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Journal articles on the topic 'Quilters'

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1

Sikarskie, Amanda. "Japanese Contemporary Quilts and Quilters: The Story of an American Import (Wong)." Museum Anthropology Review 10, no. 2 (2016): 169–70. http://dx.doi.org/10.14434/mar.v10i2.21773.

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Launspach, Sonja. "“That really was a good method for beginners”." Narrative Inquiry 23, no. 2 (2013): 262–82. http://dx.doi.org/10.1075/ni.23.2.03lau.

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Using conversational data from an ethnographic study of a quilting guild, this article examines the way narratives are used to situate quilted objects and techniques by indexing particular alignment frames for the viewer recipient. As a community of practice, the quilting guild provides an excellent interactional context to explore how narratives are used to construct and reinforce community practices. Working within the framework of conversation analysis, the study found that quilters utilized narratives argumentatively to support specific characterizations of quilted objects and quilting tec
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3

Williamson, Rosemary. "Australian Special-Interest Magazines: A Case Study in Community Formation and Survival." Media International Australia 150, no. 1 (2014): 122–29. http://dx.doi.org/10.1177/1329878x1415000123.

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Special-interest titles represent a dynamic sector of the Australian magazine industry, yet few studies have been undertaken on them or their histories. Quilt-making titles serve as a case study of one of the most successful special-interest categories – craft – and special-interest magazines more generally. By tracing the evolution of magazines for quilters and by taking as its premise the rhetorical function of magazines in forming communities, this article illustrates the symbiotic interaction between publishing histories, including the exploitation of new technologies, and the sense of sel
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Klassen, Teri. "Quilts: Conscience of the Human Spirit: The Life of Nelson Mandela: Tributes by Quilt Artists from South Africa and the United States (MacDowell and Mazloomi)." Museum Anthropology Review 11, no. 1-2 (2017): 26–28. http://dx.doi.org/10.14434/mar.v11i1.23500.

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This work is a book review considering the title Quilts: Conscience of the Human Spirit: The Life of Nelson Mandela: Tributes by Quilt Artists from South Africa and the United States: A Collaborative Project of Michigan State University Museum, Women of Color Quilters Network, and South African Quilt Artists by Marsha MacDowell and Carolyn L. Mazloomi.
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Warner, Linda Claire, Pirita Seitamaa-Hakkarainen, and Kai Hakkarainen. "Kōmako Quilters’ informal learning and the collective zone of proximal development: The ‘5x5 quilt’ project." Journal of Arts & Communities 10, no. 1-2 (2020): 67–82. http://dx.doi.org/10.1386/jaac_00006_1.

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This article discusses the informal learning processes of a quilting community, located in Aotearoa New Zealand, as participants engage in a collaborative textile project. Few studies have investigated everyday quilters’ collective learning processes, even though communal quiltmaking has been undertaken over the centuries. The concept of zone of proximal development (zpd) is extended as a ‘collective zone of proximal development’ where people are doing something together. This ethnographic study views quiltmaking as a sociocultural activity, and emphasizes the situated nature of knowing within
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MacArthur, Cayley, Caroline Wong, and Mark Hancock. "Makers and Quilters." Proceedings of the ACM on Human-Computer Interaction 3, CSCW (2019): 1–24. http://dx.doi.org/10.1145/3359131.

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7

Bell-Kite, Diana. "QuiltSpeak." Public Historian 43, no. 4 (2021): 63–92. http://dx.doi.org/10.1525/tph.2021.43.4.63.

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The exhibit QuiltSpeak: Uncovering Women’s Voices Through Quilts provides a model for using material culture research to unearth the experiences of marginalized historical actors. Each of the forty quilts from the North Carolina Museum of History’s permanent collection displayed in QuiltSpeak—made by a racially and economically diverse selection of quilters from the past two hundred years—served as a portal into a woman’s life and a representation of her self-expression. Interactive elements empowered visitors to decode material culture themselves and connect their own experiences to the quilt
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Walker, Susan. "The Sew Their Names Quilt Project, Lowndes County, Alabama." Radical History Review 2025, no. 152 (2025): 155–77. https://doi.org/10.1215/01636545-11609940.

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Abstract This essay examines two narrative quilts made in 2021 and 2022 by Black- and white-descendant communities in Alabama working together to memorialize names of enslaved persons drawn from previously un-transcribed antebellum Baptist church records, as well as from participants’ own recollections of enslaved persons associated with their families. The essay uses interviews to document the quilters’ experiences in sewing these quilts, describes the quilts’ construction and imagery, and argues that these works represent a quiet but powerful counter-memorial to the state’s ubiquitous stone
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9

Stalp, Marybeth C. "Who Ya Gonna Call? Quilters." Contexts 19, no. 3 (2020): 66–67. http://dx.doi.org/10.1177/1536504220950404.

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10

Marks, Paula Mitchell. "Texas Quilts and Quilters: A Lone Star Legacy by Marcia Kaylakie, Janice Whittington." Southwestern Historical Quarterly 112, no. 3 (2009): 307–8. http://dx.doi.org/10.1353/swh.2009.0137.

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11

Warner, Linda Claire, Pirita Seitamaa-Hakkarainen, and Kai Hakkarainen. "Quiltmakers’ meaning-making in Aotearoa New Zealand: Social interactions, embodied experiences and material mediation." Craft Research 12, no. 1 (2021): 51–78. http://dx.doi.org/10.1386/crre_00040_1.

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The research study focuses on the phenomenon of informal learning and teaching, as it materializes through the quiltmakers’ engagement in idiosyncratic community practices. The present study considers the construction of craft knowledge from a sociocultural perspective, focusing on social and material mediation, and embodiment as a form of meaning-making for quiltmakers. The ethnographic data were collected from two quilting communities in Aotearoa New Zealand and in total 66 quilters volunteered to participate. The fieldwork extended over an eight-month period with data consisting of intervie
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12

KLASSEN, TERI. "Texas Quilts and Quilters: A Lone Star Legacy by Marcia Kaylakie with Janice Whittington." Museum Anthropology 32, no. 2 (2009): 146–47. http://dx.doi.org/10.1111/j.1548-1379.2009.01051.x.

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13

Beck Cohen, Stephanie. "Quilting in West Africa: Liberian Women Stitching Political, Economic, and Social Networks in the Nineteenth Century." Arts 12, no. 3 (2023): 97. http://dx.doi.org/10.3390/arts12030097.

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Quilts occupy a liminal position in the histories of art and material culture. Centering analyses around specific artworks like Martha Ricks’ 1892 Coffee Tree quilt, as well as investigating women’s writing about their material production, illuminates ignored narratives about the ways black women participated in international social, political, and economic networks around the nineteenth-century Atlantic world. Quilters who emigrated from the United States to Liberia in the nineteenth century incorporated an aesthetic heritage from the American South with new visual vocabularies developing alo
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14

van Velze, Corrianne. "Osteoarthritic Hand Problems Among South African Quilters." Journal of Hand Therapy 23, no. 4 (2010): e18-e19. http://dx.doi.org/10.1016/j.jht.2010.09.039.

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15

Piercy, Kathleen W., and Cheryl Cheek. "Tending and Befriending: The Intertwined Relationships of Quilters." Journal of Women & Aging 16, no. 1-2 (2004): 17–33. http://dx.doi.org/10.1300/j074v16n01_03.

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16

Stalp, Marybeth C. "Creating an Artistic Self: Amateur Quilters and Subjective Careers." Sociological Focus 39, no. 3 (2006): 193–216. http://dx.doi.org/10.1080/00380237.2006.10571285.

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17

Engbers, Susanna Kelly. "Gossip at the Quilting Bee: A Crucial Form of Solidarity in Nineteenth-Century America." CEA Critic 85, no. 3 (2023): 203–10. http://dx.doi.org/10.1353/cea.2023.a912096.

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Abstract: Just as the cloth was transformed and became defined as a quilt, so, too, the special qualities of the quilting bee supported the transformation of quilters into defined, agential groups. Indeed, the historical context of both quilting bees and quilt-making is significant, the activities at their peak of popularity in the mid-nineteenth century, the same time as the 1848 Seneca Falls Convention—generally marked as the formal birth of the organized women's rights movement.
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18

Stalp, Marybeth C., and Rachel Conti. "Serious Leisure in the Home: Professional Quilters Negotiate Family Space." Gender, Work & Organization 18, no. 4 (2009): 399–414. http://dx.doi.org/10.1111/j.1468-0432.2009.00444.x.

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19

Morrill, Janice. "A Communion of the Spirits: African American Quilters, Preservers, and Their Stories." Journal of American Folklore 114, no. 451 (2001): 80. http://dx.doi.org/10.2307/3592385.

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20

Stalp, Marybeth C. "Hiding the (Fabric) Stash: Collecting, Hoarding, and Hiding Strategies of Contemporary US Quilters." TEXTILE 4, no. 1 (2006): 104–25. http://dx.doi.org/10.2752/147597506778052449.

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21

Morrill, Janice. "A Communion of the Spirits: African American Quilters, Preservers, and Their Stories (review)." Journal of American Folklore 114, no. 451 (2001): 80–82. http://dx.doi.org/10.1353/jaf.2001.0075.

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22

Crosby, David. "A Communion of the Spirits African-American Quilters, Preservers, and Their Stories (review)." Southern Cultures 3, no. 4 (1997): 87–90. http://dx.doi.org/10.1353/scu.1997.0076.

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23

Paznokas, Lynda S. "Teaching Mathematics through Cultural Quilting." Teaching Children Mathematics 9, no. 5 (2003): 250–56. http://dx.doi.org/10.5951/tcm.9.5.0250.

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My granny was a great one for quilting. She had this big flour sack full of scraps. Squares and triangles and diamonds and stripes, all colors. Soft shiny pieces of Mam's petticoats. Rough scratchy pieces from Pap's work pants” (Howard 1996, p. 1). Stories of quilts can be as comforting to children as quilted bed coverings. Quilt stories are found in children's books and in the quilts themselves, which can help unravel stories about real people that quilts have pieced together. Quilts have been made by all socioeconomic levels and all ethnic groups in America, making them valuable historical a
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24

Williamson, Rosemary. "Obsession, Guilt, Subterfuge and Penury: The Rhetoric of Addiction and the Construction of Creative Identity in Australian Quilters’ Magazines." International Journal of the Humanities: Annual Review 5, no. 11 (2008): 163–70. http://dx.doi.org/10.18848/1447-9508/cgp/v05i11/58204.

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25

Seninde, Denis Richard, Edgar Chambers IV, Delores H. Chambers, and Edgar Chambers V. "Development of a Consumer-Based Quality Scale for Artisan Textiles: A Study with Scarves/Shawls." Textiles 1, no. 3 (2021): 483–503. http://dx.doi.org/10.3390/textiles1030025.

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Modern textile consumers are increasingly becoming more watchful of the quality of the textiles that they purchase. This has increased the need for textile producers, especially artisan textile makers (e.g., knitters, tailors, dressmakers, seamstresses, and quilters), to improve the quality of their textile products. Information on several analytical tools that are commonly used for assessing the quality of textiles is abundant, but consumer-based tools for evaluating the quality of textiles remain limited. A consumer-based artisan textile-quality scale was developed using data collected from
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26

Weidlich, Lorre M., and Ricky Clark. "Quilted Gardens: Floral Quilts of the Nineteenth Century." Journal of American Folklore 109, no. 432 (1996): 202. http://dx.doi.org/10.2307/541838.

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27

Dunn, Margaret M., and Ann R. Morris. "Narrative Quilts and Quilted Narratives: The Art of Faith Ringgold and Alice Walker." Explorations in Ethnic Studies 15, no. 1 (1992): 27–32. http://dx.doi.org/10.1525/ees.1992.15.1.27.

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28

Dewanti, Asih Retno. "Seni Kerajinan "Quilting"." Jurnal Dimensi Seni Rupa dan Desain 11, no. 1 (2014): 55–64. http://dx.doi.org/10.25105/dim.v11i1.400.

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AbstractQuilt hand craft is different form of art compared with the other media such of painting or sculpture with the quilter express their imagination and enthusiasm, reasoning, and emotion in quilt craft.Quilt have unique patchwork in the upper layer which combine different pattern, shape, colors and fabric materials AbstrakQuilt ( istilah : selimut tebal) merupakan jenis ketrajinan tangan yang berbeda mediannya dengan bentuk seni kerajinan lain, seperti seni lukis dan seni patung dimana quilter ( pengrajin quilt) akan mengekspresikan imaginasi, antusiasme, pemikiran, emosi dalam karyanya.
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29

Hanson, Debra. "At home in Harlem: The politics of domesticity in Faith Ringgold's The Bitter Nest." Image & Text, no. 37 (December 10, 2023): 1–23. http://dx.doi.org/10.17159/2617-3255/2023/n37a20.

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The Bitter Nest, a sequence of five large-scale story quilts created in 1988 by Faith Ringgold (American, b. 1930), probes the dynamics of an imagined Black middle-class family, their home in Harlem, and the connections they forge within it. Originally conceived as a performance piece, the quilted series likewise expands on its themes of home, family, mother-daughter relations, and Black female creativity. Bringing together storytelling and quilting traditions prominent in the artist's family, the African American community, and across the African diaspora, The Bitter Nest extends the concept
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30

MacDowell, Marsha, Justine Richardson, Mary Worrall, Amanda Sikarskie, and Steve Cohen. "Quilted Together." Winterthur Portfolio 47, no. 2/3 (2013): 139–60. http://dx.doi.org/10.1086/671567.

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31

Faires, Jan. "Quilted Comfort." Appalachian Heritage 22, no. 2 (1994): 74. http://dx.doi.org/10.1353/aph.1994.0039.

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32

Chizen, Donna. "Quilted Copper." Journal of Obstetrics and Gynaecology Canada 33, no. 12 (2011): 1288. http://dx.doi.org/10.1016/s1701-2163(16)35117-9.

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33

Chandan, Surabhi. "Quilted Selves and Shadowed Psyches: A Psychoanalytic Study of Grace Marks." Journal of Humanities and Education Development 7, no. 2 (2025): 30–35. https://doi.org/10.22161/jhed.7.2.4.

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This paper examines Margaret Atwood’s Alias Grace through Freudian and post-Freudian psychoanalytic frameworks, focusing on the psychological complexity of Grace Marks, a historical figure convicted of murder in 19th-century Canada. The novel’s fragmented narrative, recurring motifs, and symbolic textures create a rich terrain for exploring themes of repression, trauma, and identity. Grace’s disjointed memory and ambiguous role in the murders are interpreted as signs of deep psychological distress, particularly tied to the repression of sexual trauma and loss. Drawing from Freud’s concepts of
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34

Higgs, Elizabeth, and Polly F. Radosh. "Quilts." Journal of Family History 38, no. 1 (2012): 55–77. http://dx.doi.org/10.1177/0363199012470063.

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35

McCoy, Leah P., and Jean M. Shaw. "Patchwork Quilts: Connections with Geometry, Technology and Culture." Mathematics Teaching in the Middle School 9, no. 1 (2003): 46–50. http://dx.doi.org/10.5951/mtms.9.1.0046.

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Patchwork quilts are an important part of American culture and history. The patchwork designs are geometric, and early American women used mathematics and artistry as they sewed warm covers for their families. The history of quilts can be traced through several cultures, including that of Native Americans, western pioneers, slaves escaping through the Underground Railroad, and immigrants from Europe and Asia. Often, students have seen quilts in their homes and are interested in exploring the patterns. Quilt making is related to family heritage, and the study of quilts may connect young student
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36

Neumann, Maureen D. "The Mathematics of Native American Star Quilts." Mathematics Teaching in the Middle School 9, no. 4 (2003): 230–36. http://dx.doi.org/10.5951/mtms.9.4.0230.

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37

Das, Devaleena. "What Transnational Feminism Has Not Disrupted Yet." Meridians 22, no. 2 (2023): 240–66. http://dx.doi.org/10.1215/15366936-10637591.

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Abstract Examining the critical genealogy of transnational feminism, this essay proposes a feminist theoretical model called quilted epistemology derived from the Black feminist art of quilting. Aiming to strengthen transnational feminism, quilted epistemology intends to resolve some of the existing limitations of transnational feminism and embrace multiple and incompatible feminist knowledge positions from the Global South to the Global North.
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38

Hurd, Michael. "Review: Roger Quilter: His Life and Music." Music and Letters 84, no. 4 (2003): 671–73. http://dx.doi.org/10.1093/ml/84.4.671.

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39

Wehrheim, Katrin, and Chris T. Woodward. "Quilted Floer cohomology." Geometry & Topology 14, no. 2 (2010): 833–902. http://dx.doi.org/10.2140/gt.2010.14.833.

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40

Langlois, Judith H. "Patchwork Quilts." Contemporary Psychology: A Journal of Reviews 32, no. 5 (1987): 426–27. http://dx.doi.org/10.1037/027116.

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41

Wehrheim, Katrin, and Chris T. Woodward. "Pseudoholomorphic quilts." Journal of Symplectic Geometry 13, no. 4 (2015): 849–904. http://dx.doi.org/10.4310/jsg.2015.v13.n4.a3.

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42

Jackson, Jayne. "Data becomes quilt: Encoding meaning through social semiotics." Craft Research 14, no. 2 (2023): 255–73. http://dx.doi.org/10.1386/crre_00109_1.

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There are accepted academic traditions about how data is visually represented, most often in the form of graphs, tables and maps. To visually represent the findings of a study about quilt makers in New Zealand and be congruent with the research topic, the researcher made a quilt to represent the findings. While much of the existing research about quilts focuses on the analysis of meaning, this article is about encoding meaning in a quilt. The article describes the processes of design and making which drew on a diverse range of quilt making traditions and forms of data representation exemplifie
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43

Jefferies, Janis. "Quilts 1700–2010." West 86th: A Journal of Decorative Arts, Design History, and Material Culture 18, no. 1 (2011): 125–27. http://dx.doi.org/10.1086/659395.

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44

Anthony, Holly Garrett, and Amy J. Hackenberg. "Making Quilts without Sewing: Investigating Planar Symmetries in Southern Quilts." Mathematics Teacher 99, no. 4 (2005): 270–76. http://dx.doi.org/10.5951/mt.99.4.0270.

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An activity for “making quilts without sewing” that enables high school students to develop their understanding of planar symmetries and wallpaper patterns. This activity incorporates the culture and traditions of quilting into the study of geometry. From the same block, students can make quilts with different patterns by using various combinations of transformations, in addition to the possible combinations of transformations that might have been used to create a quilt or wallpaper pattern. Students may also reflect upon the cultural activity of quilt makers and the art of quilt making.
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45

Wehrheim, Katrin, and Chris T. Woodward. "Quilted Floer trajectories with constant components: Corrigendum to the article “Quilted Floer cohomology”." Geometry & Topology 16, no. 1 (2012): 127–54. http://dx.doi.org/10.2140/gt.2012.16.127.

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46

Hernandez Ojeda, Biviana. "Poesía revuelta en Chile: aproximaciones a un corpus desapropiado." Kamchatka. Revista de análisis cultural., no. 24 (January 15, 2025): 133–58. https://doi.org/10.7203/kam.24.27570.

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En el marco del así llamado estallido social chileno el artículo revisa un conjunto de expresiones poéticas que en los últimos años han poetizado la revuelta de octubre a partir de una subjetividad “quiltra”, comprometida con la imaginación de una forma otra de vivir. El corpus que considera esta revisión se centra en una selección de poemas, extraídos de los textos: (re)constitución poética, Rebeldía quiltra, El dado, Un oasis en el desierto y Ad Mapu Constituyente; todos los cuales se leerán desde la perspectiva crítica de una literatura “desapropiada” que busca intervenir (en) lo común desd
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47

Garth, John. "Robert Quilter Gilson, T.C.B.S.: A Brief Life in Letters." Tolkien Studies 8, no. 1 (2011): 67–96. http://dx.doi.org/10.1353/tks.2011.0008.

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48

Figueroa, Alexis. "Magda Sepúlveda. 2013. Ciudad Quiltra." Estudios filológicos, no. 53 (June 2014): 171–72. http://dx.doi.org/10.4067/s0071-17132014000100011.

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49

Staniland, Kay. "An Eighteenth-Century Quilted Dress." Costume 24, no. 1 (1990): 43–54. http://dx.doi.org/10.1179/cos.1990.24.1.43.

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50

Brijder, Robert, and Hendrik Jan Hoogeboom. "Perfectly quilted rectangular snake tilings." Theoretical Computer Science 410, no. 16 (2009): 1486–94. http://dx.doi.org/10.1016/j.tcs.2008.12.010.

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