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Relevant bibliographies by topics / Thematic painting

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Journal articles
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Books
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Academic literature on the topic 'Thematic painting'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Thematic painting"

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Lin, Shuxin. "A Comparative Study of Yuanti Flower-and-bird Paintings and Western Classical Still-life Paintings: A Formal and Thematic Analysis of Li Song’s “Basket of Flowers” and Caravaggio’s “Basket of Fruit”." World Journal of Education and Humanities 6, no. 4 (2024): p95. http://dx.doi.org/10.22158/wjeh.v6n4p95.

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In the context of globalization, cultural exchange between the East and West is becoming increasingly frequent, and painting serves as a unique perspective for exploring cultural differences. In particular, flower-and-bird paintings and still-life paintings, as two major traditional painting genres, share similarities in selecting the subject and pursuing realism while maintaining their artistic characteristics, which both act as effective research models for cross-cultural comparative studies. This paper selects Li Song’s “Basket of Flowers”, a representative of Yuanti flower-and-bird paintin

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Fu, Hanmeng. "Design and Implementation of Interdisciplinary Thematic Learning in Middle School Art Supported by Digital Technology." Journal of Education and Educational Research 10, no. 1 (2024): 354–56. http://dx.doi.org/10.54097/28xcst20.

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Digital technology is helpful to the interdisciplinary subject learning and practice. In junior high school art "painting road of eternal life" project learning process, "how to better save and show paintings" as the essential problem, "painting the road of eternal life", relying on art, history and information technology learning field, fusion of multidisciplinary methods and means, design data investigation, analysis, experimental exploration, creative practice, materialized achievements and display interdisciplinary series of learning activities, realize high order thinking package low orde

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Wango, Kamau. "Thematic Approach and Derivation of Subject Matter as an Avenue for Expression and Expressiveness in Painting: Analysis of Selected Paintings by Kenyan Contemporary Artists in Nairobi, Kenya." East African Journal of Arts and Social Sciences 3, no. 1 (2021): 92–120. http://dx.doi.org/10.37284/eajass.3.1.356.

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In painting, just like in other disciplines of art, a thematic approach is often applied by artists in their work because themes define all aspects of human endeavour. A thematic approach is also important in the derivation of subject matter that artists ultimately pursue in their work. It can be said that any painting that is executed can be compartmentalised to fit within a given thematic pattern. Artists often, but not always, actively consider the essence of the theme itself; at times, they instinctively or spontaneously express something on canvas. It is presumed that the ‘intent of the a

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Olugbenga, Oladeji ABOKEDE1* Olatubosun Morakinyo OYEYODE2 Ayodeji Samuel OLUYEMI.3. "THEMATIC EXAMINATION OF PAINTING AND GRAPHIC ILLUSTRATIONS ON SELECTED SCHOOLS MURAL IN ILORIN, NIGERIA." ISRG Journal of Arts Humanities & Social Sciences (ISRGJAHSS) I, no. VI (2023): 291–99. https://doi.org/10.5281/zenodo.14909287.

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<strong>Abstract</strong> <em>The elements, sun and rain, has constituted threats to murals due to its transient and ephemeral nature. The obvious damages observed include cracks, disintegration of paint layers, swelling of the paint film, detachment of portions of painted layers and disintegration of the underlying ground. The murals are deteriorating and reducing fast in quality and quantity. It perhaps led to reduction in the number of mural paintings in Ilorin public places. This constitute rationale why the murals should be studied before they are destroyed. It also necessitates this urge

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Zolotukhina, Natal'ya Anatol'evna. "The peculiarities of modern religious painting in the Crimean temple architecture of (on the example of Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos)." Культура и искусство, no. 12 (December 2021): 14–26. http://dx.doi.org/10.7256/2454-0625.2021.12.36988.

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The traditions followed by people throughout history underlie the development of the culture of monumental art, forming the continuity of generations, memory and traditions of temple architecture of the Crimea. The topic of religious monumental painting draws interest of the researchers. The object of this article is the Crimean religious monumental and decorative art; while the subject is the peculiarities of modern religious painting in Alexander Nevsky Cathedral in Simferopol and Saint Vladimir Cathedral in Chersonesos. The goal is determine the modern artistic-aesthetic form of temple pain

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Huang, Yuanpeng, Galina Alekseeva, and Tingting Qin. "Analysis of the Influence of Tibetan Culture of the Yellow River Basin on Contemporary Chinese Painting." Bulletin of Baikal State University 30, no. 3 (2020): 479–83. http://dx.doi.org/10.17150/2500-2759.2020.30(3).479-483.

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The market economy reform, which began in China in the 1990s, changed people’s lifestyle, brought them freedom and diversity. It inevitably gave an impetus to the development of painting in the country of the new era. Thematic paintings were wide-spread in visual arts, which contributed to renewal of painting. Artists were greatly attracted by the Tibetan regions at the source of the Yellow River and tried to convey the spirit, rituals, and national costumes of its inhabitants. They depicted the sacred beauty of the plateau on their canvas, spread the values typical for the area at the source

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SHPAK, L. YU. "COMPARATIVE ANTHROPOLOGICAL CHARACTERISTICS OF ATTIC WHITE-GROUND VASE PAINTING." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta Seria XXIII Antropologia), no. 1/2024 (April 12, 2024): 134–45. http://dx.doi.org/10.55959/msu2074-8132-24-1-12.

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Introduction. Of the numerous ceramic production centers of ancient Greece, the Attica region is notable for its continuous development of vase painting styles. Compared to the black-figure and red-figure painting techniques, the polychrome painting of Attic vases on a white-ground may indicate polymorphism in the pigmentation of the ancient Greeks. Materials and methods. The material was collected in digitized museum collections and thematic literature. The color and nature of the characters' hair were studied from vase painting and funerary painting. Anthroposcopic method and simple statisti

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Bolyukh, Mykola, and Oleksii Sobolevskyi. "Subject painting and its study with art students taking the external assessment tests in easel composition classes." Bulletin of Luhansk Taras Shevchenko National University. Pedagogical Sciences, no. 1 (2025): 38–43. https://doi.org/10.12958/3083-6514-2025-1-38-43.

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The article analyzes the methods, techniques and elements of composition, identifies various creative and expressive techniques in the process of creating a plot-thematic painting. Taking into account the traditions of world and domestic fine arts, the experience of painting by masters, the authors explore in theory and practice the methods and formal techniques of creating a composition, artistic stylization of form, coordination of parts of composition elements, use of color, tone, etc. to achieve maximum results in creating a work of art, writing a plot-thematic painting. The article examin

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Nabiyev, Bobur Abdug'ani o'g'li Soataliyeva Dilnoza Oybek qizi. "THE IMPORTANCE OF WATERCOLOR TECHNOLOGY IN THEMATIC STILL LIFE WORK." INTERNATIONAL BULLETIN OF APPLIED SCIENCE AND TECHNOLOGY 3, no. 3 (2023): 436–39. https://doi.org/10.5281/zenodo.7783746.

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Brenyuk, Alla. "Basics of analyzing works of painting for students of artistic specialties." Pedagogical Education:Theory and Practice 34 (June 1, 2023): 188–200. https://doi.org/10.32626/2309-9763.2023-34-188-200.

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The analysis of paintings is based on the main characteristics of painting as an art form, such as color, composition, genre, subject, technique, type, style, etc. Due to the wide range of color modeling, the spectacular potential of light, the synthesis of genres, techniques and styles, and the limitless variability of form, painting has the maximum number of artistic possibilities. According to its functional purpose, painting is divided into the following fields, namely monumental, easel, decorative, iconography, and miniature. The functional purpose of a painting defines not only its size,

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Dissertations / Theses on the topic "Thematic painting"

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Wells, Gary Neil. "Metaphorical relevance and thematic continuity in the early painting of Paul Cezanne, 1865-1877 /." The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487325740721265.

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Almusaly, Kumail M. "Painting our conflicts: A Thematic Analysis Study on The role of artists in peacemaking and conflict resolution." NSUWorks, 2017. http://nsuworks.nova.edu/shss_dcar_etd/60.

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Artists have involved with their different styles and approaches to help resolving conflicts all over the world. They help in raising awareness of different conflicts through their activities that engage people with art. The creative elements of the art also help in exploring various means of conflict resolution and problem solving (Lumsden, 1997). This study examines the role of artist in society in the framework of conflict resolution and peacemaking. A qualitative research method is used in this research, which in result provides a better understanding of the work of Middle Eastern artists.

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Juan, Ayala Octavio de. "La interrelación música pintura: un análisis comparativo actualizado de sus principales fundamentos técnicos y expresivos." Doctoral thesis, Universidad de Murcia, 2010. http://hdl.handle.net/10803/10885.

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Tres ideas fundamentales: el correlato neuronal musicopictórica, la posible existencia de universales en la música y la pintura, y el fenómeno de la evocación pictórica<br>Threefundamental ideas: The neural music painting correlate, the possibility of universals in music and painting and the phenomenon of music painting evocation<<br>Fazit: Drei Wesentliche ideen: Das neuronales musicopictorisches korrelat, Mögliche universalien in musik und malerei und das phänomen der evocation zwischen musik und malerei

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Books on the topic "Thematic painting"

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Elizabeth II, Queen of Great Britain, 1926-, Charles, Prince of Wales, 1948-, and Lloyd Christopher 1945-, eds. The paintings in the Royal Collection: A thematic exploration. The Collection, 1999.

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Stouphē-Poulēmenou, Iōanna. Apo tous Nazarēnous ston Ph. Kontoglou: Themata neoellēnikēs ekklēsiastikēs zōgraphikēs. Ekdoseis Harmos, 2007.

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Thomas, Troy. Poussin's Women. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721844.

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Poussin’s Women: Sex and Gender in the Artist’s Works examines the paintings and drawings of the well-known seventeenth-century French painter Nicolas Poussin (1594-1665) from a gender studies perspective, focusing on a critical analysis of his representations of women. The book’s thematic chapters investigate Poussin’s women in their roles as predators, as lustful or the objects of lust, as lovers, killers, victims, heroines, or models of virtue. Poussin’s paintings reflect issues of gender within his social situation as he consciously or unconsciously articulated its conflicts and assumption

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Maria, Olivieri Luca, Bruneau Laurianne, Ferrandi Marco, Fondation Carlo Leone et Mariena Montandon, and Istituto italiano per l'Africa e l'Oriente, eds. Pictures in transformation: Rock art research between central Asia and the subcontinent : thematic symposium (special sessions) XIX International Conference on South Asian Archaeology, Ravenna, 6 July 2007. Archaeopress, 2010.

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Franits, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2008.

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Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004.

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Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.

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Kikakuten, yomitsugareta Genji monogatari: Thematic exhibition, reading and re-envisioning the Tale of Genji through the ages. Tokugawa Bijutsukan, 2020.

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Christopher, Lloyd. The Paintings Of The Royal Collection: A Thematic Exploration. Royal Collection, 2004.

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Thematic study of rock art: Latin America & the Caribbean = Étude thématique de l'art rupestre : Amérique Latine et Les Caraïbes. International Council on Monuments and Sites, 2006.

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Book chapters on the topic "Thematic painting"

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Dong, Chengyao. "The Representation of Urban Commoner Culture in Ming-Qing Ceramic Painting: A Case Study of Thematic Inspirations from Ming-Qing Novels." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2025. https://doi.org/10.2991/978-2-38476-432-7_36.

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Yuan, Xupeng. "Research on Painting Style Transfer Algorithm Based on Non-Negative Matrix Factorization." In Advances in Transdisciplinary Engineering. IOS Press, 2024. http://dx.doi.org/10.3233/atde240507.

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With the ongoing evolution of deep learning algorithms, the advent of convolutional neural networks and generative adversarial networks has propelled rapid progress in the study of painting style transfer. This paper proposes a computer-assisted intelligent style transfer algorithm for modern paintings, focusing on the Non-Negative Matrix Factorization (NMF) approach. The investigation is centered on its application in modern painting style transfer, specifically addressing the challenges posed by the characteristics of stylistic and thematic content extraction in real paintings. The paper tho

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Leach, Eleanor Winsor. "Mythography and Roman Wall Painting." In The Oxford Handbook of Greek and Roman Mythography. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190648312.013.36.

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Abstract In the first sustained study how Roman wall painting intersects with mythography, this essay explores how both the depiction of myth on walls and the interpretative recreation of mythical narratives by viewers reflect a mythographical mindset. In a careful selection of case studies, the author considers: episodic narratives (Odyssey frieze from the Esquiline); variations on a theme (Actaeon in Casa del Frutteto and Casa di Epidius Rufus); synoptic mythography (Dirce cycle in Casa di Giulio Polibio); and ensemble collections with thematic connections (Casa di Giasone, Casa dei Dioscuri

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Green, Alexandra. "A Formula to Honor the Buddha." In Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings. Hong Kong University Press, 2018. http://dx.doi.org/10.5790/hongkong/9789888390885.003.0002.

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This chapter establishes the standardization of the wall paintings in terms of painting style, subject matter, and detail, and determine the major social, political, and religious ideas that contributed to the production of the wall paintings and provided a rationale for the standardized format. The murals evince exceptional consistency in choice of subject matter, representation of imagery, and arrangement within an architectural space across the central zone from the late seventeenth to early nineteenth centuries. Each temple contains variations in style, modes of representation, and design,

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"Introduction." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.003.

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"1. The Dutch Republic, 1609–1648." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.004.

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"2. Haarlem." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.005.

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"3. Amsterdam." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.006.

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"4. Utrecht." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.007.

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"5. The Hague." In Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. Yale University Press, 2004. http://dx.doi.org/10.37862/aaeportal.00040.008.

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Conference papers on the topic "Thematic painting"

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Харенко, А. Г., and А. В. Карпов. "PERIODIZATION OF LANDSCAPE PAINTING IN THE WORK OF K. YA. KRYZHITSKY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.77.

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В творческой биографии русского художника академического направления К. Я. Крыжицкого (1858–1911 гг.) отразились важные художественные и социальные проблемы пейзажной живописи рубежа XIX–XX вв. Предметом исследования в настоящей статье стали тематические и стилистические особенности творчества художника, на почве которых автором выявлены основные периоды в развитии пейзажной живописи К. Я. Крыжицкого. In the creative biography of the Russian academic artist K. Ya. Kryzhitsky (1858–1911) reflected important artistic and social problems of landscape painting at the turn of the XIX–XX centuries.

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URSACHI, Rodica. "Trei piloni ai artei naționale: Igor Vieru, Ilie Bogdesco și Mihail Petric. 100 ani de la naștere." In "Ştiință și educație: noi abordări și perspective", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.v3.21-22-03-2024.p302-308.

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The article is focused on the creation of three plastic artists from the Republic of Moldova, who would have celebrated their centenary this year - Igor Vieru (1923-1988), Ilia Bogdesco (1923 2010), Mihail Petric (1923-2005). Their contribution is a significant one for national art, each one leaving a considerable mark in the field and genre they work in – graphics, thematic painting, landscape, etc. Several aspects and factors of the creative process of each individual artist are mentioned in the article. The thematic topics addressed are described, the components of the plastic language used

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URSACHI, Rodica. "Theoretical and artistic-plastic component in the creation of the painter Nicolae Tonitza." In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p286-290.

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The creation of the plastic artist Nicolae Tonitza is focused on two components - theoretical and artistic. Theoretically, Tonitza worked as an artistic columnist and publicist for various magazines and newspapers "Cuvântul liber", "Facla", "Socialismul" and others. His chronicles initially had a polemical character with a sociopolitical accent, and later, a "stylistic" one, with a national aspect. The artistic activity is focused on two genres graphics and painting. The thematic register is varied and includes military and social subjects, portraits of children, nudes, landscapes, the reason

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Крылов, С. Н. "THEMATIC TRENDS FOR GRADUATION WORKS FOR CHURCH ARCHITECTURE: PRACTICE OF THE DEPARTMENT OF MONUMENTAL AND DECORATIVE PAINTING OF THE STIEGLITZ ACADEMY." In Образ героя. От прошлого к настоящему. Crossref, 2023. http://dx.doi.org/10.54874/9785605054252.2023.1.13.

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На рубеже столетий для художников-монументалистов открылась дополнительная, не допустимая в Советском Союзе, возможность творческой реализации — церковное направление. В публикации представлен опыт кафедры монументально-декоративной живописи Академии Штиглица, связанный с увековечиванием образов святых покровителей Земли Русской. At the turn of the 20th century, an additional, unacceptable in the Soviet Union, opportunity for creative realization opened up for muralists — the direction of the church. The publication presents the experience of the department of monumental and decorative paintin

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Hwang, Cheng-Chun Patrick, and Yuk-yi Sukey Hui. "Exquisite Scrolls: Collaborative Drawing in the Space Time of Post-digital Representation." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.58.

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What is the function of architectural drawings, those drawn by architecture students that are conducive to learning? This paper discusses a pedagogical experiment generated from a series of collaborative drawings. The end goal seeks for a new agency, through a didactic platform and process exploring the visuality of the productive observation instead of the optical graphics of realism. Through the intermediary of the drawing in the present, the retrospective and prospective character of the design process can be explored. By reintroducing draw¬ing as a medium of thought, its power to project a

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Martínez Medina, Andrés. "Elogio del cuadrado: cuadrícula, cuadro, cuatro, cubo." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.837.

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Resumen: Un recorrido por la producción de Le Corbusier evidencia la insistente presencia del cuadrado como base de las composiciones en diversos campos (urbanismo, arquitectura, pintura, mobiliario…) y en diferentes formatos (en planta, alzado y sección, o como marco, módulo y cuadrícula). La presente comunicación realiza un análisis formal (gráfico y simbólico) de sus proyectos y obras, rastreando los modos en que se utiliza el cuadrado permaneciendo en el tiempo como una constante recurrente. Para ello se recorren cuatro áreas temáticas que descienden en escala y en dimensiones: 1) capitoli

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Dong, Xianjuan. "Chinese Realism Oil Painting's Thematic Evolution Since the Founding of New China." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.126.

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Thilakarathne, S., S. C. Gopure, and A. WIickramasinghe. "Visualising intangible cultural heritage: a conceptual framework on the adaptation of oral traditions into creative practices." In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.9.

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Folklore encompasses the knowledge, experiences, and creative thinking passed down from ancestors through generations via word of mouth. It serves as a means of preserving cultural traditions and expressing socio-cultural aspects of a society. One such folklore narrative deeply rooted in the cultural heritage of Sri Lanka is the story of Kuweni. Kuweni, the unacknowledged queen who aided King Vijaya in his conquest of the island, holds historical, literal, geographical, and cultural significance. This narrative highlights the anthropological value inherent in folk traditions. Moreover, the sto

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Филина, Е. И. "Using museum potential to teach Russian history to students of non-historical specialties." In Социально-гуманитарные исследования: векторы развития науки и образования: материалы IX научно-практической конференции с международным участием, г. Москва, МПГУ, 25–26 апреля 2024 г. Crossref, 2024. https://doi.org/10.37492/isgo.2024.017.

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статья посвящена опыту использования музейного потенциала для преподавания истории России студентам неисторических специальностей. Для дополнительного получения информации по дисциплине можно привлекать материалы постоянных экспозиций различных музеев Москвы и других регионов России, а также материалы тематических выставок. Студенты могут посещать самостоятельно музейные лектории по интересующим их темам и составлять отчеты и доклады для получения дополнительных баллов. Исходя из собственного опыта могу констатировать, что студенты с интересом участвуют в проекте «Отражение реальных историческ

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Korzhova, Inessa. "THE IMAGE OF SMOLENSCHINA IN K.M. SIMONOV'S WORKS." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3632.khmelita-19/45-59.

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The article, based on the material of a wide body of texts, shows the key aspects of the image of the Smolensk region in K. Simonov's work. For the first time, in addition to literary texts and diaries, military journalism and a screenplay are used to identify ideological and thematic unity in the author's work. The image of the Smolensk region was formed by Simonov during the Great Patriotic War and includes stable, repeatedly repeated motives and situations in various works. Smolensk region appears as a chronotope, a capacitor of historical continuity. This idea is most directly embodied in

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