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Journal articles on the topic 'Works of Russian writers'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Николаев, Дмитрий. "Образ писателя в публицистике Ивана Бунина 1920 г." Acta Polono-Ruthenica 1, № XXIV (2019): 75–94. http://dx.doi.org/10.31648/apr.4401.

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The image of the writer plays an important role in the publicist works of Ivan Bunin in 1920. It is the image of the author struggling against the Bolsheviks, and the image of those writers who helped the Bolsheviks propaganda as well as “new Soviet writers”. In 1920 Bunin as the most signif-icant writer of the Russian Diaspora focuses on the most famous writer among those who, according to Bunin, supports the Bolsheviks – Maxim Gorky. Bunin also pays close attention to the contro-versy with H.G. Wells: this is due to the role that the English writer played in the context of Soviet Russia. Bun

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2

Osipova, Tatyana. "Mikhail Sholokhov in the Creative Consciousness of Modern Russian Writers." Proceedings of Southern Federal University. Philology 2020, no. 1 (2020): 21–26. http://dx.doi.org/10.18522/1995-0640-2020-1-21-26.

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The views of modern Russian writers D. Bykov, A. Melikhov, Z. Prilepin on the personality and work of M. Sholokhov are presented. The features of their reading of the writer’s works are considered, the diversity and inconsistency of assessments and opinions are emphasized. Particular attention is paid to the attitude of modern writers to the problem of authorship of the novel «And Quiet the Don Flows». The analysis showed that all of the above authors emphasize the connection of the novel-epic M. Sholokhov with previous and subsequent works of the writer. But, if A. Melikhov and Z. Prilepin co

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3

Lihong, Xu. "The history of translation of Mo Yan’s works into Russian." OOO "Zhurnal "Voprosy Istorii" 2024, no. 7 (2024): 154–59. http://dx.doi.org/10.31166/voprosyistorii202407statyi09.

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This article examines the history of the development of the translation into Russian of the works of Mo Yan - one of the most famous modern writers of China. In 2007, his works began to be translated in Russia, although a wide range of readers have known about Mo Yan in 2012, when he won the Nobel Prize in literature. Since that moment, an average of one work by the Chinese writer has been translated and published in Russia almost every year.

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4

Tchemodanova, Sofiya Mariya, and Zoya G. Proshina. "Russian linguaculture and mythopoetics in American literary works by writers of Russian Heritage." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2023): 74–78. http://dx.doi.org/10.20339/phs.6s-23.074.

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This article focuses on American writers of Russian descent who write in their dominant language, incorporating elements from their linguacultural heritage. The article analyzes linguacultural features of bilingual and bicultural writers Patricia Polacco and Nicholas Kotar, who are also heritage language speakers. Heritage language speaking writers are a part of the evolving bilingual and bicultural creativity in contemporary American literature.

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5

Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave." Victorian Popular Fictions Journal 3, no. 2 (2021): 152–71. http://dx.doi.org/10.46911/tvct9530.

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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying,

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6

Ulug`Bek, Djumaev. "ONOMASTIC CODE IN DYSTOPIAN NOVELS BY RUSSIAN WRITERS." European International Journal of Multidisciplinary Research and Management Studies 02, no. 11 (2022): 179–83. http://dx.doi.org/10.55640/eijmrms-02-11-41.

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We present the history of the emergence and development of literary onomastics, the relevance of which is currently not in doubt due to the involvement of its data for the analysis of the artistic world of different authors as linguists and literary critics. The aim of the study is to acquaint readers with those works in which reflections on the function of the proper noun in fiction can be considered as prerequisites for the emergence of onomastics. An important role in the development of science about the proper noun not only scientists, but also critics, writers and journalists, for example

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7

Tsaregorodtseva, Svetlana Sergeevna, and Sergei Mikhailovich Pinaev. "The Russian historical and literary context of the novels by Guillaume Musso and prose by Marina Tsvetaeva." Litera, no. 2 (February 2024): 147–59. http://dx.doi.org/10.25136/2409-8698.2024.2.69875.

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The purpose of this study is to identify the Russian historical and literary context in Marina Tsvetaeva's prose of the emigrant period and in the novels of Guillaume Musso. The modern French writer Guillaume Musso is the author of two dozen novels, which (except for "Skidamarink", 2001) were translated into Russian and published in Russia. In almost every one of these novels, one can "discover" the Russian historical and literary context. This will be the main object of our research in the framework of the article (the analysis of the entire multicultural contextual complex of G. Musso's nove

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8

Nurtdinova, Gulnara M., Svetlana S. Tahtarova, and Elmira K. Khabibullina. "Heritage of Tatar Literature from the Aspect of Translation." Polylinguality and Transcultural Practices 18, no. 4 (2021): 442–50. http://dx.doi.org/10.22363/2618-897x-2021-18-4-442-450.

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The article presents the review of Tatar literature works and their translations into Russian and some other world languages. The Tatar literature has rich heritage, the first works of it (manuscripts) are dated back to the Middle Ages. The first printed works were published in the XVIII century as that time the Tatar language was the diplomatic language used in the communication between western and eastern countries. The time of XIX-XX centuries is considered to be the rise of the Tatar literature. Since that time the Tatar writers started writing their works in Russian that was caused by nat

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9

Hugaev, Irlan S. "“The day laborer of enlightenment”: Issues of literary creativity and the press in the journalism of Inal Kanukov." Philological Sciences. Scientific Essays of Higher Education, no. 6s (November 2023): 106–13. http://dx.doi.org/10.20339/phs.6s-23.106.

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The article examines the journalistic legacy of the largest representative of the Ossetian enlightenment, the first Ossetian Russian-speaking writer and journalist I.D. Kanukov (1851–1899) in terms of literary work, the literary process, the socio-historical significance of fiction and the press and literary-critical constructions. The basic ideological principles of the heritage, it’s thematic, genre and methodological priorities, the circle of Russian writers especially authoritative for I.D. Kanukov, intertextual connections of his works of the corresponding kind are revealed, taking into a

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10

Khubbitdinova, N. A. "Bashkir writer Anatoly Genatulin, writing in Russian: warrior and creator." Issues of National Literature, no. 2 (July 1, 2025): 45–52. https://doi.org/10.25587/2782-6635-2025-2-45-52.

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In the history of Bashkir literature, the names of writers writing in Russian are known. These are M. Gafurov, R. Khakimov, A. Sharipov, R. Bikmukhametov, Y. Mustafin, R. Akhmedov, Y. Ilyasova, G. Shafikov, D. Daminov, R. Maksutov, S. Sadykov, and others. Many of them, by the will of fate, finding themselves far from their native land, living outside the republic, have lost the opportunity to communicate and write in their native Bashkir language. However, they wrote their works about their people, for their people, described their native nature: the Ural-Tau mountain, rivers and lakes, etc. O

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11

Makhotina, Nataliya V., and Elena B. Artemyeva. "LITERATURE OF RUSSIAN DIASPORA IN LIBRARY SPECIAL STORES." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 320–28. http://dx.doi.org/10.17223/22220836/40/29.

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The issue of the creative heritage of writers of the Russian abroad has been studied by many domestic and foreign scientists, but the problem of their works existence in the library special collections is not studied enough. The work objective is to present the specificity of acquisition of major Russian (Soviet) library with publications of authors-immigrants, to reveal general and specific principles of collection formation and preservation inherent for special depositories based on the analysis of documents storing in the Center for Contemporary Documentation, the Russian State Archive of L

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12

Ijboldona, Irina. "Folklore and ethnographic elements in Russian prose of Bessarabia of the 19th century." Revista de Etnologie şi Culturologie XXVI (December 15, 2019): 78–86. https://doi.org/10.5281/zenodo.3595149.

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Anticipating the theme of ethnography in Russian literature of Bessarabia, this study examines the scientific approach in modern European studies and in the basic works of Russian scientists. Modern scholars from Moldova also have devoted a significant number of works considering Russian literature as a source of ethnographic information; on a comparative basis, a similar aspect is stipulated in the ethnic literature of Republic of Moldova, analyzing the elements of ethnic self-identification in Ukrainian, Jewish, Gypsy, Bulgarian and Gagauz fiction. The article analyzes the history of reveali

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13

Ksenicz, Andrzej. "Antona Czechowa spojrzenie na bieg historii." Studia Rossica Posnaniensia, no. 42 (June 19, 2018): 45–54. http://dx.doi.org/10.14746/strp.2017.42.4.

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Among the issues, themes and contributions which Anton Chekhov undertook in his works, one may also find the broadly-understood issue of an individual's place in the course of historical events. In this case, and others like it, this writer's opinion stands out among the works of other Russian writers. This is related to the fact that the author of The Steppe is convinced that the individual, and his conscious behaviour, contributes to the behaviour of a group and society. This is in contrast to the reasoning of most Russian writers of those times; however, it proves to be characteristic of Ch

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14

Stulov, Yuri V. "James Baldwin’s Quest for Ethics Echoing Leo Tolstoy." Literature of the Americas, no. 13 (2022): 282–94. http://dx.doi.org/10.22455/2541-7894-2022-13-282-294.

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The paper deals with the ethical principles of James Arthur Baldwin, an outstanding US writer of the mid-20th century, which echo the moral imperatives of Leo Tolstoy. African American writers traditionally displayed great interest in Russian literature, which is connected with the figure of A.S. Pushkin who along with A. Dumas was regarded as a symbol of talent of a person with African roots; visits to Soviet Russia of African American writers, especially of Langston Hughes who significantly influenced Baldwin’s worldview; and their search for creative ideas which they found in Russian litera

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15

Bakashova, Jyldyz K. "Problems of the interaction of reality and fiction in Russian literature in the 20s of the XX century." Philological Sciences. Scientific Essays of Higher Education, no. 1 (January 2021): 119–24. http://dx.doi.org/10.20339/phs.1-21.119.

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The article is devoted to one of the important problems of literature at the end of the nineteenth and the first half of the twentieth century — documentary artistic creation. Writers, and later filmmakers, introduce real materials into their works that create a historical narration. Writers of different creative orientations are united in their attitude to the documentary trend. The article examines the actual problem of using prototypes by Russian writers when they create works of art. The views of Russian writers on the problem of interaction between reality and fiction in their work are co

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16

Mosaleva, G. V. "DEPICTED AND DEPICTING WORD: A.N. OSTROVSKY, N.S. LESKOV, I.S. SHMELEV." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 1012–17. http://dx.doi.org/10.35634/2412-9534-2019-29-6-1012-1017.

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The article considers artistic principles of representing folk speech reflected in the creative works of three Russian canonical writers such as A.N. Ostrovsky, N.S. Leskov, I.S. Shmelyov. Images of people’s life stem from speech activity. Critical literature about the writers mentioned above focuses on speech as a subject matter and on its objective status. However in the creative works of the writers under discussion the word proves to be both depicted and depicting, while claiming iconicity as the key principle of text structuring. Literary works of these writers are affected by the genre c

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17

Sonina, Elena S. "The Literary Canon in the Russian Magazine and Newspaper Cartoons of the late 19th - early 20th centuries." Galactica Media: Journal of Media Studies 3, no. 3 (2021): 122–50. http://dx.doi.org/10.46539/gmd.v3i3.194.

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An enormous amount of research has been devoted to studying the Russian classics. Nevertheless, the issue of reflecting social ideas about the writers whose works were included into the Russian literary canon has been insufficiently studied, especially with regard to satirical graphics. Caricature in the legitimate press is considered to be a popular visual art, with the image of a Russian writer demonstrating the attitude of society towards his work. The purpose of this paper is to study the frequency of the portrayals of Russian writers in the satirical graphics of the early 20th centu

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18

Korshunova, Evgenia Alexandrovna. "I.A. Bunin and S.N. Durylin: problems of creative dialogue." RUDN Journal of Studies in Literature and Journalism 24, no. 1 (2019): 27–34. http://dx.doi.org/10.22363/2312-9220-2019-24-1-27-34.

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The article is devoted to the consideration of the creative connections of I.A. Bunin and S.N. Durylin (1887-1954). In modern literary criticism, the question of studying the creative connections of S.N. Durylin and I.A. Bunin is urgent, which was not touched upon by the researchers. Although Durylin does not belong to the writers of emigration, in Russia he almost immediately finds himself in internal emigration: art works and scientific works were not published. This brought him closer to Bunin’s position. First of all, Durylin is interested in Bunin’s story “The Village”, in which the “Russ

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19

Qi, Meng. "Studying the works of Vasily Shukshin in Chinese literary criticism." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (2022): 110–13. http://dx.doi.org/10.18500/1817-7115-2022-22-1-110-113.

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The subject of this work is the main themes and ideas of Russian country prose – the school that most fully reflects the essence of the Russian national mentality. Ethical issues are an integral part of the works of Vasily Shukshin. V. Shukshin’s novellas represent the wisdom, virtue and life experience of a Russian villager, an attempt is made to identify the spiritual foundations. Writers strive to find the foundations of the peasant world. Vasily Shukshin’s works are known not only in Russia, but all over the world. At the end of the Chinese Cultural Revolution, V. Shukshin’s novellas were

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20

Kudryashov, Igor V. "LITERARY TITLES OF RUSSIAN WRITERS: TYPICAL MODELS AND THEIR SEMANTIC CONVERGENCES." Proceedings of Southern Federal University. Philology 28, no. 4 (2024): 141–52. https://doi.org/10.18522/1995-0640-2024-4-141-152.

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The article is devoted to the well-known unofficial titles of Russian writers, which have not yet become the subject of a special research in terms of typological characteristics and semantic similarities. Since the 19th century, the conceptual phrase “unofficial title” of a writer has been used situationally in the works of critics and literary scholars, but none of them gives its definition. Theoretical and methodological approaches have not been developed, and terminological apparatus for studying the problem of titles for writers has not been developed too. The concept of “literary title”

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21

Galimullina, Alfiya F., and Ramil Kh Sharyafetdinov. "Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism." RUDN Journal of Studies in Literature and Journalism 27, no. 1 (2022): 19–29. http://dx.doi.org/10.22363/2312-9220-2022-27-1-19-29.

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The article examines the appeal of Tatar writers to the work of F.M. Dostoevsky, the dialogue with the writer in their works. It also analyzes the translation of the novel Crime and Punishment into the Tatar language. The study of dialogical relations of Tatar writers with the work of F.M. Dostoevsky by modern Kazan literary critics helps to identify the complex and multidimensional history of interaction of Tatar writers of the twentieth century with Russian classics. Having studied the scientific works of V.R. Amineva, L.K. Bayramova, D.R. Moskaleva, K.S. Minnibaev, E.G. Nigmatullina, Yu.G.

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22

Galimullina, Alfiya F., and Ramil Kh Sharyafetdinov. "Reception of F.M. Dostoevsky’s Works in Tatar Literature and Literary Criticism." RUDN Journal of Studies in Literature and Journalism 27, no. 1 (2022): 19–29. http://dx.doi.org/10.22363/2312-9220-2022-27-1-19-29.

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The article examines the appeal of Tatar writers to the work of F.M. Dostoevsky, the dialogue with the writer in their works. It also analyzes the translation of the novel Crime and Punishment into the Tatar language. The study of dialogical relations of Tatar writers with the work of F.M. Dostoevsky by modern Kazan literary critics helps to identify the complex and multidimensional history of interaction of Tatar writers of the twentieth century with Russian classics. Having studied the scientific works of V.R. Amineva, L.K. Bayramova, D.R. Moskaleva, K.S. Minnibaev, E.G. Nigmatullina, Yu.G.

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23

Kolykhalova, Olga A., and Anna Yu Kuldoshina. "Perceptions of Russian Literature in Britain in the end of the XIX — beginning of the XX century." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 4 (2019): 119–29. http://dx.doi.org/10.25205/1818-7935-2019-17-4-119-129.

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The purpose of the article is to analyze the existing ideas about Russian literature in Britain at the end of the 19th and the first half of the 20th centuries. A brief overview of the advancement of works by Russian classics among British readers is given. The spread of Russian literature in Britain had been progressing slowly for a long time due to the difficulty in translation and the lack of interest in Russia and Russian culture. However, at the end of the 19th and the first half of the 20th centuries, the situation changed in the British literary community. This period saw a plethora of

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24

Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of fea

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25

Starikov, Sergey V. "THE REVOLUTION OF 1905–1907 IN THE ASSESSMENTS OF THE RUSSIAN WRITER A.A. TIKHONOV-LUGOVOY (based on the materials of the «Diary of a Free Man» and literary works)." Vestnik Chuvashskogo universiteta, no. 3 (September 30, 2024): 168–79. http://dx.doi.org/10.47026/1810-1909-2024-3-168-179.

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The attitude of the Russian literary intelligentsia to the revolutionary events in Russia at the beginning of the XX century remains an urgent problem of Russian historiography. This is largely due to the introduction in scientific circulation of new historical and literary materials, memoirs, and testimonies, which enable to examine in a more detailed way the range of opinions and assessments made by the Russian writers concerning the revolutionary processes in the country. The purpose of the research is to study the views and assessments of the events of the First Russian Revolution of 1905–

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26

Liu, Yuan'yuan'. "I. A. Bunin's Literary Work in the context of the Intercultural Dialogue between the Peoples of Russia and China." Litera, no. 8 (August 2022): 44–56. http://dx.doi.org/10.25136/2409-8698.2022.8.38618.

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The article is a description of the literary policy of the Chinese state on the example of the work of the Russian writer I. A. Bunin. It is emphasized that the Chinese state has always been interested in friendly mutually beneficial relations with the states and peoples of neighboring countries, so it has historically resorted to the "soft power" strategy. The hypothesis of the influence of the Chinese state on representatives of Russian cosmism, as well as their supporters, including I. A. Bunin, is expressed and partially substantiated. Russian writer's work and the development of Bunin stu

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27

Kirillova, Roza Vladimirovna. "TO THE 85th ANNIVERSARY OF EGOR EGOROVICH ZAGREBIN." Yearbook of Finno-Ugric Studies 16, no. 2 (2022): 364–67. http://dx.doi.org/10.35634/2224-9443-2022-16-2-364-367.

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The article is devoted to the 85th birthday anniversary of the playwright, novelist, publicist, people's writer of the UR Egor Zagrebin. He is one of the most famous Udmurt writers in the Finno-Ugric world, who has done a lot for the national culture not only as an author, but also as a chairman of the UR Union of Writers. Egor Zagrebin raised the Udmurt drama to a new level. His works have become an organic part of multinational Russian literature. The creative legacy of Egor Zagrebin remains in demand among cultural figures and readers of Russia and foreign countries.

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28

Kim, Natalya V. "Russian Emigration's Literary Heritage in China: a Cultural Code." Humanitarian Vector 16, no. 1 (2021): 118–24. http://dx.doi.org/10.21209/1996-7853-2021-16-1-118-124.

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The article is devoted to the literary heritage of the Russian emigration in China and the Russian cultural code, which was preserved in the works of emigrants. A brief overview of the scientific literature, which formed the basis of the research methodology, and a description of the centers of Russian emigration in the Middle Kingdom - Harbin and Shanghai, the living conditions of emigrants are given. The relevance of the topic is due to the attention of modern researchers to the insufficiently studied literary heritage of the “eastern branch” of the Russian emigration.The material for the re

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Ван, Ц., and С. Гэн. "Translation and popularization of contemporary Russian female literature in China." Modern scientist, no. 3 (April 8, 2024): 158–63. http://dx.doi.org/10.58224/2541-8459-2024-3-158-163.

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современная русская женская проза является важной составляющей русской литературы, и китайские ученые давно начали уделять внимание современной русской женской прозе и проводить исследования по ней. Данная статья состоит из 3 части: обзор произведении современной русской женской прозы в Китае, переведённых с русского на китайский; проблема о переводе произведении современной русской женской прозы в Китае; заключение. В первой части обобщают общую ситуацию с переводом современных русских женских литературных произведений в Китае. Во второй части анализируют проблему “количество произведений сов

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Saidov, Zaynularab Z. "Creativity of Modern Russian Writers in Teaching Russian Language to Tajik High School Students: Theoretical and Practical Aspects." World of the Russian Word, no. 1 (2023): 88–96. http://dx.doi.org/10.21638/spbu30.2023.111.

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In this article we are talking about the appeal in teaching the Russian language to the work of modern Russian writers who are known in Russia and abroad, when teaching the Russian language to Tajik high school students. As a work, the analysis of which can serve as an example for work in the lessons of Russian language and literature in a Tajik school, the story of Evgeny G. Vodolazkin “Kunstkamera in faces” was chosen. The article provides a rationale for its methodological value in teaching the Russian language, a linguistic analysis of the text is carried out, accompanied by tasks and exer

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31

Sadecki, Artur. "Russian Imperialism in the Aesthetic Reflection of the 19th Century (Based On the Prose of Vladimir Odoyevskiy)." Res Historica 57 (October 22, 2024): 1119–40. https://doi.org/10.17951/rh.2024.57.1119-1140.

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The aim of the article is to analyze the formation of the imperialist image of the world in Russian literature of the 19th century (specially in the works of Vladimir Odoyevskiy). The undertaken topic makes it possible to demonstrate the usefulness of literary research in historical reflection on the contemporary imperialist activities of the Russian Federation. Russian literature, especially in the 19th century, was a unique place to express one's views, which was encouraged by progressive critics (especially Vissarion Belinsky). The most important writers of the 19th century pursued a great

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32

Avrutina, Appolinaria S., and Sabri Gürses. "Fyodor Mikhailovich Dostoevsky in Turkey: History of Translations." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 3 (2022): 415–32. http://dx.doi.org/10.21638/spbu13.2022.303.

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The article is devoted to the review of the history of translations of Fyodor Dostoevsky into Turkish. Currently, Dostoevsky is one of the most popular foreign writers in Turkey, and according to the Turkish book market, one of the most purchased authors. By decision of the Ministry of Public Education, since 2004, the works of the Russian classic have been included in the recommendatory part of the school curriculum, so it is difficult to find a person inTurkey who would not read Dostoevsky. The history of Dostoevsky’s translations into Turkish evolved in a special way: back in the late 19th

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33

Petrova, A. A. "The Mythologeme “Home” in the works of Russian Emigration writers of the Second Wave (using the example of R. Berezov’s works)." Science and School, no. 4 (August 29, 2023): 19–26. http://dx.doi.org/10.31862/1819-463x-2023-4-19-26.

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The article is devoted to the representation of the image of home, one of the dominants of Russian culture, in the works of émigré writers. In the literature of the Russian emigration, it acquires a special tragic character and is interpreted differently by representatives of different waves. However, one can single out typological features that unite émigré writers: autobiographical narrative, nostalgic motifs in the depiction of Russia, apocalyptic perception of the loss of connection with home. The analysis of the work of Rodion Berezov, a representative of the second wave, reveals the main

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Ali Khudair Bahari, Hussein. "Роль В.Пелевина,В.Маканина и В.Сорокина в развитии современной русской литературы". ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, № 2 (2019): 103–14. http://dx.doi.org/10.36473/ujhss.v58i2.878.

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The present paper tackles the viewpoints of Russian literary critics, and their evaluation of contemporary writers, along with their roles in the development of the Twenty-First century literature. We have pointed out the importance of the works of Viktor Pelevin, Valdimir Makanin, and Vladimir Sorokin, and how they influenced modern Russian literature. Also, it has been showed that these writers were not less important than the Russian classic writers, despite that some of their works were characterized with a sense of dialectic with the classic text. Thus, a contemporary Russian text has bec

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F.I., Abdurakhmanov, and H.O.Mukhitdinova. "AESTHETIC AND MORAL IN RUSSIAN ROMANTICISM OF THE 19TH CENTURY." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 203–8. https://doi.org/10.5281/zenodo.7440513.

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Russian writers reveal the problem of Romanticism in the works of Russian writers not only as following the traditions of the first Russian Romantics, but also as a literary reflection of the Western European literary experience.

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F.I., Abdurakhmanov, and H.O.Mukhitdinova. ""AESTHETIC AND MORAL IN RUSSIAN ROMANTICISM OF THE 19TH CENTURY." Fars Int J Edu Soc Sci Hum 10(12); 2022; 10, no. 12 (2022): 420–25. https://doi.org/10.5281/zenodo.7468502.

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Russian writers reveal the problem of Romanticism in the works of Russian writers not only as following the traditions of the first Russian Romantics, but also as a literary reflection of the Western European literary experience

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Kaminskaya, Yuliya V., and Oxana A. Tolstonozhenko. "Strategies for building a professional reputation of Russian emigres and self-educated writers." Neophilology, no. 23 (2020): 512–20. http://dx.doi.org/10.20310/2587-6953-2020-6-23-512-520.

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We analyze the ways of constructing a writer's reputation in exceptional cultural conditions related to displacement of entire generations of authors to the literary process periphery and their lack of a “right to creative work”. We compare the experience of two conditionally distinguished large and heterogeneous groups – writers from the people who tried to declare themselves at the beginning of the 20th century as an independent current, and representatives of the Russian literary emigration. In addition to a number of common features (falling into the “blind zone” of generally recognized li

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Voronin, Dmitry V. ""Slavs should be pressed against the wall"." Vestnik Tomskogo gosudarstvennogo universiteta. Istoriya, no. 87 (2024): 159–64. http://dx.doi.org/10.17223/19988613/87/19.

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. The relevance of this topic is associated with numerous attempts of Western countries to subjugate Russia, which was traditionally associated with the protection of the Slavic world. Particular attention is paid to the analysis of the struggle of the Slavic peoples for the preservation of their identity going on for centuries. In the course of numerous wars, many Southern and the Western Slavs came under the influence of Western states and the Ottoman Empire. The significance of the impact of the religious factor on the historical development of Slavic people is noted. The expansion of the C

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Baturenko, Sergey. "Prerequisites of feminist discourse formation in Russian sociology of the XIX c.: M. I. Mikhailov ." Woman in Russian Society, no. 1 (April 25, 2021): 116–25. http://dx.doi.org/10.21064/winrs.2021.1.10.

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The article considers the ideas of the Russian writer, poet and journalist M. I. Mikhailov, that became intellectual prerequisites for the formation of feminist discourse in Russian sociology of the XIX century. Domestic thinkers have contributed greatly to the emergence in Russia of feminism as a social phenomenon and the theory of feminism in the history of Russian social thought. The specifics of historical and cultural development have influenced the reflection of many issues within the social sciences, including the need to explore the “female issue” in sociology. The author shows that th

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Głuszkowski, Piotr. "Recepcja twórczości literackiej Maksyma Gorkiego w Polsce." Studia Rossica Gedanensia, no. 6 (December 28, 2019): 83–96. http://dx.doi.org/10.26881/srg.2019.6.06.

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The paper explores the reception of Maxim Gorky’s literary works in Poland in 1900– 2018. At the beginning of the 20th century Gorky was among the most-translated Russian authors. Translations of his works were published in the former Polish territories under all partitions (Russian, Prussian and Austrian). In the years 1918–1939/1945, despite anti-Soviet attitudes of a significant part of Polish society, Gorky was still very popular. In the times of the Polish People’s Republic (1945–1989), the writer was characterized by the historians of Russian literature as a classic Soviet writer and the

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Osipova, Elena A. "The Heroic Image of Montenegro in Russian Literature of the Early 19th Century." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 72 (2024): 188–97. http://dx.doi.org/10.37816/2073-9567-2024-72-188-197.

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The paper deals with the first literary and scholarly responses about Serbs that appeared in Russian periodicals, memoirs and travel notes in the first quarter of the 19th century. A considerable part of these materials concerned Montenegro, the most exotic Serbian province, known for its struggle against the Turks. The main impetus to the description of Serbs in Montenegro was the interest of Russian authors to the folk poetry and patriarchal morals of the Slavs, co-religionists with Russia, who admired travelers for their military valor and heroic struggle against the Turks. The words of the

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Barilovskaya, A. A., and N. V. Kolesova. "RUSSIAN CULTURAL SUBSTRATE IN THE ENGLISH TEXTS BY M. SHRAYER." Bulletin of Krasnoyarsk State Pedagogical University named after V.P. Astafiev 57, no. 3 (2021): 124–33. http://dx.doi.org/10.25146/1995-0861-2021-57-3-296.

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Statement of the problem. At present when expansion of linguistic and cultural contacts between countries and peoples is growing, the problem of studying the phenomenon of transculturalism acquires particular relevance. Cultural interaction, fusion of cultural traditions and overcoming cultural isolation is reflected on the stage of linguistic interaction and translational creativity of emigrant writers who, being cut off from the linguistic processes of the metropolis in a new linguistic environment, use the language of the host country, combining elements of two linguistic systems and cultur

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Oltuszyk, A. B. "Fedor Dostoevsky in Polish Literature, Theater and Cinema." Язык и текст 7, no. 1 (2020): 83–89. http://dx.doi.org/10.17759/langt.2020070108.

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Fyodor Mikhailovich Dostoevsky is a Russian great writer, thinker, philosopher and publicist. His skill influenced the literature and culture of the whole world, including Polish. This article discusses the role of the author of Crime and Punishment in Polish literature and culture, including the presence of his works in Polish theater and cinema. Many Polish writers, who studied the artistic skills of Dostoevsky, were attracted by the composition and structure of his novel, introspection and reflection of characters showing interpersonal relationships, a “borderline” state of mind. Even more

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Ruge, Jing, та Irina V. Monisova. "The state of researches of modern Russian female prose in Сhina". RUDN Journal of Studies in Literature and Journalism 25, № 2 (2020): 277–86. http://dx.doi.org/10.22363/2312-9220-2020-25-2-277-286.

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In the 80s and 90s of the 20th century, womens literature in Russia began to rapidly develop and become recognized as a special phenomenon - for the first time after the last turn of the epoch: Soviet literature was rarely considered in Russian literary criticism from a gender point of view. The creativity of modern women writers became a vivid phenomenon in the context of the Russian literary process, revealed a unique female view of many socio-psychological problems, and in its own way reflected the historical turning point experienced by Russian society. In China, traditionally sensitive to

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Mohammed Kadhim Hasson, Lect Drr. "Actualization of Translations of Works by Representatives of Russian Literature xix – xx Centuries in the Territory of the Arab State Based on the Works of M. Gorky, A.P. Chekhov, L. M. Tolstoy, A. A. Blok." لارك 1, no. 44 (2021): 1146. http://dx.doi.org/10.31185/lark.vol1.iss44.2224.

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The article deals with the actualization of translations of Russian literature representatives in XIX-XX centuries on the territory of the Arab states; special attention is focused on the positive dynamics of the interaction between, on the one hand, the Russian literature , and on the other hand, Arabic literature in the context of the history of cultural, linguistic and other relations between the Russian Federation and several Arab states; based on works of M. Gorky, A. P. Chekhov, L. N. Tolstoy, A. A. Blok, proved special importance of their work on the territory of the Arab states.The imp

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Millionshchikova, Tatiana. "BORDER AS A SYMBOLIC MODEL IN THE WORKS OF THE 19TH-CENTURY RUSSIAN LITERATURE: RECEPTION IN USA LITERARY STUDIES." RZ-Literaturovedenie, no. 2 (2021): 148–58. http://dx.doi.org/10.31249/lit/2021.02.12.

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The review concentrates on the Slavic literary studies of the USA that analyze the symbolic spatial models in the works by Russian writers of the 19th century. The main focus is on the symbolic model of the border . The aim of the review is to demonstrate how this national symbolic model embodied in the Russian writer’s texts of the 19th century is interpreted in the alien cultural environment of contemporary American Slavic studies.

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Nekrasov, I. "Russian Russian-Japanese war of 1904–1905 in the works of Russian literature of the beginning of the XX century (on the example of L. Andreev's story “Red laughter” and the story of V. Veresaev “On the Japanese war”)." Voprosy kul'turologii (Issues of Cultural Studies), no. 6 (July 1, 2020): 54–59. http://dx.doi.org/10.33920/nik-01-2006-07.

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In the paper, the author considers the reflection of the Russo-Japanese War of 1904–1905 in the works of famous Russian writers of the 19–20th centuries. The heavy and ill-prepared military campaign against Japan, which Russia waged in Manchuria, led to unjustified losses and unsuccessful battles for the Russian army.

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Li, Lin. "The initial stage of Russian-Chinese cultural interactions." Vestnik Tomskogo gosudarstvennogo universiteta, no. 480 (2023): 107–13. http://dx.doi.org/10.17223/15617793/480/13.

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The article focuses on the role of cultural exchanges between Russia and China in the 19th century and highlights the following aspects of Russian-Chinese cultural interactions at the initial stage: the first trips of Chinese diplomats abroad, the role of the Orthodox mission in spreading knowledge about China in Russia, literature exchange, the contribution of Russian writers to popularizing Chinese culture and of Chinese writers and revolutionaries to popularizing Russian literature. The author came to the following conclusions. The Chinese diplomatic mission in Russia in the 19th century wa

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Ponomareva, Tatiana A. "Traditions of N.V. Gogol in the prose of S.A. Klychkov." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 355–65. http://dx.doi.org/10.22363/2312-9220-2019-24-3-355-365.

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The article deals with the traditions of N.V. Gogol in the prose of S.A. Klychkov. The absence of generalizing works that examine the work of Novokrestyansk writers in the context of the traditions of Russian classics, determines the relevance of the topic. The purpose of the work is to identify and analyze common images and motifs in the prose of Gogol and Klychkov. The task of the research is to find out what caused the creative interchange of these writers. In the works of both writers presented the motive of Russian heroism and Russian force. But in S. Klychkov's novel “Sugar German”, the

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Junqin, Si. "Russian and Dungan literature about war: comparative aspect." Bulletin of Luhansk Taras Shevchenko National University, no. 3 (341) (2021): 125–33. http://dx.doi.org/10.12958/2227-2844-2021-3(341)-125-133.

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The article presents a comparative characteristic of Russian and Dungan literature about the Second World War. The author has used a large amount of text material, historical sources and facts. The article analyzes the problematic and thematic analogies of Dungan and Russian authors, the impact of Russian writers on Dungan authors is proved. Russian and Dungan literature of the twentieth century about the war demonstrated the actualization of heroism and patriotism. The author of the article determined that the reason why heroism became a common theme of Dungan and Russian military literature

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