Relevant bibliographies by topics / Rock music / Dissertations / Theses
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Dissertations / Theses on the topic 'Rock music'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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1

Yiu, Yan-ling, and 饒欣凌. "Rock music as cultural translation: a case study of Hong Kong rock music video." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B30432996.

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2

Yiu, Yan-ling. "Rock music as cultural translation : a case study of Hong Kong rock music video /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22200174.

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3

Carroll, Adrian Dominic. "Beat-mixing Rock music: Rock and electronic dance music merge to create the Manarays." Thesis, Queensland University of Technology, 2012. https://eprints.qut.edu.au/61231/13/61231.pdf.

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This research introduces the proposition that Electronic Dance Music’s beat-mixing function could be implemented to create immediacy in other musical genres. The inclusion of rhythmic sections at the beginning and end of each musical work created a ‘DJ friendly’ environment. The term used in this thesis to refer to the application of beat-mixing in Rock music is ‘ClubRock’. Collaboration between a number of DJs and Rock music professionals applied the process of beat-mixing to blend Rock tracks to produce a continuous ClubRock set. The DJ technique of beat-mixing Rock music transformed static
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Cheung, Kin-keung Stanley. "Comparative study on rock music in Beijing and Tokyo." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20353753.

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5

Traulsen, Andrew. "More than music :." [Chico, Calif. : California State University, Chico], 2009. http://hdl.handle.net/10211.4/107.

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6

Roig, Olivia. "Green Day: Rock Music and Class." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460052619.

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7

Smith, Heather Noelle. "Rock Music: The Sounds of Flintknapping." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586714709929574.

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8

Vallen, Samuel B. "Rock vanguards: Exploring artistic progressiveness in popular music and progressive rock." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/397044.

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This thesis comprises two related aims. The first is to define the identifying features of an artistically progressive popular music. The second is to use this definition to critically consider the canon of progressive rock, exploring its position as an artistically progressive musical style and considering how this quality changed over time. This thesis explores two discourses by which to define artistically progressive as it relates to popular music. The first is G.W.F Hegel’s depiction of the dialectic: the synthesis of two opposed forms (a thesis and antithesis) that is persistently rechal
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Wheeler, Jesse Samuel. "Dark matter towards an architectonics of rock, place, and identity in Brasília's utopian underground /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467887541&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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10

Andrus, Timothy S. "A proper approach to Christian rock." Theological Research Exchange Network (TREN), 1987. http://www.tren.com.

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11

Behr, Adam. "Group identity : bands, rock and popular music." Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/3051.

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Since rock became the subject of academic study, its attendant ideology has been scrutinised and its mythical and Romantic components exposed. Largely absent from this account has been a thorough analysis of the phenomenon of the ‘band’. The role of individual acts and the wider contexts in which they worked has been discussed at the expense of an examination of an important form of music-making. This thesis seeks to address that gap. Using a mixture of literary research and ethnography, I present an overall picture of the band as a modus operandum, charting its evolution during the emergence
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12

Tuttle, Brian. "Who killed rock guitar? Virtuosity in nineteen-nineties alternative rock." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121303.

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After the release of Nirvana's Nevermind in 1991, previously underground alternative rock burst into the mainstream and dethroned heavy metal as the dominant form of hard rock. The culture that surrounded alternative music was a politically progressive American post-punk movement that sought a more egalitarian, tolerant, and democratic world than heavy metal offered. Alternative culture saw heavy-metal style as a symbol for the masculinist values that seem to underlie the genre. Heavy-metal guitar gods—hyper-masculine virtuosic figures revered by fans for their "cool kid" personas and ability
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13

Keith, Brandon P. "Southern rock music as a cultural form." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003110.

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14

Sykes, Robbie. "Law Up Loud: Jurisprudence and Rock Music." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/368138.

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In order to better perceive and understand philosophies of the law, this thesis connects jurisprudence expounded by mainstream 20th century legal thinkers with the lives and music of rock stars of the 1960s and beyond. With their propensity for unconventional, anti-establishment, and sometimes lawless behaviour, rock stars may initially appear incompatible with legal thinking and its concerns, such as justice, rules and rulers, and considered decision making. However, opening a ‘channel’ between law and music, it is argued, performs dual functions. First, comparing the activities of theorists
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15

Kania, Andrew. "Pieces of music the ontology of classical, rock, and jazz music /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2689.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.<br>Thesis research directed by: Philosophy. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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16

Schiffner, Wolfgang. "Einflüsse der Technik auf die Entwicklung von Rock/Pop-Musik." Hamburg : [Universität Hamburg], 1991. http://books.google.com/books?id=mz1FAAAAMAAJ.

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17

Svärd, Magnus. "”Jo, men sjunga rock är ju svårt” : En undersökande pedagogisk studie i hårdrockssång." Thesis, Örebro universitet, Musikhögskolan, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-92813.

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18

Zavgorodni, Nikolai. "Rock och popmusik i undervisningen." Thesis, Malmö högskola, Lärarutbildningen (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-28291.

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SammanfattningNikolai Zavgorodni (2008)Titel: Rock- och popmusik i undervisningen.Syfte med denna studie är att undersöka vilken betydelse har musicerandet i elevernas musikaliska utveckling. Studien omfattar musikundervisningen i gymnasieskolan. Jag har använt mig av både kvantitativ och kvalitativ metoder i min studie. Den kvantitativa metoden var i form av enkätundersökningen och kvalitativa metoden i form av observationer men framförallt i form av definitioner, konceptioner och teoretiska konstruktioner. Resultatet visar att musicerandet har en stor betydelse för musikstuderande och rock-
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19

Melendez, Elisa M. "For Those About to Rock: Gender Codes in the Rock Music Video Games Rock Band and Rocksmith." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3685.

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This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both t
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20

my, a. trainer@curtin edu, and Adam Trainer. "Rock n Roll Cinema." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20061019.151505.

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Popular music and film are separate media, framed by specific discourses, histories of distribution and reception, semiotic relationships and literacies. Through these divergent manifestations and ideologies nodes of convergence exist. At moments of connection, new and innovative textual and contextual possibilities emerge, transforming the ways in which audiences both engage and read these media. Whilst often driven by capitalist goals, both popular music and film capture and tether personal expression and collective memory. Through these processes of signification, popular cultural texts bel
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21

Matos, Susana Isabel Mendes de. "Music and subversion in Tom Stoppard's rock 'n'roll." Master's thesis, Universidade de Aveiro, 2013. http://hdl.handle.net/10773/11967.

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Mestrado em Línguas, Literaturas e Culturas<br>This dissertation aims at analysing music as a form of subversion in Tom Stoppard’s play Rock ‘N’ Roll. After a short summary of Stoppard’s career, the bands and songs chosen by him are analysed from the perspective of subversion against censorship and totalitarian regimes, relating them to the plot. The dissertation also focuses on the specific case of the Czech band the Plastic People of the Universe and its importance to the history of Czechoslovakia between 1968 and 1990.<br>O presente trabalho propõe-se apresentar uma análise da música como f
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22

Berger, Monica. "Scholarly monographs on rock music: a bibliographic essay." Emerald Group Publishing, 2008. http://hdl.handle.net/10150/299601.

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Purpose: This article is an overview of scholarly monographs on rock music from 1980 to the present. It provides an overview to the literature for practical purposes of collections development as well as giving the reader insight into key issues and trends related to a interdisciplinary topic that attracts scholars from many disciplines in the humanities and social sciences. Design/methodology/approach: This bibliographic essay, focusing on works related to American culture and of a general nature, includes an overview and historical background; a discussion of how music and ethnomusiciolog
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23

Hills, Robert Allen. "A comparison of the harmful effects of secular rock music to the Christian alternative." Theological Research Exchange Network (TREN) Access this title online, 1985. http://dx.doi.org/10.2986/tren.031-0082.

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24

Bidgood, Lee, and Doctors and Outlaws. "Celebration of 1970s Country-Rock-Grass Fusion." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1063.

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A one-time celebration of the 1970s country-rock-grass fusion of Crowe, Parsons, the Rices, the Burritos, etc. View the YouTube videos below: Part 1: https://www.youtube.com/watch?v=lbWzeKhdbus Part 2: https://www.youtube.com/watch?v=ImrFFCPPXw4 Part 3: https://www.youtube.com/watch?v=Je5oXBpDGmU Part 4: https://www.youtube.com/watch?v=WkNjD079QFQ
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25

Stephens, Vincent Lamar. "Queering the textures of rock and roll history." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2444.

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26

Barber-Kersovan, Alenka. "Vom "Punk-Frühling" zum "Slowenischen Frühling" der Beitrag des slowenischen Punk zur Demontage des sozialistischen Wertesystems." Hamburg Krämer, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2655733&prov=M&dok_var=1&dok_ext=htm.

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27

Berkland, Darren Gary. "Androcentrism and misogyny in late twentieth century rock music." Thesis, Nelson Mandela Metropolitan University, 2015. http://hdl.handle.net/10948/d1021199.

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Judith Butler’s writings on gender ostensibly changed the way gender is considered with regard to an individual’s subjectivity. Her writings expressed a discursive parameter that changed the theoretical standpoint of gender from that of performance, to that of performativity. In short, the notion of gender became understood as a power mechanism operating within society that compels individuals along the heteronormal binary tracts of male or female, man or woman. Within the strata of popular culture, this binarism is seemingly ritualized and repeated, incessantly. This treatise examines how roc
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Cheung, Kin-keung Stanley, and 張健強. "Comparative study on rock music in Beijing and Tokyo." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951909.

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29

Brooks, Sarah, Dan O'Halloran, and Alexandre Magnin. "Rock On! : Bringing strategic sustainable development to music festivals." Thesis, Blekinge Tekniska Högskola, Avdelningen för maskinteknik, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3860.

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Recreational events gather large numbers of people in concentrated areas for brief periods of time. Effects of these events extend far beyond their spatial and temporal boundaries; a music festival is one such event. This paper asks, “What are some measures that can move music festivals strategically toward sustainability?” A framework for strategic sustainable development based on backcasting from sustainability principles is applied. Research draws on pertinent literature, interviews with festival organizers and an in-depth case study with International Music Concepts. Results indicate that
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30

Vanicek, Anna. "Passion play, underground rock music in Czechoslovakia, 1968-1989." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22882.pdf.

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31

Stroh, Edward D. "Rock music performance ensembles in New Jersey secondary education." Thesis, The William Paterson University of New Jersey, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1548559.

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<p> This work explores the occurrence of school sponsored rock music ensembles and pedagogy in secondary education within the state of New Jersey. The purpose of this research was three&ndash;fold: 1) to document the occurrence of rock music performance ensembles in New Jersey secondary schools, 2) to highlight the details of a select group representing a sample of these programs, and 3) to contribute to the body of knowledge relating to rock music in the school curriculum. A two part, mixed&ndash;methods research process involved the use of both a quantitative survey instrument and a qualitat
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Martin, Bryan. "Two projects in sound recording involving underground rock music." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61248.

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This thesis explores the sound recording aspects encountered on the creation of an album containing Rock music. It follows each project from the recording of the basic tracks through the final album mixes. Microphone technique, signal processing, studio setup, and instrument selection are also dealt with. This thesis documents two separate recording projects.
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Göras, Jesper. "Klipp den röda tråden : En studie i låtskrivning." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-79327.

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I mitt examensarbete har jag valt att utforska mer komplexa former inom komponerande av rockmusik, för att ta reda på: vilka metoder jag kan använda mig av för att undvika traditionella formmönster, vilka resultat jag kan få när jag använder mig av otypiska formmönster och hur upplevelsen av formdelars funktioner blir när man använder sig av otypiska formdelar. Min metod har varit att ha en egen utgångspunkt till varje låt, till exempel att inte ha några återkommande formdelar, för att kunna bryta de formmönster som jag i vanliga fall använder mig av. I det här arbetet beskr
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34

Allaback, Christina L. "Theater of jambands : performance of resistance /." Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://hdl.handle.net/1794/10219.

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35

Kristoffersson, Jessica, and Sara Samuelsson. "Rockstjärnor har inga tuttar : En innehållsanalys om genusrepresentationen i musikmagasinet MOJO." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-10400.

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The purpose of this study is to give an insight in how music press is presented gender wise. The focus area lies in rock music and the study is made on British music magazine MOJO in the year of 2010. The study contains quantitative analyses showing how much room men are given compared to women. The study is also supplemented with image analyses of four covers spread out over the year. The main question is formulated as in, how much room do women get in music magazine MOJO 2010 and what output does this have on rock music’s gender characteristics? The main results show, amongst other things th
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36

Koss, Michael Paul. "From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91." Diss., The University of Arizona, 2011. http://hdl.handle.net/10150/145489.

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The intent of this dissertation is to examine the way Genesis retained progressive rock elements during its 1978-91 pop-rock period. Genesis began composing music in a pop-rock style in 1978, adapting to the changes in rock by incorporating progressive rock elements into a pop-rock style. This study analyzes thirty-four selected songs from six Genesis albums considered in the pop-rock genre, identifying some of the progressive rock elements in these songs. The project begins with a historical survey of Genesis, shedding light on the development of the band`s progressive style, its transitio
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Botto, Malcolm Miguel. "Music and the Modern Maya: A Reception Study of Rock-Maya Music in Guatemala." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2554.pdf.

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38

Morrison, Craig. "Psychedelic music in San Francisco : style, context, and evolution." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54392.pdf.

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39

Encarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008." Electronic version, 2009. http://hdl.handle.net/2100/981.

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Various commentators on punk (e.g. Laing 1985, Frith 1986, Goshert 2000, Reynolds 2005, Webb 2007) have remarked upon an essence or attitude which is much more central to it than any aspects of musical style. Through the analysis of specific recordings as texts, this study aims to deliver on this idea by suggesting that there is an entire generation of musicians working in the independent sphere creating music that combines resonances of folk music with demonstrable punk aesthetics. Given that the cultural formations of folk and punk share many rhetorics of authenticity – inclusivity, communit
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40

Shea, Nicholas Jordan. "Ecological Models of Musical Structure in Pop-rock, 1950–2019." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu158755665247824.

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41

Bayton, Mavis. "How women become rock musicians." Thesis, University of Warwick, 1989. http://wrap.warwick.ac.uk/34719/.

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This thesis is about women rock musicians in the U.K. It is based on in-depth interviews with 36 female rock musicians in the 1980s. Firstly, it examines the relative absence of women in rock music-making and explains this in terms of gender socialisation and a number of social constraints operating on women. Secondly, it looks at those women who, despite all the obstacles, do become rock musicians. A number of variables are put forward which, it is suggested, have helped these women overcome gender constraints. These factors are conceptualised as "escape routes" into rock music-making. Thirdl
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42

Higgins, Andy. "Music, politics and liquid modernity : how rock-stars became politicians and why politicians became rock-stars." Thesis, Lancaster University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.578068.

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As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. Throughout this period, as rock-stars have morphed fr
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43

Murphy, Kevin Jones. "Making the Scene: An Investigation of the Rock and Roll Scenes of Nashville, Tennessee, and Athens, Georgia." TopSCHOLAR®, 2004. http://digitalcommons.wku.edu/theses/244.

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Making the Scene: An Investigation of the Rock and Roll Scenes of Nashville, Tennessee, and Athens, Georgia, takes a look at the ways in which both the identities of a music scene and the individuals taking part in that scene are created and maintained. Issues of identity are addressed by examining the roles performed by various members of the scene (musicians, soundmen, club owners, etc . . .), by focusing on the influence of landscape, and looking at the ways a scene’s members identify with the cultural region that surrounds their particular scene (in this case both scenes are located in the
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44

Burns, Robert, and n/a. "Transforming folk : innovation and tradition in English folk-rock music." University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.

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From a mixed methodology perspective that includes ethnology, musicology and cultural anthropology, I argue that, despite initial detachment from folk revivalism, English folk-rock has moved closer to aspects of tradition and historical status and has embraced a revivalist stance similar to that of the folk revivals that occurred earlier in the twentieth century. Whereas revivalism often rejects manifestations of mass culture and modernity, I also argue that the early combinations of folk music and rock music demonstrated that aspects of preservation and commercialisation have always co-existe
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Rowe, D. "Independent cultural production : The case of rock." Thesis, University of Essex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371186.

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Klonowski, Olivia. "Secondary Music Teachers' Perspectives on the Inclusion of Rock Bands in High School Music Classrooms." Youngstown State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1619793991159909.

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deCourville, Nichols P. IV. "The Punk-Rock Brontes." University of Akron / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=akron1491409983719254.

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48

Grannas, Julia. "Welcome To The Jungle : Att som kvinnlig sångerska efterlikna ett manligt rocksångsideal." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-74127.

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Det här arbetet handlar om hur jag som kvinnlig sångare kan ta mig an rocklåtar som i originalet sjungs av män och ändå behålla sångframförandets karaktär. Detta utan att ta till det förväntade alternativet att byta tonart. Forskningsfrågan handlar om hur jag kan modifiera mitt normala sångsätt för att förmedla samma intensitet, känsla och sound i framförandet som i originalet som är skrivet utifrån en manlig sångröst. Detta för att se om jag kan hitta verktyg inom sång som hjälper att behålla sångens karaktär även fast originalet är skrivet utifrån en manlig sa
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Stolar, Slade. "Animal-vocalist blends in rock music reviews : a comprehensive method." Thesis, University of British Columbia, 2010. http://hdl.handle.net/2429/27922.

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The present study describes music criticism of rock vocalists where their vocalizations are compared to those of animals in the form of the animal-vocalist blend. The animal-vocalist blend (using the framework developed by Fauconnier and Turner) is a representative example of the use of linguistic and cognitive resources in order to convey acoustic and affective information. These blends present an excellent case study in the variety and expressiveness that is present in the dense semantic field of the album review. The current project draws additional resources from linguistic motor theory, c
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Vaughn, Erin M. "Harmonic Resources in 1980s Hard Rock and Heavy Metal Music." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1449012267.

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