Relevant bibliographies by topics / Room of one's own (Woolf, Virginia)

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Academic literature on the topic 'Room of one's own (Woolf, Virginia)'

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Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Room of one's own (Woolf, Virginia)"

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Mao, Douglas. "Rebecca West and the Origins of A Room of One's Own." Modernist Cultures 9, no. 2 (2014): 186–212. http://dx.doi.org/10.3366/mod.2014.0083.

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This essay argues that Virginia Woolf's treatment of the wellsprings of valid art in A Room of One's Own (1929) is significantly indebted to Rebecca West's exploration of similar questions in “The Strange Necessity” (1928). Noting substantial evidence that Woolf was familiar with West's text by the time she wrote Room, the essay observes that both authors argue for the power of material conditions in art-making even as they work to deflect charges of succumbing to a reductive or soul-deadening materialism. In mounting this proactive defense, West relies in part upon a peripatetic narrator whos
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Cramer, Patricia Morgne. ""Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium." Journal of Modern Literature 46, no. 4 (2023): 43–62. http://dx.doi.org/10.2979/jmodelite.46.4.03.

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Abstract: In A Room of One's Own , when Virginia Woolf urges women writers to expose the "dark spots" in men's psychology, she signals her own intentions for The Waves . In The Waves , Woolf targets men's masculinity, elite educations, brutalized boyhoods (at public schools), and their too-easy belonging to literary traditions as causes of male writers' truncated creativity. Louis, Bernard, and Neville exhibit the writerly disabilities Woolf associates with virility in Room . They are also linked to T.S. Eliot, Desmond MacCarthy, and Lytton Strachey, and to modernist experimentalism, realism,
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Cramer, Patricia Morgne. ""Everyone chooses their love after their own fashion": The Waves as a Modernist Symposium." Journal of Modern Literature 46, no. 4 (2023): 43–62. http://dx.doi.org/10.2979/jml.2023.a908973.

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Abstract: In A Room of One's Own , when Virginia Woolf urges women writers to expose the "dark spots" in men's psychology, she signals her own intentions for The Waves . In The Waves , Woolf targets men's masculinity, elite educations, brutalized boyhoods (at public schools), and their too-easy belonging to literary traditions as causes of male writers' truncated creativity. Louis, Bernard, and Neville exhibit the writerly disabilities Woolf associates with virility in Room . They are also linked to T.S. Eliot, Desmond MacCarthy, and Lytton Strachey, and to modernist experimentalism, realism,
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Ilie, Loredana. "Breaking Barriers: Virginia Woolf's A Room of One's Own and the Feminist Pursuit of Creative Freedom." LiBRI. Linguistic and Literary Broad Research and Innovation. 13, no. 1 (2025): 17–22. https://doi.org/10.70594/libri/13.1/2.

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Abstract The article exposes how Woolf vividly illustrates the societal constraints, through the imagined figure of Judith Shakespeare, that stifled women's talents, juxtaposing Judith’s unrealised potential against her brother William's celebrated success. Woolf underscores how financial dependence and relentless domestic demands limited women's literary contributions, steering them toward forms like the novel, which could better accommodate interruptions. The essay’s narrative also examines gendered subjectivity, challenging patriarchal constructs in language and identity. Woolf
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Ilie, Loredana. "Breaking Barriers: Virginia Woolf's A Room of One's Own and the Feminist Pursuit of Creative Freedom." LiBRI. Linguistic and Literary Broad Research and Innovation 13, no. 1 (2025): 17. https://doi.org/10.70594/libri/13.1/2.

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<p dir="ltr"><span>The article exposes how Woolf vividly illustrates the societal constraints, through the imagined figure of Judith Shakespeare, that stifled women's talents, juxtaposing Judith’s unrealised potential against her brother William's celebrated success. Woolf underscores how financial dependence and relentless domestic demands limited women's literary contributions, steering them toward forms like the novel, which could better accommodate interruptions. The essay’s narrative also examines gendered subjectivity, challenging patriarchal constructs in language and identi
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Oliveira, Maria Aparecida de. "VIRGINIA WOOLF E A CRÍTICA FEMINISTA." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 23, no. 2 (2019): 18–27. http://dx.doi.org/10.34019/1982-0836.2019.v23.29177.

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O presente artigo estabelece as relações entre a A room of one’s own e a crítica feminista, observando como essa tem revisto e ressignificado o ensaio de Virginia Woolf. Serão problematizadas questões como a exclusão feminina dos espaços públicos, das esferas políticas e, consequentemente, da literatura e da história. Depois disso, abordaremos a personagem Judith Shakespeare. Por último, duas questões problematizadas serão tratadas nesta análise, a primeira refere-se à tradição literária feminina e a segunda refere-se à própria frase feminina.
 Palavras-chave: Crítica feminista, Judith Sh
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Diyar Tayeb, Govand. "The Financial Autonomy in Virginia Woolf’s “A Room of One’s Own”." Academic Journal of Nawroz University 12, no. 4 (2023): 259–65. http://dx.doi.org/10.25007/ajnu.v12n4a1771.

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The essay “A Room of One’s Own” by Virginia Woolf was published in 1929 and was based on two papers at Newnham College Arts Society and Girton College in October 1928. This essay investigates the relationship between gender, economic freedom, and creative expression. Woolf contends that for women to reach their full intellectual and artistic potential, they must have their own physical space as well as a reliable source of money. The researcher goes into the historical, social, and economic issues that contributed to women's financial insecurity in the early twentieth century. The researcher a
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Neha and Dr Sachin Kumar. "Subverting the patriarchy: A Feminist Reading of Virginia Woolf’s A Room of One’s Own." International Journal of English and Studies 07, no. 04 (2025): 114–24. https://doi.org/10.47311/ijoes.2025.7.04.124.

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Virginia Woolf's A Room of One's Own (1929) is foundational in feminist literary criticism. Essentially, it argues that women have never had equal opportunities to men in literature because they have not had the 'money' and 'freedom' in Woolf's words. Woolf herself evidently was subject to such conditions. This paper looks at Woolf's idea that financial independence and intellectual freedom are essential for creativity. It discusses how she uses the fictional character Judith Shakespeare to illustrate the obstacles women face, and how she criticizes the maledominated literary world. The paper
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Gan, Wendy. "Solitude and Community: Virginia Woolf, Spatial Privacy and A Room of One's Own." Literature & History 18, no. 1 (2009): 68–80. http://dx.doi.org/10.7227/lh.18.1.5.

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Colorado Prieto, Natalia. "Virginia Woolf: The Translations of "A Room of One's Own" and "Three Guineas" to Construct a Feminine Genealogy." Epos : Revista de filología, no. 35 (May 25, 2020): 81. http://dx.doi.org/10.5944/epos.35.2019.25503.

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En este artículo se lleva a cabo un análisis comparativo de las traducciones al español de los ensayos feministas A Room of One’s Own y Three Guineas de Virginia Woolf, así como un estudio de la correlación entre las ideas feministas de Woolf y la situación de las mujeres españolas en el momento en el que las traducciones fueron publicadas y en la actualidad. El objetivo de este trabajo es determinar hasta qué punto las decisiones de los traductores influyeron en la transmisión del mensaje que pretendía transmitir Woolf, y la conexión entre dichas traducciones y la situación de las mujeres en
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Dissertations / Theses on the topic "Room of one's own (Woolf, Virginia)"

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Sriratana, Verita. ""Making room" for one's own : Virginia Woolf and technology of place." Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3458.

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This thesis offers an analysis of selected works by Virginia Woolf through the theoretical framework of technology of place. The term “technology”, meaning both a finished product and an ongoing production process, a mode of concealment and unconcealment in Martin Heidegger's sense, is used as part of this thesis's argument that place can be understood through constant negotiations of concrete place perceived through the senses, a concept based on the Heideggerian notion of “earth”, and abstract place perceived in the imagination, a concept based on the Heideggerian notion of “world”. The term
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Jayakrishna, Louise. "The Exclusion of Working-Class Women in Virginia Woolf's A Room of One's Own." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-7462.

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In Virginia Woolf’s A Room of One’s Own the narrator clearly expresses her rage and resentment exposing the absence and exclusion of women through history and she also focuses on the unfair position of women in her contemporary society. The narrator encourages women to emancipate themselves and to be aware of the idiosyncratic nature of society that restricts them to the private sphere. The aim of this paper is to offer a different interpretation of A Room of One’s Own and demonstrate how Woolf excludes contemporary working-class women from partaking in her feminist message. In order to demons
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Gallagher, Maureen. "Thinking Back through Our Fathers: Woolf Reading Shakespeare in Orlando and a Room of One's Own." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-07112008-152735/.

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Thesis (M.A.)--Georgia State University, 2008.<br>Title from file title page. Randy Malamud, committee chair; Meg Harper, Paul Schmidt, committee members. Electronic text (61 p.) : digital, PDF file. Description based on contents viewed Oct. 3, 2008. Includes bibliographical references (p. 58-61).
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Guigou, Issel M. "Women Creators: Artistry and Sacrifice in the Novels of Virginia Woolf." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/2250.

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This thesis examines different facets of feminine artistry in Virginia Woolf's novels with the purpose of defining her conception of women artists and the role sacrifice plays in it. The project follows characters in "Mrs. Dalloway," "To the Lighthouse," and "Between the Acts" as they attempt to create art despite society's restrictions; it studies the suffering these women experience under regimented institutions and arbitrary gender roles. From Woolf’s earlier texts to her last, she embraces the uncertainty of identity, even as she portrays the artist’s sacrifice in the early-to-mid twentiet
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Johansson, Ellen. "Chained Thoughts Broken by Chains of Thought : An Analysis of the Narrative Style Used in Virginia Woolf's A Room of One's Own." Thesis, Karlstad University, Faculty of Arts and Education, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-276.

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<p>Abstract</p><p>Chained Thoughts Broken by Chains of Thought</p><p>An Analysis of the Narrative Style Used in Virginia Woolf’s A Room of One’s Own</p><p>The purpose of this essay is to analyse the narrative style used in Virginia Woolf’s A Room of One’s Own in order to show in which ways it supports and reinforces the author’s arguments in her quest for a more equal society. One of the most prominent stylistic means applied by Woolf is her ‘train of thought’, linking one reflection to another like wagons in a railway convoy or like loops in a chain (therefore also sometimes referred to as ‘c
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Holman, Crystal Gail. "The Dilemma of Woolf's Androgyny: A Close Look at Androgyny in A Room of One's Own and Orlando." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0719101-133906/restricted/holman0731.pdf.

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Barnickel, Amy J. "A screen of one's own the TPEC and feminist technological textuality in the 21st century." Doctoral diss., University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4520.

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In this dissertation, I analyze the 20th century text, A Room of One's Own, by Virginia Woolf (2005), and I engage with Woolf's concept of a woman's need for a room of her own in which she can be free to think for herself, study, write, or pursue other interests away from the oppression of patriarchal societal expectations and demands. Through library-based research, I identify four screens in Woolf's work through which she viewed and critiqued culture, and I use these screens to reconceptualize "a room of one's own" in 21st Century terms. I determine that the new "room" is intimately and intr
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Stenemo, Lina. "Virginia Woolf : Lobbyist for Intellectual Freedom, Creativity, and Individuality in A Room of One’s Own and Other Works of Non-Fiction." Thesis, Södertörn University College, School of Language and Culture, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-115.

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Bergqvist, Sandra. "The Angel in the House och dess motsats i Virginia Woolfs författarskap : En jämförande och analytisk närläsning av kvinnliga karaktärer i The Voyage Out och To the Lighthouse." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-37780.

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Olefalk, Hanna. "A Body of One's Own : A Comparison Between Woolf's A Room of One's Own and Moran's How To Be a Woman." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31874.

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In this essay the author compares Virginia Woolf’s A Room of One’s Own (1928) to Caitlin Moran’s How To Be a Woman (2012). The two texts have both been described as feminist manifests of their time. The essay focuses on differences and similarities between the two texts, mainly focusing on the authors’ reasons for writing their texts and on the rhetoric they use to reach the audience. The comparison shows that there are many similarities between the texts, given the historical context they were written in. For instance, both Woolf and Moran use humor as rhetorical means and they both see coope
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Books on the topic "Room of one's own (Woolf, Virginia)"

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Patrick, Garland, O'Connell Denise, and Circa Studio, eds. A room of one's own by Virginia Woolf. Circa Studio, 2004.

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Robinson, Fiona, and Tim Smith-Laing. Room of One's Own. Taylor & Francis Group, 2017.

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Woolf, Virginia. Room of One's Own: Virginia Woolf [Annotated]. Independently Published, 2021.

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Woolf, Virginia. Room of One's Own by Virginia Woolf. Independently Published, 2021.

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Room of One's Own: Virginia Woolf [Annotated]. Independently Published, 2021.

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Woolf, Virginia. Room of One's Own by Virginia Woolf: Annotated. Independently Published, 2021.

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Woolf, Virginia. Room of One's Own: Collector's Edition - Virginia Woolf. Independently Published, 2022.

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Robinson, Fiona, and Tim Smith-Laing. An Analysis of Virginia Woolf's A Room of One's Own. Macat Library, 2017.

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Hanrahan, Peta. Room of Ones Own by Virginia Woolf. Currency Press, 2019.

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Woolf, Virginia. Room of One's Own (Vintage Feminism Short Edition). Penguin Random House, 2018.

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Book chapters on the topic "Room of one's own (Woolf, Virginia)"

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Rosenthal, Michael. "Social Criticism: A Room of One's Own and Three Guineas." In Virginia Woolf. Routledge, 2023. http://dx.doi.org/10.4324/9781003415374-14.

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Nünning, Vera. "Woolf, Virginia: A Room of One's Own." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17432-1.

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Hanson, Clare. "Imaginary Lives: Orlando and A Room of One’s Own." In Virginia Woolf. Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23381-6_4.

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Bell, Quentin. "A Room of One’s Own and Three Guineas." In Virginia Woolf and Fascism. Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230554542_2.

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Friedman, Susan Stanford. "A Room of One's Own in the World: The Pre-life and After-life of Shakespeare's Sister." In A Companion to Virginia Woolf. John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch14.

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Shaw, Marion. "Virginia Woolf: Mrs Dalloway and A Room of One’s Own." In Literature in Context. Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-04191-3_11.

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Wilson, Kabe, and Susan Stanford Friedman. "Of Words, Worlds and Woolf: Recycling A Room of One's Own into Of One Woman or So." In Recycling Virginia Woolf in Contemporary Art and Literature. Routledge, 2021. http://dx.doi.org/10.4324/9781003144649-3.

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Sullivan, Melissa. "The “Keystone Public” and Virginia Woolf: A Room of One’s Own, Time and Tide, and Cultural Hierarchies." In Virginia Woolf and the Literary Marketplace. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114791_11.

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Moran, Patricia. "“Cock-a-doodle-dum”: Desmond MacCarthy, Sexology, and the Writing of A Room of One’s Own." In Virginia Woolf, Jean Rhys, and the Aesthetics of Trauma. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601857_2.

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O’Hara, Daniel T. "The Self-Revising Muse: On the Spirit of the Unborn Creator in A Room of One’s Own." In Virginia Woolf and the Modern Sublime: The Invisible Tribunal. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137580061_7.

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Conference papers on the topic "Room of one's own (Woolf, Virginia)"

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Liu, BO. "Virginia Woolf and a Room of One's Own." In 3d International Conference on Applied Social Science Research (ICASSR 2015). Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.144.

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DENISOVA, I. V., and I. V. TELESHEVA. "GENDER-ORIENTED TRANSLATION OF FICTION (ON THE BASIS OF VIRGINIA WOOLF’S ESSAY “A ROOM OF ONE’S OWN”)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_399.

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This article discusses the ways of translating a gender aspect on the basis of Virginia Woolf’s essay «A room of one’s own». When it comes to Woolf’s woman characters, first of all, images of feminist women come to our mind. Women in her books were encouraged to examine their own psyches in depth, to re-examine the female position as women for the male world. Virginia Woolf proposed the removal of everything that mattered to men: competition and dominance. Analysis of this work shows that a woman for the writer is a symbol, not just a living creature. The image of a man in her books is describ
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BENT, M. M. "“WOMEN NEVER HAVE AN HALF HOUR... THAT THEY CAN CALL THEIR OWN”: AFFINITY OF IDEAS IN F. NIGHTINGALE'S “CASSANDRA” AND V. WOOLF'S “A ROOM OF ONE'S OWN”." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_105.

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This paper dwells upon critical essays written by two outstanding authors whose influence over the women's movement in Great Britain of the 19th and 20th c. cannot be underestimated. Upon publication, their works have in effect become feminist proclamations. V. Woolf was familiar with F. Nightingale's essay and engaged in a dialogue with her to a certain degree. Even though they became known to the general public at approximately the same time, the affinity of ideas in essays is striking. Both authors describe women's situation in their contemporary society, while uncovering the reasons and me
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