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Relevant bibliographies by topics / Space fashion

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Academic literature on the topic 'Space fashion'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Space fashion"

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McQuillan, Vésma Kontere. "Rethinking fashion review with architectural fashion analysis method." International Journal of Fashion Studies 11, no. 1 (2024): 161–80. http://dx.doi.org/10.1386/infs_00110_1.

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Exploring the interplay between fashion and architecture, this article introduces architectural fashion analysis method, an original methodology for analysing fashion shows through an architectural lens. Focusing on the works of Prada and OMA/AMO, the study delves into the narrative power of space in fashion presentations, informed by theories from Roland Barthes and Adrian Forty, as well as the theoretical model of fashion spaces by McQuillan and Hansen. This approach highlights the underexplored but crucial role of architectural thinking in fashion critique. The article posits that employing

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Montgomery, Jess. "Coming apart at the seams: How the theatrical within fashion makes space for empowerment." Clothing Cultures 7, no. 1 (2021): 79–90. http://dx.doi.org/10.1386/cc_00030_1.

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Relationships between fashion and theatricality open up spaces of fantasy in which new ways of being can be imagined. In drawing upon the ways in which theatre exists in a space that is both physically real and created through imagination, the theatrics of high fashion similarly create spaces that are both physically real and imagined. Though often read as a symptom of an unnecessarily excessive system, theatricality in fashion can alternatively signal a turn towards a more ethical fashion system. Because fashion (as it relates to the production and consumption of clothing and other wearable g

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Скалацька, Олена Віталіївна. "ФІЛОСОФСЬКІ ПІДҐРУНТЯ АНАЛІЗУ ПРОСТОРОВОСТІ МОДИ". Філософські обрії, № 34 (12 грудня 2015): 110–18. https://doi.org/10.5281/zenodo.35298.

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The purpose of the article is to review the possibilities of the definition of fashion as a space, searching of the philosophical foundations for the analysis of fashion`s space. It was emphasized that multi-dimensional space allows using a physical concept of Aristotle for the analysis of the socio-cultural phenomenon of fashion, which is represented in physical space. The question is raised according to the failure of the definition “fashion” and the need for its consideration in a philosophical perspective. Discursivity of existing classifications of fashion’s concept in h

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Devetak, Tanja. "Space In Fashion Design – Ƒ2 (Fabiani Fashion) Case Study." South East European Journal of Architecture and Design 2016 (December 17, 2016): 1–6. http://dx.doi.org/10.3889/seejad.2016.10027.

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TThese research inquiries into the transformation of complex architectural spatial objects into contemporary garments by implementing creative pattern cutting as an integrated part of the fashion design process. From the architecture design process, a creative process of generating ideas using the human body as the centre point of the creative process, and an understanding of the envelope around that space were implemented and researched in fashion design. A creative construction method evolved using the standard matrix of basic blocks and implementation of the sculptural work by creating thre

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Kozintseva, Tatiana, and Liudmyla Haenggi. "THE GLAMOR: FROM THE FASHION MARGINAL TO FASHION SPACE BORDER." Visnyk of the Lviv University, no. 39 (2021): 51–57. http://dx.doi.org/10.30970/pps.2021.39.7.

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Pamela, C. Scorzin. "Theatre of Fashion: Scenographic Fashion Shows as Theatrical Practice in Design." Art Style, Art & Culture International Magazine 1, no. 1 (2019): 11–22. https://doi.org/10.5281/zenodo.4068408.

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Art Style | Art & Culture International Magazine Abstract Contemporary fashion design is increasingly taking to the stage – in the figurative sense, but also quite literally. Scenographic practices, familiar to us until now only from the theatre, the concert stage and the opera, today are progressively turning up in the conquest of consumption’s commercial spaces. However, here, too, “scenography” does not just mean creating a visual background, a pretty décor or striking set design for the presentation space and the staging of fashion and brands. In the cont

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Skalatskaya, E. V. "THE DRAMATIC APPROACH OF I. HOFFMAN IN STRUCTURING THE SPACE OF FASHION." Anthropological Measurements of Philosophical Research, no. 9 (June 21, 2016): 29–37. https://doi.org/10.15802/ampr2016/72172.

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<strong>The purpose</strong> of work is to explicate the opportunities of dramatic approach of I. Hoffman to analyse the fashion as a space. A concrete material, where the action of the concept is demonstrated, it is the demonstration of clothing on seasonal fashion shows of designer`s collection. <strong>The methodology</strong> is the dramatic approach of I. Hoffmann, comparative analysis. The above mentioned methodology allowed us to trace the interconnection of image and fashion in zonal distribution of performance space. <strong>Originality</strong> consists in en

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Almila, Anna-Mari. "What is ‘space’ for dress? Theoretical considerations of a spatial turn for fashion studies." International Journal of Fashion Studies 8, no. 1 (2021): 7–23. http://dx.doi.org/10.1386/infs_00035_1.

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This article seeks to contribute to the increasing body of fashion scholarship focused on space. Along with a spatial turn in human and social sciences, it is increasingly recognized by fashion researchers that spaces and places of fashion matter – but it is less discussed how a theoretical framework could be created to explore these. Thus, a Lefebvrian spatial analysis is considered here. The approach suggested recognizes that dress is fundamentally political, as is the space which it inhabits. Dressed bodies are subject to hegemonic ideologies, but individuals have the power to resist these,

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Ribeiro, Liliana Simões, Rui Alberto Lopes Miguel, Maria Madalena Rocha Pereira, José Mendes Lucas, and Isabel Maria Gonçalves Trindade. "Human body as fashion space: fashion accessories, design and woven fabrics." Journal of Fashion Marketing and Management 19, no. 3 (2015): 249–57. http://dx.doi.org/10.1108/jfmm-07-2013-0088.

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Purpose – Considering that the human body is undeniable a fashion space, the purpose of this paper is to highlight the importance of design and material choice in the relationship between clothing and accessories, namely, bags, for the fashion consumer. Design/methodology/approach – Initially the paper provides a historical framing of the use of materials in bags and its relation with clothing. Then, are described the characteristics of materials and how the human body relates to them, specifically how the sense of touch plays a decisive role in materials choice. Thus a natural fiber-based fab

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Dolmatova, Anna A., and Liubov V. Оkonechnikova. "Subjective Semantic Space of Fashion Among Young People." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 28, no. 2 (2022): 177–84. http://dx.doi.org/10.15826/izv1.2022.28.2.037.

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This study is devoted to the description of the psychosemantic space of the concept of “fashion” among young people, which was revealed using the content analysis of the modified test “Incomplete sentences”. The differences in the understanding of fashion among boys and girls, as well as among specialists working in the fashion industry, are described. The connection of a positive attitude to fashion (“Scale of attitude to fashion” by N. G. Artemtseva, T. N. Grekova) with the main indicators of attitude towards self (“Methodology of self-attitude” by V. V. Stolin, S. R. Pantileev) and self-act

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Dissertations / Theses on the topic "Space fashion"

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Eriksson, Kajsa G. "Concrete fashion : dress, art, and engagement in public space /." Göteborg : HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009. http://hdl.handle.net/2077/21545.

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North, Stella. "Clothing the space of flesh: fashion as material narration." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/10567.

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In this thesis, I conceive clothing as a corporeal surface in order to re-envision clothing, the corporeal, and the surface. I conceive clothing as a frame for embodied experience in the world, and the body as a means by which clothing is brought into worldly existence. Taking clothing and the body to be mutually constitutive, I draw on texts from a range of registers—literary, artisanal, experiential, theoretical, artistic, conceptual—in order to locate their material interrelation. The act of location is an important reflexive concern of the thesis. In examining the interface of clothing wit

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Jönsson, Jennifer. "!ACTION! Investigating the force in fashion." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-10639.

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This degree work aims to tell a story about the force of fashion. Through forced material interactions on body the focus of this study is interaction. Interaction between contrasting materials, body and space and/or catwalk and audience. By forcing materials to act and interact on body this work aims to nd new expressions and ways of making in fashion. To tell this story a design space was made, ‘Wonderland’, a place where all the ‘Wonder Women’ live. These ‘Wonder Women' are like sisters, di erent from the other. The resemblance lies in the interaction and forceful expression. This collection

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Bågander, Linnéa. "BODY(dress?)SPACE(room?) : an exploration of dress at the intersection between body and arranged space through movement." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-411.

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This work is an exploration of the spatial boundaries of dress through the moving body’s interaction with arranged space. The work aims to question the distinction that is done between a “garment” and a “room” in the context of set deign and costume design as well as “dress” and “architecture”. The work is carried out through a series of staged experiments with different materials abilities to understand, extend or transform; - Movement of the body - The spatial boundaries of the body The work is a focusing on the similarities of set and costume design and garment and architecture rather than

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Koch, Daniel. "Structuring Fashion : Department Stores as Situating Spatial Practice." Doctoral thesis, KTH, Arkitektur, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4321.

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This dissertation investigates department stores as complex spatial and cultural buildings, in which values and ideas are expressed, negotiated, and produced. Situated in a cultural context commonly referred to as a society of consumption, where identity and social structures are worked out through consumption rather than production, the query turns to a specific act of consumption: that of shopping. More precisely, it investigates the role of space and spatial distribution in shopping. How space is distributed, arranged, or ordered allows for different possibilities in constructing categories

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Winters, Amy. "Why does soft matter? : exploring the design space of soft robotic materials and programmable machines." Thesis, Royal College of Art, 2017. http://researchonline.rca.ac.uk/2842/.

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This practice-led research examines how the emerging role of the ‘material designer’ can enrich the design process in Human Computer Interaction. It advocates embodiment as a design methodology by employing tacit knowledge; focusing on a subjective, affective and visceral engagement with computational materials. This theoretical premise is explored by drawing on the fields of soft robotics, as well as transitive and programmable materials. With the advancement and democratisation of physical computing and digital fabrication, it is now possible for designers to process, or even invent and comp

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Thomson, Clare A. M. "Reading between the aisles : a contextualised study of young fashion consumers' experiences of retail space." Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/23223.

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Previous research exploring the impact of the retail environment has presented consumers as passive participants who can be managed in the space. Much of this research has focused on measuring consumers’ responses and behaviour using experimental and survey-based approaches, detached from the complexity and diversity of consumers’ lived experiences. However more recent research in advertising, services and leisure, and inter-disciplinary studies on consumption has highlighted the consumers’ role as active meaning makers across a variety of activities and contexts. This thesis focuses on young

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Taleb, Rabah Yaqub. "Exploring the space of the thawb : the intersection between fashion, traditional dress and Kuwaiti women's identity." Thesis, University of Southampton, 2018. https://eprints.soton.ac.uk/423571/.

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This research examines the identity of Kuwaiti women in the context of dress. Specifically, it investigates the extent to which their lifestyle has been impacted by the recent economic boom stimulated by the oil trade. From a simple life governed by norms and social customs to a sudden influx of wealth and foreign cultural influence, the identity of the typical Kuwaiti woman is being transformed. Nowhere is this transformation more evident than in their dress. Through the lens of fashion, this thesis examines changes in Kuwaiti women’s identity via the traditional thawb over the past 65 years,

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Edwards, Bronwen. "Making the West End modern : space, architecture and shopping in 1930s London." Thesis, University of the Arts London, 2004. http://ualresearchonline.arts.ac.uk/2299/.

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This research explores the shopping cultures of the 1930s West End, arguing for the recognition of this as a significant moment within consumption history, hitherto overlooked in favour of the Victorian and Edwardian periods. The approach is interdisciplinary, combining in a new way studies of shopping routes and networks, retail architecture, spectacle, consumer types and consumption practices. The study first establishes the importance of shopping geographies in understanding the character of the 1930s West End. It positions this shopping hub within local, national and international networks

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Howell, Amy Beth. "Line, Space and Plane." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1259177315.

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Books on the topic "Space fashion"

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Eriksson, Kajsa G. Concrete fashion: Dress, art, and engagement in public space. HDK, School of Design and Crafts, Faculty of Fine, Applied and Performing Arts, University of Gothenburg, 2009.

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Schuman, Emily. Cupcakes and cashmere: A guide for defining your style, reinventing your space, and entertaining with ease. Abrams, 2012.

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Ala, Francesca. Lo spazio architettonico della sfilata di moda. Gangemi editore SpA international, 2019.

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Caroline, Evans, and Groninger Museum, eds. Hussein Chalayan. NAi Publishers, 2005.

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Gaputina, Violetta. Mediadiscourse of fashion: processes, phenomena, effects. Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02079-1.

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The monograph is devoted to the study of the Russian-language discourse of fashion, actualized in the space of modern mass media: in television broadcasts and glossy magazines, blogs and social networks. The main attention is paid to the processes of hybridization of fashion discourse and media discourse and their linguistic and speech manifestations, reflecting the intersection of fashion discourse with other types of discourse. The book is addressed to specialists in the field of media linguistics and journalism, students, teachers and researchers, employees of

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Chauhan, Jaskaran. Indian retail spaces: Fashion, jewellery, sanitary, miscellaneous retail spaces. concept, publication & distributed by Interior Architecture Group, 2018.

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John, Potvin, ed. The places and spaces of fashion, 1800-2007. Routledge, 2008.

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Turetsky, Bianca. The time-traveling fashionista at the palace of Marie Antoinette: A novel. Poppy, 2012.

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Bariller, Marie. Dressing the home: the private spaces of top fashion designers. Abrams, 2008.

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Turetsky, Bianca. The time-traveling fashionista at the palace of Marie Antoinette: A novel. Poppy, 2012.

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Book chapters on the topic "Space fashion"

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Mendes, Silvano. "The Fourth Space: Fashion Branding and Café-Restaurant Projects." In Fashion Heritage. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06886-7_9.

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Chon, Harah. "Exploring research space in fashion." In The Routledge Companion to Design Research, 2nd ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003182443-21.

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Liu, Peng, and Lan Lan. "Constructing an Affective Retail Space." In Storytelling in Luxury Fashion. Routledge, 2020. http://dx.doi.org/10.4324/9781003022794-13.

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Dominoni, Annalisa. "Space Fashion in Microgravity and on Earth." In Springer Series in Design and Innovation. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-53122-4_61.

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Li, Hesen. "Mass Fashion Life Service Space in Intelligent Cities." In Application of Intelligent Systems in Multi-modal Information Analytics. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51556-0_6.

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Bui, Trinh, Phuong Dang, and Berill Takacs. "Design for Sustainability in Fashion Design Education in Vietnam." In Global Vietnam: Across Time, Space and Community. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-97-7703-7_8.

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Lenoir, Lisa D. "What Would Kachru Wear? A Discourse Analysis of Global Englishes in Fashion Weblogs from Expanding Circle Countries." In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_14.

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AbstractThe fashion weblog (blog) emerged as a space on the Internet to disseminate colorful visuals and complementary stories to chronicle individual musings and promote brands. Fashion and beauty trends, retail news, on-the-street candid shots of personal style, and shopping hauls appeared on homepages and hamburger menus. Content creators connect viewers to matters of taste and socio-cultural implications of style and dress as a way of expression. Scholars look to understand its connection to gender; its cultural production practices; and its legitimacy in the print and digital journalism a

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Lettmann, Sabine. "The role of circular fashion practice in creative placemaking and place identity." In The Routledge Handbook of Architecture, Urban Space and Politics, Volume II. Routledge, 2024. http://dx.doi.org/10.4324/9781003112471-22.

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Winterhalter, Cecilia. "Metaverse and Its Communication. The Future is Here. True or False?" In Fashion Communication in the Digital Age. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_4.

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AbstractThis text analyses the metaverse: its definitions and concepts, its meaning and impact; digital art, fashion and their communication; its performance issues, its failures, and criticism. It compares existing metaverse definitions and concepts, evaluates of their advantages and disadvantages, their chance of coming true, their present degree of evolution. Closer looks are dedicated to the influence of a virtual space on art and fashion, their communication and dissemination and to the metaverse failures, problems, and criticism. Not only the metaverse technology, but also its intended i

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Grabe, Imke, Jichen Zhu, and Manex Agirrezabal. "Fashion Style Generation: Evolutionary Search with Gaussian Mixture Models in the Latent Space." In Artificial Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03789-4_6.

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Conference papers on the topic "Space fashion"

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Schlacht, Irene Lia, Jane Morelli, Giordano Pierlorenzi, et al. "Fashion and Habitability for Space, the Moon and Mars." In IAF Space Exploration Symposium, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078357-0238.

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McIntyre, Sean, Qingtao Yu, Robert Kunz, Liming Chang, and Robert Bill. "A Computational System Model for Gearbox Loss-of-Lubrication." In Vertical Flight Society 70th Annual Forum & Technology Display. The Vertical Flight Society, 2014. http://dx.doi.org/10.4050/f-0070-2014-9628.

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A multi-physics, multi-scale numerical simulation technique is presented for modeling gearboxes operating under loss-of-lubrication conditions. Accordingly, the tool includes components for contact mechanics, tribology associated with EHL through boundary lubrication regimes, CFD modeling of the gearbox flow, conduction within the gears, housing and other gearbox components, and free convection to the external environment. These component physics models are coupled in a fashion that accommodates their disparate space and time-scales. This paper describes each sub-model in detail, and the space

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Okeansky, V. P., and Zh L. Okeanskaya. "FASHION STATUS IN THE NATIONAL SPACE." In Построение систем управления устойчивым развитием территории: аспекты цифровизации. Ивановский государственный политехнический университет, 2021. http://dx.doi.org/10.47367/978-5-88954-515-6_2021_1_8.

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Desiyana, Irma. "Reclaiming Public Space: Case Study Citayam Fashion Week, Jakarta." In Razvitie kreativnih industriy v sovremennom mire. Новосибирский государственный университет архитектуры, дизайна и искусств имени А.Д. Крячкова, 2023. http://dx.doi.org/10.37909/978-5-89170-314-8-2023-3001.

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Musikapan, Ravitep, Patararin Pongprasit, and Natcha Sirikhvunchai. "Development of Mot-Mom Fabric Patterns Using Born-out Printing and Embroidery Technologies into Fashion Accessories of Kwanyo Brand." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.wvyy7826.

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Abstract The objectives of this study were to develop Mor-Hom fabric patterns using burn-out printing technology in a variety of contemporary shades and contemporary embroidery patternsfrom machine embroidery and hand embroidery techniques to develop into international fashionaccessories Kwanyo brand. In addition, this study also aimed at using the fabric burn-out printingtechnique to create beautiful patterns instead of the stamping method. The machine embroideryand hand embroidery techniques were also used to increase the product value to enhance self-suffi ciency and generate income for loc

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Skjulstad, Synne. "Intentionally left behind: Independent designers “free spaces” at the boundaries of art and fashion." In Nordes 2023: This Space Left Intentionally Blank. Nordes, 2023. http://dx.doi.org/10.21606/nordes.2023.77.

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Pratte, Sydney, Anthony Tang, Shannon Hoover, et al. "Towards a Design Space for Storytelling on the Fashion Technology Runway." In TEI '23: Seventeenth International Conference on Tangible, Embedded, and Embodied Interaction. ACM, 2023. http://dx.doi.org/10.1145/3569009.3573899.

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Pshenichnikova, E. V., and A. E. Ulanova. "USE OF SECONDARY RAW MATERIALS OF TEXTILE MATERIALS IN PRODUCTION OF NEW MODELS OF CLOTHES." In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.33.

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In article the question of a problem of processing of household waste which in our life became today especially sharp is brought up. Still absolutely new things become not necessary as quickly get out of fashion. Before consumers there is a task how to prolong life cycle of textile materials of high quality. The approach allowing to develop conditions of production of garments with a possibility of use differently of textured materials in one model design is represented.

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Louri, Ahmed, and Hongki Sung. "Efficient Implementation Methodology for 3-D Space-Invariant Hypercube-Based Free-Space Optical Interconnection Networks." In Photonics in Switching. Optica Publishing Group, 1993. http://dx.doi.org/10.1364/ps.1993.ois156.

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A new design methodology for constructing three-dimensional optical space-invariant hypercube interconnection networks is presented. The methodology allows the construction of larger hypercube networks from smaller networks in a systematic and incremental fashion. It is shown that the proposed methodology greatly improves area utilization as compared with previous methods. Due to its totally space-invariant nature, the resulting three-dimensional hypercube networks are highly amenable to optical implementations using simple optical hardware such as multiple imaging components and space-invaria

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Riewe Stevenson, Krissi, and Jennifer Meakins. "Making Space at the Intersection of Fashion Design & Architecture Using Digital Knitting." In Innovate to Elevate. Iowa State University Digital Press, 2022. http://dx.doi.org/10.31274/itaa.8753.

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Reports on the topic "Space fashion"

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Spencer, Brandon, and Kelly L. Reddy Best. Black Lives Matter: Fashion, Liberation, and the Fight for Freedom � Finding Space in the Curriculum for Black Voices Through Counter-Storytelling. Iowa State University. Library, 2019. http://dx.doi.org/10.31274/itaa.8418.

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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies, 2022. http://dx.doi.org/10.55271/5jchdy.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of

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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies (ECPS), 2022. http://dx.doi.org/10.55271/rp0001.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of

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