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Books on the topic 'Archival images'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Siewert, Senta. Performing Moving Images. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985834.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre

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2

Utilisation des images d'archives dans l'audiovisuel. Hermès sciences publications, 2012.

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3

Noëlle, Gérome, ed. Archives sensibles: Images et objets du monde industriel et ouvrier. Editions de l'ENS-Cachan, 1995.

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4

C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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5

C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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6

C, Tilton James, and United States. National Aeronautics and Space Administration., eds. Model-based VQ for image data archival, retrieval and distribution. National Aeronautics and Space Administration, 1995.

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7

Kula, Sam. Appraising moving images: Assessing the archival and monetary value of film and video records. Scarecrow Press, 2003.

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8

Vahtikari, Vesa, Mika Hakkarainen, and Antti Nurminen. Eikonopoiia: Digital imaging of ancient textual heritage : proceedings of the international conference, Helsinki, 28-29 November, 2010. Societas Scientiarum Fennica, 2011.

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9

Board, Canadian General Standards. Microfilm and electronic images as documentary evidence. Canadian General Standards Board, 1993.

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10

T, Puglia Steven, Reed Jeffrey 1967-, Rhodes Erin, and United States. National Archives and Records Administration., eds. Technical guidelines for digitizing archival materials for electronic access: Creation of production master files--raster images. Digital Library Federation, 2005.

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11

Birkin, Jane. Archive, Photography and the Language of Administration. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729642.

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This alternative study of archive and photography brings many types of image assemblages into view, always in relation to the regulated systems operating within the institutional milieu. The archive catalogue is presented as a critical tool for mapping image time, and the language of image description is seen as having a life, a worth and an aesthetic value of its own. Functioning at the intersection of text and image, the book combines media culture, archival techniques, and contemporary discourse on art and conceptual writing.

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12

Yvonne, Bos-Rops, ed. The archival image: Collected essays. Verloren, 1997.

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13

Newell, J. C. W. Archival retrieval: Techniques for image enhancement. British Broadcasting Corporation Research and Development Department, 1995.

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14

Survey of best practices in digital image management. Primary Research Group, 2013.

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15

Pacis, Museo dell'Ara, ed. Picasso images. Electa, 2016.

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16

Numériser, reproduire, archiver les images d'art. Harmattan, 2005.

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17

1948-, White-Hensen Wendy, and Library of Congress. AMIM Revision Committee., eds. Archival moving image materials: A cataloging manual. 2nd ed. Library of Congress, Cataloging Distribution Service, 2000.

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18

Association des archivistes du Québec. Congrès. Regards et perspectives-- une image en mouvement: Actes du congr`es. The Association, 2000.

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19

La sopravvivenza delle immagini nel cinema: Archivio, montaggio, intermedialità. Mimesis, 2013.

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20

Seeley G. Mudd Manuscript Library., ed. Cased images in the Princeton University Archives. Princeton University Archives, 2001.

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21

Grgic, Ana. Early Cinema, Modernity and Visual Culture. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.

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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnat

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22

Gianfranco Baruchello: Archives of moving images 1960-2016. Mousse Publishing, 2017.

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23

Pierre, Miquel. La guerre d'Algérie: Images inédites des archives militaires. Chêne, 1993.

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24

39-45: Mille images inédites des archives militaires. Chêne, 1985.

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25

United States. Internal Revenue Service, ed. FAISR, Files Archival Image Storage and Retrieval research test. Internal Revenue Service, 1986.

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26

Sandom, C. J. VIRAMI: Visual information retrieval for archival moving imagery. Resource, 2002.

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27

S, Wilk Gary, ed. Steel giants: Historic images from the Calumet Regional Archives. Quarry Books, 2009.

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28

Ines Schaber: Obtuse, flitting by, and in spite of all - image archives in practice. Archive Books, 2018.

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29

Heller, Johathan. War & Conflict: Selected Images from the National Archives, 1765-1970. Natl Archives Trust Fund Board, 1991.

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30

Paris (France). Mairie annexe du IVe Arrondissement, ed. Fières archives: Documents et images autobiographiques d'homosexuels "fin de siècle". Atlande, 2017.

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31

Jonathan, Heller, and United States. National Archives and Records Administration., eds. War & conflict: Selected images from the National Archives 1765-1970. National Archives and Records Administration, 1990.

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32

Diane, Canwell, ed. Images of war, Malta GC: Rare photographs from wartime archives. Pen & Sword Aviation, 2009.

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33

Images of war: Flanders 1915 : rare photographs from wartime archives. Pen & Sword Military, 2005.

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34

Ont.) Ryerson Image Centre (Toronto. Archival dialogues: Reading the Black Star Collection. Ryerson Image Centre, 2012.

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35

Wolfgang, Klaue, ed. World directory of moving image and sound archives. K.G. Saur, 1993.

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36

Ferrone, Siro. AMAtI (Archivio Multimendiale Attori Italiani). Edited by Francesca Simoncini. Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-234-5.

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The Archivio Multimediale degli Attori Italiani (AMAtI) is an on-line computerized archive devoted to the Italian actors, dancers and singers who have practised the profession from the fifteenth to the twenty-first century. For every actor AMAtI offers a complete original and up-to-date profile, bibliography, list of sources, and a detailed selection of data on his/her career and single performances. Documents, images and multi-media material (video and audio), linked to the collected information, can be viewed in order to provide a more in-depth rundown on each actor. It is also possible to r

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37

BibliOdyssey: Archival images from the internet. Fuel, 2007.

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38

Siewert, Senta. Performing Moving Images. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561674.

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Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-scre

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39

(Foreword), Dinos Chapman, Damon Murray (Editor), and Stephen Sorrell (Editor), eds. BibliOdyssey: Amazing Archival Images from the Internet. Fuel Publishing, 2007.

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40

Erdogan, Nezih, and Ebru Kayaalp. Exploring Past Images in a Digital Age. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723442.

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Film archives are fast spreading around the world, and with them issues surrounding archival digitisation, artistic appropriation, and academic reinterpretation of film material that demand scholarly attention. Exploring Past Images in a Digital Age: Reinventing the Archive aims to fill this demand with a thought-provoking collection of original articles contributed by renowned scholars, archivists, and artists. It urges the reader to “forget” standard ways of thinking about film archives and come to grips with the challenges of analysing and recontextualising an area in transit from the analo

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41

Remote sensing data acquisition, analysis and archival. Minerals Management Service, 1993.

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42

Images of a dance historian: Archival processing of the Juana de Laban Dance Collection. University Microfilms International, 1992.

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43

Association of Moving Image Archives. Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records. The Scarecrow Press, Inc., 2002.

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44

US GOVERNMENT. Technical Guidelines for Digitizing Archival Materials for Electronic Access: Creation of Production Master Files--Raster Images. Digital Library Federation, 2005.

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45

US GOVERNMENT. Technical Guidelines for Digitizing Archival Materials for Electronic Access: Creation of Production Master Files--Raster Images. Digital Library Federation, 2005.

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46

Moeller, Susan, Joanna Nurmis, and Saranaz Barforoush. Images of Our Dead Enemies. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038860.003.0007.

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This chapter provides a comparative analysis of visual representations surrounding the killing of Osama bin Laden. In the minutes and hours after the news of bin Laden's killing broke across social media and then through President Barack Obama's brief May 1 speech to the nation, news outlets across the world scrambled to cover the story of the decade. With no immediately forthcoming photos of bin Laden's corpse, mainstream news outlets were excused from the ethical as well as moral binary decision about whether to show or not show images of bin Laden's corpse. Instead, news outlets the world o

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47

Worm: A Collection of NASA Archival Images Celebrating the Implementation of the NASA Graphics Standards Manual 1975-92. Standards Manual, LLC, 2020.

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48

Yue, Genevieve. Girl Head. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289554.001.0001.

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For decades, feminist film analysis has been focused on issues of representation: images of women in film. But what are the feminist implications of the material object underlying that image, the filmstrip itself? What does feminist analysis have to offer in understanding the film image before it enters the realm of representation? In Girl Head: Feminism and Film Materiality, Genevieve Yue explores how gender and sexual difference have been deeply embedded within film materiality. Though the industrial practices she examines are typically hidden from view, they are no less gendered than the im

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49

Furtado, Gustavo Procopio. Documentary Filmmaking in Contemporary Brazil. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190867041.001.0001.

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This book examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil’s highly unequal society, this period also witnessed the documentary’s rise to unprecedented vitality in quantity, quality, and diversity of production—including polished auteur films as well as rough-hewn collaborative works; films made in major metropolitan regions as well as in remote parts of the Amazon; intimate first-person documentaries as well as films that dive headfirst into struggles for s

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50

Saxton, Libby. No Power Without an Image. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474463157.001.0001.

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No Power Without an Image is the first detailed study of what filmic images can tell us about iconic photographs. Previous scholarship on iconic images, including the proliferation of recent writings on the subject, has typically centred on, or at least paid special attention to, the medium of photography. Yet the publications that helped create some of the most familiar such icons were deeply influenced by cinema, privileging dynamic photographs and layouts and juxtaposing photojournalism with film stills and film frames. Photojournalistic icons, moreover, often coexist as film or video seque

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