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Dissertations / Theses on the topic 'Archival images'

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1

Cruikshank, Brian S. "Real-time parameter adjustment for archival image scanning." Thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-09052009-040453/.

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Genoudet, Adrien. "L’effervescence des images : les archives de la Planète d’Albert Kahn (1908-2018)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080070.

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L’axe principal de ce travail de thèse est de s’intéresser à ce projet visuel dans l’œuvre d’Albert Kahn et d’ouvrir le champ en s’intéressant aux devenirs des films des Archives de la Planète. Pour cela, la thèse s’appuie sur la totalité des archives administratives du Musée Albert Kahn, sur les archives d’Albert Kahn et sur ses nombreux proches, sur les archives départementales et nationales ou encore à travers des enquêtes menés dans les archives de l’INA, des centres d’art et les archives du film. En s’intéressant, dans un premier temps, à la figure kahnienne à travers la construction des
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Genoudet, Adrien. "L’effervescence des images : les archives de la Planète d’Albert Kahn (1908-2018)." Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080070.

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L’axe principal de ce travail de thèse est de s’intéresser à ce projet visuel dans l’œuvre d’Albert Kahn et d’ouvrir le champ en s’intéressant aux devenirs des films des Archives de la Planète. Pour cela, la thèse s’appuie sur la totalité des archives administratives du Musée Albert Kahn, sur les archives d’Albert Kahn et sur ses nombreux proches, sur les archives départementales et nationales ou encore à travers des enquêtes menés dans les archives de l’INA, des centres d’art et les archives du film. En s’intéressant, dans un premier temps, à la figure kahnienne à travers la construction des
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4

Mello, Jamer Guterres de. "Agenciamentos estéticos e políticos no audiovisual contemporâneo : imagens de arquivo na obra de Harun Farocki." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/142313.

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Esta tese apresenta um estudo sobre os agenciamentos estéticos e políticos do uso de imagens de arquivo na obra do artista e cineasta alemão Harun Farocki. A pesquisa propõe, mais especificamente, um planejamento teórico-metodológico que busca descrever o funcionamento diagramático das imagens de arquivo a partir de seus agenciamentos. Para tanto, foram utilizadas obras de Farocki que reúnem diferentes fontes de arquivos e formas diversas de articulação entre essas imagens: A Saída dos Operários da Fábrica (1995), Imagens da Prisão (2000), Imagens do Mundo e Inscrições da Guerra (1989) e Recon
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Jägberg, Isak, and Mats Stichel. "Delta encoding image archives : Comparing delta encoding and PNG as compression methods for image archives." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168661.

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This thesis studies the effect of using delta encoding to compress archivesof images. The results are compared with two types of lossless PNGcompression. The tests show that the most sophisticated PNG methodtested compresses the archives around 2-12% higher than the delta encodingmethods, but at the cost of taking more than 10 times as long.The conclusion is therefore drawn that delta encoding could be a usefulmethod for compressing image archives in environments where speed ismore important than storage.
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Jackson, Meg R. "Storyable Images: Manfred Beier’s Private-to-Public Archive." Taylor & Francis, 2016. http://hdl.handle.net/10150/621763.

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Antonsson, Andreas, and Olivia Kassander. "Compelling interaction for large digital image archives." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130020.

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Samhället idag sitter på ett stort kulturarv av bilder som nu digitaliserats i stora digitala bildarkiv. För att allmänheten ska få möjlighet att ta del av detta så har denna studie undersökt hur man kan skapa en interaktiv tjänst som ger åtkomst till ett stort antal bilder med en intresseväckande visuell upplevelse. För att besvara detta har en kvalitativ studie genomförts med en blandning av forskning genom design och fallstudie. Studiens har bestått av intervjuer med en intendent på Norrköpings stadsmuseum och fokusgrupper som besvarar målgruppens efterfrågan. Utifrån detta skapades designf
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Holtmeier, Matthew. "Images, Maps, Movies: Bioregional Imaginaries of Cascadia from the Archives." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5445.

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9

PIRAS, LUCA. "Interactive search techniques for content-based retrieval from archives of images." Doctoral thesis, Università degli Studi di Cagliari, 2011. http://hdl.handle.net/11584/266315.

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Through a little investigation by file types it is possible to easily find that one of the most popular search engines has in its indexes about 10 billion of images. Even considering that this data is probably an underestimate of the real number, however, immediately it gives us an idea of how the images are a key component in human communication. This so exorbitant number puts us in the face of the enormous difficulties encountered when one has to deal with them. Until now, the images have always been accompanied by textual data: description, tags, labels, ... which are used to retrieve
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Kießling, Ina. "Image und Status von Bibliothekaren und Archivaren : Analyse, Ursachen und Wege zur Verbesserung /." Saarbrücken : VDM Verlag Dr. Müller, 2008. http://d-nb.info/991193202/04.

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11

Douze, Matthijs Thiesse Bernard Charvillat Vincent. "Estimation d'homographies inter-images." Toulouse : INP Toulouse, 2005. http://ethesis.inp-toulouse.fr/archive/00000034.

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12

Poos, Francoise. "The making of a national audio-visual archive : the CNA and the 'Hidden Images' exhibition." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/12429.

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This thesis explores the agency and practices of visual material in the construction of collective memory and national identity. It is grounded in the case study of one particular institution, the Centre national de l’audiovisuel (CNA) in Luxembourg, and in the institutional life and transformations of a specific body of images, Luxembourg’s Amateur Film Collection and the exhibition Hidden Images mounted in 2007. The CNA is Luxembourg’s central repository for film, photography and sound documents brought together under the rubric of ‘national heritage’. The amateur film archive comprises toda
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Young, Penelope M. "Witch images in Australian children's literature." University of Southern Queensland, Faculty of Education, 2001. http://eprints.usq.edu.au/archive/00001527/.

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In this dissertation it is argued that the European witch trials that took place between 1450 and 1700 have resulted in a legacy of stereotypical themes in Australian children's literature. Those accused of witchcraft were almost always women who were old, without protection, and physically ugly. They were accused of consorting with the devil, making harmful spells, flying through the night on a magic staff and exhibiting malevolent intent towards others. An analysis of this period forms the contextual framework for identifying themes that appear in contemporary Australian children's literatur
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Kambs, Jill Elise. "32% of the archive." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/995.

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32% of the Archive explores memory, loss, and the power of ephemera through recording and re-presenting objects from a personal archive. Through uniform recording, framing, and treatment of the art objects, 32% of the Archive, attempts to neutrally display personal objects so the audience can objectively investigate the material. The gesture falls short of impartial, though, for the specificity of the subject and the enormity of the act carries an emotional charge. Beyond presenting data, this work reflects a sincere effort to remember and preserve, to puzzle and piece together, to pay homage
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Motsch, Jean. "Archivage Sécurisé d'Images." Phd thesis, INSA de Rennes, 2008. http://tel.archives-ouvertes.fr/tel-00642974.

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La multiplication des dispositifs de prise de vues, classiques comme les appareils photographiques, nouveaux comme les imageurs IRM et les analyseurs multispectraux, amène à prendre en charge des volumes de données croissants exponentiellement. En corollaire, la nécessité d'archiver de telles quantités de données introduit des questions nouvelles. Comment gérer des images de très grande taille ? Comment garantir l'intégrité des données enregistrées ? Quel mécanisme utiliser pour lier une image à des données ? Pendant longtemps, l'accent a été mis sur les performances de compression des schémas
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Chen, Li. "Semantic content recognition for large-scale medical image archives." Thesis, University of Surrey, 2005. http://epubs.surrey.ac.uk/842994/.

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The advent of digital technology and the Internet requires an efficient approach to the retrieval and indexing of large volumes of diverse images. Traditional content-based image retrieval (CBIR) approaches cannot satisfy potential high-level application tasks where semantics play an important role. Humans are accustomed to replying on immediate semantic impression generated the moment they observe images, thus the absence of semantics will limit the potential effective applications of image databases. Automatic semantic content recognition has become an open research issue; great difficulties
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17

Barbat, Victor. "Roman Karmen, la vulgate soviétique de l'histoire : stratégies et modes opératoires d'un documentariste au XXème siècle." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H047.

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A travers l’étude de l’œuvre du cinéaste Roman Karmen, nous souhaitons reconstituer un patrimoine et tenter d’en définir les enjeux autour de questions historiographiques. En effet, les images de l’opérateur soviétique n’ont pas seulement marqué l’histoire du XXème, elles ont en partie contribué à la construire en un objet unique. Les propriétés métonymiques de l’image (photographies et prises de vues) ont bouleversé notre perception en même temps qu’elles ont participé à la construction d’un récit historique général d’un nouvel ordre. Il s’agit d’un récit visuel complexe où se mêlent prises d
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Goldsmith, Nestor Bravo. "Filming theater : the audiovisual documentation as a substitute of the performance /." Diss., CLICK HERE for online access, 2007. http://contentdm.lib.byu.edu/ETD/image/etd1795.pdf.

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Rich, Philip. "The culture of cruising : Post-war images form the NMM'S film archive." Thesis, University of Sheffield, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527202.

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This thesis examines a film collection held at the National Maritime Museum, Greenwich and seeks to establish the historical, cultural and aesthetic legacy of the post-war promotional cruise film. The textual and contextual analysis reveals the cruise film's unique reflection of an era of ideological, social and stylistic change. The thesis establishes an institutional and aesthetic history of the cruise film, focusing on the output of Orient Line, P&O, Union Castle and Cunard. The circumstances surrounding production of promotional material are explored, along with the ideological, commercial
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20

Schaber, Ines. "Obtuse, flitting by, and nevertheless there : image archives in practice." Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/6566/.

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Over the past thirty years, the status of the archive as well as the state of what we call “documentary” have dominated discussions in and around photography. Although it is now commonplace to presume the objectifying gesture of documentary photography, the complex question of how, as a working artist/photographer, to approach the archive has not yet been adequately addressed. The purpose of this research is to raise questions about how, after the critique of the documentary image, the artist/photographer addresses, indeed, finds the archive. I am starting with the assumption that the archive
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Vasconcellos, Ellen Maria Martins de. "Entre (ou além) (d)o real e a ficção: a televisão em Realidad, de Sergio Bizzio e Bajo este sol tremendo, de Carlos Busqued." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-05042017-090640/.

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Esta dissertação de mestrado apresenta como corpus de análise as obras publicadas em 2009, Realidad, de Sergio Bizzio, e Bajo este sol tremendo, de Carlos Busqued, ambos autores argentinos. O objetivo é fazer uma leitura crítica de como a televisão e determinados formatos televisivos (o reality show e o documentário) possuem sua estrutura e argumento apropriados por essas narrativas literárias. Nelas, arquivos de imagens se armam e se desmontam, se abrem e se articulam, entre fotografias militares oficiais e confissões banais espetacularizadas, implicando, no trabalho do narrador, um posiciona
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22

Morris, Alan. "Digital technologies and photographic archives Birmingham Central Library : a case study." Thesis, University of Wolverhampton, 2001. http://hdl.handle.net/2436/126505.

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This thesis considers the use and potential of digital technologies for those responsible for photographic collections in public libraries. Using the Birmingham Central Library as a case study, the research has explored how information comn1unication technologies have impacted on the way in which photographic in1ages are created, stored and disseminated. The study provides an overview of both the British library service and the role of archives within this public provision. Following an examination of the characteristics of digital media and a range of issues relating to the preservation, diss
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Oppenheimer, Melanie. "Volunteering the Australian experience /." [Australia] : Melanie Oppenheimer, 2007. http://www.naa.gov.au/Images/oppenheimer-paper-2007_tcm2-9196.pdf.

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Thesis (PhD) - Marketing and International Studies, Faculty of Business and Enterprise, Swinburne University of Technology, 2008.<br>"Public lecture for the National Archives of Australia, presented in Canberra ... 15 May 2007."-t.p. Includes bibliographical references (p. 174-215).
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Blaschke, Estelle. "Photography and the commodification of images : the Bettmann archive and Corbis (ca. 1924-present)." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0086.

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Cette étude se consacre au développement et au fonctionnement des banques d’images des années 1920 à nos jours, à partir du cas formé par deux entreprises liées par leur histoire : le fonds crée à Berlin en 1933 par la bibliothèque, historien et hommes d’affaires Otto Bettmann et le groupe Corbis, agence spécialisée dans le commerce de reproductions numériques fondée en 1989 par Bill Gates, créateur de Microsoft. Les banques d’images développent des méthodes sophistiques et efficaces d’archivage, de gestion et de diffusion des photos. Elles assument un rôle essentiel dans l’industrialisation d
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Andersson, Joakim. "Bilder som informationsbärare : En jämförande studie av bilder i arkiv." Thesis, Uppsala universitet, Institutionen för ABM, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323919.

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This thesis examines how images are used and evaluated in a Swedish archival context. Images as of today are very common in society. They are nearly everywhere, particularly in our phones and computers. Therefore the written word is slowly losing it's sovereignty as a carrier of information. With this background the study examines if the images role also have changed in an archival setting. The following work is a qualitative research study that examines three Swedish archives: the Regional State Archive in Uppsala, Swedish Labour Movement's Archives and Library in Stockholm and the Centre for
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Pereira, Monica Barth. "Texto: processos e desdobramentos da imagem na catalogação de um arquivo." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-04082017-102157/.

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A dissertação aborda a questão da ressignificação de manuscritos e textos de arquivo levando a catalogação e deciframento de conteúdos para o campo do texto enquanto imagem. Apresento o desenvolvimento das etapas a partir de trabalho sobre manuscritos que conduziram à atual ressignificação e elaboração de novas imagens. Destaco o relevante papel da rasura. Em suas diferentes apresentações, significado e função é presença constante em meus trabalhos.<br>The dissertation approaches the subject of providing (re) significations to manuscripts and texts from an archive leading to the cataloging and
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Moore, C. J. "Mathematical analysis and picture encoding methods applied to large stores of archived digital images." Thesis, University of Manchester, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.234220.

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Wiewandt, Frank. "Archiving the digital image today's best practices of file preparation /." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1131398443.

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Ljunggren, Rhonda L. "Camera lucida : the moving image as evocative document : film form, film meaning and the grammatology of archival selection." Thesis, University of British Columbia, 1986. http://hdl.handle.net/2429/25714.

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This thesis examines the characteristics of moving image documents such as they pertain to the selection of films for archival preservation. It is advanced that both the physical nature of the film record and the nature of the evidence it presents are prime considerations in the development of archival selection criteria. Furthermore it is argued that the structure and content of film are interrelated factors which impact significantly upon the determination of archival value, and the suitability of the film record for permanent preservation. Finally, a major factor affecting selection involve
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Abboud, Feriel. "Restoration super-resolution of image sequences : application to TV archive documents." Thesis, Paris Est, 2017. http://www.theses.fr/2017PESC1038/document.

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Au cours du dernier siècle, le volume de vidéos stockées chez des organismes tel que l'Institut National de l'Audiovisuel a connu un grand accroissement. Ces organismes ont pour mission de préserver et de promouvoir ces contenus, car, au-delà de leur importance culturelle, ces derniers ont une vraie valeur commerciale grâce à leur exploitation par divers médias. Cependant, la qualité visuelle des vidéos est souvent moindre comparée à celles acquises par les récents modèles de caméras. Ainsi, le but de cette thèse est de développer de nouvelles méthodes de restauration de séquences vidéo proven
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Lévêque, Cyrielle. "Artification de l’archive : une dialectique entre figures et absences." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0334.

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L’élaboration de ce travail de thèse s’inscrit dans une démarche universitaire, elle est également pensée de manière simultanée avec la création artistique. Elle s’oriente vers des questionnements liés à une quête personnelle, intime, mais également « traquée » dans une voie plus large qui est celle de la généalogie, de la photographie de famille, de l’image documentaire et des zones d’ombres qui font partie de toute histoire personnelle. Des mécanismes de résistance à l’artification se déploient comme tentative de réponse artistique et de recherche, face à une histoire mutique, un manque de p
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Fulton, John R. "Sensor orientation in image sequence analysis /." Connect to thesis, 2007. http://eprints.unimelb.edu.au/archive/00003510.

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33

Kerr, Michael Abrantes. "Filme e memória: devires das imagens de arquivo." Universidade do Vale do Rio do Sinos, 2008. http://www.repositorio.jesuita.org.br/handle/UNISINOS/2622.

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Made available in DSpace on 2015-03-05T18:24:06Z (GMT). No. of bitstreams: 0 Previous issue date: 27<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta pesquisa busca refletir sobre o pensamento desenvolvido acerca do cinema, do arquivo e da memória pelas imagens do filme Nós que aqui estamos por vós esperamos. O filme de Marcelo Masagão representa um novo tipo de audiovisual, que surge e é possibilitado pelos novos suportes tecnológicos de imagens. A abordagem que faço das imagens de arquivo aproxima-as da duração audiovisual. O pensamento aqui desenvolvido parte de d
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34

Cavaro-Ménard, Christine. "Compression d'images basée sur un modèle contour-texture : adaptation d'un système de codage aux images biomédicales." Tours, 1991. http://www.theses.fr/1991TOUR3308.

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Etievent, Emmanuel Jolion Jean-Michel. "Assistance à l'indexation vidéo par analyse du mouvement." Villeurbanne : Doc'INSA, 2004. http://docinsa.insa-lyon.fr/these/2002/etievent/index.html.

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Preethy, Byju Akshara. "Advanced Methods for Content Based Image Retrieval and Scene Classification in JPEG 2000 Compressed Remote Sensing Image Archives." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/281771.

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Recent advances in satellite imaging technologies have paved its way to the RS big data era. Efficient storage, management and utilization of massive amounts of data is one of the major challenges faced by the remote sensing (RS) community. To minimize the storage requirements and speed up the transmission rate, RS images are compressed before archiving. Accordingly, developing efficient Content Based Image Retrieval (CBIR) and scene classification techniques to effectively utilize these huge volume of data is one among the most researched areas in RS. With the continual growth in the volume o
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Preethy, Byju Akshara. "Advanced Methods for Content Based Image Retrieval and Scene Classification in JPEG 2000 Compressed Remote Sensing Image Archives." Doctoral thesis, Università degli studi di Trento, 2020. http://hdl.handle.net/11572/281771.

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Recent advances in satellite imaging technologies have paved its way to the RS big data era. Efficient storage, management and utilization of massive amounts of data is one of the major challenges faced by the remote sensing (RS) community. To minimize the storage requirements and speed up the transmission rate, RS images are compressed before archiving. Accordingly, developing efficient Content Based Image Retrieval (CBIR) and scene classification techniques to effectively utilize these huge volume of data is one among the most researched areas in RS. With the continual growth in the volume o
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Webb, Clare L. "An investigation into the design and implementation of a digital image archive." Thesis, University of Westminster, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434415.

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Griffin, Brian Maxwell 1969. "Digital image processing in a high volume document environment." Monash University, Gippsland School of Engineering, 1997. http://arrow.monash.edu.au/hdl/1959.1/8680.

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Deb, Sagarmay. "Content-based image retrieval based on emergence index." University of Southern Queensland, Faculty of Sciences, 2003. http://eprints.usq.edu.au/archive/00001420/.

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Emergence is a phenomenon where we study the implicit or hidden meaning of an image. We introduce this concept in image database access and retrieval of images using his as an index for retrieval. This would give an entirely different search outcome than ordinary search where emergence is not considered, as consideration of hidden meanings could change the index of search. A feature of an image, which is not explicit would be emergent feature if it can be made explicit. There are three types of emergence: computational emergence, thermodynamic emergence and emergence relative to a model. In co
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Etievent, Emmanuel. "Assistance à l'indexation vidéo par analyse du mouvement." Lyon, INSA, 2002. http://theses.insa-lyon.fr/publication/2002ISAL0015/these.pdf.

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Cette étude s'inscrit dans un projet multidisciplinaire sur le thème de l'indexation de séquences audiovisuelles, en particulier dans le cadre des archives de télévision. L'objectif était de permettre des recherches dans les bases de documents audiovisuels, comme les archives de télévision, en se fondant sur le contenu sémantique et visuel des vidéos. Dans ce cadre, nous proposons des outils semi-automatiques d'analyse d'image en vue d'assister la tâche du documentaliste chargé de l'indexation. Ainsi, nous avons expérimenté une méthode d'analyse du mouvement dans le but de simplifier la tâche
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Schulmann, Clara. "Produire depuis la marge. Les motifs du décentrement dans les films d’artistes,1975-2007." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030031.

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On a qualifié de « migration des images » le déplacement des images en mouvement depuis les salles de projection jusque dans les salles des musées. Cette « migration » a d’abord constitué le socle initial de ce travail, en fixant les pourtours de son contexte : les images en mouvement, le musée et ses collections, leur dialogue depuis le milieu des années 1990. Délaissant ce sens premier de l’expression, cette étude met au travail son sens figuré : l’idée de migration convie une économie, un système d’échanges, de circulation, un type d’activité propre aux images en mouvement qui élargit ce co
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Clements, J. M. "Adapted orphans and protected histories : time based media and the moving image archive." Thesis, University of Salford, 2014. http://usir.salford.ac.uk/32981/.

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Through the examination of archived moving images, this practice-based research project explores processes and methodologies adopted by visual artists who use moving image archives as an integral component for the creation of new artworks. Underlying these methods of production are issues of originality, authorship and ownership. The research seeks to examine the role of archives as potential catalysts for the creation of new work and the role artists can play in animating collections thereby generating new meanings for archival materials. Central to the research is the study of traditional mo
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Tauber, Clovis Ayache Alain. "Filtrage anisotrope robuste et segmentation par B-Spline snake application aux images échographiques /." Toulouse : INP Toulouse, 2006. http://ethesis.inp-toulouse.fr/archive/00000035.

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45

Delaunay, Xavier Castanié Francis. "Compression d'images satellite par post-transformées dans le domaine ondelettes." Toulouse : INP Toulouse, 2009. http://ethesis.inp-toulouse.fr/archive/00000693.

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46

Eude, Thierry. "Compression d'images médicales pour la transmission et l'archivage, par la transformée en cosinus discrète." Rouen, 1993. http://www.theses.fr/1993ROUES056.

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En milieu hospitalier, l'utilisation de l'imagerie prend une place de plus en plus importante. Mais la quantité d'informations que représentent les images quand on parle d'archivage ou de transmission numérique pose des problèmes très préoccupants. Une réponse à ceux-ci consiste à compresser ces images. De nombreuses méthodes existent. La plus utilisée est basée sur la transformée en cosinus discrète (TCD). Elle constitue le noyau de la norme JPEG sur la compression des images fixes. Les travaux présentés dans ce manuscrit, consistent à déterminer des outils pouvant être intégrés à cette norme
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Eicher, Anton. "Active Shape Model Segmentation of Brain Structures in MR Images of Subjects with Fetal Alcohol Spectrum Disorder." Thesis, University of Cape Town, 2010. http://pubs.cs.uct.ac.za/archive/00000637/.

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Fetal Alcohol Spectrum Disorder (FASD) is the most common form of preventable mental retardation worldwide. This condition affects children whose mothers excessively consume alcohol whilst pregnant. FASD can be identied by physical and mental defects, such as stunted growth, facial deformities, cognitive impairment, and behavioural abnormalities. Magnetic Resonance Imaging provides a non-invasive means to study the neural correlates of FASD. One such approach aims to detect brain abnormalities through an assessment of volume and shape of sub-cortical structures on high-resolution MR images. Tw
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48

Bailloeul, Timothée Marthon Philippe Hu Baogang. "Contours actifs et information à priori pour l'analyse de changements application à la mise à jour de cartes numériques du bâti urbain à partir d'images optiques de télédétection haute résolution /." Toulouse : INP Toulouse, 2006. http://ethesis.inp-toulouse.fr/archive/00000282.

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Reproduction de : Thèse de doctorat : Signal, image et acoustique : Toulouse, INPT : 2005. Reproduction de : Thèse de doctorat : Signal, image et acoustique : Institut d'automatique, Académie des Sciences de Chine : 2005.<br>Thèse soutenue en co-tutelle. Titre provenant de l'écran-titre. Bibliogr. 137 réf.
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Sadedin, Ann. "The uncentred self : image and awareness in the Middle English religious lyrics /." Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000220.

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Weatherburn, Gwyneth Christine. "The effect of the introduction of picture archive and communication systems (PACS) on patient radiation doses and patient management." Thesis, Brunel University, 2000. http://bura.brunel.ac.uk/handle/2438/4975.

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This thesis considers the effects of Picture Archive and Communications Systems (PACS), on both patient radiation doses and patient management. PACS is a relatively new technology which acquires, transmits, and stores radiological images digitally. This thesis investigates the doses which are required to produce radiographic images which are acceptable to radiologists and referring clinicians, and compares these doses with those required for the film/screen systems which they are replacing. A review of the literature shows that despite claims of dose reductions, very little good evidence exist
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