Relevant bibliographies by topics / Archival images

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Archival images'

Author: Grafiati
Published: 4 June 2021
Last updated: 22 June 2024

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Journal articles on the topic "Archival images"

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Gu, Wei, Ching-Chun Chang, Yu Bai, Yunyuan Fan, Liang Tao, and Li Li. "Anti-Screenshot Watermarking Algorithm for Archival Image Based on Deep Learning Model." Entropy 25, no. 2 (2023): 288. http://dx.doi.org/10.3390/e25020288.

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Over recent years, there are an increasing number of incidents in which archival images have been ripped. Leak tracking is one of the key problems for anti-screenshot digital watermarking of archival images. Most of the existing algorithms suffer from low detection rate of watermark, because the archival images have a single texture. In this paper, we propose an anti-screenshot watermarking algorithm for archival images based on Deep Learning Model (DLM). At present, screenshot image watermarking algorithms based on DLM can resist screenshot attacks. However, if these algorithms are applied on
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Marmol, Urszula, and Natalia Borowiec. "Analysis and Verification of Building Changes Based on Point Clouds from Different Sources and Time Periods." Remote Sensing 15, no. 5 (2023): 1414. http://dx.doi.org/10.3390/rs15051414.

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Detecting changes in buildings over time is an important issue in monitoring urban areas, landscape changes, assessing natural disaster risks or updating geospatial databases. Three-dimensional (3D) information derived from dense image matching or laser data can effectively extract changes in buildings. This research proposes an automated method for detecting building changes in urban areas using archival aerial images and LiDAR data. The archival images, dating from 1970 to 1993, were subjected to a dense matching procedure to obtain point clouds. The LiDAR data came from 2006 and 2012. The p
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Nickerson, Matthew. "Heritage through Oral History and Archival Images." IFLA Journal 29, no. 1 (2003): 52–55. http://dx.doi.org/10.1177/034003520302900112.

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Birkin, Jane. "Institutional Metadata and the Problem of Context." Digital Culture & Society 6, no. 2 (2020): 17–34. http://dx.doi.org/10.14361/dcs-2020-0203.

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Abstract The traditional archive catalogue constitutes a form of structural and descriptive metadata that long precedes the internet; and the cataloguing of photographs is just one part of a process of archival administration. The application of keywords to images contrasts with archival prose description, which is based on the visual content of the image and is predominantly context-free; a remediation of the image itself. At the heart of this lies the notion that the single photograph is itself devoid of context; it is a discrete embodiment of shutter time and there is nothing certain either
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Gracy, Karen F. "Enriching and enhancing moving images with Linked Data." Journal of Documentation 74, no. 2 (2018): 354–71. http://dx.doi.org/10.1108/jd-07-2017-0106.

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Purpose The purpose of this paper is to examine the current state of Linked Data (LD) in archival moving image description, and propose ways in which current metadata records can be enriched and enhanced by interlinking such metadata with relevant information found in other data sets. Design/methodology/approach Several possible metadata models for moving image production and archiving are considered, including models from records management, digital curation, and the recent BIBFRAME AV Modeling Study. This research also explores how mappings between archival moving image records and relevant
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Chiarini, Alessandra. "“Feeling-Images”." Feminist Media Histories 2, no. 3 (2016): 90–101. http://dx.doi.org/10.1525/fmh.2016.2.3.90.

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This essay investigates the ways in which Barbara Hammer’s film Nitrate Kisses (1992) traces stories about homosexuality throughout the twentieth century. Inspired both by the concept of “vertical cinema,” as theorized by Maya Deren, and by the historical-philosophical reflections of Michel Foucault and Walter Benjamin, Hammer realizes a montage process in Nitrate Kisses that resurrects a forgotten historical memory through the juxtaposition of archival materials and original images. It is a memory that is reappropriated through the film as an experiential, tactile, and emotional moment.
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Nguyễn, Jacqueline Hoàng. "Re-processing archival images: artists as darkroom technicians." Journal of Visual Culture 21, no. 1 (2022): 90–110. http://dx.doi.org/10.1177/14704129221088302.

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This article argues for the need to reflect on how contemporary artists use archival documents as a form of visual reparation. Artists Deanna Bowen, Krista Belle Stewart and Jacqueline Hoàng Nguyễn developed strategies for critically casting the past into the present in their own video work by relying on state-sanctioned archival images, specifically documents produced by and kept by the Canadian Broadcasting Company (CBC), once intended for a white audience. The author argues that these artists rely on their corporeal knowledge as, in photographic terminology, developer baths for re-processin
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Roszkowiak, Lukasz, and Carlos Lopez. "PATMA: parser of archival tissue microarray." PeerJ 4 (December 1, 2016): e2741. http://dx.doi.org/10.7717/peerj.2741.

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The tissue microarrays are commonly used in modern pathology for cancer tissue evaluation, as it is a very potent technique. Tissue microarray slides are often scanned to perform computer-aided histopathological analysis of the tissue cores. For processing the image, splitting the whole virtual slide into images of individual cores is required. The only way to distinguish cores corresponding to specimens in the tissue microarray is through their arrangement. Unfortunately, distinguishing the correct order of cores is not a trivial task as they are not labelled directly on the slide. The main a
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Pacina, Jan, and Jan Popelka. "Accuracy of Digital Surface Models derived from archival aerial photographs. Case study for the Czech Republic." Geoinformatics FCE CTU 16, no. 1 (2017): 53–62. http://dx.doi.org/10.14311/gi.16.1.3.

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The archival aerial photographs are widely used for landscape change analysis, settlement identification or georelief reconstructions. The large archive of old aerial photographs is available for the whole Czech Republic and these data are often used by scientists, historians, students, etc. The quality of the datasets (orthophoto, digital surface models) resulting from archival aerial images processing is crucial for the ongoing analyses. The accuracy test of digital surface models derived from archival aerial images origintaing from 1938 and 1953 is presented within this paper. These two tim
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Siok, Katarzyna, and Ireneusz Ewiak. "The simulation approach to the interpretation of archival aerial photographs." Open Geosciences 12, no. 1 (2020): 1–10. http://dx.doi.org/10.1515/geo-2020-0001.

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AbstractArchival aerial photographs obtained in the 20th century play a special role in the process of upgrading the register of land and buildings. These photographs are the only resource presenting credible information on the coverage and use of land in a high degree of detail. In this article, particular attention is paid to the aspect of the spectral resolution of archival aerial photographs. Preliminary research was conducted into the assessment of the impact of simulations of new spectral bands with high spatial resolution for archival photographs upon the interpretation process of such
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Dissertations / Theses on the topic "Archival images"

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Cruikshank, Brian S. "Real-time parameter adjustment for archival image scanning." Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-09052009-040453/.

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Genoudet, Adrien. "L’effervescence des images : les archives de la Planète d’Albert Kahn (1908-2018)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080070.

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L’axe principal de ce travail de thèse est de s’intéresser à ce projet visuel dans l’œuvre d’Albert Kahn et d’ouvrir le champ en s’intéressant aux devenirs des films des Archives de la Planète. Pour cela, la thèse s’appuie sur la totalité des archives administratives du Musée Albert Kahn, sur les archives d’Albert Kahn et sur ses nombreux proches, sur les archives départementales et nationales ou encore à travers des enquêtes menés dans les archives de l’INA, des centres d’art et les archives du film. En s’intéressant, dans un premier temps, à la figure kahnienne à travers la construction des
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Genoudet, Adrien. "L’effervescence des images : les archives de la Planète d’Albert Kahn (1908-2018)." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080070.

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L’axe principal de ce travail de thèse est de s’intéresser à ce projet visuel dans l’œuvre d’Albert Kahn et d’ouvrir le champ en s’intéressant aux devenirs des films des Archives de la Planète. Pour cela, la thèse s’appuie sur la totalité des archives administratives du Musée Albert Kahn, sur les archives d’Albert Kahn et sur ses nombreux proches, sur les archives départementales et nationales ou encore à travers des enquêtes menés dans les archives de l’INA, des centres d’art et les archives du film. En s’intéressant, dans un premier temps, à la figure kahnienne à travers la construction des
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Mello, Jamer Guterres de. "Agenciamentos estéticos e políticos no audiovisual contemporâneo : imagens de arquivo na obra de Harun Farocki." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142313.

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Esta tese apresenta um estudo sobre os agenciamentos estéticos e políticos do uso de imagens de arquivo na obra do artista e cineasta alemão Harun Farocki. A pesquisa propõe, mais especificamente, um planejamento teórico-metodológico que busca descrever o funcionamento diagramático das imagens de arquivo a partir de seus agenciamentos. Para tanto, foram utilizadas obras de Farocki que reúnem diferentes fontes de arquivos e formas diversas de articulação entre essas imagens: A Saída dos Operários da Fábrica (1995), Imagens da Prisão (2000), Imagens do Mundo e Inscrições da Guerra (1989) e Recon
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Jägberg, Isak, and Mats Stichel. "Delta encoding image archives : Comparing delta encoding and PNG as compression methods for image archives." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168661.

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This thesis studies the effect of using delta encoding to compress archivesof images. The results are compared with two types of lossless PNGcompression. The tests show that the most sophisticated PNG methodtested compresses the archives around 2-12% higher than the delta encodingmethods, but at the cost of taking more than 10 times as long.The conclusion is therefore drawn that delta encoding could be a usefulmethod for compressing image archives in environments where speed ismore important than storage.
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Jackson, Meg R. "Storyable Images: Manfred Beier’s Private-to-Public Archive." Taylor & Francis, 2016. http://hdl.handle.net/10150/621763.

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Antonsson, Andreas, and Olivia Kassander. "Compelling interaction for large digital image archives." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130020.

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Samhället idag sitter på ett stort kulturarv av bilder som nu digitaliserats i stora digitala bildarkiv. För att allmänheten ska få möjlighet att ta del av detta så har denna studie undersökt hur man kan skapa en interaktiv tjänst som ger åtkomst till ett stort antal bilder med en intresseväckande visuell upplevelse. För att besvara detta har en kvalitativ studie genomförts med en blandning av forskning genom design och fallstudie. Studiens har bestått av intervjuer med en intendent på Norrköpings stadsmuseum och fokusgrupper som besvarar målgruppens efterfrågan. Utifrån detta skapades designf
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Holtmeier, Matthew. "Images, Maps, Movies: Bioregional Imaginaries of Cascadia from the Archives." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5445.

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PIRAS, LUCA. "Interactive search techniques for content-based retrieval from archives of images." Doctoral thesis, Università degli Studi di Cagliari, 2011. http://hdl.handle.net/11584/266315.

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Through a little investigation by file types it is possible to easily find that one of the most popular search engines has in its indexes about 10 billion of images. Even considering that this data is probably an underestimate of the real number, however, immediately it gives us an idea of how the images are a key component in human communication. This so exorbitant number puts us in the face of the enormous difficulties encountered when one has to deal with them. Until now, the images have always been accompanied by textual data: description, tags, labels, ... which are used to retrieve
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Kießling, Ina. "Image und Status von Bibliothekaren und Archivaren : Analyse, Ursachen und Wege zur Verbesserung /." Saarbrücken : VDM Verlag Dr. Müller, 2008. http://d-nb.info/991193202/04.

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Books on the topic "Archival images"

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Siewert, Senta. Performing Moving Images. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre
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Utilisation des images d'archives dans l'audiovisuel. Hermès sciences publications, 2012.

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Noëlle, Gérome, ed. Archives sensibles: Images et objets du monde industriel et ouvrier. Editions de l'ENS-Cachan, 1995.

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C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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Kula, Sam. Appraising moving images: Assessing the archival and monetary value of film and video records. Scarecrow Press, 2003.

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Vahtikari, Vesa, Mika Hakkarainen, and Antti Nurminen. Eikonopoiia: Digital imaging of ancient textual heritage : proceedings of the international conference, Helsinki, 28-29 November, 2010. Societas Scientiarum Fennica, 2011.

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Board, Canadian General Standards. Microfilm and electronic images as documentary evidence. Canadian General Standards Board, 1993.

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T, Puglia Steven, Reed Jeffrey 1967-, Rhodes Erin, and United States. National Archives and Records Administration., eds. Technical guidelines for digitizing archival materials for electronic access: Creation of production master files--raster images. Digital Library Federation, 2005.

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Book chapters on the topic "Archival images"

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Jaguaribe, Beatriz. "Nambiquaras in Paris: Archival Images, Appearances, and Disappearances." In Libraries and Archives in the Digital Age. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33373-7_9.

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Hezekiah, Gabrielle A. "Engaging Consciousness. Time and Duration in Holly Bynoe's Compounds." In Actor & Avatar. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467619-033.

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In this essay, Gabrielle A. Hezekiah reflects on the experience of time in the photo collages of Holly Bynoe. Taking a cue from Michel Poivert, Hezekiah both recognizes and moves beyond the social fact of decolonial representation in these images towards an investigation of the psychic fact of consciousness that is inherent in them. Drawing from the insights of Henri Bergson and Jean-Paul Sartre, the author suggests that Bynoe returns the viewer to a form of duration that one might call an archival present, allowing time itself to be imaged in consciousness.
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Mousavi, Nafiseh. "Cameras, Pencils, Traumas: Drawn Images in and as Documentary Practice." In Truth Claims Across Media. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42064-1_6.

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AbstractNight and Fog in Kurdistan, a documentary film in its last stages of post-production at the time this chapter is being written, documents six years in the life of seven teenage girls who survived the ISIS genocide of Yazidis in 2014. Night and Fog in Kurdistan is a hybrid documentary in its way of combining different types of images, various perspectives, and different approaches to documentary filmmaking. In this film, the photographic image is once in a while interrupted and joined by drawings that serve different functions: They illustrate what is being narrated, portray what has not been captured by any media, or reproduce the archival photographic images. Analysing these functions as situated in the broader frame of different media relations, the article aims to investigate the affordances of drawing for documentation, especially in the case of traumatic experiences and in interaction with other modes of representation. The article is based on an analysis of the final cut of the film plus different versions of the drawings as well as two in-depth conversations with the director and her team.
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Frankot, Edda. "The Legal Context." In Banishment in the Late Medieval Eastern Netherlands. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-88867-1_2.

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AbstractThis chapter gives a brief introduction into late medieval Kampen, the archival sources used in the study, an overview of the historical and legal background of banishment in the Low Countries and a discussion of the by-laws concerning the topic. It also includes a brief description of the images illustrating the contents of one of the manuscripts used, some of which are included in this book.
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Stock, Robert. "Cinema and Conflict in Postcolonial Mozambique: Archival Images as Illustration and Evidence in Estas São as Armas (1978)." In Mediations of Disruption in Post-Conflict Cinema. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-57520-3_5.

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Ratschiller Nasim, Linda Maria. "Introduction." In Cambridge Imperial and Post-Colonial Studies. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27128-1_1.

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AbstractThe introduction explores the books’ main themes, protagonists and goals. The aim is to extend the history of hygiene in two ways: firstly, beyond scientific and secular narratives by showing that religious stakeholders crucially participated in producing and promoting hygienic knowledge between 1885 and 1914; and secondly, by analysing how hygiene was shaped by colonial entanglements. The introduction offers a brief research review highlighting the connected histories on which this history of hygiene is built: mission history, particularly mission medicine; the history of science, with a focus on tropical medicine; and colonial history, specifically the knowledge produced in colonial entanglements. To do so, it introduces the concept of “spaces of knowledge” as an analytical lens to demonstrate how different discourses and practices of hygiene overlapped, differed and influenced each other. These spaces of knowledge are examined through an extensive body of sources, including archival material, publications, images and commodities, which are briefly presented and critically discussed with regard to their limitations and challenges.
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Tavares, Hannah M. "Why Photo-Archives." In Pedagogies of the Image. Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-017-7619-6_1.

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Kent, F. W. "Individuals and Families as Patrons of Culture in Quattrocento Florence." In Language and Images of Renaissance Italy. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198203186.003.0009.

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Abstract According to the late Felix Gilbert, a number of recent English speaking historians of Renaissance Florence have written ‘books on Florence without the Renaissance’. ‘One must wish’, Gilbert added, ‘it will not be entirely forgotten that what originally brought scholars into the Florentine archives was the quest for an explanation and understanding of the unique achievements of Florence’s culture’.1 While a number of the archival scholars to whom Gilbert refers in fact had other, rich and perfectly legitimate concerns, his implied reproach still has the power to discomfort those of us raised, so to speak, on Jacob Burckhardt. And there have been other critics who have found wanting the synthesizing abilities, not to say cultural sensibilities, of the archive-obsessed. Barbara Diefendorf, referring specifically to historians of the family, has asked ‘if it is possible to establish a relationship and not just a mere juxtaposition between family culture and Renaissance culture.
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Furtado, Gustavo Procopio. "Reparative Mediations." In Documentary Filmmaking in Contemporary Brazil. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190867041.003.0003.

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Just as the exploration of geographic areas such as the Amazon is economically extractive, an extractive logic has informed ethnographic image production from its inception. Travelers collect valuable records to fulfill the interests and needs of metropolitan publics, as well as to furnish their museums, libraries, and archives—often leaving indigenous subjects diminished by the experience of contact. The cooperative Video in the Villages (VNA) attempts to invert this extractive pattern through the repatriation of archival images to indigenous communities and the introduction of video technology for indigenous use. Focusing on the group’s inaugural video and several recent works made in collaboration between indigenous and non-indigenous filmmakers, this chapter traces the group’s attempt to rework the contact imaginary and re-orient the ethnographic archive to serve indigenous needs.
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Prager, Brad. "Sight Unseen: Liebe Perla and Archival Images." In Nexus 6. Boydell and Brewer, 2023. http://dx.doi.org/10.1515/9781800108691-008.

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Conference papers on the topic "Archival images"

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Adewoye, Tobi, Xiao Han, Nick Ruest, Ian Milligan, Samantha Fritz, and Jimmy Lin. "Content-Based Exploration of Archival Images Using Neural Networks." In JCDL '20: The ACM/IEEE Joint Conference on Digital Libraries in 2020. ACM, 2020. http://dx.doi.org/10.1145/3383583.3398577.

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Normand, C., R. Gschwind, and P. Fornaro. "Digital images for eternity: color microfilm as archival medium." In Electronic Imaging 2007, edited by Reiner Eschbach and Gabriel G. Marcu. SPIE, 2007. http://dx.doi.org/10.1117/12.704414.

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Giordano, Sebastien, Arnaud Le Bris, and Clement Mallet. "Fully automatic analysis of archival aerial images current status and challenges." In 2017 Joint Urban Remote Sensing Event (JURSE). IEEE, 2017. http://dx.doi.org/10.1109/jurse.2017.7924620.

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O'Tuairisg, Seathrun, Aaron Golden, Raymond F. Butler, Andrew Shearer, and Bruno Voisin. "A pipeline for automatically processing and analyzing archival images from multiple instruments." In SPIE Astronomical Telescopes + Instrumentation. SPIE, 2004. http://dx.doi.org/10.1117/12.550669.

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Kirillov, S. A. "Formation of digital resources for the electronic library «Scientific Heritage of Russia»." In Всероссийская научная конференция "Единое цифровое пространство научных знаний: проблемы и решения". Москва, Берлин: Директмедиа Паблишинг, 2021. http://dx.doi.org/10.51218/978-5-4499-1905-2-2021-233-239.

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The article describes methods for the formation and presentation of digital images of objects of various types (printed publications, archival materials, museum items, audio-video materials) for the electronic library «Scientific Heritage of Russia».
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Шишкина, О. О., and О. С. Советова. "A SLAB WITH IMAGES OF HORSES FROM THE TUBA RIVER BANK (THE MIDDLE YENISEI)." In Труды Сибирской Ассоциации исследователей первобытного искусства. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-202-01433-8.317-325.

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Статья посвящена характеристике изображений, нанесенных на плиту с прибрежного кряжа у реки Тубы (Средний Енисей), открытых в 1904 году А.В.Адриановым. В 1968 г. рисунки были обследованы Каменским отрядом Красноярской археологической экспедиции под руководством Я.А.Шера, а в 2017 2018 гг. участниками Тепсейского отряда кафедры археологии КемГУ. Благодаря архивным фотографиям и новым полевым материалам, удалось провести мониторинг состояния плиты, оценить ее сохранность, выявить изменения, происходившие на протяжении ста лет. К сожалению, в настоящее время часть изображений утрачена, их можно в
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Brown, Michael J., and William B. Abrahams. "Motion analysis workstation for the integrated archival, enhancement, analysis, and display of digital images." In 20th International Congress on High Speed Photography and Photonics, edited by John M. Dewey and Roberto G. Racca. SPIE, 1993. http://dx.doi.org/10.1117/12.145829.

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Loconsole, Claudio, Marianna Giardina, and Enrica Salvatori. "ArchiVico Digitale: a comprehensive and synergistic approach for the preservation and dissemination of local memory to strengthen identity." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003699.

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The main objectives of the "ArchiVico Digitale" project are the digitization, cataloging and web publication on an Omeka-based platform of the documentary material preserved in the Historical Archive of Vicopisano (HAV) to facilitate the access to several documents and the exploration of thematic discovery paths linked to local historical memory.The result of the publication of this material on the web is a digital archive collecting and enhancing archival documents to allow scholars and the general public to carry out research. Since the HAV keeps a large number of documents gathered in files
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Ostanin, Nikifor, and Nikifor Ostanin. "THE ROLE OF REMOTE SENSING DATA FOR COASTAL ZONE MONITIORING AND MANAGEMENT (CASE STUDY FOR THE EAST PART OF GULF OF FINLAND)." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b9443afa289.85091316.

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Coastal zone of the Eastern Gulf of Finland is subjected to essential natural and anthropogenic impact. The processes of abrasion and accumulation are predominant. While some coastal protection structures are old and ruined the problem of monitoring and coastal management is actual. Remotely sensed data is important component of geospatial information for coastal environment research. Rapid development of modern satellite remote sensing techniques and data processing algorithms made this data essential for monitoring and management. Multispectral imagers of modern high resolution satellites ma
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Ostanin, Nikifor, and Nikifor Ostanin. "THE ROLE OF REMOTE SENSING DATA FOR COASTAL ZONE MONITIORING AND MANAGEMENT (CASE STUDY FOR THE EAST PART OF GULF OF FINLAND)." In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b431552d3e8.

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Coastal zone of the Eastern Gulf of Finland is subjected to essential natural and anthropogenic impact. The processes of abrasion and accumulation are predominant. While some coastal protection structures are old and ruined the problem of monitoring and coastal management is actual. Remotely sensed data is important component of geospatial information for coastal environment research. Rapid development of modern satellite remote sensing techniques and data processing algorithms made this data essential for monitoring and management. Multispectral imagers of modern high resolution satellites ma
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Reports on the topic "Archival images"

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Donaghey, S., S. Berman, and N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, 2016. http://dx.doi.org/10.34074/emed.035.

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More Than a War: Remembering 1914-1918 presents a creative juxtaposition of digital platforms—a combination of audio, video, archival images, soundscapes, and social media, among others—to tell the stories from 1914–1918 a century later. Led by Sara Donaghey, Sue Berman and Nina Seja, the transmedia project brings together staff and students from Unitec Institute of Technology’s Department of Communication Studies and Auckland Libraries to provide a unique oral contribution to recording the history of Aotearoa New Zealand in The First World War.
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Jablonski, David. DTRT57-09-C-10046 Digital Imaging of Pipeline Mechanical Damage and Residual Stress. Pipeline Research Council International, Inc. (PRCI), 2010. http://dx.doi.org/10.55274/r0011872.

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The purpose of this program was to enhance the characterization of mechanical damage in pipelines through the application of digital eddy current imaging. Lift-off maps can be used to develop quantitative representations of mechanical damage and magnetic permeability maps can be used to determine residual stress patterns around mechanical damage sites. Note that magnetic permeability is also affected by microstructure variations due to plastic deformation and plowing. High-resolution digital images provide an opportunity for automated analysis of both size and shape of damage and a permanent a
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan tech
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Author, Unknown. DTRS56-02-T-0005 Digital Mapping of Buried Pipelines with a Dual Array System. Pipeline Research Council International, Inc. (PRCI), 2005. http://dx.doi.org/10.55274/r0011943.

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The technical goal of the Dual Array Project was to develop new technology for non-invasive mapping of buried pipelines, down to depths of 10 meters or more, using modern electromagnetic sensors and signal processing. A major proposed innovation in the work was the integration of the sensor arrays and software into a mobile system capable of mapping underground utility networks (and other buried infrastructure) efficiently over large areas. Ultimately, the goal is to have a non-invasive system that can produce an accurate infrastructure map of an entire urban or suburban utility network in dig
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Schwenk, Jon, and Christopher Ren. A new era of observationally-infused E3SM: GANs for unifying imagery archives. Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1769649.

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Martin, Kathi, Nick Jushchyshyn, and Daniel Caulfield-Sriklad. 3D Interactive Panorama Jessie Franklin Turner Evening Gown c. 1932. Drexel Digital Museum, 2015. http://dx.doi.org/10.17918/9zd6-2x15.

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The 3D Interactive Panorama provides multiple views and zoom in details of a bias cut evening gown by Jessie Franklin Turner, an American woman designer in the 1930s. The gown is constructed from pink 100% silk charmeuse with piping along the bodice edges and design lines. It has soft tucks at the neckline and small of back, a unique strap detail in the back and a self belt. The Interactive is part of the Drexel Digital Museum, an online archive of fashion images. The original gown is part of the Fox Historic Costume, Drexel University, a Gift of Mrs. Lewis H. Pearson 64-59-7.
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan tech
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Gould, Robert G. Reliability, Security, and Authenticity of Meta Medical Image Archive for the Integrated Healthcare Enterprise. Defense Technical Information Center, 2004. http://dx.doi.org/10.21236/ada443035.

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Gould, Robert. Reliability, Security, and Authenticity of Meta Medical Image Archive for the Integrated Healthcare Enterprise. Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada415805.

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Jackson, Michael A. Collaborative Research and Development (CR&D) III Task Order 0090: Image Processing Framework: From Acquisition and Analysis to Archival Storage. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada589223.

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