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Journal articles on the topic 'Traditional animation'

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1

Tao, Yijun, and Weilin He. "Application of Fragmented Narrative in MG Music Animation—Taking Incognito as An Example." Tobacco Regulatory Science 7, no. 5 (2021): 3612–20. http://dx.doi.org/10.18001/trs.7.5.1.137.

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Fragmented narrative has the characteristics of postmodernism: no center, no depth, entertaining, and deconstructionist-center. It intersperses with the shots of text and pictures to change from montage to collage, which subverts the traditional audiovisual language with a strong personality. However, although the music animation video has a lot to express, the short length limits the expression’s completeness. Therefore, it is necessary to express the key points through a fragmented narrative, while the combination of fragmented information can engage the audience. Music animation, more condu
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Li, Chenmei. "Influence of Hayao Miyazaki’s Animation on the Cross-Cultural Spread of Japanese Traditional Culture under the Background of 5G and Wireless Communication." Wireless Communications and Mobile Computing 2021 (October 11, 2021): 1–5. http://dx.doi.org/10.1155/2021/1640983.

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The development of 5G technology has brought tremendous changes to all areas of social life, especially in the external communication of culture; the increasing effect of 5G technology has become more obvious. All kinds of new media are constantly emerging, and the expression of cultural products is more diversified, and they also have certain characteristics of their own national cultural symbols. As one of the important representatives of Japanese modern and contemporary culture, animation works have made extremely outstanding contributions in promoting the spread of Japanese culture. Japane
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Zhang, Xiao, Jinhua Xu, and Wei Yang. "Application and Practice of 2D Animation in Chinese Traditional Elements Based on Deep Learning Model." Mobile Information Systems 2022 (August 24, 2022): 1–10. http://dx.doi.org/10.1155/2022/6453320.

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With the progress and development of science and technology, the development of the animation industry is also rapidly accelerating. The animation industry has an inseparable relationship with the development of computers. Chinese animation originated in the 1920s. Although after so many years of precipitation, there have been some excellent animation works rich in national characteristics and national culture in China, but Chinese animation still lacks professional talents and has a poor creative environment. The problem cannot leave a deep impact on people. China has a long history. How to p
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Multimäki, Salla, Andreas Hall, and Paula Ahonen-Rainio. "Comparison of Temporally Classified and Unclassified Map Animations." Cartographic Perspectives, no. 82 (April 29, 2016): 5–14. http://dx.doi.org/10.14714/cp82.1296.

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While animation is a natural and, under certain circumstances, effective way to present spatio-temporal information, it has its limitations. Studying animations of large point datasets can be cognitively very demanding. Aiming to help users to comprehend such data, this study presents a new concept of temporal classification. A phenomenon is classified into periods of increasing, decreasing, and steady intensity, and each is assigned different colours in an animation. This concept was tested with a group of experts in the field of the phenomenon. The results suggest that this kind of classifie
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Du, Min, Bozhang Shao, and Caixia Liu. "Application of Traditional Elements in Film and Television Animation Driven by Artificial Intelligence." International Journal of Ambient Computing and Intelligence 15, no. 1 (2024): 1–17. http://dx.doi.org/10.4018/ijaci.356381.

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Traditional culture is gradually being forgotten in the process of modernization, leading to insufficient application of traditional elements in movies and animations, which in turn affects their artistic value and market performance. To avoid the dilemma of high and low development, Chinese film and animation production needs to find a healthier and more benign development path. Explored in this article is the application of traditional elements in AI driven film and television animations. To achieve this goal, in-depth research on element matching problems using a tensor canonical polyadic d
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Zhao, Yiming, and Dongfang Zheng. "Traditional Chinese Mythology in Animation Art." Highlights in Art and Design 3, no. 3 (2023): 61–63. http://dx.doi.org/10.54097/hiaad.v3i3.11220.

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Chinese traditional myths, as an important part of Chinese culture, have been widely applied and expressed in animation art. From the perspective of animation art, this paper will discuss in depth the expression forms and expression methods of traditional Chinese myths in animation art, including the use of myth elements in animation, the creation of myth characters, the way of narrating myth plots, and the expression of myth meanings. Through analyzing and comparing related animation works, this paper will explore the performance characteristics of Chinese traditional myths in animation art a
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Chen, Chen. "Painterly focused Chinese ink animation: Seeing through the cultural lens of the Xiang system." Animation Practice, Process & Production 8, no. 1 (2019): 141–64. http://dx.doi.org/10.1386/ap3_00009_1.

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Chinese ink animation has won worldwide respect for its ethereal and refined approach to ink painting. From the 1950s to 1980s, the Shanghai Animation Film Studio produced a number of award-winning ink animations. These animations share a unique traditional Chinese aesthetic based on Chinese literature and philosophy. However, the complex and long hand-made production process is one of the factors that caused the decline of Chinese ink animation following the 1980s. Since the millennium, three-dimensional ink modelling and digital painting technology have contributed to the revival of Chinese
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Hutcheson, Tracy D., Richard F. Dillon, Chris M. Herdman, and Jo Wood. "To Animate or Not to Animate, that is the Question." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 41, no. 1 (1997): 345–49. http://dx.doi.org/10.1177/107118139704100177.

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Animation presented together with voice narration in a computer presented tutorial did not facilitate learning when compared with a text and static graphics tutorial. The tutorials were the same except for the addition of simple animations and voice narration. Although there were no statistically significant differences there was a difference of 5 percent correct on quiz questions in favor of the animation group. Beyond statistical significance, is this 5 percent increase good justification for animations in computer-based training? The questions of how, when, and if, we should use animations
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R., Pranava Kumar, and Karna Maharajan K. "METAMORPHOSIS OF ANIMATION: COMPUTER AIDED OVER TRADITIONAL MODES OF ANIMATION." International Journal of Engineering Research and Modern Education ( 1, no. 2 (2016): 127–36. https://doi.org/10.5281/zenodo.160940.

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<em>Animation as a technology is generic and as a discipline it has been growing leaps and bounds. Application of animation tools extends even to industry, education, trade and entertainment. In depth understanding of the concept needs a chronological development studies including the history and technological innovations. An attempt to trace the metamorphosis of animation from the stone- age till date so as to get a comprehensive knowledge and thereby analyze the difference between traditional and modern animation techniques is part of the research work, which is underway. Essentially this is
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Jia, Shiyang, Stephanie Wang, Tzu-Mao Li, and Albert Chern. "Physical Cyclic Animations." Proceedings of the ACM on Computer Graphics and Interactive Techniques 6, no. 3 (2023): 1–18. http://dx.doi.org/10.1145/3606938.

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We address the problem of synthesizing physical animations that can loop seamlessly. We formulate a variational approach by deriving a physical law in a periodic time domain. The trajectory of the animation is represented as a parametric closed curve, and the physical law corresponds to minimizing the bending energy of the curve. Compared to traditional keyframe animation approaches, our formulation is constraint-free, which allows us to apply a standard Gauss--Newton solver. We further propose a fast projection method to efficiently generate an initial guess close to the desired animation. Ou
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Li, Xiangyi, and Soong Hyun Kim. "A Study on Character Development Strategy for 3D Animation Using Chinese Mythology IP : Focusing on the Animation <Ne Zha: Birth of the Demon Child>(2019)." Institute of Art & Design Research 27, no. 1 (2024): 145–54. http://dx.doi.org/10.59386/jadr.2024.27.1.145.

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『Ne Zha: Birth of the Demon Child』 is the first 3D animation based on the popular Chinese mythological IP, Ne Zha, and has achieved great success, giving hope to China's 3D animation market. This study aims to compare and analyze the character development process of the animation character based on the existing Ne Zha IP with the characters in 『Ne Zha: Birth of the Demon Child』 to understand how to utilize Chinese mythological IP in modern animation production. The research results show that the character of Ne Zha in 『Ne Zha: Birth of the Demon Child』 retains traditional features while modern
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Lasseter, John. "Principles of traditional animation applied to 3D computer animation." ACM SIGGRAPH Computer Graphics 21, no. 4 (1987): 35–44. http://dx.doi.org/10.1145/37402.37407.

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Shan, Qiaojuan, Yusrita Binti Mohd Yusoff, and Ariffin Bin Abdul Mutalib. "A comparative study of interactive animation and traditional animation." Journal of Computing and Electronic Information Management 12, no. 1 (2024): 1–11. http://dx.doi.org/10.54097/mubvx0s0vl.

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The article conducted a comprehensive study on the development trends of animation. Through the collection of relevant literature on the subject, it examined the research's impact in various countries. The study utilized the CiteSpace analysis tool to conduct a detailed quantitative analysis of the evolution of the animation field in recent years, covering literature and academic publications from 1990 to 2022. In terms of analytical methods, the study employed various approaches, including visual network analysis, collaboration network analysis, keyword analysis, co-contribution network analy
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Aroisi, Nawawel Sakti, and Rendya Adi Kurniawan. "Metode Desain Karakter Aaron Blaise dengan Penerapan Antropomorfisme dalam Animasi Lakontara sebagai Upaya Pelestarian Ketoprak." CITRAWIRA : Journal of Advertising and Visual Communication 4, no. 1 (2023): 63–78. http://dx.doi.org/10.33153/citrawira.v4i1.5093.

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The Marmalade team with their animation titled "Lakontara" has successfully won a gold medal in the GEMASTIK XV 2022 event. In their animation, Marmalade raises the issue of the low interest of the community in traditional Javanese theater (ketoprak) performances, and how ketoprak can remain relevant and compete with other modern entertainments. In the character design of Lakontara, it can be seen that the characters are predominantly non-human characters given human attributes and behaviors, indicating that the characters are designed using anthropomorphism. This is commonly found in popular
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Purwaningsih, Dominika Anggraeni. "PUPPET MOVEMENTS IN STRUCTURE-SPECIFIC TRADITIONAL PAPER CUT OUT ANIMATION PRODUCTION." Ultimart: Jurnal Komunikasi Visual 13, no. 2 (2020): 61–68. http://dx.doi.org/10.31937/ultimart.v13i2.1821.

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Physical paper puppets are inanimate objects, but when we’re speaking in terms of the production of traditional paper cut out animation, they become the actors and the souls that drive the movie. When shooting and animating traditional paper cut out animation, the puppets are laid flat on a surface so they can only move in limited directions compared to conventional 2D or 3D animation. As we know, each character in animated movie has its own personality and unique to each other. The challenge lays in bringing out the characteristics and personality of the character through the limited medium o
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Zhang, Chengwen, and Suebsiri Saelee. "Classic Ink Animation 1960-1988: Chinese traditional Aesthetics, Animation Design and Educational Function." International Journal of Education and Literacy Studies 12, no. 4 (2024): 235–43. https://doi.org/10.7575/aiac.ijels.v.12n.4p.235.

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Classical ink animation arose in China from the 1960s to the 1980s and was a new animation art form created by the Shanghai Fine Arts Film Studio. Between 1960 and 1988, classic ink animation was the most representative type of animation. This study explores traditional Chinese aesthetics, animation design, and educational functions embodied in classic ink animation. Using qualitative research methods, this study explores the elements of traditional Chinese aesthetics and the characteristics of animation design by analyzing the research text and understanding the cultural connotation and educa
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Sun, Zhen Tao. "Animation Type Analysis after Using Computer 3D Animation Technology." Advanced Materials Research 971-973 (June 2014): 1553–56. http://dx.doi.org/10.4028/www.scientific.net/amr.971-973.1553.

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Type of computer animation using 3D technology can be divided under three seeds that mimic 2D animation, imitating traditional 3D animation, imitating real movie. Mimic 2D animation and imitating real movie are infinitely close with 2D animation and real film movie. Imitating traditional 3D animation is completely different from the traditional three-dimensional animation, which won the visual realism. "Visual realism" to get that 3D animation and real film movie stood on the same competition platform.
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Tang, Jun, and Yu Lin Zeng. "Intelligent Traditional Chinese Hairstyle System in Computer Animation." Applied Mechanics and Materials 530-531 (February 2014): 915–18. http://dx.doi.org/10.4028/www.scientific.net/amm.530-531.915.

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Traditional Chinese hairstyle is an important part of the traditional Chinese culture, which provides rich material for computer animation. The creation process of traditional Chinese hairstyle model in computer animation is complex working and time-consuming. This study establishes the traditional Chinese hairstyle database, which covers from Tang Dynasty to Qing Dynasty. According to the characteristics of the traditional Chinese hairstyle, this study develops an Intelligent Traditional Chinese Hairstyle System by MEL, which can display the condition of traditional Chinese hairstyle models i
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Elling, Jan Mathis, and Hein De Vries. "Influence of Animation- Versus Text-Based Delivery of a Web-Based Computer-Tailored Smoking Cessation Intervention on User Perceptions." European Journal of Health Communication 2, no. 3 (2021): 1–23. http://dx.doi.org/10.47368/ejhc.2021.301.

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Computer-tailored (CT) digital health interventions have shown to be effective in obtaining behaviour change. Yet, user perceptions of these interventions are often unsatisfactory. Traditional CT interventions rely mostly on text-based feedback messages. A way of presenting feedback messages in a more engaging manner may be the use of narrated animations instead of text. The goal of this study was to assess the effect of manipulating the mode of delivery (animation vs. text) in a smoking cessation intervention on user perceptions among smokers and non-smokers. Smokers and non-smokers (N = 181)
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Tang, Shirui. "Multidimensional Observation of the Development of Chinese Animation Works and the Spiritual Resonance of Youth." Journal of Education, Humanities and Social Sciences 13 (May 11, 2023): 360–65. http://dx.doi.org/10.54097/ehss.v13i.8177.

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With the continuous development of modern technology and the rise of the digital entertainment industry, the influence of animation works among young people is increasing. Compared to traditional literary works, animation works attract more and more young audiences with their vivid images, unique artistic expressions, and rich worldviews. In this process, the adaptation of novels into animations not only enables the essence of the original works to be inherited but also provides viewers with more emotional resonance through the introduction of new elements and more in-depth character developme
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Liu, Yingjing. "Research on Computer Animation Action and Acceleration Technology based on Composition Editor." Journal of Physics: Conference Series 2023, no. 1 (2021): 012026. http://dx.doi.org/10.1088/1742-6596/2023/1/012026.

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Abstract Traditional animation needs complex animation technology, which is mainly operated by hand. Therefore, traditional animation production needs a lot of work, which will lead to a variety of problems, such as long cycle, high rework rate, high cost and so on. With the development of computer technology, great changes have taken place in animation production, including speed, effect, etc., which has created a variety of methods in two-dimensional and three-dimensional animation production. Through computer-aided, the traditional manual animation technology has been gradually replaced by
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Katsaridou, Maria Ilia, and Loukia Kostopoulou. "Introduction: Animation as semiosis and as meaning." Punctum. International Journal of Semiotics 10, no. 1 (2024): 5–12. https://doi.org/10.18680/hss.2024.0001.

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This special issue of Punctum investigates the semiotics of animation, focusing on its evolution as a dynamic medium at the intersection of art, technology, and culture. The articles examine animation’s role as a semiotic system, its historical redefinitions, and its integration with diverse visual forms, from traditional hand-drawn techniques to AI-generated imagery and virtual reality. Emphasizing animation as an “overarching category” that shapes and is shaped by contemporary audiovisual culture, this collection highlights its transformative potential. By bridging theoretical insights with
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Tang, Jun, and Yan Meng. "Research and Implementation of Intelligent Traditional Chinese Headdress System in Computer Animation." Applied Mechanics and Materials 519-520 (February 2014): 473–76. http://dx.doi.org/10.4028/www.scientific.net/amm.519-520.473.

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Traditional Chinese headdress is an important part of the traditional Chinese culture, which provides rich material for computer animation. The creation process of traditional Chinese headdress model in computer animation is complex working and time-consuming. This study establishes the traditional Chinese headdresses database, which covers from Tang Dynasty to Qing Dynasty. According to the characteristics of the traditional Chinese headdress, this study develops an intelligent Traditional Chinese Headdress system by MEL, which can import models into the scene and change attributes related wi
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Greenberg, Raz. "The Animation of Gamers and the Gamers as Animators in Sierra On-Line’s Adventure Games." Animation 16, no. 1-2 (2021): 83–95. http://dx.doi.org/10.1177/17468477211025665.

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Produced throughout the 1980s using the company’s Adventure Game Interpreter engine, the digital adventure games created by American software publisher Sierra On-Line played an important and largely overlooked role in the development of animation as an integral part of the digital gaming experience. While the little historical and theoretical discussion of the company’s games of the era focuses on their genre, it ignores these games’ contribution to the relationship between the animated avatars and the gamers that control them – a relationship that, as argued in this article, in essence turns
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Guangyuan Cao, Guangyuan Cao. "The Development Strategy of Nationalistic Derivatives in the Chinese Animated Film Industry." Northeast Asian Arts and Cultural Management Association 1, no. 1 (2024): 59–67. http://dx.doi.org/10.69887/jnaacm.2024.1.1.59.

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Purpose – This study explores the utilization of Chinese traditional culture in animation, with a focus on film derivatives. The study analyzes recent growth and challenges in the Chinese animation industry and aims to effectively utilize Chinese culture in developing animation derivatives. Drawing insights from US and Japanese models, the initiative aims to develop a unique Chinese animation industry, with the goal of improving global competitiveness, cultural impact, and market expansion. Design/Methodology/Approach – This study adopts a research methodology primarily focused on deeply minin
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Gao, Chaomeng. "Contemporary Chinese Animation Design as a Reinterpretation of Traditional Cultural Connotations Based on Shadow Puppet Theater." Культура и искусство, no. 9 (September 2024): 121–36. http://dx.doi.org/10.7256/2454-0625.2024.9.71442.

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The object of the research is modern Chinese animation design and its evolution over the past 70 years. The subject of the research is the potential for rethinking traditional cultural connotations of Chinese shadow theater in modern animation design. The synthesis of the canonical principles of shadow theater with modern animation technologies enhances the expressiveness of cartoons and their ability to convey philosophical, ethical, artistic and technological values. The theoretical analysis of the problem and the practical development of innovative methods of animation design by the author
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Li, Xiaoxia, Chen Zhang, and Yonghui Wu. "Deconstruction of Immersive Animation Image Interaction Design under Virtual Reality Technology." Wireless Communications and Mobile Computing 2022 (August 13, 2022): 1–11. http://dx.doi.org/10.1155/2022/2104633.

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With the increasing pressure of social life, people generally have different degrees of psychological problems, which brings serious troubles to people’s life and work. As one of the main forms of art, animation is a good medicine for breaking fantasy and returning to reality. Animation is one of the ways of art therapy, and animation art design is the soul of animation therapy. However, the art design of traditional animation cannot bring a strong sense of resonance and cannot arouse people’s inner emotions. Virtual reality can bring users an immersive experience, so it can really immerse the
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Zhang, Rong. "Using artificial intelligence assistant technology to develop animation games on IoT." Computer Science and Information Systems, no. 00 (2023): 21. http://dx.doi.org/10.2298/csis220719021z.

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This research proposes an XNA animation game system with AI technology for action animation games in mobile devices, based on an object-oriented modular concept. The animation game function with AI technology is encapsulated into independent objects, through the combination of objects to build repetition. It adds AI technology to the finite state machine, fuzzy state machine and neural network and attempts to combine the traditional rule-base system and learning adaptation system to increase the learning ability of traditional AI roles. The main contributions are compared with traditional meth
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Hou, Qunshan. "The Enlightenment and Influence of Chinese Painting on Animation Art." Journal of Education, Humanities and Social Sciences 46 (December 6, 2024): 117–23. https://doi.org/10.54097/ztj8s487.

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Chinese painting emphasizes "artistic conception" and "spiritual charm", and its expression is often implicit and poetic. This aesthetic concept, which focuses on emotional expression and spiritual connotation, has a profound influence on animation art. The application of Chinese painting has enriched the visual expressiveness of animation, enhanced emotional rendering and artistic conception, allowing animation works to display a unique Eastern aesthetic. The brush and ink techniques and line application in Chinese painting have been borrowed and innovated in animation, such as ink animation,
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Budi, Hutomo Setia, I. Wayan Adnyana, I. Wayan Swandi, and I. Nyoman Suardina. "Presentation of Traditional Folktale Through 3-Dimensional Animation Film in Gromore Studio YouTube Channel, A Study Case." Nirmana 24, no. 1 (2024): 41–47. http://dx.doi.org/10.9744/nirmana.24.1.41-47.

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This research aimed to discover audience responses toward animation content that tells about folklore and is uploaded onto the Gromore Studio YouTube platform. It is designed based on interview data as well as observation of the view count, comments, and literature study. This research included cultural studies which studied social culture phenomena by using descriptive quantitative analysis methods with emphasis on discovering the comparison of positive and negative comments, and the comparison between like and dislike counts from the folklore video which was uploaded by Gromore Studio. The r
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Xu, Jia. "A Brief Analysis of Animation Ontology in the Context of Artificial Intelligence." Communications in Humanities Research 66, no. 1 (2025): 14–20. https://doi.org/10.54254/2753-7064/2025.22474.

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With the rapid advancement of artificial intelligence technology, its application in the field of animation production has become increasingly extensive and in-depth. This has not only significantly transformed traditional modes of animation creation but has also had a profound impact on animation ontology. This paper aims to explore the emerging changes and developmental trends in animation ontology within the context of artificial intelligence. Driven by the wave of digitalization and intelligent technologies, animation as a unique art form is undergoing unprecedented transformations. Levera
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Jianchao, Ren. "The influence of traditional culture on the role shaping of Chinese local film and television animation." OOO "Zhurnal "Voprosy Istorii" 2023, no. 8-2 (2023): 164–69. http://dx.doi.org/10.31166/voprosyistorii202308statyi36.

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This article mainly summarizes the role building of Chinese local film and television animation, analyzes the influence of traditional culture on the role building of Chinese local film and television animation, and introduces in detail the application of traditional culture such as paper cutting art, ink painting art, costume art and opera art in the role building of film and television animation.
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Huang, Xinyi, Abdul Razak Mohaideen, and Ahmad Kamal Basyah Sallehuddin. "From Little Tadpoles Looking for Mama to the Fusion of Traditional Ink Art and Modern Animation Techniques." International Journal of Research and Innovation in Social Science IX, no. II (2025): 815–19. https://doi.org/10.47772/ijriss.2025.9020065.

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This paper explores the integration of traditional Chinese ink art and modern animation technology through an analysis of the animated film Little Tadpoles Looking for Mama. As one of the earliest examples of Chinese ink animation, the film represents a unique blend of artistic tradition and innovative technology. The study examines how the film employs traditional water-based ink techniques, such as brush strokes, shading, and Chinese painting aesthetics, while also incorporating the dynamic visual effects and movement possibilities offered by contemporary animation technology. By using the t
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Tan, Shuqing. "Animation Image Art Design Mode Using 3D Modeling Technology." Wireless Communications and Mobile Computing 2022 (March 3, 2022): 1–9. http://dx.doi.org/10.1155/2022/6577461.

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This paper starts with the external visual performance of animation characters, discusses the design style of three-dimensional animation characters, and integrates with traditional art, and makes a new research and attempt from the combination of art and technology, so that nonprofessionals can easily design three-dimensional animation characters. Aiming at the problem of low recognition level of behavior control data points in traditional 3D virtual animation model method, a method of role modeling and behavior control in 3D virtual animation design is designed. Based on the physical engine,
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Qin, Pei Yu, Li Guo, and Zhi Li Hu. "Physically Based Animation of Fluid Movement in a Periodic Domain." Applied Mechanics and Materials 373-375 (August 2013): 395–99. http://dx.doi.org/10.4028/www.scientific.net/amm.373-375.395.

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A physically based approach for simulating fluid movement is proposed. Realistic animation and real time simulation are two objectives. Traditional animation technique can obtain virtual movement, but it has difficulty for realistic movement. Compared with the traditional animation technique, physically based animation can represent realistic movement better. The incompressible Navier-Stokes equations are used in our model, and the operator splitting method including semi-Lagrangian scheme and fast Fourier transform is employed to split the model into external force term, advection term, diffu
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Peng, Baoyi. "Ancient for the Present: Analyzing Traditional Cultural Elements and Unique Modernity in Contemporary Animation Films." Highlights in Art and Design 3, no. 3 (2023): 32–37. http://dx.doi.org/10.54097/hiaad.v3i3.11184.

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Entering the 21st century, as global cultures entered a new stage of intermingling, Chinese animation also rode the fast train of the times into a new stage of development, in which Chinese animation pushed the boundaries, from characterization to the cultural core of the story background, Chinese animation emerged as modernity culture wrapped in traditional Chinese culture, the two complement each other and together contribute to the narrative of storytelling expression. This paper takes a typical Chinese animated film between 2016-2023 as the object of study, and conducts theoretical researc
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Feng, Zhongqiang, and Yi Zhang. "The Teaching Mode Design and Effect Evaluation Method of Animation Course From the Perspective of Big Data." International Journal of Web-Based Learning and Teaching Technologies 19, no. 1 (2024): 1–20. http://dx.doi.org/10.4018/ijwltt.343522.

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OBE concept is a new teaching mode which emphasizes the improvement of students' subjective initiative and professional practice ability. The teaching of animation course is based on drawing and computer, which requires teachers to understand the OBE mode of animation course, carry out targeted teaching innovation of animation course, and adjust the traditional teaching methods, teaching contents and teaching assessment methods. Based on the MOOC platform from the perspective of big data, this paper analyzes the teaching status and innovation process of animation course, and puts forward a hyb
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Rashid, Nida, Nadira Khanum, and Fazil Rahim Khan. "The Effect of Animation as a Teaching Tool on Students’ Learning – an Experimental Study." Media Literacy and Academic Research 7, no. 1 (2024): 129–44. http://dx.doi.org/10.34135/10.34135/mlar-24-01-07.

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This study aims to explore the effect of animation on students’ learning process and compare the learning outcomes between animation-based and traditional teaching methods. The research questions hypothesize that animation enhances the learning process, attention, retention, reproduction and motivation in students. This study employed quantitative methodology by using an experiment involving two separate groups: the experimental group, which received instruction with animated videos, and the control group, which received a traditional teaching method. The sample size consisted of 170 students,
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Xinyi, Huang, Abdul Razak Bin Haji Mohaideen, and Ahmad Kamal Basyah Sallehuddin. "The Application of Juxtaposition Arrangement in the Scene Design of the Chinese Animation "The Monkey King: Uproar in Heaven"." ISSRA Journal of Arts, Humanities, and Social Studies 3, no. 1 (2024): 37–42. https://doi.org/10.5281/zenodo.10693442.

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<strong>Abstract: </strong>Chinese animation has a rich history and is known for its unique artistic style, often influenced by traditional Chinese painting techniques. One distinctive aspect of Chinese painting is the juxtaposed arrangement, which serves as a foundation for the portrayal of space and perspectives. However, in some instances, Chinese animation incorporates Western influences, resulting in a fusion of traditional and contemporary artistic techniques. This article examines the animated series "The Monkey King: Uproar In Heaven" as a case study to explore the interplay between tr
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Zhao, Chunyang. "Innovative Visual Expression in Contemporary Chinese Animated Films: A Case Study of White Snake." Lecture Notes in Education Psychology and Public Media 72, no. 1 (2024): 1–6. http://dx.doi.org/10.54254/2753-7048/72/2025nd0003.

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Abstract: In recent years, Chinese animation films have begun to move towards revival, and a large number of domestic animation works with traditional styles have been loved by audiences. These animated film works integrate contemporary expression on the basis of traditional aesthetic style, which makes Chinese animated films gain recognition again. In the process of the development of domestic animation films, one should think about how to reflect contemporary spiritual values with excellent national elements. This paper discusses the innovative expression of Chinese traditional art style in
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Alfatra, Febri Faizin, Mahendradewa Suminto, and Pandan Pareanom Purwacandra. "Penciptaan Film Animasi “Chase!” Dengan Teknik “Digital Drawing”." Journal of Animation and Games Studies 5, no. 1 (2019): 033–56. http://dx.doi.org/10.24821/jags.v5i1.2799.

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A short animation that combines several personal experiences and surroundings into a simple yet entertaining story. Although the story is presented simply, visualization is made unique and flexible with digital two-dimensional animation techniques. This animated film is titled “CHASE!” Which means chasing, taken from the core of the film which tells the story of a young man who chases a mysterious woman who turns out to be a transvestite.The animated film “CHASE!” Lenght 3 minutes 45 seconds, make the story made shorter and directly to the point at the core of what will be delivered. The numbe
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Limano, Ferric. "Barong Bali Performing Arts: A Study Case of Dance Motion Pattern." Humaniora 13, no. 1 (2022): 1–7. http://dx.doi.org/10.21512/humaniora.v13i1.7344.

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The research aimed to save the traditional Balinese Barong dance motion patterns and convert them into digital animation. Using the mask was a uniqueness and as one of the characteristics of the traditional dance. Some problems arose in today's global situation: the challenge of eroding local society cultures to be replaced by global cultures. Another factor was the new generation, who loved technology and digitization. The research showed how to make traditional art that had recommendations in new digital media 3D animation. This was necessary to increase interest for the new generation about
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Wang, Shuang, Jing Sui, and Xiaoshi Li. "Research on the design of animation design System based on visual communication." Advances in Engineering Technology Research 1, no. 3 (2023): 1031. http://dx.doi.org/10.56028/aetr.3.1.1031.

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In order to scientifically solve the problems existing in the application of traditional advertising animation design, researchers put forward to optimize the advertising animation design system with visual communication as the core in their research, which can not only solve the problems existing in the traditional visual communication design, but also provide multiple application functions for the system users. In this paper, on the basis of understanding the visual communication technology and the research status of the animation design system, using IE8-Chromel mainstream controller, image
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Wang, Chenyi. "Analysis of the Chinese-style elements in the Chinese animation “Five Elements of Misty Mountains”." Highlights in Art and Design 2, no. 2 (2023): 1–3. http://dx.doi.org/10.54097/hiaad.v2i2.6146.

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"Five Elements of Misty Mountain" is a domestic anime to be released on the Internet in the summer of 2020, with the cooperation of the production team led by Lin Hun. The work is to explore the Chinese elements of "Five Elements of Misty Mountain" and their significance to the future development and innovation of Chinese animation. The work conducts a specific study on the Chinese elements of "Five Elements of Misty Mountain", analyzing and extracting the details of Chinese martial arts and fighting in the battle scenes, analyzing the ink and wash style of painting in the animation, and disco
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Jia, Haoran. "The application and impact of artificial intelligence in the field of animation as well as the existing disadvantage." Transactions on Computer Science and Intelligent Systems Research 5 (August 12, 2024): 660–71. http://dx.doi.org/10.62051/xcknvf87.

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This paper provides an in-depth look at the application and impact of Artificial Intelligence (AI) in the animation industry, while also pointing out the existing limitations. In recent decades, AI has been seamlessly integrated into all aspects of life, and the field of animation creation is no exception.AI has not only automated tedious tasks, increased efficiency, and lowered costs, but also revolutionized the traditional animation ecosystem by providing animators with entirely new ways of expression. With the rapid advancement of digital technology, AI has become a key driver of innovation
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Xinyi, Huang, Abdul Razak Bin Haji Mohaideen, and Ahmad Kamal Basyah Sallehuddin. "From Havoc in Heaven to Big Fish and Begonia: The Fusion of Tradition and Modernity in Chinese Animation." International Journal of Religion 5, no. 12 (2024): 1693–98. https://doi.org/10.61707/j7pyd786.

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Chinese animation has experienced the evolution from tradition to modernity in its development course. As a classic animation work, "Havoc in Heaven" has laid the foundation of Chinese animation. Its rich cultural connotation and unique artistic style make it become a representative of national animation. And "Big Fish &amp; Begonia" is a successful attempt of modern animation, reflecting the progress of contemporary animation production technology and narrative techniques. This paper will discuss how these two works integrate the expression form and narrative skills of modern animation under
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Xu, Yi. "“Ne Zha 2” Classical Chinese Aesthetics and Modern Visual Presentation of Character Design: Taking Traditional Patterns as an Entry Point." Journal of Management and Social Development 2, no. 1 (2025): 111–15. https://doi.org/10.62517/jmsd.202512118.

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With the increasing attention paid by the state to the cultural industry, animation, as an important part of this sector, has produced numerous quality works in recent years. Against this backdrop, animation designers have begun to extensively reference traditional patterns and motifs, a trend that reflects the growing recognition of these motifs in the contemporary cultural context. This paper provides an in-depth analysis of the current application of traditional patterns in animation art. Through the study of the character design in "Ne Zha's Magic Boy Haunts the Sea," it explores how tradi
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Sun, Hanqiu. "Hand interface in traditional modeling and animation tasks." Journal of Computer Science and Technology 11, no. 3 (1996): 286–95. http://dx.doi.org/10.1007/bf02943135.

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Iwasa, Janet. "Crafting a career in molecular animation." Molecular Biology of the Cell 25, no. 19 (2014): 2891–93. http://dx.doi.org/10.1091/mbc.e14-01-0699.

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When I first set out on a path to becoming a cell biologist, I would have never imagined that it would lead to a career in molecular animation. I had always thought I would follow a more traditional route. What happened? In this essay, I will describe the experiences that led to my decision to forge a career as an academic molecular animator, and how my work has evolved over the years. I will also provide some resources and advice for those who may be considering following a similar route.
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Alzahrani, Faisal Mousa. "Effectiveness of animation as a learning tool in applied medical sciences education: A comparative cross-sectional study among university students." Pakistan Journal of Medical Sciences 41, no. 4 (2025): 1116–20. https://doi.org/10.12669/pjms.41.4.11204.

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Background &amp; Objectives: This study investigates the effectiveness of animation compared to traditional lecture methods on student performance, cognitive outcomes, and knowledge retention among Applied Medical Sciences University students. Methods: In this cross-sectional comparative study, a total of 110 students from the College of Applied Medical Sciences (CAMS), Imam Abdulrahman bin Faisal University participated in the study conducted between 1st April to 30th June 2024. Participants were divided into two groups: one receiving traditional lecture-based instruction and the other receiv
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