Relevant bibliographies by topics / Social sciences -> philosophy -> aesthetics

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Social sciences -> philosophy -> aesthetics'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Social sciences -> philosophy -> aesthetics"

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Portera, Mariagrazia. "Aesthetics as a Habit: Between Constraints and Freedom, Nudges and Creativity." Philosophies 7, no. 2 (2022): 24. http://dx.doi.org/10.3390/philosophies7020024.

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This paper is a preliminary attempt to bring to the fore some questions and issues regarding the role of habits in aesthetics. Indeed, much attention has recently been given to habits across a wide range of fields of inquiry: philosophers turn to the concept to investigate its significance to the historical development of Western thought; neuroscientists look into the role that habits play in the functioning of the human mind and identify the neural and psychological underpinnings of habitual behavior; anthropologists, political scientists and sociologists tap into habits as a key notion to ex
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Raunig, Gerald. "Singers, Cynics, Molecular Mice: The Political Aesthetics of Contemporary Activism." Theory, Culture & Society 31, no. 7-8 (2014): 67–80. http://dx.doi.org/10.1177/0263276413497406.

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On the basis of certain tensions between Jacques Rancière’s aesthetics and his political philosophy, the article tries to trace new modes of subjectivation in contemporary activism and art. It explores how the actors of the overlapping terrains of aesthetic and political practices organize ‘different forms, different spaces of expression and distribution of ideas’ in Rancière’s sense. Yet, analysing the practices of the Occupy movement, the Spanish M15 movement, and the dOCUMENTA (13) ‘agents’ AND AND AND as radically inclusive, polyvocal and transversal, it proposes a position that differs fr
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Nutas, Andrei. "Review of Sorgner's Philosophy of Posthuman Art." International Journal of Technoethics 13, no. 1 (2022): 1–7. http://dx.doi.org/10.4018/ijt.313197.

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The paper deals with a review of Sorgner's new book, Philosophy of Posthuman Art. The review highlights Sorgner's positioning of postmodern art as emerging from a way of dealing with the realities of ontological naturalism and epistemic perspectivism. It is also highlighted why the author believes that the avant-garde and modernist aesthetic is lacking in dealing with a world of technology embedded post-modernity. In this sense, Sorgner's arguments for the totalitarian aspects of the avant-garde are presented. The paper also offers a critique regarding Sorgner's continental focus, and an argum
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Richmond, Sheldon. "Is “Aesthetics” Art Studies?" Philosophy of the Social Sciences 44, no. 2 (2014): 223–32. http://dx.doi.org/10.1177/0048393112442630.

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Berleant, Arnold. "Aesthetics and community." Journal of Value Inquiry 28, no. 2 (1994): 257–72. http://dx.doi.org/10.1007/bf01079570.

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Шмагало, Р. Т. "ДЕКОРАТИВНЕ МИСТЕЦТВО І ЕКО-ДИЗАЙН: ФІЛОСОФСЬКО-ОСВІТНІ ОСНОВИ РОЗВИТКУ І СУЧАСНІ ВИКЛИКИ". Art and Design, № 4 (15 лютого 2021): 185–94. http://dx.doi.org/10.30857/2617-0272.2020.4.15.

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Purpose. Identification and analysis of philosophical, educational and aesthetic foundations of the development of decorative and applied arts and design in the context of new socio-cultural challenges. Methodology. It is based on a systematic approach that synthesizes the methodological principles of related sciences: art history, philosophy, aesthetics, pedagogy with universal for these sciences methods of historical, typological and comparative analysis. Results. Basic philosophical and aesthetic origins of the phenomenon of decorative and applied art in the context of art and related desig
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Trafí-Prats, Laura. "Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds." Qualitative Inquiry 26, no. 5 (2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.

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In this article, I think retrospectively with art and passages of writing produced in connection to a study on aesthetic activity and urban nature with two classes of fifth graders attending school in a city of the American Midwest. For this, I take on the art philosophy of Deleuze, Deleuze and Guattari and Deleuzian scholars to discuss how aesthetics and processes of art-making can inform empirical gestures based on distance from and invention of worlds. Art extracts sensations from chaotic forces that function in excess, variation, and proliferation, offering valuable practices to attune tow
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Clammer, John. "Can Art Embody Truth? Ethics, Aesthetics and Gandhi." Social Change 51, no. 1 (2021): 92–103. http://dx.doi.org/10.1177/0049085721996859.

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The philosophical question of whether moral standards apply in art and the practical one of whether the arts can be vehicles of positive social transformation run through a great deal of social theory. In this article, these issues are discussed through an examination of Mahatma Gandhi’s approach to art and in particular his views on music and visual arts as they formed part of his personal world view and his socio-political programme. The article contextualises this in relation to Gandhi’s over-arching concern with the pursuit of truth and its theistic basis, his relationship to certain aspec
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Sidorov, Aleksei Mikhailovich. "The politics of aesthetics in German Idealism." Философия и культура, no. 11 (November 2022): 107–18. http://dx.doi.org/10.7256/2454-0757.2022.11.14385.

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The subject of the study is the aesthetic aspects of the German philosophy of the late XVIII - early XIX centuries. Modern culture, with its anti-traditionalist impulse for autonomy, freedom from external authority, the use of critical reason, universal principles, in terms of which is questioned religion, history, customs, by this time found its internal contradictions. Post-religious and postconventional Enlightenment values - secularism, humanism, the primacy of reason and science - poorly suited to maintaining the moral and social relations, in the course of everyday life, and led to their
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Koutras, Konstantinos. "The Politics of Film Aesthetics: Filmososphy, Post-Theory, and Rancière." Philosophies 9, no. 2 (2024): 50. http://dx.doi.org/10.3390/philosophies9020050.

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The question of aesthetics in film-theoretical discourse today is split between, on the one hand, a film-phenomenological or “filmosophical” approach that values the putatively immanent relation between film and the mind and, on the other, the naturalizing epistemology of post-theory, which reduces the question of film aesthetics to one of poetics. What unites these otherwise disparate projects is the consideration of aesthetics divorced from the question of politics; in both cases, the social or political significance of the film–spectator relationship has been summarily purged. In this artic
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Dissertations / Theses on the topic "Social sciences -> philosophy -> aesthetics"

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Beitmen, Logan R. "Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art”." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1198.

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Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclu
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Fourdrinier, Axel. "Rupture et création." Phd thesis, Université Toulouse le Mirail - Toulouse II, 2013. http://tel.archives-ouvertes.fr/tel-00878834.

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En quoi la notion de rupture permet-elle de comprendre ce qu'est un acte de création artistique ? Ce travail s'attache à montrer le lien entre trois figures de la rupture dans le domaine de l'art : au fondement de sa posture de créateur, il y aurait une rupture qui habite l'artiste ; comme principe de génération de l'œuvre, il y aurait acte de rupture ; dans la manière dont elle s'inscrit dans la civilisation, l'œuvre d'art ferait rupture. Faut-il ainsi penser que toute œuvre d'art reposerait sur l'exigence de rupture ? Et dans ce cas, pourquoi l'art serait-il déterminé par cette exigence ?
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Brisset, Tifenn. "Le cinéma d'Alfred Hitchcock : une oeuvre du devenir-humain." Phd thesis, Université de Grenoble, 2012. http://tel.archives-ouvertes.fr/tel-00924092.

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Cette thèse vise à apporter un éclairage philosophique sur l'œuvre cinématographique d'Alfred Hitchcock. Plus spécifiquement, il est question d'envisager les phénomènes esthétiques et narratifs afin d'évaluer la pertinence de ses films en matière de morale. Pour ce faire, nous proposons un travail en quatre étapes : tout d'abord, il faut prendre le temps nécessaire pour consolider les fondements théoriques de l'exégèse. La première partie s'efforce donc de mettre en place les éléments principaux pour la connaissance de son œuvre, du contexte de production et de ses caractéristiques les plus pe
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Foehn, Melanie. "Samuel Beckett et les écrivains de Port-Royal." Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2012. http://tel.archives-ouvertes.fr/tel-00915119.

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L'objet de ce travail de recherche est de définir la relation de Samuel Beckett au classicisme français du dix-septième siècle. L'analyse préliminaire de différents manuscrits permet d'identifier les sources primaires et secondaires de ce dernier sur Pascal et Racine, et de mettre en avant, dans un second temps, les différentes correspondances, esthétiques et littéraires, entre l'œuvre de l'écrivain irlandais et Port-Royal. L'arrière-plan philosophique se définit par la conjonction de la logique, de l'éloquence et de la passion au cœur de l'œuvre racinienne, que l'on retrouve dans la rhétoriqu
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Moore, Gregory. "Art and action : exploring postmodern aesthetics." Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1456.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Sciences<br>Political Science
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Fritsch, Ryan. "The ethics of imagination: Levinas, Aesthetics and Poiesis in uTOpia." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=95124.

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Before Al Gore's 2005 documentary "An Inconvenient Truth" ignited general public concern for the worsening environmental crisis, artists played a crucial role in both exemplifying ecological concerns and in building alternative living and social arrangements. They did so with a sense of "creative responsibility" that formal political and legal institutions seemed incapable of harnessing or acting upon. This thesis looks at how such activist aesthetic movements occurring simultaneously in Toronto and Windsor, Ontario, unleashed a form of "constituent imagination" at once critical, constructive
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Garlitz, Dustin Bradley. "Philosophy of new jazz : reconstructing Adorno." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002213.

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Lindley, Anne Hollinger. "Relating to relational aesthetics." Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.

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This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.
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De, Pellegrin Ana. "Filosofia, estetica e educação : a dança como construção social e pratica educativa." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/252473.

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Orientador: Cesar Apareciddo Nunes<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-08T13:26:13Z (GMT). No. of bitstreams: 1 DePellegrin_Ana_D.pdf: 783613 bytes, checksum: 5ff46be8607749f15a79071431056022 (MD5) Previous issue date: 2007<br>Resumo: Nos tempos atuais, a dança incorpora-se definitivamente ao campo investigativo e reflexivo, institucional e acadêmico, por ser uma das mais ricas expressões culturais e civilizatórias. A partir de uma inspiração histórica e filosófica pretendemos, com este trabalho, defender a pos
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Isaac, Rochell J. "AFRICAN HUMANISM: A PRAGMATIC PRESCRIPTION FOR FOSTERING SOCIAL JUSTICE AND POLITICAL AGENCY." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/186541.

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African American Studies<br>Ph.D.<br>This study explores an African conception of Humanism as distinct from the European model and challenges the notion that Humanism is an entirely European construct. I argue that the ideological core of Humanism originated in ancient Kemet, the basis of which frames the African worldview. Furthermore, the theoretical framework provided by the African Humanistic paradigm serves as a model for structuring inter and intra group relations, for tackling notions of difference and issues of fundamentalism, for addressing socio-economic political concerns, and final
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Books on the topic "Social sciences -> philosophy -> aesthetics"

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W, Wartofsky Marx, Gould Carol C, and Cohen R. S, eds. Artifacts, representations, and social practice: Essays for Marx Wartofsky. Kluwer Academic Publishers, 1994.

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Thyssen, Ole. Iagttagelse og blindhed: Om organisation, fornuft og utopi. Handelshøjskolens Forlag, 2000.

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Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie et sciences humaines : fragments croisés. L'Harmattan, 1998.

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Boudinet, Gilles. Des arts et des idées au XXe siècle: Musique, peinture, philosophie, sciences humaines et intermezzos poétiques, fragments croisés. 2nd ed. Harmattan, 2000.

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Matjus, Ülo. Kõrb kasvab. Ilmamaa, 2003.

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Sysoli͡atin, V. V. Filosofii͡a, naukovedenie, sot͡siologii͡a, chelovekoznanie, ėtika, ėstetika. [s.n.], 1993.

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Daniel, Suber, Gerber Gerold, Junge Kay, Suber Daniel, and Gerber Gerold, eds. Erleben, Erleiden, Erfahren: Die Konstitution sozialen Sinns jenseits instrumenteller Vernunft. transcript Verlag, 2008.

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Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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Hughes, Jon. Facing modernity: Fragmentation, culture and identity in Joseph Roth's writing in the 1920's. Maney Pub. for the Modern Humanities Research Association and the Institute of Germanic and Romance Studies, University of London, 2006.

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Leppert, Richard D. The sight of sound: Music, representation, and the history of the body. University of California Press, 1993.

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Book chapters on the topic "Social sciences -> philosophy -> aesthetics"

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Li, Jia, and Bin Chen. "On the Text Interpretation and Value Philosophy of Violence Aesthetics in Mo Yan's Novels." In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022). Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_171.

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Taliaferro, Charles. "Aesthetics (Philosophy)." In Encyclopedia of Sciences and Religions. Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-1-4020-8265-8_1548.

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Efal-Lautenschläger, Adi. "Aesthetics." In Encyclopedia of Early Modern Philosophy and the Sciences. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-31069-5_598.

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Efal-Lautenschläger, Adi. "Aesthetics." In Encyclopedia of Early Modern Philosophy and the Sciences. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-20791-9_598-1.

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Hawkesworth, Mary. "Social sciences." In A Companion to Feminist Philosophy. Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405164498.ch20.

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Williams, Nina, and Thomas Keating. "From Abstract Thinking to Thinking Abstractions: Introducing Speculative Geographies." In Speculative Geographies. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0691-6_1.

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AbstractWriting at a time in which speculative ways of thinking appear to be undergoing a reprise across the social sciences and humanities – whether through engagements with speculative cosmology (Stengers, 2006), speculative empiricism (Debaise, 2017), speculative fabulation (Haraway, 2011), speculative research (Wilkie et al., 2017), or speculative realism (Bryant et al., 2011) – in this chapter we introduce Speculative Geographies and our motivation for assembling the collection as a way of considering what concepts and practices of speculation might mean for geography, and how speculation
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Kincaid, Harold. "Social Sciences." In The Blackwell Guide to the Philosophy of Science. Blackwell Publishers Ltd, 2008. http://dx.doi.org/10.1002/9780470756614.ch14.

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Liu, Yuan. "The Art Historical Critique of Hegel's Aesthetic Philosophy by Gombrich." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-259-0_112.

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Foster Gage, Mark. "Philosophy and the Aesthetics of Social Engagement 1." In Designing Social Equality. Routledge, 2018. http://dx.doi.org/10.4324/9781351249669-9.

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Baert, Patrick, and Fernando Domínguez Rubio. "Philosophy of the Social Sciences." In The New Blackwell Companion to Social Theory. Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444304992.ch3.

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Conference papers on the topic "Social sciences -> philosophy -> aesthetics"

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Tanabayeva, Anar, Alina Urazova, and Adiya Kosseit. "ARTIFICIAL INTELLIGENCE AND ART." In 11th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscss.2024/vs16/93.

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Artificial Intelligence (AI) has changed paradigms of creativity and art, raising questions about the capacity of machines to create works that evoke emotional response and possess originality. This article explores whether AI systems can create �real� art and what this means in terms of philosophy, aesthetics and cultural norms. Examples of AI art such as �Theatre D�opera Spatial� and �Portrait of Edmond de Belamy� are analyzed to assess their emotional and artistic value. The question of originality of AI art is discussed through the lens of copyright, imitation theory and cultural perceptio
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Polska, Iryna. "MUSICAL ENSEMBLE AS A FACTOR IN THE ETHICAL AND SOCIAL CONSOLIDATION." In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s07.068.

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The article is devoted to the problems of the social role of the musical ensemble. The purpose of the article is to identify the ethical and social specifics of the ensemble as a phenomenon and the consolidating nature of the very nature of ensemble music-making as a form of communication. The main methods are socio-anthropological, culturalhistorical, phenomenological and systemic. The proposed study is based on the concept of the theory and history of the musical ensemble, created by the author of the article and presented in her scientific works. The problems of the ethical and social role
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Wagner, Christiane. "Redesigning Media Living Spaces." In On Architecture — Shaping the City through Architecture. STRAND, 2024. https://doi.org/10.60152/x5f0bruz.

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Challenges in media living spaces relate to the (de)construction of Western knowledge exploring utopian visual and digital structures. Embedded in the principle of utopia is the critical intention to discuss the social context that embodies sustainable values. The goal is to demonstrate that the aesthetic aspects of design performances and media images do not form autonomous discourses when political activity is considered a socially conscious part of this reality. The sensitive aspects of the media images and design performances include the content and political subject. The process involves
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Zhao, Xinshu, and Xin Liu. "The Occurrence of Aesthetic Ethics in Primitive Society: Marx’s Perspective of Objective Sensibility." In 5th International Conference on Contemporary Education, Social Sciences and Humanities - Philosophy of Being Human as the Core of Interdisciplinary Research (ICCESSH 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200901.023.

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Yang, Jiyong, and Xianjie Yang. "The discovery about the commonness of Six Dynasties' aesthetics of literature and art and ideological system's methodology———the traditional contexts' characteristics of philosophy and value research contained in Wen Fu, The Literary Mind and the Carving of Dragons and other literary works." In Proceedings of the 2019 5th International Conference on Humanities and Social Science Research (ICHSSR 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/ichssr-19.2019.137.

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Dong, Lili. "Research on Traditional Aesthetic Philosophy in the Japanese Literature." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.283.

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Ba Trinh, Nguyen. "Convergent Philosophy." In 5th International Conference on New Findings On Humanities and Social Sciences. Acavent, 2020. http://dx.doi.org/10.33422/5th.hsconf.2020.11.102.

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Andreeva, Yu V. "The tragic optimism of Friedrich Wilhelm Nietzsche: philosophical reconstruction and author's pedagogical Interpretation." In X Scientific and Practical Conference "Social consolidation and social reproduction of modern russian society: resources, problems and prospects". Publishing House of Irkutsk State University, 2024. http://dx.doi.org/10.26516/978-5-9624-2249-7.2024.11.

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Based on the analysis, philosophical reconstruction and the author's pedagogical interpretation of F. Nietzsche's ideas with his approach: “aesthetics of existence”, the author identifies the pedagogical aspects of his philosophy of tragic optimism, accompanied by techniques of humility and struggle with tragic manifestations of life.
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Zhang, Xiao-long. "Study on Phenomenological Philosophy of Social Sciences." In Proceedings of the 2018 3rd International Conference on Modern Management, Education Technology, and Social Science (MMETSS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/mmetss-18.2018.88.

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ABBAS, Nada Mousa. "AL-MAQDISI'S HISTORICAL PHILOSOPHY." In I. International Baghdad Congress for Humanities and Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/baghdad.congress1-3.

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At the end of the fourth century AH / tenth century AD, Al-Mutahhar bin Tahir Al-Maqdisi, who died in 390 AH / 999 AD, completed his book “The Beginning and History” to present to us in its introduction his philosophical theory of history! Trying to find unity and union between philosophy and history! And revealing a philosophical characteristic in historical material, by trying to search behind historical events (local and global), diagnosing the causes (historical causality), and emphasizing the comprehensive view in writing history. Accordingly, the above book is considered one of the most
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Reports on the topic "Social sciences -> philosophy -> aesthetics"

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Bengio, Yoshua, Caroline Lequesne, Hugo Loiseau, et al. Interdisciplinary Dialogues: The Major Risks of Generative AI. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2024. http://dx.doi.org/10.61737/xsgm9843.

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In an exciting series of Interdisciplinary Dialogues on the societal impacts of AI, we invite a guest speaker and panellists from the fields of science and engineering, health and humanities and social sciences to discuss the advances, challenges and opportunities raised by AI. The first dialogue in this series began with Yoshua Bengio, who, concerned about developments in generative AI and the major risks they pose for society, initiated the organization of a conference on the subject. The event took place on August 14, 2023 in Montreal, and was aimed at initiating collective, interdisciplina
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HEFNER, Robert. IHSAN ETHICS AND POLITICAL REVITALIZATION Appreciating Muqtedar Khan’s Islam and Good Governance. IIIT, 2020. http://dx.doi.org/10.47816/01.001.20.

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Ours is an age of pervasive political turbulence, and the scale of the challenge requires new thinking on politics as well as public ethics for our world. In Western countries, the specter of Islamophobia, alt-right populism, along with racialized violence has shaken public confidence in long-secure assumptions rooted in democracy, diversity, and citizenship. The tragic denouement of so many of the Arab uprisings together with the ascendance of apocalyptic extremists like Daesh and Boko Haram have caused an even greater sense of alarm in large parts of the Muslim-majority world. It is against
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