Academic literature on the topic 'Rock music'

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Journal articles on the topic "Rock music"

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Prayogo, Moh Aldiansyah, and Lutfiah Ayundasari. "Pengaruh politik terhadap dinamika musik rock n roll di Malang Tahun 1959–1992." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial (JIHI3S) 3, no. 5 (2023): 472–83. http://dx.doi.org/10.17977/um063v3i5p472-483.

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This article discusses political influence on the rock n roll music which began from 1959 till 1992. Rock n roll music entered Malang through Australian radio many people who liked rock n roll music. Soekarno acted decisively and began to seriously deal with anything that smelled of foreign culture entering big cities in Indonesia, one of which was Malang. Malang musicians made music in the Soekarno era by uniting Western music with nationalist lyrics. Differences in policy can be seen in the Suharto era facing this. In the 1960s Suharto began to hold a series of performances featuring music t
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Strasburger, Victor C., and Robert L. Hendren. "Rock Music and Music Videos." Pediatric Annals 24, no. 2 (1995): 97–99. http://dx.doi.org/10.3928/0090-4481-19950201-09.

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Astley, Tom. "Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba." Popular Music 33, no. 3 (2014): 455–72. http://dx.doi.org/10.1017/s0261143014000609.

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AbstractThe desire to construct and define a sense of national identity has often been regarded as something of an ‘obsession’ in Cuban political and cultural discourse. Throughout the Revolution, rock music has consistently played some part in the making of a Cuban soundscape. Yet rock has often been seen as something of a threat to an ‘autochthonous’ construction of Cuban culture, and has often been denied legitimacy as part of the Cuban soundworld. Despite the rather liminal position it occupied throughout the revolutionary period, rock music in contemporary Cuba is as ‘obsessed’ with const
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S. Santoso, Dedik. "PENGARUH MUSIK TERHADAP PERFORMANCE FISIK." Jurnal Teknik Industri 4, no. 1 (2004): 1–7. http://dx.doi.org/10.9744/jti.4.1.1-7.

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The main objective of this study, as mentioned on the title, is to determine whether there is any effect of music on physical task performance. Three different kind of music were used in this study: easy listening/slow music, hard rock music, and subject's own favorite music. The same physical task without music was also conducted for every subject as the control. To simulate the physical task, each subject has to walk on a treadmill at a constant speed (3 MPH) and inclination (4º) for six minutes. Enough rest was given after a subject finished each task. Four undergraduate and six graduate st
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Wilson, Brett. "Pop-Rock Music." IASPM@Journal 4, no. 2 (2014): 131–32. http://dx.doi.org/10.5429/2079-3871(2014)v4i2.14en.

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Gracyk, Theodore A. "Romanticizing Rock Music." Journal of Aesthetic Education 27, no. 2 (1993): 43. http://dx.doi.org/10.2307/3333411.

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Wilson, Brett David. "Pop-Rock Music." IASPM Journal 4, no. 2 (2014): 131–32. http://dx.doi.org/10.5429/ij.v4i2.700.

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Vuvan, Dominique T., and Bryn Hughes. "Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music." Music Perception 38, no. 5 (2021): 425–34. http://dx.doi.org/10.1525/mp.2021.38.5.425.

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Krumhansl and Kessler’s (1982) pioneering experiments on tonal hierarchies in Western music have long been considered the gold standard for researchers interested in the mental representation of musical pitch structure. The current experiment used the probe tone technique to investigate the tonal hierarchy in classical and rock music. As predicted, the observed profiles for these two styles were structurally similar, reflecting a shared underlying Western tonal structure. Most interestingly, however, the rock profile was significantly less differentiated than the classical profile, reflecting
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Laing, Usat USAT. "ANALISIS LAGU THE SOLID ROCK WILLIAM B. BRADBURY." Voice of Wesley: Jurnal Ilmiah Musik dan Agama 5, no. 1 (2022): 12–23. https://doi.org/10.36972/jvow.v5i1.97.

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 Tidak dapat disangkal bahwa generasi milenial lebih menyukai music ibadah yang bersifat kekinian yang terus mengalami perkembangan seiring perkembangan jaman ini, dan secara perlahan-lahan minat terhadap gaya music ibadah yang bersifat Hymne semakin berkurang. Bagi pemimpin gereja-gereja yang masih mempertahankan gaya himne Ini menjadi satu pergumulan, sementara selera music sering menentuan pilihan waktu dan tempat beribadah bagi sesorang. Tujuan dari tulisan ini adalah untuk memahami analisa bentuk music yang begitu variatif dan yang memiliki makna teologis yang sangat dalam dari salah la
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Richie, Richie, and Gregorius Genep Sukendro. "ROCK MUSIC IN FORMATION OF FAN BEHAVIOR (A CASE STUDY OF SLANK FANS CLUB CENTER)." International Journal of Application on Social Science and Humanities 1, no. 1 (2023): 165–72. http://dx.doi.org/10.24912/ijassh.v1i1.25780.

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Music is a work of art that exists and develops in society, in its development music gave birth to many diverse genres/types, one of which is the rock music genre. Rock music, which is one of the popular music genres globally, certainly has many fans whose behavior is shaped by rock music so researchers are interested in researching rock music. The purpose of this study is to find out how rock music impacts the formation of rock fan behavior and to find out what fan behavior is formed from rock music. This study uses a qualitative descriptive research approach with case study methods. Data was
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Dissertations / Theses on the topic "Rock music"

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Yiu, Yan-ling, and 饒欣凌. "Rock music as cultural translation: a case study of Hong Kong rock music video." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30432996.

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Yiu, Yan-ling. "Rock music as cultural translation : a case study of Hong Kong rock music video /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22200174.

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Carroll, Adrian Dominic. "Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61231/13/61231.pdf.

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This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic sections at the beginning and end of each musical work created a ‘DJ friendly’ environment. The term used in this thesis to refer to the application of beat-mixing in Rock music is ‘ClubRock’. Collaboration between a number of DJs and Rock music professionals applied the process of beat-mixing to blend Rock tracks to produce a continuous ClubRock set. The DJ technique of beat-mixing Rock music transformed static
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Cheung, Kin-keung Stanley. "Comparative study on rock music in Beijing and Tokyo." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20353753.

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Traulsen, Andrew. "More than music :." [Chico, Calif. : California State University, Chico], 2009. http://hdl.handle.net/10211.4/107.

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Roig, Olivia. "Green Day: Rock Music and Class." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460052619.

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Smith, Heather Noelle. "Rock Music: The Sounds of Flintknapping." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574.

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Vallen, Samuel B. "Rock vanguards: Exploring artistic progressiveness in popular music and progressive rock." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/397044.

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This thesis comprises two related aims. The first is to define the identifying features of an artistically progressive popular music. The second is to use this definition to critically consider the canon of progressive rock, exploring its position as an artistically progressive musical style and considering how this quality changed over time. This thesis explores two discourses by which to define artistically progressive as it relates to popular music. The first is G.W.F Hegel’s depiction of the dialectic: the synthesis of two opposed forms (a thesis and antithesis) that is persistently rechal
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Wheeler, Jesse Samuel. "Dark matter towards an architectonics of rock, place, and identity in Brasília's utopian underground /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467887541&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Andrus, Timothy S. "A proper approach to Christian rock." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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Books on the topic "Rock music"

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Museum, Pitt Rivers, ed. Rock music. Pitt Rivers Museum, University of Oxford, 1997.

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Riggs, Kate. Rock 'n' roll music. Creative Education, 2008.

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Pattie, David. Rock Music in Performance. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230593305.

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Riggs, Kate. Rock 'n' roll music. Creative Education, 2008.

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Brasch, Nicolas. Pop and rock music. Smart Apple Media, 2004.

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Janet, Podell, ed. Rock music in America. H.W. Wilson Co., 1986.

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Dasher, Richard T. History of rock music. J. Weston Walch, Publisher, 1985.

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Janet, Podell, ed. Rock music in America. H.W. Wilson Co., 1987.

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Macdonald, Marie-Paule. Rock spaces. Art Metropole, 2000.

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Congress, International Music Council. Rhythmic music education: Jazz, rock, world music. Danish Music Council in association with the Rhythmic Music Conservatory, 1996.

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Book chapters on the topic "Rock music"

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Williams, Michael. "Rock Music." In Society Today. Macmillan Education UK, 1986. http://dx.doi.org/10.1007/978-1-349-08845-4_35.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Rock." In Anthology to Accompany Gateways to Understanding Music. Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-52.

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Spunt, Barry. "Rock." In Heroin and Music in New York City. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137314291_3.

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Easton, Paul. "The Rock Music Community." In Soviet Youth Culture. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19932-7_3.

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Albini, Steve. "“The Problem with Music”." In The Rock History Reader. Routledge, 2019. http://dx.doi.org/10.4324/9781315394824-59.

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Ramet, Sabrina P. "Rock Music." In Balkan Babel. Routledge, 2018. http://dx.doi.org/10.4324/9780429495403-7.

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"ROCK MUSIC." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-400.

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"'Rock Music'." In Popular Music. Routledge, 2016. http://dx.doi.org/10.4324/9781315622569-29.

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Wells, Ira. "Rock Music." In The World of Bob Dylan. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108583398.010.

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"SCRUPULOUS MUSIC." In Indie Rock. University of Alberta Press, 2023. http://dx.doi.org/10.1515/9781772127003-051.

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Conference papers on the topic "Rock music"

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Nakatsuji, Makoto, Yasuhiro Fujiwara, Akimichi Tanaka, Toshio Uchiyama, Ko Fujimura, and Toru Ishida. "Classical music for rock fans?" In the 19th ACM international conference. ACM Press, 2010. http://dx.doi.org/10.1145/1871437.1871558.

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Appel, Nadav. "Youth-centric discourse and pop-rock music." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.02.

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Oliwa, Tomasz Michal. "Genetic algorithms and the abc music notation language for rock music composition." In the 10th annual conference. ACM Press, 2008. http://dx.doi.org/10.1145/1389095.1389399.

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Tang, Xinjian, Weizhong Ren, Tao Sun, and Zhicheng Zhang. "Rock structures analysis from GPR radargram based on MUSIC method." In 2017 9th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2017. http://dx.doi.org/10.1109/iwagpr.2017.7996097.

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GREGORY, SJ. "ROCK MUSIC AT MAINE ROAD, MANCHESTER - A NOISE TOLERANT ZONE?" In Reproduced Sound 1992. Institute of Acoustics, 2024. http://dx.doi.org/10.25144/20881.

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Abdul Kadir, Ros Shilawani S., Mohd Hafizi Ghazali, Zunairah Hj Murat, Mohd Nasir Taib, Husna Abdul Rahman, and Siti Armiza Mohd Aris. "The preliminary study on the effect of nasyid music and rock music on brainwave signal using EEG." In 2010 2nd International Congress on Engineering Education (ICEED 2010). IEEE, 2010. http://dx.doi.org/10.1109/iceed.2010.5940764.

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Tolstikov, A. S. "The Linguistic Revolution: A Study of Texts and Linguistic Trends in Rock of the 1970s and 1980s." In Scientific and Technical Creativiy of Youth - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/nttm-2024-1-70.

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The article examines the influence of rock on the English language as part of world culture. Rock music has a profound impact on socio-cultural aspects, forming a linguistic picture of the world. The analysis of rock song lyrics focuses on language experiments and global influence. This research will help to understand the evolution of the rock language and its impact on the English language.
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Tolstikov, A. S. "Pioneers of the Word: The Evolution of Language in Early Rock Texts." In Scientific and Technical Creativiy of Youth - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/nttm-2024-1-62.

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This article examines the evolution of language in early rock texts and their influence on the formation of a cultural context. We study the various stages and styles of early rock music, analyzing the linguistic features of the texts and their impact on linguistic culture and identity. Understanding this will help us better understand the role of early rock lyrics in the development of language and cultural landscape.
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Lončar, Sonja, and Andrija Pavlović. "LP Duo – Minimalism as a Bridge to (Neo)Classical Piano Music and Beyond." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.201l.

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Since 2004, pianists, composers, innovators, researchers, producers and professors Sonja Lončar and Andrija Pavlović (a.k.a. Andy Pavlov) have performed together as LP Duo, exploring vast realms of music on two acoustic and later two DUALITY hybrid pianos, designed and realized in collaboration with engineers from the American company HTEC. Today, these instruments are standard in LP Duo’s work, used for composing, performing, arranging existing musical pieces, and recording. However, at the beginning of their two-decade career, things looked different. LP Duo initially established themselves
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Thongrom, Pimpika. "The effect of Music Festivals on Perceived Destination Images." In INNODOCT 2019. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/inn2019.2019.10179.

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Music festival is one of the special event. It is a unique cultural event which continuously held on a particular place and time. It has been confirmed that music festivals can attract people to visit the destinations for instance Glastonbury, and the Fuji Rock. Various researches have explored the potential of festivals in forming destination image. It has not been yet explored a link between the music festivals and image formation of thedestination. The research aim is to examine the effect of music festivals on the perceived images of destinations. The objectives are to explore music festiv
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