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Dissertations / Theses on the topic 'Quilters'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Hancey, Helen-Louise. "A Naturalistic Study of the History of Mormon Quilts and Their Influence on today's Quilters." Diss., CLICK HERE for online access, 1996. http://patriot.lib.byu.edu/u?/MTGM,13956.

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2

Johnson, Pearlie Mae Wahlman Maude. "African American quilts an examination of feminism, identity, and empowerment in the fabric arts of Kansas City quilters /." Diss., UMK access, 2008.

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Thesis (Ph. D.)--Dept. of Art and Art History and Dept. of Sociology. University of Missouri--Kansas City, 2008.<br>"A dissertation in art history and sociology." Advisor: Maude Southwell Wahlman. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Feb. 6, 2009. Includes bibliographical references (leaves 202-247). Online version of the print edition.

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3

Rakow, Matthew Allen. "Quilted Graphs." NCSU, 2010. http://www.lib.ncsu.edu/theses/available/etd-12212009-170407/.

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Layered graphs find use in many applications today, including flow charts, business processes, and genealogical diagrams. Traditional means of depicting this data are similar to depictions of unlayered node-link graphs, with each layer's nodes grouped into a line. This type of diagram becomes increasingly difficult to use as the number of nodes and links increases, presenting a scalability issue. We suggest quilted graphs as a better scaling alternative to traditional depictions. Quilted graphs draw on the strengths of matrix-style depictions already in use for unlayered graphs to reduce the i

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4

Langfield, Valerie Gail. "Roger Quilter 1877-1953 : his life, times and music." Thesis, University of Birmingham, 2004. http://etheses.bham.ac.uk//id/eprint/1354/.

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Roger Quilter is best known for his elegant and refined songs, which are rooted in late Victorian parlour-song, and are staples of the English artsong repertoire. This thesis has two aims: to explore his output beyond the canon of about twenty-five songs which overshadows the rest of his work; and to counter an often disparaging view of his music, arising from his refusal to work in large-scale forms, the polished assurance of his work, and his education other than in an English musical establishment. These aims are achieved by presenting biographical material, which places him in his social a

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5

Towndrow, Lizzie. "The Patchwork-Quilter as the Storyteller : MY DEAD DOG!" Thesis, Konstfack, Textil, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5558.

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Objects can evoke our most vivid memories and sensory emotions, through the stories that have been engraved into them across their lifetime. Throughout history, patchwork-quilting has been used to tell stories, hide messages and hold histories. They are seen as objects of warmth, comfort and security, inanimate extensions of ourselves that store our most complex sentiments and memories- becoming heirlooms that are kept in the families and communities for generations, preserving our histories and material culture. I intend to explore the inseparable relationship between craft and narrative w

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6

Ball, Helen Kathryn. "Quilts as social text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ52206.pdf.

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7

Drais, Christine Y. "The traveling quilter an exploration of the influences on travel behavior /." Connect to this title online, 2007. http://etd.lib.clemson.edu/documents/1202501641/.

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8

Quezada, Bilbao Olga Macarena. "Santiago quiltro : retratos del maltrato animal." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/133794.

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Fotógrafa<br>Quiltro en mapudungun significa perro, pero en la cultura chilena se asocia a un perro sin raza, un mestizo. Estos perros son producto del abandono, viven en la miseria, hacen suya la ciudad, su lucha diaria es la sobrevivencia y mueren en el desamparo. Con el tiempo la palabra quiltro se ha usado para denostar, es sinónimo de inferioridad, de origen desconocido y vulgaridad. Podría pensarse que la situación de los perros quiltros nos reflejan como sociedad. Cada uno de los perros abandonados en la calle trae consigo una triste historia, que se evidencia en su pelaje, su r

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9

Weiss, Katherine. "Catherine Bush: Quilts and Murder." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etsu-works/2272.

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10

Bottman, Nathaniel Sandsmark. "Pseudoholomorphic quilts with figure eight singularity." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/101823.

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Thesis: Ph. D., Massachusetts Institute of Technology, Department of Mathematics, 2015.<br>Cataloged from PDF version of thesis.<br>Includes bibliographical references (pages 107-109).<br>In this thesis, I prove several results toward constructing a machine that turns Lagrangian correspondences into A[infinity],-functors between Fukaya categories. The core of this construction is pseudoholomorphic quilts with figure eight singularity. In the first part, I propose a blueprint for constructing an algebraic object that binds together the Fukaya categories of many different symplectic manifolds. I

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11

Battaile, Anne Bayne. "Mysterious Messages: Masonic Imagery in Baltimore Album Quilts." W&M ScholarWorks, 2000. https://scholarworks.wm.edu/etd/1539626245.

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12

Wilker, Kathleen. "Quilted lives, a celebration of female creativity, community and competence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ62162.pdf.

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13

Wilker, Kathleen. "Quilted lives, a celebration of female creativity, community and competence." Thesis, University of New Brunswick, 1999. http://hdl.handle.net/1882/300.

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14

Struck, Julie A. "Identifying an Ohio community signature fundraising quilt." University of Akron / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=akron1585518899865509.

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15

Jones, April. "The Freedom Quilt." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1770.

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The Freedom Quilt is a play that I have written and adapted from Deborah Hokinson’s book, Sweet Clara and the Freedom Quilt. This story explores the historic and dramatic implications in the idea of coded quilts as a form of communication among African American slaves; specifically as coded maps to freedom. There is an ongoing scholarly debate challenging the existence of these quilts, let alone that they could have been used in such a complex manner. The Freedom Quilt however, is one girl’s unique and individual story, and does not in any way suggest that maps, encoded in quilts were used

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16

Hazard, Peggy Jean 1954. "Comforts of Home: African-American quilts in Tucson, Arizona." Thesis, The University of Arizona, 1993. http://hdl.handle.net/10150/558206.

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17

Kridler, Jamie Branam. "Mountain Women Surviving the Depression: Moonshine, Knickers and Quilts." Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/5866.

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18

Bassard, Deborah Craig. "Stitched in Silence| Life Experiences Told in African-American Quilts." Thesis, Bowie State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10287605.

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<p> This study seeks to explore the historical influence of quilting within the African-American community, its development as a form of non-verbal communication, through the evolution of an organizational culture originating from the period of Reconstruction, and its relevance as a continued communication medium among quilters of today. The study will trace the influence of cultural traditions from Africa, through the period of Reconstruction to the 21st century. The goal of the research is to identify the development of cultural and organizational behaviors that influenced a sustainable form

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19

Johns, Melissa. "Tenacious Threads: Crazy Quilts as an Expressive Medium for Making Art." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/94.

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In this arts-based study, I will discuss using craft techniques such as crazy quilting in the creative process of making art. The paper describes the history of crazy quilts, a brief summary of artists who use quilts as a medium, and a description of how teaching craft-making skills in the classroom can encourage students to use them for art-making.

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20

Smith, Karen E. "Framing quilts/framing culture: women's work and the politics of display." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1083.

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Quilts are a unique medium that is deeply layered with meaning, highly gendered, intimately tied to social and cultural communities, and richly interdisciplinary. Though quilts are utilitarian in origin, their circulation and display take them far beyond the home--to art galleries, history museums, state fairs, quilt shows, and philanthropic auctions. As they move, individuals and institutions make significant intellectual and emotional investments in how quilts are classified, judged, and valued. In this highly politicized work, individuals and institutions shape public culture through debate

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21

Tolley, Rebecca. "Review of West Virginia Quilts and Quiltmakers: Echoes From the Hills." Digital Commons @ East Tennessee State University, 2002. https://dc.etsu.edu/etsu-works/5656.

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22

Keller, Patricia J. "The quilts of Lancaster County, Pennsylvania production, context, and meaning, 1750-1884 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 398 p, 2007. http://proquest.umi.com/pqdweb?did=1394658871&sid=26&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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23

Crossman, Alison. "Framing the quilt, historical and contemporary quilts of New Brunswick and Nova Scotia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ43677.pdf.

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24

Shephard, Arlesa J. "WOMEN’S INVOLVEMENT AND INTEREST IN WILLIAM McKINLEY’S POLTICIAL CAREER AS RECORDED IN QUILTS." University of Akron / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=akron1152192333.

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25

Hood, Yolanda. "African American quilt culture : an afrocentric feminist analysis of African American art quilts in the Midwest /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974639.

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26

Craft, Jennifer Allen. "Making a place on earth : participation in creation and redemption through placemaking and the arts." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3732.

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This thesis will explore a theology of place and placemaking that is focused on the participatory role of humans in both creation and redemption, while suggesting the central and paradigmatic role of artistry in our construction of and identification with place. Building on the most recent theological and philosophical engagement with place, this thesis will argue for a theology of place that takes seriously the doctrines of creation and incarnation, focusing on a particularly redemptive understanding of placemaking in the material world. In its study of scripture and theology, it will focus o

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27

Arellano, Sonia Christine, and Sonia Christine Arellano. "Quilting the Migrant Trail: Rhetorical Text(iles) and Rehumanizing Narratives." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/625387.

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This dissertation examines material cultural productions as meaning-making practices that memorialize migrant lives within a context that creates and sustains the conditions for migrant deaths. I explore the Migrant Quilt Project to understand the rhetorical force and function of memorializing quilts in neoliberal contexts where migrant lives are devalued and migrant deaths appear insignificant. Since the US Border Patrol first implemented the tactic of Prevention Through Deterrence, migrant deaths have increased, totaling almost 3,000 migrant deaths in the Sonoran Desert of Southern Arizona s

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28

Hanson, Marin Freya. "Quilts in between : the material culture of commemorative community patchwork made for Chinese adoptees in the U.S." Thesis, University of Leicester, 2016. http://hdl.handle.net/2381/38819.

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One Hundred Good Wishes Quilts (OHGWQ) are a contemporary form of material culture that commemorates an American family’s adoption of a Chinese child. Made and/or coordinated by parents in the midst of adopting, OHGWQ are community-based objects constructed from fabrics donated by a large number of family, friends, and acquaintances. A practice that spread largely via the internet starting around 2000, the OHGWQ tradition is based upon a host of phenomena and contexts: the sudden growth of China adoption in the late 1990s and 2000s; indigenous patchwork and quilting practices in China and the

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29

Holt, Sierra B. "Gilded Women: A Comparison of Charles Frederick Worth Gowns and Crazy Quilts in Cincinnati from 1876-1890." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1535017972299049.

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30

Wells, Brandy Thomas. "“She Pieced and Stitched and Quilted, Never Wavering nor Doubting”:A Historical Tapestry of African American Women’s Internationalism, 1890s-1960s." The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1440177494.

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31

Gibson, Heather. "Embroidered history and familiar patterns textiles as expressions of Hmong and Mennonite lives /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 65 p, 2007. http://proquest.umi.com/pqdweb?did=1253509741&sid=1&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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32

Solomon, Annabelle Madeleine. "Between the worlds : women empowering ourselves through re-imaging our spirituality and creativity /." View thesis View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030515.165313/index.html.

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Thesis (M.Sc. (Hons))--University of Western Sydney, Hawkesbury, 1998. Thesis (Master of Social Ecology (Hons.)) -- University of Western Sydney, Hawkesbury, 1998.<br>"Three part presentation of the research thesis. "Between the worlds : women empowering ourselves through re-imaging our spirituality and creativity. "1. "The wheel of the year" : an exhibition of artquilts at Fibre Design Gallery and Studio, 9 Montague Street, Goulburn, NSW. ; 2. "The wheel of the year : seasons of the soul in quilts" : published in limited edition by Pentacle Press, 38 Heather Road, Winmalee, NSW; 3. The resear

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33

Grüdtner, Carla Denise. "Sewing and quilting in alice walker the color purple "and everyday use"." reponame:Repositório Institucional da UFSC, 2014. https://repositorio.ufsc.br/xmlui/handle/123456789/129515.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-graduação em Inglês: Estudos Linguísticos e Literários, Florianópolis, 2014<br>Made available in DSpace on 2015-02-05T21:11:17Z (GMT). No. of bitstreams: 1 329137.pdf: 1103202 bytes, checksum: 76086ed233f11435bb9940ab47477983 (MD5) Previous issue date: 2014<br>Mulheres e escravos não tinham acesso à educação formal nos Estados Unidos no século XIX. Por outro lado, costurar era uma atividade obrigatória até mesmo para meninas da mais tenra infância. O exercício da costura propor

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34

Pinkall, Bryan Robert. "A technical and historical analysis for selected art songs and arias for tenor voice by George Frederic Handel, Jules Massenet, Roger Quilter, Stefano Donaudy, Gabriel Faure, and Agustin Lara." Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4091.

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35

Pinkall, Bryan Robert. "A technical and historical analysis for selected art songs and arias for tenor voice by George Frederic Handel, Jules Massenet, Roger Quilter, Stefano Donaudy, Gabriel Fauré, and Agustin Lara." Kansas State University, 2010. http://hdl.handle.net/2097/4091.

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Master of Music<br>Department of Music<br>Julie Yu<br>This report contains an extensive technical and historical analysis of tenor repertoire. It contains modern technical approaches to “Every Valley” and “Thou Shalt Break Them” from Messiah by George Frederic Handel. The report also reviews the history, music theory, and performance techniques of several late Romantic and Neoromantic art songs and arias from Italy, France, and England. The pieces reviewed are the following: “Ouvre tes yeux bleus” by Jules Massenet, “En fermant les yeux” from Manon by Jules Massenet, Three Pastoral Songs b

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36

Flier, Hannah. "Written in Thread: The Evolution of Quilting in the Bethel and Aurora Colonies." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12948.

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According to current models, 19th century American quilts are presented as simple objects of cultural heritage or considered for their similarities to other forms of modern art. This thesis follows a three part approach in order to study these objects which are valuable sources of historical information in their full context. This approach includes the historical, social/aesthetic, and material contexts of the objects. The topic of the study is the quilts of the Bethel and Aurora colonies, 19th century Christian "utopian" sects in Missouri and Oregon. While societies such as the Bethel and

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37

Long, Bridget. "Anonymous needlework : uncovering British patchwork, 1680-1820." Thesis, University of Hertfordshire, 2014. http://hdl.handle.net/2299/15367.

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During the eighteen century there was a significant growth in patchwork materially and linguistically. It was the century when patchwork was stitched at all levels of society and has been identified as the time when patchwork moved out from the small domestic world of decorative sewing into the wider public sphere, leaving behind other needlework as it became embedded in the language and writing of the period. This research examines the social and cultural contexts relating to the making of patchwork in the long eighteenth century and in doing so contributes to the story of women and their mat

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38

Manheimer, Caroline. "Uniform Series." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1923.

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This paper supports the exhibition entitled Uniform Series, on display in Slocumb Galleries at East Tennessee State University from March 17 to March 21, 2008. The pieces in the exhibit explore the processes of dyeing, printing, and stitching on cottons and sheer silks. The imagery contained in the pieces springs from the use of the artist's first grade school uniform which functions as a symbol of the images, memories, and themes suggested by the artist's life review process. The redemption of the past in order to arrive in the present mirrors the repeated processes involved in dyeing, discha

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39

Elsley, Judith Helen 1952. "The semiotics of quilting: discourse of the marginalized." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/565534.

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40

Ratcliffe, Viola. "To Be A Witness: Lynching and Postmemory in LaShawnda Crowe Storm's "Her Name Was Laura Nelson"." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1435789289.

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41

Volkan, Ani Kristine. "The Door in the Threshold." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1675.

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This paper is the supporting document for the Master of Fine Arts exhibition, The Door in the Threshold, held in the Slocumb Galleries at East Tennessee State University from March 15-19, 2010. The exhibition contains twelve pieces of artwork, mounted on the wall. The paper expands upon such themes as memory and family as explored by the work in the gallery. The title of both the paper and show reference the impact of my Armenian heritage on my creative process. Doors in Armenian folklore were sacred places containing the threshold to the spiritual. Thus, my pieces are meant to become doors to

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42

Newell, Aimee E. "A Stitch In Time: The Needlework of Aging Women in Antebellum America." Amherst, Mass. : University of Massachusetts Amherst, 2010. http://scholarworks.umass.edu/open_access_dissertations/181/.

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43

McIntosh, Aaron. "An Indecent Obsession." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2127.

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The title of my thesis is appropriately borrowed from a romance novel title, as my work proposes to mine the content, design and culture of romance novels and other erotic texts in order to excavate my own queer romance narrative. The body of work includes large-scale drawings of “stand-in boyfriends” stolen from romance novel covers, pieced fabric text works based on the titles of erotic texts, and a couch covered in erotic reading material. Drawing attention to the ubiquity of heterosexualized images and texts by deconstructing them, my work critically questions larger social constructions o

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44

Jones, Jessica Elizabeth. "Getting Warmer." Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2098.

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This thesis is in support of the exhibition entitled Getting Warmer, on display in Slocumb Galleries at East Tennessee State University from March 19 to March 23, 2007. The exhibition represents an exploration in the medium of fibers, incorporating digitally printed photographs on fabric and quilted structures. The collage of photographic textures and the stitched lines of machine embroidery reflect the artist's interest in the formal qualities of mapmaking and topography. Conceptually, the work is concerned with the idea of material as landscape and artwork as personal geography. This thesis

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45

Gumas, López Arone-Ru. "El narrador como punto de articulación de la memoria personal y colectiva en la ciudad de "Quiltra lunera" en "De perlas y cicatrices" de Pedro Lemebel ; (o el recuerdo de "Los locos que aún andan sueltos en la urbe")." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109951.

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En el siguiente trabajo se busca analizar, en algunas crónicas de Pedro Lemebel, la configuración de los personajes y el narrador en torno a la ciudad. Puntualmente se analizarán las crónicas recogidas en el capítulo “Quiltra Lunera”1 de “De Perlas y Cicatrices. Crónicas radiales”. Libro que funciona como suerte de antología de una serie de crónicas leídas por el autor, acompañado de música, en el programa “Cancionero” transmitido por Radio Tierra. Quizás, es debido a este origen mestizo y misceláneo, que las crónicas de Pedro Lemebel resultan intrigantes, ya que no responden por completo al g

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Schussler, Audrey. "One Poem, Two Settings." Kent State University Honors College / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1459943985.

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47

Chur, Carol L. "The Raquette River quilters A case study of cultural biases and contemporary quiltmaking production from a feminist perspective /." 2005. http://proquest.umi.com/pqdweb?did=994231961&sid=13&Fmt=2&clientId=39334&RQT=309&VName=PQD.

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Thesis (M.A.)--State University of New York at Buffalo, 2005.<br>Title from PDF title page (viewed on May 11, 2006) Available through UMI ProQuest Digital Dissertations. Thesis adviser: Rickard, Jolene. Includes bibliographical references.

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48

Little, Sheila Mae. "Quilting as a gendered activity: a study of male & female quilters' beliefs and perceptions of their art/craft." Thesis, 1999. http://hdl.handle.net/2429/9049.

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The recognition of quilting as a valid art form by scholars, art critics, visual artists and quilters has attracted the attention of contemporary society enabling both men and women to identify quilting as their preferred choice of medium for artistic expression. Recent studies have investigated quilting from a female perspective but have neglected to include a male perspective. I decided to investigate how the gender of the individual quilter could be connected to differences in perceptions of quilting experiences. Establishing my own perspective of the quilt medium, I provide an explan

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49

Jeng-Kuang, Li, and 李正光. "The research of <> by Roger Quilter." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/29715985913712470524.

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50

Liu, Heng-Jun, and 劉姮均. "The Musical Continuity in Roger Quilter “Seven Elizabethan Lyrics”." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/tm54hx.

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碩士<br>國立中山大學<br>音樂學系研究所<br>106<br>The song cycle of the Seven Elizabethan Lyrics (1907) was written by Roger Quilter (1877-1953), who was an important English composer and wrote a small and exquisite artistic songs in the Twentieth Century. The cycle contains seven songs: “Weep you no More,” “My Life’s Delight,” “Damask Roses,” “The Faithless Shepherdess,” “Brown is my Love,” “By a Fountainside,” and “Fair House of Joy”. The purpose of the study is to examine the musical continuity of the songs in the cycle. The research focuses on motivic usage within each songs. The selection of poems in

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