi poet and grammarian. To a greater extent, the book is a generalization of the materials of curatorial research conducted from the 1930s to the present. At the same time, the author offers a new understanding of the entire creative heritage of I.A. Kuratov. In the author's concept, Kuratov's work was aimed at bringing the Komi language closer to the level of European languages. This means teaching this language to convey literary, philosophical, aesthetic, and generally cultural meanings that exist in European
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Zhu, Ruiqing. A cognitive poetic perspective on mapping: Metaphor, symbol and allegory = Ying zhao de ren zhi shi xue yan jiu : yin yu, xiang zheng he feng yu. She hui ke xue wen xian chu ban she, 2018.

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de, Andrade Carlos Drummond. Quarenta historinhas e cinco poemas: An annotated Portuguese reader, with vocabulary and drills for grammar review, composition, and oral practice. University Presses of Florida, University of Florida Press, 1985.

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1959-, Grimberg Martin, ed. Poetik vs. Grammatik. Thelem, 2008.

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Tabakowska, Elżbieta. Cognitive linguistics and poetics of translation. G. Narr, 1993.

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Francis, McKee, Kulturtorget (Stavanger), and Centre for Contemporary Arts (Glasgow, Scotland), eds. Northern grammar. CCA, 2003.

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Book chapters on the topic "Poetic grammar"

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Nasser, Shady Hekmat. "The Standardization of Arabic Grammar". У Arabic, Qurʾān, and Poetic License. Routledge, 2025. https://doi.org/10.4324/9781003501565-3.

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Kendall, Daythal. "14. Operator grammar and the poetic form of Takelma texts." In The Legacy of Zellig Harris. John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/cilt.228.22ken.

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Stockwell, Peter. "Cognitive Grammar." In Cognitive Poetics. Routledge, 2019. http://dx.doi.org/10.4324/9780367854546-6.

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Robert-Murail, Constance. ""Smuggling in Accidental Poetry": Cognitive and Stylistic Strategies of a Stammering Teen in David Mitchell's Black Swan Green." In Powerful Prose. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458808-014.

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In this article, Constance Robert-Murail will explore the poetic »accidents« at work in two extracts of Black Swan Green (2006) by David Mitchell. The novel tells the trials and musings of Jason Taylor, a thoughtful 13-year-old growing up in a backwater town full of strange neighbours and middle-school bullies. Throughout the year 1982, the reader witnesses Jason mediating between the various personae of his fragmented identity: Unborn Twin, his faint-hearted alter ego; Eliot Bolivar, the nom-de-plume he uses to write poems for the local parish newspaper; and, most importantly, Hangman, a mali
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Amsler, Mark. "Creole Grammar and Multilingual Poetics." In Medieval Multilingualism. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.tcne-eb.3.4601.

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I'Anson, John, and Alison Jasper. "A grammar of educational research." In A Poetics of Education. Routledge, 2025. https://doi.org/10.4324/9781003300489-11.

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Berry, Francis. "Preposition in Poetry and Translation." In Poets' Grammar. Routledge, 2025. https://doi.org/10.4324/9781003644743-10.

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Berry, Francis. "Elizabethan and Jacobean ‘Personal’ Insights." In Poets' Grammar. Routledge, 2025. https://doi.org/10.4324/9781003644743-4.

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Berry, Francis. "Shelley and the Future Tense." In Poets' Grammar. Routledge, 2025. https://doi.org/10.4324/9781003644743-8.

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Berry, Francis. "The Metaphysicals' Craft of the Verb." In Poets' Grammar. Routledge, 2025. https://doi.org/10.4324/9781003644743-5.

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Conference papers on the topic "Poetic grammar"

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Suvajdžić, Boško. "NARODNA KNjIŽEVNOST I IDENTITETSKE PROMENE U SRPSKOJ KNjIŽEVNOSTI." In IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.107s.

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New approaches to oral literature in teaching bring to the fore the questions of classification and terminology, the phenomenon of authorship, the process of composing and tradition, the complexity of reception, the specificities of oral genres and their poetics. The terms ’oral formula’ and ’formulativity’ also stand out in these approaches as some of the most important elements of oral poetic grammar. In all of these researches focused on poetics, the identitary character of Serbian oral literature as “our classic, one and true” (Vasko Popa) should not be neglected, nor its specific roles in
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Matela, Jiří. "Dadžare – japonský kalambúr a jeho výzkumný potenciál." In Orientalia antiqua nova XXI. Západočeská univerzita v Plzni, 2021. http://dx.doi.org/10.24132/zcu.2021.10392-60-77.

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Dajare – Japanese pun and its research potential The present paper introduces dajare as a Japanese form of puns, i.e. utterances with multiple meanings based on a wordplay. Dajare is chosen as a minimal text with a potential of humorous effect, thus a promising starting point for a research of humor and laughter from perspec tives of cultural anthropology and cognitive linguistics. While the ability to make puns with the use of the Chi nese script in Japan is historically well documented in the form of gisho, the concept of dajare is traced to the realms of the poetic forms of haikai no renga,
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MEHMETALI, Doç Dr Bekir. "THE FEELING OF PRESENCE IN THE POEM THE SMALL STONE BY ELIA ABI MADI." In I. International Trabzon Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/trabzon.con1-6.

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Diaspora literature is a type of modern Arabic literature that originated at the hands of Arab writers in non-Arab countries who immigrated to it at the beginning of the twentieth century for several reasons. Many poets emerged from them and left a clear mark on modern Arabic literature, especially poetry, and Elijah Abu Madi was one of them. This poet gained great fame and a high position in modern Arabic literature, and more than one researcher addressed him, whether by introducing him and his poetry or by explaining his importance and literary status in the modern era. This poet was disting
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MEHMETALI, Bekir. "The manifestations of the meanings of grammatical construction in selected verses from the Mu'allaqa Amr bin Kulthum." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-2.

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Poetry has been since pre-Islamic times, and continues to this day to be of great importance to scholars, researchers, specialists, and others. These were made available to poets in later literary ages, and the mu’allaqat came at the forefront of these monuments. The introduction to these pendants is such that over time they became the pride of the Taghlib tribe, which distinguished it from others that its poet was a master of his tribe, and that his tribe was the greatest of the Arab tribes, and that the reason for its organization was unique, which is the killing of the poet by an unjust kin
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Abdulkareem SABRI, Noor. "The Style of Calling in Mahmoud Darwish's Poetry, A Grammatical Study." In V. International Congress of Humanities and Educational Research. Rimar Academy, 2022. http://dx.doi.org/10.47832/ijhercongress5-11.

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Research Summary (The Appeal Style in Mahmoud Darwish's Poetry, A Grammatical Study). This research aims to study an important style in the Arabic language, which is the style of calling in the poetry of the great poet Mahmoud Darwish. Its precise significance, for the poet did not use a tool of the appeal unless it was in its appropriate position for the context of the text and its artistic image, such as his use of (yeah) for emphasis, exaggeration and glorification in a manner consistent with the manifestations of strength in the text, or his use of the appeal with the word homeland, which
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Venkatsubhramaniyen, Subasree, Subha Rashmi, and Rajeswari Sridhar. "Classification of Tamil Poetry Using Context Free Grammar Using Tamil Grammar Rules." In Third International Conference on Computer Science & Information Technology. Academy & Industry Research Collaboration Center (AIRCC), 2013. http://dx.doi.org/10.5121/csit.2013.3617.

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Ragchaa, B. "THE EXPERIENCE OF USING GRAMMAR IN POETRY OF B. YAVUUKHULAN." In Международная научная конференция "Мир Центральной Азии-V", посвященная 100-летию Института монголоведения,буддологии и тибетологии Сибирского отделения Российской академии наук. Сибирское отделение РАН, 2022. http://dx.doi.org/10.53954/9785604788981_413.

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Mazzei, Alessandro, and Andrea Valle. "Combinatorics vs Grammar: Archeology of Computational Poetry in Tape Mark I." In Proceedings of the INLG 2016 Workshop on Computational Creativity in Natural Language Generation. Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/w16-5509.

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Davydov, D. M. "The problem of textology of the newest poetry (experience of review)." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_154.

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Abstract:
The article examines the situation in the textual criticism of the latest Russian poetry. The methods used in traditional textual studies do not quite work in relation to new literature, especially avant-garde and underground. On the one hand, in the era of modernity and avantgarde and after, many authors deform their text, abandon normative spelling, punctuation, grammar, and this requires the attention of the publisher. At the same time, many authors do not think of the text as final, creating all new versions. On the other hand, in conditions of censorship, many authors exist outside of pri
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10

MEHMETALI, Bekir. "THE SUBJECT BETWEEN SYNTAX AND SEMANTICS." In 2. IJHER-International Congress of Humanities and Educational Research. Rimar Academy, 2021. http://dx.doi.org/10.47832/ijhercongress2-8.

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The science of grammar is the basis on which the sciences of the Arabic language are based, and in which its fruits are manifested, it is the science that studies the structure and the sentence, and the single word has no value unless it is organized into a sentence or structure, and it has no useful meaning, and no eloquence if words and pictures are not combined in a useful sentence that exists on grammatical rules. The science of grammar studies the grammatical elements within the sentence, whether they are essential or preferred elements, including the subject, which is an essential pillar
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