Academic literature on the topic 'New artistry'

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Journal articles on the topic "New artistry"

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Krivtsun, O. A. "About Artistry in Art." Art & Culture Studies, no. 3 (October 2021): 10–43. http://dx.doi.org/10.51678/2226-0072-2021-3-10-43.

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The phenomenon of artistry is investigated as a special expressive quality that manifests itself in different types and genres of art. The author comprehends the variations of the artistic principle as the most important ontological component of art, generating “meaning over meaning”, bringing a new dimension to the artistic content. The subject of the analysis is a variety of aesthetic profiles of artistry: from the dominance of virtuosity, playfulness, maestria, improvisation to the ability to paradoxically remove the antinomic tension of the elements of the art form. The value of the moment
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Singh, Khushboo. "Digital Artistry: Exploring Techniques and Trends in Indian Art and Culture." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 9 (2024): 88–94. http://dx.doi.org/10.31305/rrijm.2024.v09.n09.010.

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From prehistoric cave paintings to contemporary digital creations, art has been integral to human expression throughout history. Digital art in modern art gradually includes various forms, such as Painting, sculpture and animation, using technology as its medium. Digital art includes any artistic work using digital technology, including Painting, 3D modelling, and interactive installations. It combines human creativity with computer technology, expanding the possibilities of creative expression. Studying digital artistry in India provides insights into cultural preservation, technological inno
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Rutherford, Desmond. "Professional education: A new approach and a new artistry." Higher Education 16, no. 6 (1987): 739–45. http://dx.doi.org/10.1007/bf00139697.

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Wang, Zhan. "New media art design based on fast visual segmentation and 3D image processing." PeerJ Computer Science 9 (October 25, 2023): e1640. http://dx.doi.org/10.7717/peerj-cs.1640.

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Acquiring innovative styles and compositions from intricate and heterogeneous artistic imagery has emerged as a pivotal research quandry within contemporary new media art image conception. In a concerted effort to adeptly distill the quintessence of artistic styles and elements embedded within these visuals, an innovative methodology is posited herein, underpinned by an enhanced U-net segmentation framework and harmoniously fused with the surface extraction image reconstruction algorithm. This meticulous amalgamation endeavors to attain accurate segmentation and tridimensional reconstruction o
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Kuang, Yuxuan. "The Interpretation of Contemporary “New Mainstream” Cinema." SHS Web of Conferences 148 (2022): 02013. http://dx.doi.org/10.1051/shsconf/202214802013.

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The new mainstream film is an upgraded version of the main theme film, which is more commercial, entertaining and popular. The themes are more extensive, and the casting is bolder and more grounded. Nowadays, the rise of new mainstream films also means that Chinese films have embarked on a new journey. A new type of film that combines artistry and commercialism skillfully has its unique advantages from both artistic and commercial perspectives.
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Gauzer, Irina V., and Evgeny A. Ermolin. "MYTHOPOETICAL IMAGE OF GENIUS ARTIST IN K. BALMONT’S ARTISTIC EXPERIENCE: RECEPTION OF SPANISH ARTISTRY." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 39 (2020): 12–21. http://dx.doi.org/10.17223/22220836/39/2.

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The Russian culture of the turn of the XX century is characterized by actualization of the prob-lems of intercultural dialogue. Thus, the analysis of the Silver age is impossible without considering the fact of such a dialogue as a cultural phenomenon. The problem of hispanism reception is considered in the aspect of creative genius in K. Bal-mont’s works. In the context of Balmont's symbolism, it is important to take into account his specific conceptualization of the artist's status and interpretation of creativity as dreaming. The task of the re-search is to study the implementation of this
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Millea, James. "Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics." Journal of Musicological Research 39, no. 4 (2020): 361–63. http://dx.doi.org/10.1080/01411896.2020.1792240.

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Kim, Seong-in, and Cheon-kyu Kang. "A new genre of Chinese calligraphyintegrating the seal, cursive and semi­cursive components of characters." Korean Society of Calligraphy 43 (September 28, 2023): 197–218. http://dx.doi.org/10.19077/tsoc.2023.43.8.

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The four main styles of Chinese calligraphy characters are in the general order of their appearance: seal script, clerical script, regular script, and cursive­semi­cursive script. Generally, all the characters in a calligraphic art work have a consistent type of script. In this paper, we develop a new genre of calligraphy art, in which the components constituting one character are expressed into the seal script and cursive­semi­cursive script, which is a fusion of the two scripts.
 The fusion of these scripts brings forth various aesthetic characteristics by greatly expanding the formativ
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Barker, Edwin. "Book Review: New Horizons: The Artistry of Jeff Bradetich." American String Teacher 36, no. 3 (1986): 65. http://dx.doi.org/10.1177/000313138603600327.

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Yuhe, Peng. "The meaning of space in new media art based on examples of new media artworks." OOO "Zhurnal "Voprosy Istorii" 2023, no. 1-2 (2023): 132–37. http://dx.doi.org/10.31166/voprosyistorii202301statyi61.

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New media art, bringing together technology and artistry, possesses certain characteristics uncommon for traditional forms of art. This paper takes a number of new Media artworks as examples to explore three dimensions of the use and the meaning of space in new media art.
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Dissertations / Theses on the topic "New artistry"

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Grainger, Sheila, and n/a. "Accessing the Professional Artistry of Teaching." Griffith University. School of Cognition, Language and Special Education, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031114.084528.

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This study accesses the professional artistry of teaching which I argue is being eroded by the representation of teaching in a discourse of technical rationality (Fish, 1991, 1995). Accessing professional artistry is the first step towards identifying how it figures in teaching practice and how it can be (mis)represented in theory, policy and teachers' own talk about their practice. The research method involved: analysing the official New Zealand documents pertaining to teacher performance management to demonstrate how the dominant or hegemonic discourse of technical rationality marginalises
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Grainger, Sheila. "Accessing the Professional Artistry of Teaching." Thesis, Griffith University, 2003. http://hdl.handle.net/10072/366178.

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This study accesses the professional artistry of teaching which I argue is being eroded by the representation of teaching in a discourse of technical rationality (Fish, 1991, 1995). Accessing professional artistry is the first step towards identifying how it figures in teaching practice and how it can be (mis)represented in theory, policy and teachers' own talk about their practice. The research method involved: analysing the official New Zealand documents pertaining to teacher performance management to demonstrate how the dominant or hegemonic discourse of technical rationality marginalises
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Thompson, Shirley J. "Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition." Thesis, Brunel University, 2011. http://bura.brunel.ac.uk/handle/2438/13862.

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This submission for the degree of Doctor of Philosophy focuses on works for large instrumental ensemble in conjunction with the voice. Instrumental ensemble and vocal mediums such as the orchestral art song, the song cycle and the opera in one act, provide platforms to explore the expressiveness of the lyrical dramatic voice and the dialectic tension between composing for the solo voice with a range of instrumental ensemble forces. The portfolio of compositions includes the orchestral song, The Woman Who Refused to Dance; the orchestral song trilogy, Spirit Songs; and the opera in one act, Que
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Franck, Christoph Daniel. "The 1660 entry of Louis XIV into Paris as an artistic event : new documents concerning the decorations and their artists /." London : Courtauld institute of art, 1987. http://catalogue.bnf.fr/ark:/12148/cb35855070v.

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Lamb, Justin. "Escape Artist." ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2621.

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This poetry manuscript explores themes of family and addiction, education and New Orleans, and fear and escape in the span of three parts. Its preface examines the poet’s background and influences, his relationship with performance and humor, and the levity he hopes to create in his work.
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Semerjian, Victor. "Artists in exile : the great flight of culture." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/29482.

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The subject of this thesis is the circumstances surrounding the emigration of European modern artists to America in the late 1930's and early 1940's, and their initial reception in the city of New York. The primary vehicle of this investigation will be the Artists in Exile show, their first collective exhibition which took place at the Pierre Matisse Gallery in March of 1942. The reason why it is felt that such an investigation is warranted is that while there is a great deal of literature concerned with the Nazis vehement denunciation of modern art and their persecution of its practitioners,
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Barbour, Kim Jaime. "Constructing Artistic Integrity: An Exploratory Study." The University of Waikato, 2006. http://hdl.handle.net/10289/2474.

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This thesis explores the concept of artistic integrity. A historical foundation for artistic integrity is laid to provide a context within which eight artists' constructions of the concept can be placed. To date, little research has been conducted to discover how artists feel about artistic integrity, despite the fact that the concept is used frequently both in the popular media, and in arts and creative industries policy and research. Secondary research into European Romanticism and the growth of the creative industries traces the complex development of artistic integrity through to contempor
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Yeing, Mei Lan. "A new traditionalist: C.C. Wang the artist." The Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384357698.

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Beckham, Kathryn Ann. "'The Gate City' artistry and identity in an American historical pageant (Nebraska) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 14.18 Mb., 74 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435838.

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Lee, Grace E. "Pedagogy and Artistry in Select Twentieth-Century Piano Etudes." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1595845987466583.

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Books on the topic "New artistry"

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Richard, Polese, ed. Passions in print: Private press artistry in New Mexico. Museum of New Mexico Press, 2006.

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William, Gilson, ed. Carved in stone: The artistry of early New England gravestones. Wesleyan University Press, 2012.

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service), SpringerLink (Online, ed. Beauty in Chemistry: Artistry in the Creation of New Molecules. Springer Berlin Heidelberg, 2012.

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Smith, Pamela S. Passions in print: Private press artistry in New Mexico 1834-present. Museum of New Mexico Press, 2005.

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1928-, Kennedy George Alexander, and Watson Duane Frederick, eds. Persuasive artistry: Studies in New Testament rhetoric in honor of George A. Kennedy. Sheffield Academic Press, 1991.

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Wheeler, Beth Schwartz. Next steps in altered photo artistry: New ways to transform images for fabric & quilt art. C&T Pub., 2009.

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Damm, Ursula, and Mindaugas Gapsevicius, eds. Shared Habitats. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456477.

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The interactions between artistic, technical, scientific, living, and nonliving things have inspired new artistic approaches. The contributors to this volume either relate to theoretical discourses raised by artworks, show how young artists today approach cultural issues, or develop situations of living together with other species. All the contributions to this publication by writers, artists, technologies, and other organisms invite the reader into new experiences and new imaginaries. The reader is also invited to rethink the role of art and the role of the artist within umwelts, milieus, and
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1927-, Horner Tom, ed. New Orleans: An artist's sketchbook. Tryon Pub. Co., 1997.

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John, Snyder. The new commercial artist's handbook. Watson-Guptill, 1986.

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Spaans, Peter. New York from the yards. [publisher not identified], 1986.

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Book chapters on the topic "New artistry"

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Raine, Craig. "Conscious Artistry in The Mayor of Casterbridge." In New Perspectives on Thomas Hardy. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1007/978-1-349-23394-6_9.

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Sîntămărian, Alina, and Ovidiu Furdui. "An Artistry of Quadratic Series: Two New Proofs of Sandham–Yeung Series." In Sharpening Mathematical Analysis Skills. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77139-3_8.

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Petrick, Kerstin. "Art in the Age of Algorithms: A Creator’s Perspective on the Artistry of AI Image Generation." In New Frontiers in Science in the Era of AI. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-61187-2_12.

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Reinholdtsen, Trond. "My Via Dolorosa from (Impotent) Institutional Critique to the Founding of My Own Institution, the Norwegian Opra, with the Gradual Construction of the Followers of Ø Opra-Dorf on a Meadow in the Swedish Forest, Thereby (Maybe) Saving the Autonomy of Art." In New Music and Institutional Critique. Springer Berlin Heidelberg, 2023. http://dx.doi.org/10.1007/978-3-662-67131-3_7.

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AbstractThe chapter details how Reinholdtsen’s own fanatical pursuit of ultimate artistic autonomy and control of the means of production have led him to founding his own artist institution, The Norwegian Opra. Weaving together Broodthaers’ affirmative critique of the museum with the aspirations of Wagner’s Ring des Nibelungen, he makes the case for the musical pursuit of a freely interdisciplinary compositional engagement with musical ‘material’, casting off historical cruft where it does not suit. Reinholdtsen points to our global institutional instability to underscore the need for musical
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Herrero-Matoses, Fernando. "Alberto Greco’s Vivo-Dito, Lettrism, and the Prophecies of the Proper Name." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_5.

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AbstractThis chapter explores the legacy of Lettrism in the practices of Argentine artist Alberto Greco as a means of investigating the self-proclaimed prophetic narrative of neo-avant-garde artists in Paris in the late 1950s and early 1960s. It examines how Greco’s ephemeral public actions (Vivo-Dito) in the streets of Paris, Buenos Aires, or Madrid, in which he repeatedly proliferated his own name as both signature and work of art, opened up exploratory avenues in which the artistic self was both inscribed and dispossessed. This text builds on Andrew Hussey’s interpretation of Isidore Isou’s
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Codell, Julie. "Artistic." In A New Companion to Victorian Literature and Culture. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118624432.ch19.

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Thornton-Smith, Madeleine. "Artist Perspective: Fighting for Artists’ Labour in an Era of Insecurity." In New Directions in Cultural Policy Research. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-74821-9_13.

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Bell, Quentin. "The New English Art Club." In Victorian Artists. Routledge, 2023. http://dx.doi.org/10.4324/9781003397083-7.

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Eastman, Max. "The New American Literature." In Artists in Uniform. Routledge, 2021. http://dx.doi.org/10.4324/9781003161509-3.

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Braden, Su. "Artists in new towns." In Artists and People. Routledge, 2025. https://doi.org/10.4324/9781003617839-3.

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Conference papers on the topic "New artistry"

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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f
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Curto, Romeu, Liliana Rodrigues, and Nuno Fraga. "A SYSTEMIC ANALYSIS OF THE CURRICULUM IN SPECIALIZED ARTISTIC EDUCATION (FIELD: MUSIC) IN PORTUGAL." In 17th International Conference on Education and New Learning Technologies. IATED, 2025. https://doi.org/10.21125/edulearn.2025.0728.

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Ho, Amic. "Unravelling the Aesthetics and Emotion: Exploring the Artistic Value of AI-Generated Artworks." In 12th International Conference on Human Interaction and Emerging Technologies (IHIET 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005484.

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The debut of AI art, a new cultural realm, has given rise to discussions about its artistry and aesthetic value. On the other hand, since the new path of the art-creational movement does not allow applying traditional components of creativity to evaluate the creative and aesthetic value, art coming from AI creates new difficulties concerning its evaluation. What are the pillars of the art genre – composition, technique, visual phenomena – no longer look the same? New tools are required to give a scientifically sound assessment of the esprit and visual components of AI art. How do we assess emo
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Yaxyayeva, Nigina. "THE SHORTEST WORK IN THE WORLD." In Proceedings of MMIT’23 International Conference 25 May 2023y. Tashkent International University of Education, 2023. http://dx.doi.org/10.61587/mmit.uz.vi.32.

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This article talks about the partial life of the Nobel laureate American writer, writer, journalist Ernest Heminguey, who left an indelible mark in world literature with his rare masterpieces, the content and artistry of his works. In all his works, he tries to embody in the lives of his heroes what he feels, what he sees, what he experiences, what he witnessed through his eyes. This adib is distinguished in world literature by such violations of the boundaries of literary imagination as Joyce, Kafka, Kamyu, not by his style or a new diagnosis of society and the essence of man, by the simplici
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Wright, Dr Angela. "Artist Graduates: Are they ready to do Business?" In HEAd'16 - International Conference on Higher Education Advances. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2493.

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Businesses must expose their products and services to customers so as to make sales and be heard. The world of the artist[1] is no different, and, in the words of the late Luciano Pavarotti, the artist must ‘be heard and be seen’. The aim of this paper is to examine if there is a need to ensure that our artistic graduates are ‘market ready’. The paper specifically examines this concept in the context of an Irish Institute of Technology (IT). Artists generally do not view the world in terms of business & commerce, only as a creative space. This research study investigates if there is a
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Perez Martinez, Marta. "EROTICISM, FEMININITY AND CRAFTS, AN APPROACH TO CONTEMPORARY CERAMICS. THE ARTISTIC PRODUCTION OF PALOMA DE LA CRUZ." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs08.10.

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By the analysis of Paloma de la Cruz's work, this study seeks to approach contemporary ceramics from a gender perspective, exploring its potential as a container of visual metaphors with which to establish a current artistic discourse on the body. Although it is true that, historically, the female body has occupied a predominant role in the field of artistic representation rather than in the creative sphere, in recent decades certain changes have led artists to explore new artistic and craft genres, among which we will highlight, for the purposes of this study, the ceramic discipline. Thanks t
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Steagall, Jaqueline. "The Creative Process in the Digital Media." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.82.

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This presentation proposal brings recent researches on visuality and its transformations with new technologies. The study shows the analysis of the creative trajectory of some artists that proposed to share their works, allowing for a reflection on the process and on the movements of interaction about how knowledge and artistic sensitivity allow recognizing how a work of art is developed. The research is supported by the ideas of Pierre Levy and Steven Jonhson as collaborators of technical thinking and Fayga Ostrower, who developed analyses on drawing. They are, however, expanded by Cecília Sa
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Younis Muhih, Intisar. "THE EFFECT OF VIOLATING THE ORDER ON THE MEANING OF THE QUR’ANIC SURAH AL-KAHF IS AN EXAMPLE." In VII. International research Scientific Congress of Humanities and Social Sciences. Rimar Academy, 2024. https://doi.org/10.47832/ist.con7-3.

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Its special grammatical meaning, and violating this arrangement not only leads to giving the structure new usage images, given the flexibility and mastery represented by the multiplicity of these images in the language itself, but rather the structure gains diverse connotations due to the diversity of possible images, and this is one of the characteristics of a living, renewed language, so what about the original, renewed text - the text The Qur’an is a text known for its artistry and creativity in constructing compositions and creating connotations. The vision of the research is based on the
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Фролова, М. К., and Т. В. Ковалева. "THE COLOR ORGANIZATION OF THE NEW LITERARY EXPOSITION OF THE F. M. DOSTOEVSKY LITERARY MEMORIAL MUSEUM IN ST. PETERSBURG." In Цвет в пространственных искусствах и дизайне. Crossref, 2024. http://dx.doi.org/10.54874/9785605245766.2024.04.44.

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Новая литературная экспозиция в музее Ф. М. Достоевского в СанктПетербурге представляет большой интерес, так как она содержит много научно-документального материала о писателе, подготовленного литературоведами Н. Т. Ашимбаевой и Б. Н. Тихомировым, а в оформлении выставочного пространства отражена двойственность внутреннего мира Достоевского, переданная в его произведениях. Особое внимание уделено цветовому решению экспозиции. Художественным проектом нового выставочного пространства занимался выпускник СПГХПА им. А. Л. Штиглица художник А. В. Опочанский. Характерная атмосфера произведений писат
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Zhang, Mingyuan, Zhaolin Cheng, Sheung Ting Ramona Shiu, et al. "CoSculpt: An AI-Embedded Human-Robot Collaboration System for Sculptural Creation." In 5th International Conference on Human Systems Engineering and Design: Future Trends and Applications (IHSED 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004115.

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Artificial intelligence (AI) and machine learning (ML) have witnessed significant advancements, leading to the emergence of AI-aided systems that assist in artwork creation. However, the current AI-powered creation support tools predominantly focus on generating 2D images, with limited assistance for 3D object creation, particularly in the field of sculpture. Additionally, as the automation capabilities of machines continue to grow, artists often struggle to maintain control over the creative process. Therefore, the collaboration between artists and AI in sculpturing remains unclear, along wit
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Reports on the topic "New artistry"

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Mestre Delgado, Giselle. The Artistic Representation of the Witch: From Demonization to Empowerment. Florida International University, 2025. https://doi.org/10.25148/fiuurj.3.1.2.

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This journal article examines the portrayal of the witch archetype in Art History, uncovering not only the aesthetic choices made by artists but also the ways in which prevailing beliefs, moral panics, and societal anxieties have shaped these depictions. I discuss the iconography, visual imagery, literary inspirations, and historical context behind each examined artwork and artist to fully grasp this turbulent history. The term “witch” describes mythological figures with inborn or acquired magical powers. The ways these powers function differ from region and culture. However, one aspect prevai
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Grazia Mattei, María. Art and New Media in Italy. Inter-American Development Bank, 2003. http://dx.doi.org/10.18235/0006628.

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Crispin, Darla. Artistic Research as a Process of Unfolding. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.503395.

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As artistic research work in various disciplines and national contexts continues to develop, the diversity of approaches to the field becomes ever more apparent. This is to be welcomed, because it keeps alive ideas of plurality and complexity at a particular time in history when the gross oversimplifications and obfuscations of political discourses are compromising the nature of language itself, leading to what several commentators have already called ‘a post-truth’ world. In this brutal environment where ‘information’ is uncoupled from reality and validated only by how loudly and often it is
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Orning, Tanja. Professional identities in progress – developing personal artistic trajectories. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.544616.

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We have seen drastic changes in the music profession during the last 20 years, and consequently an increase of new professional opportunities, roles and identities. We can see elements of a collective identity in classically trained musicians who from childhood have been introduced to centuries old, institutionalized traditions around the performers’ role and the work-concept. Respect for the composer and his work can lead to a fear of failure and a perfectionist value system that permeates the classical music. We have to question whether music education has become a ready-made prototype of ce
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Villella, Edward. Dance: From Folk to Classical. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0007912.

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Editors, Intersections. On Religion: Photography in Collaboration. Intersections, Social Science Research Council, 2024. http://dx.doi.org/10.35650/int.4061.d.2024.

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This article showcases photographic essays produced by collaborations between visual artists, journalists, and religious scholars through a partnership between New York University and the Magnum Foundation.
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Rito, Carolina, and Paul Goodwin. The Changing Same? British Black Artists and Visual Arts Organisations in the Midlands. Coventry University, 2023. http://dx.doi.org/10.18552/camc/2023/0001.

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The Role of Visual Arts Organisations in the British Black Arts Movement in the Midlands’ is a research network funded by the Arts and Humanities Research Council (AHRC). Co-led by Carolina Rito (Coventry University) and Paul Goodwin (University of the Arts London), this project explored the institutional and curatorial strategies of the movement in the 1980s, and the institutional support in promoting and showing Black curators and artists then and today. The publication includes new insights about the process, and interviews with key researchers and practitioners in the field. It presents a
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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were publ
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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand begun in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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Woodruffe, Paul. Suburban Interventions: Understanding the Values of Place and Belonging Through Collaboration. Unitec ePress, 2012. http://dx.doi.org/10.34074/ocds.12012.

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How can a socially defined project facilitate meaningful knowledge transfer between community, corporate, and institution? In order to address this question, this paper focuses on an ongoing live project in suburban Auckland New Zealand began in 2010, undertaken by a post-graduate student and researcher collective. The collective currently creates subtle interventions sited within local cyberspace, and through this current project will employ impermanent and small-scale design to advocate for a series of neglected and disputed sites. It explores the impact and value the presence of artists and
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