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Journal articles on the topic 'Archival images'

Author: Grafiati

Published: 4 June 2021

Last updated: 22 June 2024

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1

Gu, Wei, Ching-Chun Chang, Yu Bai, Yunyuan Fan, Liang Tao, and Li Li. "Anti-Screenshot Watermarking Algorithm for Archival Image Based on Deep Learning Model." Entropy 25, no. 2 (2023): 288. http://dx.doi.org/10.3390/e25020288.

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Over recent years, there are an increasing number of incidents in which archival images have been ripped. Leak tracking is one of the key problems for anti-screenshot digital watermarking of archival images. Most of the existing algorithms suffer from low detection rate of watermark, because the archival images have a single texture. In this paper, we propose an anti-screenshot watermarking algorithm for archival images based on Deep Learning Model (DLM). At present, screenshot image watermarking algorithms based on DLM can resist screenshot attacks. However, if these algorithms are applied on

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Marmol, Urszula, and Natalia Borowiec. "Analysis and Verification of Building Changes Based on Point Clouds from Different Sources and Time Periods." Remote Sensing 15, no. 5 (2023): 1414. http://dx.doi.org/10.3390/rs15051414.

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Detecting changes in buildings over time is an important issue in monitoring urban areas, landscape changes, assessing natural disaster risks or updating geospatial databases. Three-dimensional (3D) information derived from dense image matching or laser data can effectively extract changes in buildings. This research proposes an automated method for detecting building changes in urban areas using archival aerial images and LiDAR data. The archival images, dating from 1970 to 1993, were subjected to a dense matching procedure to obtain point clouds. The LiDAR data came from 2006 and 2012. The p

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Nickerson, Matthew. "Heritage through Oral History and Archival Images." IFLA Journal 29, no. 1 (2003): 52–55. http://dx.doi.org/10.1177/034003520302900112.

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Birkin, Jane. "Institutional Metadata and the Problem of Context." Digital Culture & Society 6, no. 2 (2020): 17–34. http://dx.doi.org/10.14361/dcs-2020-0203.

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Abstract The traditional archive catalogue constitutes a form of structural and descriptive metadata that long precedes the internet; and the cataloguing of photographs is just one part of a process of archival administration. The application of keywords to images contrasts with archival prose description, which is based on the visual content of the image and is predominantly context-free; a remediation of the image itself. At the heart of this lies the notion that the single photograph is itself devoid of context; it is a discrete embodiment of shutter time and there is nothing certain either

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Gracy, Karen F. "Enriching and enhancing moving images with Linked Data." Journal of Documentation 74, no. 2 (2018): 354–71. http://dx.doi.org/10.1108/jd-07-2017-0106.

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Purpose The purpose of this paper is to examine the current state of Linked Data (LD) in archival moving image description, and propose ways in which current metadata records can be enriched and enhanced by interlinking such metadata with relevant information found in other data sets. Design/methodology/approach Several possible metadata models for moving image production and archiving are considered, including models from records management, digital curation, and the recent BIBFRAME AV Modeling Study. This research also explores how mappings between archival moving image records and relevant

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Chiarini, Alessandra. "“Feeling-Images”." Feminist Media Histories 2, no. 3 (2016): 90–101. http://dx.doi.org/10.1525/fmh.2016.2.3.90.

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This essay investigates the ways in which Barbara Hammer’s film Nitrate Kisses (1992) traces stories about homosexuality throughout the twentieth century. Inspired both by the concept of “vertical cinema,” as theorized by Maya Deren, and by the historical-philosophical reflections of Michel Foucault and Walter Benjamin, Hammer realizes a montage process in Nitrate Kisses that resurrects a forgotten historical memory through the juxtaposition of archival materials and original images. It is a memory that is reappropriated through the film as an experiential, tactile, and emotional moment.

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Nguyễn, Jacqueline Hoàng. "Re-processing archival images: artists as darkroom technicians." Journal of Visual Culture 21, no. 1 (2022): 90–110. http://dx.doi.org/10.1177/14704129221088302.

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This article argues for the need to reflect on how contemporary artists use archival documents as a form of visual reparation. Artists Deanna Bowen, Krista Belle Stewart and Jacqueline Hoàng Nguyễn developed strategies for critically casting the past into the present in their own video work by relying on state-sanctioned archival images, specifically documents produced by and kept by the Canadian Broadcasting Company (CBC), once intended for a white audience. The author argues that these artists rely on their corporeal knowledge as, in photographic terminology, developer baths for re-processin

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Roszkowiak, Lukasz, and Carlos Lopez. "PATMA: parser of archival tissue microarray." PeerJ 4 (December 1, 2016): e2741. http://dx.doi.org/10.7717/peerj.2741.

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The tissue microarrays are commonly used in modern pathology for cancer tissue evaluation, as it is a very potent technique. Tissue microarray slides are often scanned to perform computer-aided histopathological analysis of the tissue cores. For processing the image, splitting the whole virtual slide into images of individual cores is required. The only way to distinguish cores corresponding to specimens in the tissue microarray is through their arrangement. Unfortunately, distinguishing the correct order of cores is not a trivial task as they are not labelled directly on the slide. The main a

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Pacina, Jan, and Jan Popelka. "Accuracy of Digital Surface Models derived from archival aerial photographs. Case study for the Czech Republic." Geoinformatics FCE CTU 16, no. 1 (2017): 53–62. http://dx.doi.org/10.14311/gi.16.1.3.

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The archival aerial photographs are widely used for landscape change analysis, settlement identification or georelief reconstructions. The large archive of old aerial photographs is available for the whole Czech Republic and these data are often used by scientists, historians, students, etc. The quality of the datasets (orthophoto, digital surface models) resulting from archival aerial images processing is crucial for the ongoing analyses. The accuracy test of digital surface models derived from archival aerial images origintaing from 1938 and 1953 is presented within this paper. These two tim

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Siok, Katarzyna, and Ireneusz Ewiak. "The simulation approach to the interpretation of archival aerial photographs." Open Geosciences 12, no. 1 (2020): 1–10. http://dx.doi.org/10.1515/geo-2020-0001.

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AbstractArchival aerial photographs obtained in the 20th century play a special role in the process of upgrading the register of land and buildings. These photographs are the only resource presenting credible information on the coverage and use of land in a high degree of detail. In this article, particular attention is paid to the aspect of the spectral resolution of archival aerial photographs. Preliminary research was conducted into the assessment of the impact of simulations of new spectral bands with high spatial resolution for archival photographs upon the interpretation process of such

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Došen, Ana. "Nobuyoshi Araki’s Archival Corpo-Rapture." AM Journal of Art and Media Studies, no. 18 (April 15, 2019): 107. http://dx.doi.org/10.25038/am.v0i18.301.

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Nobuyoshi Araki is one of the most famous and controversial Japanese photographers, whose work amounts to several hundred publications. Over the course of nearly five decades, this prolific artist’s ‘photo-mania’ dealing with, among various subject matters, a depiction of human bodies, often eroticized and graphic, has been both celebrated and heavily criticized. Instead of contributing to those discourses of either support or disdain of his artistic vision – especially on the issue of fetishized female nudity – this paper focuses on Araki’s insatiable lust for capturing Japan’s corporeality.

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Ou, James, Christoph Baranec, and Schelte J. Bus. "Searching for Binary Asteroids in Pan-STARRS1 Archival Images." Planetary Science Journal 3, no. 7 (2022): 169. http://dx.doi.org/10.3847/psj/ac7871.

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Abstract We developed two different point-spread function (PSF) analysis techniques for discovering wide separation binary asteroids in wide-field surveys. We then applied these techniques to images of main belt asteroids in the 4–60 km size range captured by Pan-STARRS1. Johnston lists fewer than 10 known binaries in this size range with separations greater than 10% of the primary’s Hill radius, so discovering more wide binary asteroids is crucial for understanding the limits of binary stability and improving our knowledge of asteroid masses. We analyzed each image by (i) comparing the major

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Giordano, S., A. Le Bris, and C. Mallet. "TOWARD AUTOMATIC GEOREFERENCING OF ARCHIVAL AERIAL PHOTOGRAMMETRIC SURVEYS." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2 (May 28, 2018): 105–12. http://dx.doi.org/10.5194/isprs-annals-iv-2-105-2018.

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Images from archival aerial photogrammetric surveys are a unique and relatively unexplored means to chronicle 3D land-cover changes over the past 100 years. They provide a relatively dense temporal sampling of the territories with very high spatial resolution. Such time series image analysis is a mandatory baseline for a large variety of long-term environmental monitoring studies. The current bottleneck for accurate comparison between epochs is their fine georeferencing step. No fully automatic method has been proposed yet and existing studies are rather limited in terms of area and number of

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Gonçalo, Pablo. "Ken Jacobs and the Perverted Archival Image." Acta Universitatis Sapientiae, Film and Media Studies 13, no. 1 (2016): 73–88. http://dx.doi.org/10.1515/ausfm-2016-0015.

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Abstract This paper analyses two recent works by American filmmaker Ken Jacobs that deal with aspects of remediation. The first is A Tom Tom Chaser, in which Jacobs records the telecine process that transforms the classic silent film Tom, Tom, the Piper’s Son from chemical into electronic media. The film is riddled with poetic turns inviting the audience to rediscover the medial noise hidden by images. Moreover, Jacobs focuses on the moment of transition from a material medium (the film strip) to the immaterial (the image, the video), so that the noise brings the viewer closer to a perception

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Pieldner, Judit. "Archival and Fake Found Footage as Medial Figurations in Hungarian Experimental Filmmaking." Revista Laika 3, no. 6 (2014): 104–20. http://dx.doi.org/10.11606/issn.2316-4077.v3i6p104-120.

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In the theoretical discourse of archival footage a shift can be detected from the paradigm of recontextualization to that of rhetorical strategy. In terms of this shift, archival footage is no longer regarded as a mode of transparent representation of “reality”, but rather as figuration that creates productive tension in the course of interaction of moving images. Archival footage acquires a prominent role in Hungarian experimental filmmaking. The present paper focuses on films by two Hungarian experimental filmmakers, Gábor Bódy and András Jeles, in which the archival material stages the conf

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Drews, F., K. Ecker, O. Kao, and S. Schomann. "Strategies for Workload Balancing in Cluster-based Image Databases." Parallel Processing Letters 14, no. 01 (2004): 33–44. http://dx.doi.org/10.1142/s0129626404001696.

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Systems for the archival and retrieval of images are used in many areas, for example medical applications or news agencies. The technique of dynamic image analysis and comparison enables a detailed search for important image elements such as persons and objects. But it also requires large computational resources. Therefore, we developed a cluster-based architecture for an efficient storage and comparison of archived images. The initially even, size-based distribution of images over the cluster nodes is distorted, when the user excludes images from further consideration by applying combined a-p

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Casetti-Dinescu, Dana I., Terrence M. Girard, Roberto Baena-Gallé, Max Martone, and Kate Schwendemann. "Star-image Centering with Deep Learning: HST/WFPC2 Images." Publications of the Astronomical Society of the Pacific 135, no. 1047 (2023): 054501. http://dx.doi.org/10.1088/1538-3873/acd080.

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Abstract A deep learning (DL) algorithm is built and tested for its ability to determine centers of star images in HST/WFPC2 exposures, in filters F555W and F814W. These archival observations hold great potential for proper-motion studies, but the undersampling in the camera’s detectors presents challenges for conventional centering algorithms. Two exquisite data sets of over 600 exposures of the cluster NGC 104 in these filters are used as a testbed for training and evaluating the DL code. Results indicate a single-measurement standard error from 8.5 to 11 mpix, depending on the detector and

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Dlesk, A., P. Raeva, and K. Vach. "POSSIBILITIES OF PROCESSING ARCHIVAL PHOTOGRAMMETRIC IMAGES CAPTURED BY ROLLEI 6006 METRIC CAMERA USING CURRENT METHOD." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2 (May 30, 2018): 319–23. http://dx.doi.org/10.5194/isprs-archives-xlii-2-319-2018.

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Processing of analog photogrammetric negatives using current methods brings new challenges and possibilities, for example, creation of a 3D model from archival images which enables the comparison of historical state and current state of cultural heritage objects. The main purpose of this paper is to present possibilities of processing archival analog images captured by photogrammetric camera Rollei 6006 metric. In 1994, the Czech company EuroGV s.r.o. carried out photogrammetric measurements of former limestone quarry the Great America located in the Central Bohemian Region in the Czech Republ

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Jolly, Martyn. "Art from Archives: The Archival Trend in Contemporary Art and Culture." Public History Review 21 (December 28, 2014): 60–80. http://dx.doi.org/10.5130/phrj.v21i0.3823.

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If the archival mode has been important over the last thirty years, it will only continue to become more important in the next thirty years. In the fifteen years since Lev Manovich wrote The Language of New Media, in which he identified the database with its operations of searching navigating and viewing as the new-media correlate to the novel and cinema with their operations of narrative storytelling, databases have only increased in scale, complexity and ubiquity — at an exponential rate, as is the case with all technologies. Archives are being uncovered or created at an unprecedented rate,

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Farrell, Kennedy A., Colin Orion Chandler, William J. Oldroyd, et al. "Activity Discovered on Mars-Crossing Jupiter Family Comet 2018 OR by Citizen Scientists." Research Notes of the AAS 8, no. 1 (2024): 18. http://dx.doi.org/10.3847/2515-5172/ad1c66.

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Abstract We present the discovery of cometary activity on 2018 OR as part of our Active Asteroids project, a NASA Partner Program fueled by Zooniverse Citizen Scientists. Volunteers found 2018 OR with a long, diffuse tail in archival images from the Dark Energy Camera on the Blanco 4 m telescope at the Cerro Tololo Inter-American Observatory in Chile. Our team identified additional Canada–France–Hawaii–Telescope MegaCam and Zwicky Transient Facility archival data after classification by Citizen Scientists. Activity originating from 2018 OR and directed in the anti-solar and anti-velocity direc

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Wilson Campbell, Isaac, and Bettina Fabos. "Innovation and Ingenuity in the Fortepan Digital Photo Archive." Hungarian Studies Review 48, no. 2 (2021): 168–82. http://dx.doi.org/10.5325/hungarianstud.48.2.0168.

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Abstract Hungary stands at a pivotal point in establishing its role as a global leader in the modern approach to historical photo archiving. Born from the effort of two friends to save discarded family photographs from dumpsters and trash bags on the streets of Budapest, the Fortepan archive (fortepan.hu), now with over 150,000 donated images, has become a cultural institution within Hungary as well as a disruptive force to the archival paradigm in both content and accessibility. Fortepan has rejected traditional archival practices such as exclusivity, restriction, and regulation in favor of o

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Choquet, Elodie, J. Brendan Hagan, Laurent Pueyo, et al. "Archival Legacy Investigation of Circumstellar Environments using KLIP algorithm on HST NICMOS coronagraphic data." Proceedings of the International Astronomical Union 8, S299 (2013): 30–31. http://dx.doi.org/10.1017/s1743921313007722.

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AbstractThe Archival Legacy Investigation of Circumstellar Environments (ALICE) project (AR-12652) is currently conducting a comprehensive and consistent reprocessing of HST-NICMOS coronagraphic survey data to search for point sources and disks using advanced PSF subtraction. The KLIP algorithm (Karhunen-Loève Image Projection) was developed for this project, and has proven very effective at processing the hundreds of selected archival images. This project has already been very successful with numerous detections of previously unseen point sources and several resolved debris disks that we are

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Doughman, Richard. "Tracing the metabolic rift in Colombia's greengrocer: an environmental history of the Anaime Valley. Supplemental images." Historia Agraria Revista de agricultura e historia rural, no. 80 (February 21, 2020): 1–15. http://dx.doi.org/10.26882/histagrar.080x03d.

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Images to accompany the article: Tracing the Metabolic Rift in Colombia's Greengrocer: An Environmental History of the Anaime Valley. The images have been drawn from archival sources, both at the Archivo General de la Nación in Bogotá and from unpublished undergraduate thesis from the University of Tolima.

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McCracken, Krista. "Archival photographs in perspective: Indian residential school images of health." British Journal of Canadian Studies 30, no. 2 (2017): 163–82. http://dx.doi.org/10.3828/bjcs.2017.10.

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Flanagan, Mary, and Peter Carini. "How Games Can Help Us Access and Understand Archival Images." American Archivist 75, no. 2 (2012): 514–37. http://dx.doi.org/10.17723/aarc.75.2.b424537w27970gu4.

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Barth, Aaron J., Schuyler D. van Dyk, Alexei V. Filippenko, Bruno Leibundgut, and Michael W. Richmond. "The Environments of Supernovae in Archival Hubble Space Telescope Images." Astronomical Journal 111 (May 1996): 2047. http://dx.doi.org/10.1086/117940.

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Benson, Allen C. "The Archival Photograph and Its Meaning: Formalisms for Modeling Images." Journal of Archival Organization 7, no. 4 (2009): 148–87. http://dx.doi.org/10.1080/15332740903554770.

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Neuman, Urszula, Anna Korzyńska, Carlos Lopez, Marylène Lejeune, Łukasz Roszkowiak, and Ramon Bosch. "Equalisation of Archival Microscopic Images from Immunohistochemically Stained Tissue Sections." Biocybernetics and Biomedical Engineering 33, no. 1 (2013): 63–76. http://dx.doi.org/10.1016/s0208-5216(13)70056-1.

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Woods, Kam, and Christopher A. Lee. "Acquisition and Processing of Disk Images to Further Archival Goals." Archiving Conference 9, no. 1 (2012): 147–52. http://dx.doi.org/10.2352/issn.2168-3204.2012.9.1.art00033.

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Zecchi, Barbara. "Filling (Feeling) the Archival Void." Feminist Media Histories 9, no. 4 (2023): 14–27. http://dx.doi.org/10.1525/fmh.2023.9.4.14.

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The video essay “Filling (Feeling) the Archival Void” delves into the systematic erasure and archival dispossession of works by early women filmmakers, using the case study of Helena Cortesina and her lost film Flor de España (1922), which was falsely attributed to a male director. Through a counterhegemonic, provocative, “accented” approach, the video essay challenges established, patriarchal film histories and exposes the lies hidden within their seemingly rigorous discourse. First, it pays homage to the authorship of an almost forgotten filmmaker, Helena Cortesina, while also making her los

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Martinez, Raquel A., and Adam L. Kraus. "A Mid-infrared Study of Directly Imaged Planetary-mass Companions Using Archival Spitzer/IRAC Images." Astronomical Journal 163, no. 1 (2021): 36. http://dx.doi.org/10.3847/1538-3881/ac3745.

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Abstract The atmospheres and accretion disks of planetary-mass and substellar companions provide an unprecedented look into planet and moon formation processes, most notably the frequency and lifetime of circumplanetary disks. In our ongoing effort to leverage the extraordinary sensitivity of the Spitzer/Infrared Array Camera (IRAC) at 3.6, 4.5, 5.8, and 8.0 μm to study wide planetary-mass and substellar companions near the diffraction limit, we present point-spread function fitting photometry of archival Spitzer/IRAC images for nine stars (G0 to M4+M7) in nearby star-forming regions or stella

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Wong, G. F., M. D. Filipovic, E. J. Crawford, et al. "New 20-cm radio-continuum study of the small Magellanic cloud: Part I. Images." Serbian Astronomical Journal, no. 182 (2011): 43–52. http://dx.doi.org/10.2298/saj1182043w.

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We present and discuss new high-sensitivity and resolution radiocontinuum images of the Small Magellanic Cloud (SMC) at ?=20 cm (?=1.4 GHz). The new images were created by merging 20-cm radio-continuum archival data, from the Australian Telescope Compact Array and the Parkes radio-telescope. Our images span from ?10"to ?150" in resolution and sensitivity of r.m.s.?0.5 mJy/beam. These images will be used in future studies of the SMC?s intrinsic sources and its overall extended structure.

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Pieldner, Judit. "Remediating Past Images. The Temporality of “Found Footage” in Gábor Bódy’s American Torso." Acta Universitatis Sapientiae, Film and Media Studies 8, no. 1 (2014): 59–78. http://dx.doi.org/10.2478/ausfm-2014-0026.

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Abstract Along Laura U. Marks’s thoughts on the “disappearing image” as embodied experience, the article proposes to bring into discussion particular modes of occurrence of “past images,” whether in form of the use of archival/found footage or of creating visual archaisms in the spirit of archival recordings, within the practice of the Hungarian experimental film making of the 1970s and 1980s, more speciflcally, in Gábor Bódy’s films. The return to archival/found footage as well as the production of visual archaisms reveal an attempt of remediation (Bolter and Grusin) that goes beyond the cult

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Ellis, Phil. "Picking Up (On) Fragments." Archaeologies of Tele-Visions and -Realities 4, no. 7 (2015): 68. http://dx.doi.org/10.18146/2213-0969.2015.jethc082.

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This article discusses the implications for archival and media archaeological research and reenactment artwork relating to a recent arts practice project: reenacttv: 30 lines / 60 seconds. It proposes that archival material is unstable but has traces and fragments that are full of creative potential to re-think and re-examine past media historical events through a media archaeological approach to reenactment. The article contains images and links to videos from the final reenactment artworks as well as from rehearsals in Vienna and Bradford.

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Kaperick, John. "Image Archival and Access: Critical Support for the Mission." International Oil Spill Conference Proceedings 2003, no. 1 (2003): 1007–9. http://dx.doi.org/10.7901/2169-3358-2003-1-1007.

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ABSTRACT Every organization has images of incidents they've been involved with, including 35 mm slides, photographs, negatives, digital camera files, graphics from this presentation or that, PowerPoint files, etc. What does an organization do with these after the fact? Is there a central repository? Who takes care of them? How do I find them again? These are very valid questions whether an organization has been involved in incidents for one year or twenty-five years. NOAA's Office of Response and Restoration (NOAA OR&R) has been taking pictures of incidents since December 1976 at the ARGO

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Rodríguez, Juan Carlos. "TOWARDS A FILM MICOLOGY?: Biodeteriorated Archival Images of Havana as Incurable-Images of the Cinematic City." Public 29, no. 57 (2018): 171–82. http://dx.doi.org/10.1386/public.29.57.171_1.

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Gracy, Karen. "Distribution and Consumption Patterns of Archival Moving Images in Online Environments." American Archivist 75, no. 2 (2012): 422–55. http://dx.doi.org/10.17723/aarc.75.2.085785x17862105t.

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Rawson, K. J. "The Rhetorical Power of Archival Description: Classifying Images of Gender Transgression." Rhetoric Society Quarterly 48, no. 4 (2017): 327–51. http://dx.doi.org/10.1080/02773945.2017.1347951.

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Greiner, J., and W. Wenzel. "Archival flash images: Optical counterparts of gamma-ray bursts or defects?" Advances in Space Research 11, no. 8 (1991): 149–54. http://dx.doi.org/10.1016/0273-1177(91)90165-g.

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Barbá, Rodolfo H., and Nolan R. Walborn. "HST/WFPC2 Photometry in the 30 Doradus Nebula Beyond R136." Symposium - International Astronomical Union 190 (1999): 243–44. http://dx.doi.org/10.1017/s0074180900117942.

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A photometric study of the 30 Doradus Nebula beyond the core is being carried out by means of HST/WFPC2 archival images, with special attention to the numerous multiple systems and compact clusterings found there.

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Marinov, Aleksandar G. "Images of Roma through the Language of Bulgarian State Archives." Social Inclusion 8, no. 2 (2020): 296–304. http://dx.doi.org/10.17645/si.v8i2.2787.

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This research has been carried out as part of the RomaInterbellum Project which studies the Roma civic emancipation between World War I and World War II. Trawling through the Bulgarian archival documents on Roma in this time period, a reader cannot help but begin to form a certain image about the Tsigani, the term with which Roma have been popularly referred to in the archives. Unsurprisingly, this image does not seem to differ much from the one of today—that of the uneducated, dirty, foreign, and that pose a threat not only to the prosperity and well-being of the Bulgarian population and cult

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McNaught, R. H., D. I. Steel, K. S. Russell, and G. V. Williams. "Near-Earth Asteroids on Archival Schmidt Plates." International Astronomical Union Colloquium 148 (1995): 170–73. http://dx.doi.org/10.1017/s0252921100021874.

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AbstractWe describe our routine identification of images of asteroids and comets on plates and films in the U.K. Schmidt Telescope archive. The asteroids of most interest to us are those which approach the Earth, and whenever such an object is found (by anyone) we perform backintegrations in order to determine whether the object may have been recorded on any UKST plate taken since 1973. In many cases the object is found (‘precovered’) and measured, allowing an accurate orbit to be determined soon after its discovery; other studies such as long-term dynamical investigations, or predictions of f

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Andernach, Heinz. "Archival of Radio Source Catalogues: Present Status and Prospects." Highlights of Astronomy 9 (1992): 731–33. http://dx.doi.org/10.1017/s1539299600010212.

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AbstractRecent proliferation of large radioastronomical source surveys and resulting data products are reviewed, and attention is drawn to their poor archival status. First practical steps are proposed to establish a radio source data base from published source catalogues, proceeding with time from the bigger and recent ones to the smaller and older ones. At later stages the data base could assimilate unpublished data, spectral-line data and also images.

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Hsu, Aaron, and Geoffrey Brown. "Dependency Analysis of Legacy Digital Materials to Support Emulation Based Preservation." International Journal of Digital Curation 6, no. 1 (2011): 99–110. http://dx.doi.org/10.2218/ijdc.v6i1.175.

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Emulation has been widely discussed as a preservation strategy for digital documents that depend upon proprietary executables, as well as for legacy programs. The fundamental assumption of this strategy is that an artifact (document or program) will be bundled with any required contemporaneous software in an archival information package (AIP) which can be loaded and executed in an emulation environment by patrons wishing to access the preserved artifact, yet little has been written about how to identify the required components for such an AIP. Even where a digital document was distributed with

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Malden, Sue. "Images of Africa: television's eye." African Research & Documentation 68 (1995): 69–74. http://dx.doi.org/10.1017/s0305862x00021695.

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Obviously by the very nature of the output of BBC Television, we hold a very wide range of programmes and are by no means a specialist Africa collection. Our specialism is the media. This paper covers the range of material we hold - age; subject; production source and formats and then looks briefly at the professional problems this material poses in terms of intake, storage and subject cataloguing and indexing. Finally, it gives you a brief introduction to the use made of the library.The Library's prime responsibility is to store and document BBC produced and transmitted programmes and any oth

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Fahmy, Shahira, and C. Zoe Smith. "Photographers Note Digital's Advantages, Disadvantages." Newspaper Research Journal 24, no. 2 (2003): 82–96. http://dx.doi.org/10.1177/073953290302400206.

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Digital imaging has been found to increase photographer's flexibility and time management, ensure usable images and increase involvement in photo editing decisions. However, digital imaging has also been found to generate shortage and archival problems and to increase editing duties.

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Freeston, Mark H., Robert Ladouceur, Hélène Letarte, and Josée Rhéaume. "Images and Doubts in Intrusive Cognitive Activity." Behavioural and Cognitive Psychotherapy 22, no. 3 (1994): 189–98. http://dx.doi.org/10.1017/s1352465800013060.

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Intrusive thoughts are variously reported as images, thoughts, doubts, impulses etc. Recent accounts of emotional processing make important distinctions between cognitive activity in verbal form and images. The comparison of verbal intrusions and images was made on archival data about intrusive cognitions from 628 university students. Images and doubts (a verbal form) occurring together were perceived as more difficult to dismiss than either images or doubts alone. In addition, images and doubts together were more frequent, more probable, and required more effort to counter than images alone.

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Cunningham, Cliona. "Picture Archival and Communications System (PACS) and the Ultrasound Department." Ultrasound 13, no. 1 (2005): 12–17. http://dx.doi.org/10.1179/174313405x27464.

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With the increase in the speed of computers and a reduction in the cost of computer hardware, PACS the electronic method acquiring and storing diagnostic images is a more attractive commodity. PACS is a network of computer systems, which must integrate well to improve efficiency. This review describes the various components of PACS and discusses the requirements of the ultrasound user.

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Marsh, Diana E. "Research-driven approaches to improving archival discovery." IASSIST Quarterly 43, no. 2 (2019): 1–9. http://dx.doi.org/10.29173/iq955.

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The National Anthropological Archives (NAA), part of the Department of Anthropology at the Smithsonian’s National Museum of Natural History, holds some 18,000 cubic feet of materials of relevance to qualitative researchers. These archival collections—manuscripts, fieldnotes, audio recordings, drawings, maps, and still and moving images—are used by not only anthropologists, but increasingly scholars from a range of qualitative research fields. In 2016, the NAA received a grant to support a 3-year post-doctoral fellow to conduct research that would lead to the improved discovery and use of archi

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Benazza-Benyahia, A., J. C. Pesquet, and M. Hamdi. "Vector-lifting schemes for lossless coding and progressive archival of multispectral images." IEEE Transactions on Geoscience and Remote Sensing 40, no. 9 (2002): 2011–24. http://dx.doi.org/10.1109/tgrs.2002.803845.

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