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1

Andreyev, Leonid. Photographs by a Russian writer: An undiscovered portrait of pre-revolutionary Russia. Thames and Hudson, 1989.

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2

Serafimova, Vera. History of Russian literature of XX-XXI centuries. INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1138897.

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The textbook consists of review and monographic chapters, presents a modern view of the literary process of the XX-beginning of the XXI century, examines the work of poets, prose writers, playwrights who caused an extraordinary rise in spirituality and culture of the period under consideration. The analysis of the top works of Nobel prize winners: I. Bunin, B. Pasternak, M. Sholokhov, A. Solzhenitsyn, V. Shalamov, I. Brodsky, writers-front — line poets and prose writers is given. Attention is paid to the work of writers of Russian emigration. The section "Modern prose" includes materials about
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3

Pervova, Galina, R. M. Kulichenko, and O. A. Rudeleva. Classics of Russian literature in children's reading. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1818759.

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The textbook is a significant addition to G.M. Pervova's textbook "Children's Literature", published in INFRA-M in 2021. 
 The textbook analyzes the range of reading works by Russian classical writers for a children's audience. The author chooses for consideration the work of those writers who did not write specifically for children, so you will not find in the manual the famous surnames of K.I. Chukovsky, N.N. Nosov and many others. The manual raises the problem of expanding the circle of children's reading, emphasizes the importance of the creativity of Russian classics as carriers of t
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4

Serafimova, Vera, Ivan Pankeev, and L. G. Tyurina. History of Russian literature of the XX-XXI centuries. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1866868.

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The textbook consists of review and monographic chapters, presents a modern view of the literary process of the XX — early XXI century, examines the work of poets, novelists, playwrights who caused an extraordinary rise in spirituality and culture of the period under consideration. The analysis of the top works of Nobel Prize laureates is given: I. Bunin, B. Pasternak, M. Sholokhov, A. Solzhenitsyn, I. Brodsky, writers- front—line poets and prose writers. Attention is paid to the work of writers of Russian emigration. The section "Modern prose" includes materials on philosophical and aesthetic
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5

Faith, Wigzell, ed. Russian writers on Russian writers. Berg, 1994.

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6

Hayrullin, Vladimir. Spatial codes of key texts of Russian culture. INFRA-M Academic Publishing LLC., 2025. https://doi.org/10.12737/2140133.

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The monograph examines the ways of representing open and closed spaces in such key texts of Russian classics as Leo Tolstoy's novel "Anna Karenina" and F.M. Dostoevsky's novel "The Idiot", and in the translations of these works into English. It is suggested that the spaces described using features encoding certain information about these spaces are presented differently by writers, and these differences become more pronounced when considering works translated into English, which allows us to talk about translation spatial codes. Much attention in the information field of the monograph is paid
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7

Ilf, Ilʹi͡a. La création de Robinson et autres récits humoristiques et satiriques: 1929-1932. Éditions Librairie du Globe, 1996.

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8

Ilf, Ilʹi͡a. Kak sozdavalsi︠a︡ Robinzon: Felʹetony i rasskazy. "Tekst", 2007.

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9

D, Tomei Christine, ed. Russian women writers. Garland Publishing, 1999.

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10

Company, Channel Four Television, ed. Great Russian writers. Channel 4, 1992.

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11

P, Briggs A. D., ed. Alexander Pushkin: A celebration of Russia's best-loved writer. Hazar, 1999.

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12

Porter, Robert, and R. C. Porter. Four contemporary Russian writers. Berg, 1989.

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13

Marina, Balina, and Lipovet͡s︡kiĭ M. N, eds. Russian writers since 1980. Gale, 2004.

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14

Marina, Balina, and Lipovetskiĭ M. N, eds. Russian writers since 1980. Gale, 2003.

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15

Marina, Ledkovskai͡a︡-Astman, Rosenthal Charlotte, and Zirin Mary Fleming, eds. Dictionary of Russian women writers. Greenwood Press, 1994.

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16

Maria, Rubins, ed. Twentieth-century Russian émigré writers. Thomson Gale, 2005.

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17

W, Clyman Toby, and Greene Diana, eds. Women writers in Russian literature. Greenwood Press, 1994.

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18

Wakamiya, Lisa Ryoko. Locating Exiled Writers in Contemporary Russian Literature. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230102033.

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19

Bowers, Katherine, and Ani Kokobobo, eds. Russian Writers and the Fin de Siècle. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cbo9781139683449.

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20

Christine, Rydel, ed. Russian prose writers between the world wars. The Gale Group, 2003.

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21

Mikhail, Iossel, and Parker Jeff 1974-, eds. Amerika: Russian writers view the United States. Dalkey Archive Press, 2004.

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22

(2003), Frankfurter Buchmesse. 100 Russian writers: A guide to biobibliography. Moskovskai͡a tip. No. 13, 2003.

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23

Christine, Rydel, ed. Russian prose writers after World War II. Thomson Gale, 2005.

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24

E, Kalb Judith, Ogden J. Alexander, and Vishnevet͡s︡kiĭ I. G, eds. Russian writers of the Silver Age, 1890-1925. Thomson/Gale, 2004.

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25

Life stories: Original works by Russian writers. Stories for Good, 2009.

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26

Frank, Frederick S., Jack G. Voller, and Douglass H. Thomson, eds. Gothic Writers. Greenwood, 2001. http://dx.doi.org/10.5040/9798400658570.

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With its roots in Romanticism, antiquarianism, and the primacy of the imagination, the Gothic genre originated in the 18th century, flourished in the 19th, and continues to thrive today. This reference is designed to accommodate the critical and bibliographical needs of a broad spectrum of users, from scholars seeking critical assistance to general readers wanting an introduction to the Gothic, its abundant criticism, and the present state of Gothic Studies. The volume includes alphabetically arranged entries on more than 50 Gothic writers from Horace Walpole to Stephen King. Entries for Russi
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27

Dreyer, Nicolas. Literature Redeemed: Neo-Modernism' in the Works of the Post-Soviet Russian Writers Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin. Bohlau Verlag GmbH u. Co. KG, 2020.

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28

Brintlinger, Angela. Why We (Still) Need Russian Literature. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350242180.

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For nearly two centuries readers all over the world have turned to the great canon of Russian literature. Love and death, war and peace, yes, even crime and punishment; readers across the globe have found in Russian writing a substantial measure of intellectual provocation, aesthetic pleasure, emotional resonance, and personal solace. Why We (Still) Need Russian Literature uses a number of Russian authors, from the familiar names of Tolstoy, Dostoevsky and Chekhov to less widely known writers like Goncharov, Bunin and Erofeev, to connect readers with these experiences. With a lively, jargon-fr
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29

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. A History of Russian Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.001.0001.

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The History of Russian Literature provides a comprehensive account of Russian writing from its earliest origins in the monastic works of Kiev up to the present day, still rife with the creative experiments of post-Soviet literary life. Five chronological parts by design unfold in diachronic histories; they can be read individually but are presented as inseparable across the span of a national literature. Throughout its course, this History follows literary processes as they worked in respective periods and places, whether in monasteries, at court, in publishing houses, in the literary marketpl
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30

Marquez, Gabriel Garcia. Doce Cuentos Peregrinos (International Writers). Penguin Books Ltd, 1994.

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31

Vergara, José. All Future Plunges to the Past. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501759901.001.0001.

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This book explores how Russian writers from the mid-1920s on have read and responded to Joyce's work. The book uncovers the many roles Joyce has occupied in Russia over the last century, demonstrating how the writers Yury Olesha, Vladimir Nabokov, Andrei Bitov, Sasha Sokolov, and Mikhail Shishkin draw from Joyce's texts, particularly Ulysses and Finnegans Wake, to address the volatile questions of lineages in their respective Soviet, émigré, and post-Soviet contexts. Interviews with contemporary Russian writers, critics, and readers of Joyce extend the conversation to the present day, showing
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32

Pavlovich, Chekhov Anton, Janet Malcolm, and Constance Garnett. Duel and Other Stories: An Exquisite Collection from One of Russia's Greateat Writers. Quercus, 2020.

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33

Bogdanova, Olga A., ed. The phenomenon of the Russian literary estate: from Chekhov to Sorokin+. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0627-7.

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The book offers panoramic and at the same time systemic coverage of the Russian literary estate and summer house from the end of the XIX to the beginning of the XXI century. The publication combines the articles of 24 authors, distributed in three sections. The first two are devoted to the estate- dacha theme in Russian literature at the turn of the XIX–XX centuries and divided into prose, poetry and drama. The third is devoted to aspects of the image of the estate in the literature of the Soviet decades and in the modern era. Inside the sections, the material is placed according to the chrono
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34

Shelley, Mary Wollstonecraft. FRANKENSTEIN (THE GREAT WRITERS LIBRARY). MARSHALL CEVNDISH, 1992.

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35

Dostoevsky: A writer in his time. Princeton University Press, 2010.

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36

Krasheninnikova, Olga A., ed. Essays on the history of Russian journalism in the first third of the XIX century. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0630-7.

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In collective scientific work the causes and dynamics of complex and contradictory processes of formation of Russian journalism in the first third of the XIX century are analyzed and the relationship of Russian journalism and literature of this period is studied on the basis of the analysis of publicistic texts of writers in periodicals and rare printed sources. The team of authors also sought to theoretically comprehend and practically study journalism as a special field of literature, to develop new conceptual foundations for analyzing the complex and multi-level interaction of journalism an
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37

Russian Women Writers. Routledge, 1998.

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38

Tomei, Christine D. Russian Women Writers. Taylor & Francis Group, 2016.

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39

Azarov, Yuri A., ed. Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth). A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7.

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Collective monograph “Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth)”, continues the series of books “Russian Émigré Literature. 1920–1940” composed by the Department of the Latest Russian Literature and Russian Émigré Literature of IWL RAS. The collective monograph submitted to the eaders’ judgement, according to the authors’ intention, is based on the material of primary sources and intended to fill the existing gaps in the study of Bunin’s works and biography, to present his creative activity in a broad historical and litera
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40

Golubkov, Mikhail, Galina Zykova, N. Nerzenko, Olga Oktyabrskaya, and Anna Semina, eds. Orthodoxes and heretics of the Russian literature of the 20th – 21st centuries. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2577.978-5-317-06744-1.

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The collective monograph is written by disciples and colleagues of N. M. Solntseva. The edition features a wide range of literary phenomena and writers’ names of the end of the 19th and the first half of the 20th centuries (the creative works of F. Dostoevsky, M. Gorky, Z. Gippius, S. Sergeev-Tsensky, I. Shmelev, A. Blok, A. Gaidar, V. Shalamov etc.) and of the second half of the 20th century (the heritage of E. Kropivnitsky, V. Makanin, P. Sanaev, N. Abgaryan etc.). All the studied issues are related with the field of prof. N. M. Solntseva’s literary research. The long-term creative communica
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41

Shcherbakova, Marina I., ed. Literary process in Russia of the 18 th — 19 th centuries. Secular and spiritual literature. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/lit.pr.2020-2.

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Investigations of the creative heritage of Russian writers and poets of the 18 th -19 th centuries, as well as of the most prominent representatives of the Russian clergy and Russian culture, are presented in the scientific work; key issues of the writers’ work method and style, of their works’ genre features, creative self-determination, are raised; new and unique explanations of both widely known and less read classics’ works, which reveal deep meanings and ideas that have not yet been identified in literary criticism, are given. The literary process of the era is illustrated by the special
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42

Briggs, A. D. P. Alexander Pushkin: A Celebration of Russia's Best-Loved Writer. H A Z A R, 1999.

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43

Apollonio, Carol, and Radislav Lapushin, eds. Chekhov's Letters. Rowman & Littlefield, 2018. https://doi.org/10.5040/9781666987942.

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Of the thirty volumes in the authoritative Academy edition of Chekhov's collected works, fully twelve are devoted to the writer's letters. This is the first book in English or Russian addressing this substantial—though until now neglected—epistolary corpus. The majority of the essays gathered here represent new contributions by the world's major Chekhov scholars, written especially for this volume, or classics of Russian criticism appearing in English for the first time. The introduction addresses the role of letters in Chekhov's life and characterizes the writer's key epistolary concerns. Aft
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44

Porter, Robert. Four Contemporary Russian Writers. Berg Publishers, 1992.

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45

Baer, Brian James. Russian Writers on Translation. Routledge, 2014. http://dx.doi.org/10.4324/9781315759722.

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46

Beasley, Rebecca. Russomania. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198802129.001.0001.

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Russomania: Russian Culture and the Creation of British Modernism provides a new account of modernist literature’s emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected as well as canonical figures, and institutions as well as individuals. The dominant account of British modernism privileges a Francophile gene
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47

Russian Literature: 20th Century and Modernity : сollective monograph for the anniversary of Professor M. M. Golubkov. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m865.978-5-317-06340-5.

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Text edition is devoted to the analysis of modern Russian literature. The collective work is written by disciples and colleagues of M. M. Golubkov. The monograph features a wide range of writers names and literary phenomena: of the turn of 19th-20th centuries and the first decades of the 20th century (M. Gorky, L. Andreev, A. Grin, A. Gaidar, M. Zoshchenko, V Mayakovsky, Yu. Olesha, etc.), mid-20th century (heritage of A. Solzhenitsyn, A. Tvardovsky, M. Solovyev, V Bykov, V Astafyev, V Soloukhin), modern period (Yu. Polyakov, V. Sorokin, T.Tolstaya, etc.). All the studied issues are in contact
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48

(Translator), Andrew Reynolds, ed. Russian Beauty (Penguin International Writers). Penguin Books Ltd, 1993.

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49

Porter, Cathy. The Russian Writers Drawing Book. Redstone Press, 1995.

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50

Erofeev, V. Russian Beauty (Penguin International Writers). Penguin Books Ltd, 1993.

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