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Journal articles on the topic 'Rock music'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Prayogo, Moh Aldiansyah, and Lutfiah Ayundasari. "Pengaruh politik terhadap dinamika musik rock n roll di Malang Tahun 1959–1992." Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial (JIHI3S) 3, no. 5 (2023): 472–83. http://dx.doi.org/10.17977/um063v3i5p472-483.

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This article discusses political influence on the rock n roll music which began from 1959 till 1992. Rock n roll music entered Malang through Australian radio many people who liked rock n roll music. Soekarno acted decisively and began to seriously deal with anything that smelled of foreign culture entering big cities in Indonesia, one of which was Malang. Malang musicians made music in the Soekarno era by uniting Western music with nationalist lyrics. Differences in policy can be seen in the Suharto era facing this. In the 1960s Suharto began to hold a series of performances featuring music t

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Strasburger, Victor C., and Robert L. Hendren. "Rock Music and Music Videos." Pediatric Annals 24, no. 2 (1995): 97–99. http://dx.doi.org/10.3928/0090-4481-19950201-09.

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Astley, Tom. "Porno Para Ricardo: rock music and the ‘obsession with identity’ in contemporary Cuba." Popular Music 33, no. 3 (2014): 455–72. http://dx.doi.org/10.1017/s0261143014000609.

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AbstractThe desire to construct and define a sense of national identity has often been regarded as something of an ‘obsession’ in Cuban political and cultural discourse. Throughout the Revolution, rock music has consistently played some part in the making of a Cuban soundscape. Yet rock has often been seen as something of a threat to an ‘autochthonous’ construction of Cuban culture, and has often been denied legitimacy as part of the Cuban soundworld. Despite the rather liminal position it occupied throughout the revolutionary period, rock music in contemporary Cuba is as ‘obsessed’ with const

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S. Santoso, Dedik. "PENGARUH MUSIK TERHADAP PERFORMANCE FISIK." Jurnal Teknik Industri 4, no. 1 (2004): 1–7. http://dx.doi.org/10.9744/jti.4.1.1-7.

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The main objective of this study, as mentioned on the title, is to determine whether there is any effect of music on physical task performance. Three different kind of music were used in this study: easy listening/slow music, hard rock music, and subject's own favorite music. The same physical task without music was also conducted for every subject as the control. To simulate the physical task, each subject has to walk on a treadmill at a constant speed (3 MPH) and inclination (4º) for six minutes. Enough rest was given after a subject finished each task. Four undergraduate and six graduate st

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Wilson, Brett. "Pop-Rock Music." IASPM@Journal 4, no. 2 (2014): 131–32. http://dx.doi.org/10.5429/2079-3871(2014)v4i2.14en.

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Gracyk, Theodore A. "Romanticizing Rock Music." Journal of Aesthetic Education 27, no. 2 (1993): 43. http://dx.doi.org/10.2307/3333411.

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Wilson, Brett David. "Pop-Rock Music." IASPM Journal 4, no. 2 (2014): 131–32. http://dx.doi.org/10.5429/ij.v4i2.700.

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Vuvan, Dominique T., and Bryn Hughes. "Probe Tone Paradigm Reveals Less Differentiated Tonal Hierarchy in Rock Music." Music Perception 38, no. 5 (2021): 425–34. http://dx.doi.org/10.1525/mp.2021.38.5.425.

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Krumhansl and Kessler’s (1982) pioneering experiments on tonal hierarchies in Western music have long been considered the gold standard for researchers interested in the mental representation of musical pitch structure. The current experiment used the probe tone technique to investigate the tonal hierarchy in classical and rock music. As predicted, the observed profiles for these two styles were structurally similar, reflecting a shared underlying Western tonal structure. Most interestingly, however, the rock profile was significantly less differentiated than the classical profile, reflecting

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Laing, Usat USAT. "ANALISIS LAGU THE SOLID ROCK WILLIAM B. BRADBURY." Voice of Wesley: Jurnal Ilmiah Musik dan Agama 5, no. 1 (2022): 12–23. https://doi.org/10.36972/jvow.v5i1.97.

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Â Tidak dapat disangkal bahwa generasi milenial lebih menyukai music ibadah yang bersifat kekinian yang terus mengalami perkembangan seiring perkembangan jaman ini, dan secara perlahan-lahan minat terhadap gaya music ibadah yang bersifat Hymne semakin berkurang. Bagi pemimpin gereja-gereja yang masih mempertahankan gaya himne Ini menjadi satu pergumulan, sementara selera music sering menentuan pilihan waktu dan tempat beribadah bagi sesorang.Â Tujuan dari tulisan ini adalah untuk memahami analisa bentuk music yang begitu variatif dan yang memiliki makna teologis yang sangat dalam dari salah la

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Richie, Richie, and Gregorius Genep Sukendro. "ROCK MUSIC IN FORMATION OF FAN BEHAVIOR (A CASE STUDY OF SLANK FANS CLUB CENTER)." International Journal of Application on Social Science and Humanities 1, no. 1 (2023): 165–72. http://dx.doi.org/10.24912/ijassh.v1i1.25780.

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Music is a work of art that exists and develops in society, in its development music gave birth to many diverse genres/types, one of which is the rock music genre. Rock music, which is one of the popular music genres globally, certainly has many fans whose behavior is shaped by rock music so researchers are interested in researching rock music. The purpose of this study is to find out how rock music impacts the formation of rock fan behavior and to find out what fan behavior is formed from rock music. This study uses a qualitative descriptive research approach with case study methods. Data was

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Carter, James. "Campus Rock." Journal of Popular Music Studies 32, no. 3 (2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.32.3.51.

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During 1967-8, The Lovin’ Spoonful, The Animals, The Who, Richie Havens, Jefferson Airplane and the Iron Butterfly, performed in the gymnasium at the small, liberal arts Drew University in suburban New Jersey. Turns out, this experience was not unique to Drew. College campuses across the country were essential for the growth of popular music, and of rock music in particular in the mid- to late-sixties. The music industry took notice as booking agents, record shops, pop music promoters, radio stations, and industry magazines and newspapers all began to place more emphasis on the opportunities p

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Carter, James. "Campus Rock." Journal of Popular Music Studies 32, no. 3 (2020): 51–72. http://dx.doi.org/10.1525/jpms.2020.323006.

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During 1967-8, The Lovin’ Spoonful, The Animals, The Who, Richie Havens, Jefferson Airplane and the Iron Butterfly, performed in the gymnasium at the small, liberal arts Drew University in suburban New Jersey. Turns out, this experience was not unique to Drew. College campuses across the country were essential for the growth of popular music, and of rock music in particular in the mid- to late-sixties. The music industry took notice as booking agents, record shops, pop music promoters, radio stations, and industry magazines and newspapers all began to place more emphasis on the opportunities p

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Liang, Yuyi. "A Study on the Singing Forms of Western Rock Music Integrating Classical Cultural Elements." Advances in Humanities Research 6, no. 1 (2024): 5–8. http://dx.doi.org/10.54254/2753-7080/6/2024056.

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Rock and roll is not only a form of music, but also a "attitude and philosophy of life". It is precisely because of this that rock and roll is different from general pop music, and there are various differences between Chinese and Western rock and roll. Rock music has many branches and complex forms. Its main styles include folk rock, art rock, psychedelic rock, Country rock, heavy metal, punk, etc. This article studies the singing forms of Western rock music that integrate classical cultural elements. People who listen to classical music "despise" the "vulgarity" of rock and roll, and people

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Luzio, Hugo. "The ontology of rock music: Recordings, performances and the synthetic view." Filozofija i drustvo 30, no. 1 (2019): 73–82. http://dx.doi.org/10.2298/fid1901073l.

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This paper discusses the state-of-the-art dispute over the ontological question of rock music: what is the work of art, or the central work-kind, of rock music, if any? And, is the work of rock music ontologically distinct from the work of classical music, which is the only musical tradition whose ontology is vastly studied? First, I distinguish between two levels of inquiry in musical ontology: the fundamental level and the higher-order level, in which comparative ontology - the project in which someone engages by considering that there is ontological variety among works of distinct musical t

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Fucci, Donald, Linda Petrosino, and Molly Banks. "Effects of Gender and Listeners' Preference on Magnitude-Estimation Scaling of Rock Music." Perceptual and Motor Skills 78, no. 3_suppl (1994): 1235–42. http://dx.doi.org/10.2466/pms.1994.78.3c.1235.

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The purpose of the present study was to examine the effects of gender and listener preference on magnitude-estimation scaling of rock music. Four groups of young adults were tested: 14 women who liked rock music, 14 women who disliked rock music, 14 men who liked rock music, and 14 men who disliked rock music. Subjects were instructed to assign numerical values to a random series of nine suprathresh-old intensity levels of a 10-sec. sample of rock music. Analysis indicated that there was no difference in scaling performance between women and men. There was a difference in scaling performance b

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Fucci, Donald, Linda Petrosino, Daniel Harms, and Molly Banks. "The Effect of Preference for Rock Music on Magnitude-Estimation Scaling Behavior in Young Adults." Perceptual and Motor Skills 76, no. 3_suppl (1993): 1171–76. http://dx.doi.org/10.2466/pms.1993.76.3c.1171.

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The purpose of the present study was to examine the effect of preference for rock music on magnitude-estimation scaling behavior in young adults. Two groups of young adults, 20 who liked rock music and 20 who did not like rock music, were tested. Subjects were instructed to assign numerical values to a random series of nine suprathreshold intensity levels of a 10-second sample of rock music. Analysis indicated that there was a difference in performance by the two groups of subjects on the magnitude-estimation scaling task. The subjects who liked rock music provided significantly lower mean num

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Fucci, Donald, Daniel Harris, Linda Petrosino, and Molly Banks. "Effect of Preference for Rock Music on Magnitude-Production Scaling Behavior in Young Adults: A Validation." Perceptual and Motor Skills 77, no. 3 (1993): 811–15. http://dx.doi.org/10.2466/pms.1993.77.3.811.

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The purpose of the present study was to examine the effect of preference for rock music on magnitude-production scaling behavior in young adults as an attempt to validate further the 1993 magnitude-estimation scaling results obtained by Fucci, Harris, Petrosino, and Banks. Two groups of young adults, 20 who liked rock music and 20 who disliked rock music, were tested. Subjects were instructed to adjust the intensity of a 10-sec. sample of rock music in response to seven written stimuli presented in random order. Analysis indicated that there was a significant difference in performance by the t

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Davies, Stephen. "Rock versus Classical Music." Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 193. http://dx.doi.org/10.2307/432312.

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ROBINSON, ERIC. "The original rock music." Geology Today 13, no. 5 (1997): 199–200. http://dx.doi.org/10.1046/j.1365-2451.1997.t01-2-00015.x.

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Cohen, Marci. "Music Magazine Archives: Rock." Notes 73, no. 3 (2017): 581–83. http://dx.doi.org/10.1353/not.2017.0028.

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DAVIES, STEPHEN. "Rock Versus Classical Music." Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 193–204. http://dx.doi.org/10.1111/1540_6245.jaac57.2.0193.

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Mitchell, Tony. "Mixing pop and politics: rock music in Czechoslovakia before and after the Velvet Revolution." Popular Music 11, no. 2 (1992): 187–203. http://dx.doi.org/10.1017/s0261143000004992.

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Rock and pop music in the USSR and eastern Europe has become an area of increasing interest to both the western mass media and cultural studies since glasnost, perestroika, the collapse of the Eastern bloc Communist regimes and the constitution of new western-styled democratic governments. This is largely because rock music has represented probably the most widespread vehicle of youth rebellion, resistance and independence behind the Iron Curtain, both in terms of providing an enhanced political context for the often banned sounds of British and American rock, and in the development of home-gr

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Belibou, Alexandra. "Proposal of an Alternative Repertoire for Classical Music Audition Through the Rock Genre." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (2022): 49–56. http://dx.doi.org/10.24193/subbmusica.2022.1.04.

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"The subject of this article aims to put in the mirror two fundamentally different musical genres. It is the stylistic difference that seems interesting, so in the following pages, I chose to analyze rock creations that quoted or processed classical music. Rock music, a genre that appeared in the second half of the twentieth century, could not escape the influence of classical music, so, as we will see throughout the paper, there are many rock pieces influenced by classical scores, works that remained in the top of the preferences of rock music listeners. Some of the rock musicians chose to qu

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KWIATKOWSKI, G. J. "SYMBOLIC PRACTICES OF CONSTRUCTING THE OBJECTOF RESEARCH IN THE ACTIVITIES OF RESEARCH COMMUNITIESIN THE FIELD OF ROCK MUSIC STUDIES IN POST-SOVIET SCIENCE." Bulletin of Chelyabinsk State University 498, no. 4 (2025): 115–24. https://doi.org/10.47475/1994-2796-2025-498-4-115-124.

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The development of scientific knowledge in rock music studies can be considered as a process of continuous struggle between scientific communities, which try to construct the object of research and is expressed in the incessant attempts of representatives of the social sciences and humanities to take a position of communicative leadership in shaping the discourse on rock music. Scientific communities studying rock music have created and carefully reproduce ideas that replace the knowledge of rock music with language games, which include: postulates about the insurmountable complexity of the pr

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Djohan, Djohan, Asep Hidayat Wirayudha, and Aghisna Indah Mawarni. "Efek Reinstrumentasi Karya Organ Js. Bach Melalui Alih Timbre Terhadap Selera Musik." Resital:Jurnal Seni Pertunjukan 24, no. 2 (2023): 136–45. http://dx.doi.org/10.24821/resital.v24i2.9747.

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As today teenagers have less appreciation for instrumental works from Baroque era, the objective of this research is to identify the indicators their music preference through timbre shifting of the musical instrument. In the context of the creative economy, this will open opportunities for art music to compete in the music industry. Music has been studied and observed for centuries, and even today, the works of great composers are associated with timeless creations. One factor that has contributed to the continued existence of music is its strong reliance on conductors during performances, esp

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Sukmana, Dicky Indra, Robby Hidajat, and Tutut Pristiati. "Musisi Progressive Metal sebagai Pendorong Perkembangan Musik Djent di Kota Malang." JoLLA: Journal of Language, Literature, and Arts 2, no. 5 (2022): 746–64. http://dx.doi.org/10.17977/um064v2i52022p746-764.

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Abstract: Djent music is music which has elements of groove and progressive metal. The creation of djent music is an innovative idea from previous metal music which in its development djent music can’t be separated from the influence of rock music, which is phenomenal in the world. This study aims to describe the development of djent music and the factors influence the development of djent music in Malang. The writing of this research was carried out using descriptive qualitative methods. Using data analysis in the form of interviews with sources. The resource persons in this study were Norman

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Häger, Andreas. "Christian rock concerts as a meeting between religion and popular culture." Scripta Instituti Donneriani Aboensis 18 (January 1, 2003): 36–55. http://dx.doi.org/10.30674/scripta.67281.

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Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s. The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical) Christianity, and the other in the commercial rock musicindustry. The subje

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Wu, Yi. "Rock and China: From Cui Jian to Second Hand Rose." Advances in Humanities Research 5, no. 1 (2024): 17–21. http://dx.doi.org/10.54254/2753-7080/5/2024031.

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Whether its mainland Chinas Hao Fang or Taiwans Zhang Tiezhi, they are both committed to constructing a resistance narrative to describe the rise and development of rock music. [1] Zhang Tiezhi believes that the emergence of rock music in mainland China has already carried the banner of enlightenment. [2] He also mentioned that rock music, together with poetry, films, the documentary River Elegy, and the book series Toward the Future, collectively constituted the enlightenment power of the chaotic era. [2] However, as part of the cultural mosaic of mainland China in the 1980s, how was rock mus

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Zaums, Karen, Donald Fucci, Molly Banks, Linda Petrosino, and Corry Wilcox. "The Effect of Preference for Three Different Types of Music on Magnitude Estimation-Scaling Behavior in Young Adults." Perceptual and Motor Skills 83, no. 1 (1996): 339–47. http://dx.doi.org/10.2466/pms.1996.83.1.339.

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The purpose of the present study was to assess the effect of preference for three different types of music on magnitude estimation-scaling behavior in young adults. Three groups of college students, 10 who liked rock music, 10 who liked big band music, and 10 who liked classical music were tested. Subjects were instructed to assign numerical values to a random series of nine suprathreshold intensity levels of 10-sec. samples of rock music, big band music, and classical music. Analysis indicated that subjects who liked rock music scaled that stimulus differently from those subjects who liked bi

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Tripathy, Manaswini, and Mithunchandra Chaudhari. "The Impact of Rock Music on Indian Young Adults: A Qualitative Study on Emotions and Moods." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 5361–74. http://dx.doi.org/10.47059/revistageintec.v11i4.2566.

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Music has proven to play a vital role in social and emotional development in teenagers and young adults. From contemplation, developing self-identity, understanding interpersonal relationships, and providing possibilities of experience mastery, agency, and self-control with the help of self-directed activities, music helps its audience develop in all aspects of life. In specific, Rock music, since its existence has been more than entertainment, artists expressed themselves and shared their opinions through their musical pieces. Infamous for promoting drugs and alcohol, Rock Music used its plat

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Tripathy, M., and M. Chaudhari. "The impact of rock music on Indian young adults: a qualitative study on emotions and moods." CARDIOMETRY, no. 20 (November 21, 2021): 111–19. http://dx.doi.org/10.18137/cardiometry.2021.20.110118.

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Music has proven to play a vital role in social and emotionaldevelopment in teenagers and young adults. From contemplation,developing self-identity, understanding interpersonalrelationships, and providing possibilities of experience mastery,agency, and self-control with the help of self-directed activities,music helps its audience develop in all aspects of life. In specific,Rock music, since its existence has been more than entertainment,artists expressed themselves and shared their opinionsthrough their musical pieces. Infamous for promoting drugsand alcohol, Rock Music used its platform to e

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Grochulski, Łukasz. "PRÓBA CHARAKTERYSTYKI ROCKOWYCH STACJI RADIOWYCH W POLSCE." Civitas et Lex 18, no. 2 (2018): 7–20. http://dx.doi.org/10.31648/cetl.2493.

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The offer of Polish radio stations is relatively extensive. Polish radio market offers many radiostations with diversified music profiles. This collection also includes rock radio stations. In thispaper, the main aim was to prove that rock radio stations in Poland have a special tastemakingand educational function, both by presenting varied subgenres of rock music and by demonstratinghistory and curosities of rock genre. In addition, they inform users about the most important,current music events. Their news shows are full of miscellaneous informations. Morning showsin those radio stations hav

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Bennett, Andy. "“Heritage rock”: Rock music, representation and heritage discourse." Poetics 37, no. 5-6 (2009): 474–89. http://dx.doi.org/10.1016/j.poetic.2009.09.006.

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Robinson, Thomas O., James B. Weaver, and Dolf Zillmann. "Exploring the Relation between Personality and the Appreciation of Rock Music." Psychological Reports 78, no. 1 (1996): 259–69. http://dx.doi.org/10.2466/pr0.1996.78.1.259.

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Scores on five personality characteristics, extraversion, neuroticism, and psychoticism as well as reactive and proactive rebelliousness, and the appreciation of soft/nonrebellious and hard/rebellious rock-music videotapes were explored. After completing the personality tests, female and male undergraduates were exposed to rock-music videotapes and asked to rate various aspects of their enjoyment of each. Analysis indicated that psychoticism and reactive rebelliousness were associated with enjoyment in a parallel fashion. Specifically, respondents scoring high on psychoticism or high on reacti

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Savitskaya, Elena A. "Concerning the Question of the Terminological Dictionary of the “Intellectual” Directions of Rock Music." ICONI, no. 2 (2020): 79–96. http://dx.doi.org/10.33779/2658-4824.2020.2.079-096.

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The article is devoted to the interaction and correlation of such concepts as art rock and progressive rock in the terminological vocabulary of rock music. They both describe a rather unordinary stylistic direction of rock music which both turns to academic “classical” music and at the same time expands the compositional expressive means of rock music aimed at synthesis and experiment. The terms “art rock” and “progressive rock” (just as the musical trend itself) appeared in the British and American press in the late 1960s, however the boundaries between them have remained rather vague. The au

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Rosenthal, Maximilian. "Players as Rock Stars." Journal of Sound and Music in Games 5, no. 3 (2024): 43–73. http://dx.doi.org/10.1525/jsmg.2024.5.3.43.

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Music-based social interaction games are a recent, specific niche of analog games that are made possible through the advent of music streaming and widespread availability of music playback. This article investigates the card game Song Saga (2020) as an explorative case study for such social interaction games, and explores the possibilities in the application of quantitative and qualitative text corpus analysis for such games and musicology/game studies in general. Analyzing both the paratexts and the text of Song Saga, the article explains how Song Saga invites its players to view themselves a

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Saphan, LinDa. "From Modern Rock to Postmodern Hard Rock: Cambodian Alternative Music Voices." Ethnic Studies Review 35, no. 1 (2012): 23–39. http://dx.doi.org/10.1525/esr.2012.35.1.23.

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Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk's ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today's emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices o

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Westrol, Michael S., Susmith Koneru, Norah McIntyre, Andrew T. Caruso, Faizan H. Arshad, and Mark A. Merlin. "Music Genre as a Predictor of Resource Utilization at Outdoor Music Concerts." Prehospital and Disaster Medicine 32, no. 3 (2017): 289–96. http://dx.doi.org/10.1017/s1049023x17000085.

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AbstractObjectivesThe aim of this study was to examine the various modern music genres and their effect on the utilization of medical resources with analysis and adjustment for potential confounders.MethodsA retrospective review of patient logs from an open-air, contemporary amphitheater over a period of 10 years was performed. Variables recorded by the medical personnel for each concert included the attendance, description of the weather, and a patient log in which nature and outcome were recorded. The primary outcomes were associations of genres with the medical usage rate (MUR). Secondary o

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Zhabeva Papazova, Julijana. "Alternative Rock Music in Yugoslavia in the Period Between 1980-1991 and its Influence on the Present Musical and Cultural Life in Macedonia, Serbia and Croatia." IASPM Journal 4, no. 1 (2013): 117–19. http://dx.doi.org/10.5429/673.

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Doctoral dissertation "Alternative rock music in Yugoslavia in the period between 1980-1991 and its influence on the present musical and cultural live in Macedonia, Serbia and Croatia" has five main chapters: Introduction; First chapter-Theoretical aspect of the dissertation; Second chapter-Alternative rock, definition, origin, development; Third chapter-Socio-cultural aspect; Fourth chapter-Music analyze; Fifth chapter-The influence of Yugoslav alternative rock into the musical and cultural live at the territories of Macedonia, Serbia and Croatia after 1991; Conclusion; Bibliography; Appendix

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Kudelia, Volodymyr. "We created neformaly, and we will… love them? Soviet rock music in the newspaper Moloda Hvardiia during perestroika." NaUKMA Research Papers. History 6 (November 24, 2023): 93–104. http://dx.doi.org/10.18523/2617-3417.2023.6.93-104.

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The article analyses the materials of the Kyiv Komsomol newspaper ‘Moloda Hvardiia’, dedicated to Soviet rock music. The author examines how this newspaper reproduced the official Komsomol discourse during Perestroika, which proclaimed the need to establish a ‘dialogue’ with ‘neformaly’. The author identifies how the newspaper discussed the ‘neformaly’, how it proposed to perceive them, and how it proposed to work with them. The author describes how the newspaper created a positive image of Soviet rock bands after years of “bans”. The author examines how the newspaper presented the problems fa

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Durant, Alan. "Rock revolution or time-no-changes: visions of change and continuity in rock music." Popular Music 5 (January 1985): 97–121. http://dx.doi.org/10.1017/s026114300000194x.

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Discussions of rock or contemporary popular music are very often suffused with suggestions of massive and remarkable ‘change’ (in musical style, in surrounding fashions, etc.). Just as often, however, they are filled with virtually opposite visions of endless repetition, or continual ‘sameness’ (the music all merely sounding alike). Diverging in this way, views of change in popular music tend towards extreme polarisation – so much evidently depending upon the scale and scope of comparison, and indeed much of the problem centring on the domain or level in music isolated as the one most likely t

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Yakhno, О. І. "Paradigms of rock music and jazz: comparative discourse." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 53, no. 53 (2019): 161–76. http://dx.doi.org/10.34064/khnum1-53.10.

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Objectives and methodology. The article is devoted to the revealing of the relation and differences between rock music and jazz, as the phenomena of the “third” layer. It is noted, that, in methodological terms, such a comparative approach is advisable to implement with the use of a paradigm apparatus that fixes a certain commonality in the development of each of the studied phenomena at different stages of evolution. The application of this concept to the phenomena of art is a characteristic feature of modern musicology. In the broadest sense, the paradigm is the possibility of “thinking by a

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SAPOZHNIK, Olga. "THE ORIGIN AND DEVELOPMENT OF ROCK MUSIC IN UKRAINE: THE SEARCH FOR CULTURAL IDENTITY." Fine Art and Culture Studies, no. 1 (April 26, 2024): 80–88. http://dx.doi.org/10.32782/facs-2024-1-11.

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The aim of the article is to carry out an attempt to carry out a comprehensive analysis of the musical-aesthetic, socio-cultural, cultural-historical prerequisites for the development of rock music in Ukraine, which influences the musical-aesthetic thesaurus, forms the aestheticosphere, value orientations and, ultimately, determines the national-cultural identity of a young person. It is worth proving that musical culture, including the rock industry, has become the embodiment of musical ideals and mental and ideological attitudes of the Ukrainian music lover, which in turn influenced the proc

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Vavshko, Iryna. "Rock ballad in Ukrainian music." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 124 (April 25, 2019): 115–24. http://dx.doi.org/10.31318/2522-4190.2019.124.165415.

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Kajanová, Yvetta. "Rhythm and Polystylistic Rock Music." Musicologica Olomucensia 17, no. 1 (2013): 57–66. http://dx.doi.org/10.5507/mo.2013.004.

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Syrov, V. N. "Biographical Aspects of Rock Music." Art & Culture Studies, no. 3 (October 2021): 366–79. http://dx.doi.org/10.51678/2226-0072-2021-3-366-379.

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It is necessary to make difference between biography as a history of a person’s life and biography as a retelling of this story made by a professional author. It is this “author’s” biography that is the subject of this article. Turning to biography as a genre, we note that it exists in the environment of other genres and forms: these are various kinds of diaries, chronicles, memoirs, testimonies. It can be based on a collection of interviews, publications from different years, and even correspondence. Among the many biographies, chronicles and biographies of musicians and rock bands, the autho

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Cutietta, Robert. "Rock Music Gets a Label." Music Educators Journal 72, no. 8 (1986): 36. http://dx.doi.org/10.2307/3396657.

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Nobile, Drew. "Harmonic Function in Rock Music." Journal of Music Theory 60, no. 2 (2016): 149–80. http://dx.doi.org/10.1215/00222909-3651838.

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Morse, Margaret. "Postsynchronizing Rock Music and Television." Journal of Communication Inquiry 10, no. 1 (1986): 15–28. http://dx.doi.org/10.1177/019685998601000102.

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Regev, Motti. "Ethno-National Pop-Rock Music." Cultural Sociology 1, no. 3 (2007): 317–41. http://dx.doi.org/10.1177/1749975507082051.

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